Back catalogue: Indie/Alternative

Review: Interpol's seventh album sees the long-standing NYC indie rock giants teaming up with the legendary production team of Flood and Alan Moulder for a trip into sadness, darkness and introspection. For devoted fans of the band, those themes should ring true and spell out another record to be cherished for those downcast days. Daniel Kessler's serpentine guitar work cuts an imposing, but ultimately graceful figure on 'Into The Night', while Samuel Fograino's propulsive drumming continues to explore meters beyond linear motorik drive and Paul Bank once more speaks from the deepest reaches of his soul.

Review: Interpol are marking the 20th anniversary of their acclaimed sophomore album Antics with a special edition release. Originally launched in September 2004, Antics solidified the band's influence in the post-punk revival scene with unforgettable tracks like 'Slow Hands', 'Evil' and 'C'mere'. Antics represents the band's mature sound, blending dark, atmospheric elements with Paul Banks' brooding vocals. It maintained the distinct essence of their debut, Turn On The Bright Lights, while introducing a more refined, pop-leaning structure. Antics skillfully avoids the sophomore slump by not attempting to recreate their debut's shadowy allure. Instead, it embraces a lighter, more direct sound while retaining their trademark post-punk edge. The album has a pop-leaning confidence, driven by crisp guitars and more prominent vocals from Paul Banks. The album's shift toward a collection of singles, rather than a cohesive narrative, allows each track to stand out. With Antics, Interpol offers a more accessible yet still brooding evolution, confirming their place in modern rock.