Back catalogue: Jazz

Review: Afrobeat virtuoso Seun Kuti is soon to release his highly anticipated album, Heavier Yet (Lays The Crownless Head) later this year. It features guest appearances from Damian Marley and Sampa The Great so promises to be a global sensation. Ahead of that, we get a taste of things to come from his distinctive Afrobeat sound with this powerful new work on Milan's Record Kicks. First up here with get the bubbly rhythms of 'Emi Aluta' (Zamrock remix) then 'Emi Aluta' (feat Sampa The Great - 45 edit) comes complete with some hard bars.

Review: The 12th release on Mr. Bongo's signature 45s series saw a reissue of two foundational releases in Brazil's modern popular music category; now the record hears a second round, fresh again off the master metal lacquer. On the A, we hear Brazilian samba luminary Elza Soares covering Jorge Ben's classic 'Mas Que Nada' - albeit with a hoarser vocal tone, such was Soares' signature voice, one which only led to a whopping 34-album career. B-sider Elizabeth, by contrast, upholds a mystery; the artist was nicknamed "Gatinha do Mato" ("jungle cat"), and recorded 'Vou Falar-Lhe Francamente' at some indeterminate point in 1960s Sao Paolo, when and where Brazilian local styles blended with funk and rock.

Review: Madrid-based collective Danzon El Gato channel the city's restless creative energy into a vivid fusion of jazz, funk and roots music. Formed within Madrid's experimental scene, the group revolves around Javier Adan and Santiago Rapallo, longtime collaborators whose past projects range from jazz fusion to avant-garde film scores. This latest release sees them sculpt a kaleidoscopic sound, pulling from North African, Latin American and Mediterranean traditions while staying locked into the groove with a rhythm section indebted to 70s library music and golden-era hip-hop. Across the record, they explore an array of moods and textures. 'Ronda' pairs intricate guitar lines with a propulsive swing, while 'La lucha'ifeaturing Marina y su Melaoileans into percussive Latin jazz. 'Twangy Morocco' lives up to its name, weaving surf-rock guitar into an East-meets-West instrumental, whereas 'Chapoteo' ripples with aquatic, freeform interplay. 'Amambay' and 'Fuimos invencibles' showcase their knack for evocative storytelling through sound, shifting effortlessly between cinematic tension and unbridled release. Danzon El Gato craft music that reflects Madrid itselfidense with influences, rich in movement and ambiguousiin the best way. Their sound captures a city in flux, where past and present collide to create something unmistakably fresh.

Review: Strut's reissue of Experience Unlimited's 1977 debut Free Yourself offers a fresh dive into a seminal record that paved the way for Washington D.C.'s go-go scene. Originally released in 1977, this album fuses soul, jazz, and funk-rock, showcasing the band's eclectic and pioneering style. Formed in 1973, Experience Unlimited caught the eye of Black Fire Records' Jimmy Gray after a school talent show victory. Bandleader Gregory "Sugar Bear" Elliott recalls their early days in the studio with a sense of youthful spontaneity, capturing their genuine selves. Free Yourself reflects this spirit with its vibrant and varied tracks. From the soulful reflections of 'Peace Gone Away' to the funk-driven 'Funky Consciousness' and the nascent go-go grooves of the title track, the album radiates positive energy and innovation. The reissue preserves the original artwork, including Malik Edwards' cover painting, and features remastering by The Carvery. Accompanied by a new interview with Sugar Bear and rare photos, this edition brings a crucial piece of music history back into the spotlight.

Review: The Last Poets, pioneers of revolutionary spoken word and proto-rap, return with a powerful new album that blends their fiery lyricism with the infectious rhythms of Afrobeat. 'Africanism' sees the legendary duo, Abiodun Oyewole and Umar Bin Hassan, collaborating with a stellar cast of musicians, including the late Tony Allen, Prince Fatty, and members of Seun Kuti's Egypt 80. The result is a potent and timely exploration of social and political issues, delivered with the same raw energy and uncompromising spirit that has defined The Last Poets' music for over five decades. Abiodun revisits classics like 'When The Revolution Comes' and 'Gash Man', their messages of social justice and self-empowerment still burning bright. Umar's 'Niggers Are Scared Of Revolution' and 'Just Because' remain as potent and provocative as ever, their unflinching commentary on race and inequality cutting through the noise of contemporary discourse. The album's musical landscape is equally captivating, with Tony Allen's polyrhythmic drumming providing a driving force, complemented by the soulful melodies and intricate arrangements of the contributing musicians. A powerful reminder of the transformative power of music and spoken word.

Review: This 1965 collaborative album brings together some of the international music world's finest talents. Featuring Nara Leao's soothing vocals, Edu Lobo's striking guitar and Tamba Trio's vibrant harmonies, 5 Na Bossa captures the essence of Brazilian bossa nova and jazz with a warm and sunny inflexion. With iconic tracks like 'Reza' and 'Zambi' bringing Latin jazz flair, and Edu Lobo's 'Estatuinha' offering more ruminative folk sounds, this is a brilliant album for those who like South American sounds in all their many guises. The album was recorded live at the Paramount Theater in Sao Paulo and is truly essential listening.

Review:  Legendary Brazilian musician Milton Nascimento is often hailed as one of Brazil's greatest ever musical exports and for this album, he collaborated with NPR's "21st Century's jazz genius," Esperanza Spalding. Milton + Esperanza is an album produced by Spalding and one that blends urgent and timeless sounds together into something interesting and new. The album features guest appearances by Dianne Reeves, Paul Simon, Lianne La Havas, and others while fusing Nascimento's enduring musical vision and Latin spirit with Spalding's innovative approach to jazz.

Review: Jeff Parker's The Way Out of Easy harnesses his long-running ETA IVtet's residency at the Los Angeles creative music venue, ETA. Featuring saxophonist Josh Johnson, bassist Anna Butterss, and drummer Jay Bellerose, the album comprises four expansive tracks recorded live on January 2, 2023. Known for their transcendental, groove-oriented improvisations, the ETA IVtet's sound evolved over seven years, blending minimalism and polyrhythmic mantras. Engineered by Bryce Gonzales, who designed a custom mixer specifically for the group, The Way Out of Easy presents a pure, transparent auditory experience. The set begins with 'Freakadelic', a composition from Parker's 2012 album, before moving through meditative and richly textured pieces like 'Late Autumn' and 'Easy Way Out'. The album closes with a spontaneous dub/reggae groove titled 'Chrome Dome'. As the final chapter in ETA's history, The Way Out of Easy is a testament to the ensemble's deep creative synergy and the enduring spirit of the venue.

Review: The search for The Quest is finally over. This rare album, a true first pressing with the Abbey ring and deep grooves, is now on the shelf and sounding fantastic. It ranks among the top jazz albums, alongside Basra and Far Cry. The Quest is a stunning showcase of soul, musicianship, and composition, with all tunes penned by Mal Waldron, who is a master of sparse, dark, delicate beauty on the piano. Featuring Eric Dolphy on alto and clarinet, Booker Ervin on tenor, Ron Carter on cello, Joe Benjamin on double bass, and Charlie Persip on drums, the ensemble is top-notch. Standout tracks include the mellow and reflective 'Warm Canto' and the energetic 'Status Seeking,' Every tune is unique, making it an album worth revisiting. This reissue rightly restores leadership to Waldron, and with the support of Benjamin and Persip, the complex music, bridging hard bop and avant-garde, is beautifully interpreted. Highly recommended.