Review: .5 Borough Breaks are back with another essential slice of 90s hip-hop nostalgia. Their latest 7" revives a 1995 Hot 97 favourite-a gritty, golden-era banger that once ruled the NYC airwaves. Handily pressed for both DJs and collectors, Blahzay Blahzay's 'Danger' captures the raw energy of East Coast rap at its peak. As always with this label, the flip side features the original sample source: a soulful gem 'Rockin Chair' from recently departed legend Gwen McCrae whose legacy shaped generations of soul fans and hip-hop heads. As such, this 7" combines deep digging with authentic hip-hop flair and pays tribute to both the beatmakers and the soul pioneers who inspired them. Essential wax.
Review: .German low end collective Bass Come Save Me unleash a new 45 with a strong Portland portrait as Boomarm's Gulls makes their debut on the label with a warm beat that will keep the chills at bay this winter. Add Jamaica's Wayne Daniel on the vocals and another Portland native Madgesdiq on the conscious bars and there's a vibe that sits somewhere between Roots Manuva, YT and Wyclef. Yeah it's that toasty. Stay blessy.
Review: Following the likes of 'A Journey Into Abstract HipHop' and 'Snap Your Neck Back', the Gasoline collective continued their early legacy with 'Fuck You I'm 21' which arrived digitally in 2023, 21 years after the debut EP. It comes now as a 7" with all the original cuts included. The opener is an old-school blend of raw beats, scratching and smart samples, 'Human Sucks' then pairs moody spoke words with eerie late-night boom-bap and 'Zattar' is a short beat interlude that oozes atmosphere. 'Dark In The 46th District' is the final short but pithy beat sketch which is a great example of experimental hip-hop and beat culture from the turn of the millennium.
Review: A historical pairing of hip-hop and soul that celebrates the connection between the iconic rap track and its sampled origin. Side-1 features 'Mind Playing Tricks On Me' by the Geto Boys', a landmark 1991 hit, widely regarded as the first Southern hip-hop classic. Scarface, Willie D and Bushwick Bill deliver deeply introspective verses exploring paranoia, mental health and street life, setting a precedent for emotional storytelling in rap. The track's haunting atmosphere and raw vulnerability put Houston's 5th Ward on the map, cementing the group's legacy in the genre. On Side-2, Isaac Hayes' 'Hung Up on My Baby' takes center stage, the soulful 1974 instrumental that inspired the Geto Boys' masterpiece. With its funky guitar licks and cinematic grooves, the track embodies Hayes' genius and underscores the lineage between soul and hip-hop.
Review: Following the success of their debut album On The Inside, UK hip-hop, soul and r&b collective Gotts Street Park are back with their highly anticipated new EP which features a series of instrumental tracks born from the raw, live chemistry of the band. Made using techniques inspired by Miles Davis's Bitches Brew and with no lyrics, the music draws on psychedelic influences and hip-hop instrumentals so tracks like 'Diego' blend funky grooves and snaking guitar riffs, while 'Ozu' evokes the peaceful, voyeuristic feel of director Yasujir? Ozu's films. The EP ends with 'Enzo's Theme' which is nicely inspired by The Godfather.
Review: New York's Gregg Green teams up with Pimpernel Jones (Herma Puma) to deliver a release that operates around the more soulful, thought-provoking end of hip-hop. The title track 'Hypocrite' delivers a powerful message, calling out the hypocrisy of those in power while showcasing Green's signature emotive vocals. The track is set against a smooth yet compelling backdrop, with Jones' production adding depth and warmth. On the B-side, 'You'll See' offers a cautionary tale, urging listeners to stay true to their values as they navigate the pursuit of dreams. It's a track filled with subtle wisdom, offering both an uplifting and introspective vibe. This release exemplifies the duo's ability to create soulful, engaging music with both heart and purpose.
Review: Dynamite Cuts continue in their mission to share jazz, funk and soul deep cuts with the world, this time pulling a timeless gilded funk rabbit out of their hats. Gregory James Edition took on the collective mantle of "Prophets Of Soul" at the moment of their 1973 debut, which would only then be followed by the 1979 record Gonna Grow Some Gold before an eventual disbandment. A shame, since 'Ain't No Sunshine' and 'Changing Things' stand out as the record's finest offcuts; the first track uses its various clavinets and Farfisa Combo organs to estrange an existingly capricious funk sound, rendering it rather odd, alien, spacious. 'Changing Things' contrasts with upswells of gushing piano set to a funk backbeat, which come yet measured by an admirable key change control, again held down by lead player Gregory Bibb.
Review: By K-pop standards, rapper-turned-popstar G Dragon (Real Name Kwon Ji Yong) is something of a veteran. He's been a star in his native South Korea since the tail end of the 2010s, enjoying success for a trio of albums released between 2009 and 2013. Ubermensch, officially his fourth full-length, sees him return to solo action following a period spent working as a songwriter and producer for other artists. It's a typically entertaining, fun and boisterous set that sees him sing (and more occasionally rap) atop tracks that variously mix and match elements of P-funk, EDM, disco, synth-funk and 21st century pop. K-pop fans take note!
Review: Real rap heads will know that in the mid-90s, Memphis was the centre of an intriguing scene. It boasted a ton of great artists who all helped foment a raw, hard-hitting style with direct lyrics that revealed plenty about life on the local streets. Gangsta Blac's Breakin Da Law is a record from that time which gets reissued here and takes you right back to energy of Memphis at that time. With its pounding beats, eerie synths and relentless flows, the tracks capture the gritty realities of street life and rebellion while Gangsta Blac's commanding delivery and vivid storytelling paint a picture of survival and defiance that still resonates while channelling the spirit of the Dirty South and Southern hip-hop's golden era.
Review: You will always have a job second-guessing where The Gaslamp Killer might go next. This time, it is to a new collaborative album with Jason Wool. ANANDA find the pair cooking up 33 minutes of avant-garde experimental jazz underpinned by heavy bass and topped with plenty of sound design madness that calls to mind the likes of Stanley Clark, David Axelrod and Aphex Twin. The synapse firing collage of 'Chaos In The Brain' is a great example of the joys of this record - organic and synthetic, chaotic yet calm. It's a real treat.
Left & Right (feat Method Man & Redman - instrumental) (5:14)
Spanish Joint (instrumental) (3:35)
Sugah Momma (instrumental) (1:33)
Brown Sugar (instrumental) (3:08)
Me And Those Dreamin' Eyes Of Mine (instrumental) (4:07)
Cold World (interlude instrumental) (2:27)
Be Here (feat Raphael Saadiq - instrumental) (4:03)
Review: To commemorate the 20th anniversary of D'Angelo's iconic album Voodoo, Amerigo Gazaway had crafted a masterful tribute that reinterprets several standout tracks from the original. Utilising live instruments like electric guitar, synth bass, clavinet, organ and Rhodes, Gazaway breathes fresh life into these classic cuts while maintaining the essence of their grooves. The result is a woozy, silky update that melds elements of hip-hop, gospel, neo-soul and r&b, creating a rich tapestry of sound that honors the source material. With fourteen tracks, including both vocal and instrumental versions, this project captures the spirit of Voodoo while infusing it with new energy. A highlight of this release is the bonus track featuring Raphael Saadiq alongside D'Angelo on 'Be Here', which further emphasises the collaborative spirit of the genre. Gazaway's reimagining not only celebrates the timeless quality of Voodoo but also showcases his talent for blending classic sounds with contemporary influences, making this tribute a worthy addition to any music lover's collection.
The Battlefield (feat Kool G Rap, Az & Tre Williams)
Love Don't Live Here No More (feat Kandace Springs)
Here I Go Again (feat Az & Rell)
Kool G Rap & Nems - "Loyalty"
The Revelations - "It's A Thin Line Between Love & Hate"
The Dogs Of War (feat Shawn Wigs & Kool G Rap)
Emergency Procedure (feat Pharoahe Monch)
Double Cross (feat Az)
Kandace Springs - "Bamboo's Lament"
Pieces To The Puzzle (feat Az)
Homicide (feat Nems & Shawn Wigs)
Blood In The Streets (feat Az)
Call My Name
The Revelations - "I Love You For All Seasons"
Review: Ghostface Killah's 36 Seasons, first released in 2014, plays out like a gritty graphic novel; we follow Ghostface's maskless alter-ego Tony Starks as he returns to Staten Island after nine years in solitary. Expecting to reunite with his old life, he instead finds his community in disarray, friends turned enemies and betrayal lurking around every corner. So, fuelled by revenge and a broken heart, Starks becomes a reluctant antihero, navigating a grave landscape of corruption, street politics and lost love. The album unfolds over soul-drenched production from The Revelations, creating a cinematic backdrop for the narrative's descent into movie violence and moral compromise. This reissue through Salvation keeps true to the album's original totting of 14 tracks, eschewing the extra ten on the deluxe edition.
Review: Celebrating its tenth anniversary, 36 Seasons remains a unique album, combining gritty storytelling with soul-driven production. With a compelling narrative written by Matthew Rosenberg, the album immerses listeners in the life of Tony Starks, a streetwise figure navigating betrayal, revenge and redemption. The collaboration with The Revelations brings a fresh, live-band sound that elevates the classic Ghostface energy, blending sharp lyricism with rich, retro-soul instrumentation. Guest performances feature Kool G Rap, AZ and Pharoahe Monch further enhance the storytelling, adding layers of character development, while tracks like 'The Dogs of War' and 'Homicide' showcase sharp lyricism and dramatic tension, while the album's emotional depth, especially on 'Love Don't Live Here', offers a more intimate side of Starks. This reissue brings out the full range of the album's soulful grooves and cinematic narrative. Whether revisiting 36 Seasons for its narrative or its production, this anniversary edition invites both new listeners and longtime fans to experience it in a fresh, vivid light.
At The Cabana Skit (performed by Ghostface Killah & Rhythm Roots Allstars)
Toney Sigel A.K.A The Barrel Brothers (feat Beanie Sigel)
Yolanda's House (feat Raekwon & Method Man)
We Celebrate (feat Kid Capri)
Walk Around
Yapp City (feat Trife Da God & Sun God)
White Linen Affair (Toney Awards) (feat Shawn Wigs)
Supa GFK
Rec-Room Therapy (feat Raekwon & U-God)
The Prayer (performed by OX)
I'll Die For You
Paisley Darts (feat Raekwon, Sun God, Trife Da God, Method Man & Cappadonna)
Shakey Dog Starring Lolita (feat Raekwon)
! (performed by Ghostface Killah & Rhythm Roots Allstars)
Killa Lipstick (feat Method Man & Masta Killa)
Slow Down (feat Chrisette Michele)
Review: This album is a testament to Ghostface Killah's resilience as a storyteller. The project explores themes of wealth, violence and survival, with Ghostface delivering vivid narratives laced with humor, offbeat details and a raw energy. This reissue released on red and purple vinyl, is filled with guest appearances, that rarely overshadow Ghost's distinctive voice. The production is a mix of hard-hitting beats and soulful samples, offering a backdrop that fits the gritty themes, especially on tracks like 'Tony Sigel AKA Barrell Brothers' and 'We Celebrate'. Despite the occasional sense of rushed execution, the album offers some standout moments. 'Yolanda's House' brings a lighthearted touch to the darker tones, while 'Walk Around' delves deep into PTSD and guilt, showcasing Ghostface's ability to address heavy topics with nuance. One of his finest releases, this album still manages to shine through with Ghost's relentless commitment to his craft.
Review: Ghostface Killah, legendary Wu-Tang Clan member, invites us to relive the cinematic brilliance of 36 Seasons, his tenth studio album and a conceptual death blow. The record chronicles the journey of Tony Starks (not an uncoincidental Iron Man reference), whose return to Staten Island after nine years, after a lengthy stint in the slammer, finds him only a further embroilment in the seedy underworlds and ganglands of New York. To celebrate its 10th anniversary, the album is reissued here in special editions and with exclusive bonuses, including an original graphic novel booklet and poster, diving deeper into a gripping saga of personal redemption and street resilience.
Review: John Glacier, a rising star in the UK music scene, finally unveils her highly anticipated debut album, a captivating exploration of modern life through a uniquely personal lens, weaving together threads of relationships, responsibilities and the complexities of navigating a rapidly changing world, her poetic lyricism and distinctive phrasing shining throughout. Tracks like 'Satellites' and 'Don't Cover Me' offer an intimate glimpse into Glacier's journey, while 'Money Shows (feat. Eartheater)' and 'Emotions' explore the complexities of human connection and self-discovery. The album's sonic landscape is as diverse as its themes, with introspective moments like 'Nevasure' and 'Steady As I Am' interwoven with bursts of raw energy in tracks like 'Grands!' and 'Cows Come Home'. 'Ocean Stepping (feat. Sampha)' and 'Dancing In The Rain' showcase Glacier's collaborative spirit, while 'Heaven's Sent' provides a poignant and reflective conclusion to an enthralling debut.
Rain Down On Me (feat Kirk Franklin, Chandler Moore, Kierra Sheard & Maverick City music) (3:48)
Glo's Prayer (3:10)
How I Look (feat Megan Thee Stallion) (2:01)
I Ain't Going (2:54)
Step (feat Bossman Dlow) (2:45)
Let Her Cook (2:37)
I Luv Her (feat T-pain) (2:57)
Queen Of Memphis (feat Fridayy) (2:49)
Review: Grammy-nominated artist GloRilla finally unveils her highly anticipated debut album after plenty of hype in recent months. And it is a truly star-studded project that features collaborations with contemporary titans like Megan Thee Stallion as well as Latto, Sexyy Red and Kirk Franklin. This studio debut follows a meteoric rise which was sparked by her infectious hit singles and some dynamic creative partnerships. With standout tracks like 'Yeah Glo!,' 'TGIF' and 'Wanna Be' featuring the aforementioned Stallion already making waves on the Hot 100, Glorious surely cements this artist's place as a hip hop star of 2025.
This Is For Your Blue Soul (feat Made In M) (2:32)
Espina Santa (2:09)
Review: With his new album, the lauded Bogota producer Felipe Gordon assembles a collection of tender, ponderous hip-hop instrumentals inspired by 'the melancholy of a period of his life and the emotions that come with it.' While this cryptic insight could relate to a gamut of emotions from heartache to loneliness, the album's 11 tracks, including collaborations with lo-fi beats kingpins Saib and Made In M, among others, channel a timeless nostalgia which is immediately relatable. Fusing the instantly recognisable jazz lollop of many of today's 'beats to study and chill to' school with Tame Impala-esque jangle guitars and reverb clouds, Gordon delivers an anthology which truly does what it says on the tin. Turn Off, Tune In, Drop Out!
Review: As far as reflective storytelling goes, Philmore Greene's new album is as good as it gets, and one that shows off his vibrant hip-hop mastery. The Chicago lyricist weaves deeply personal narratives throughout these joints and layers them with sharp social commentary, as all good hip-hop mic men should. His tunes offer a raw yet polished perspective on life's trials and triumphs backed by rich, soulful production. Greene's intricate wordplay and commanding delivery shine from introspective moments to bold declarations. Importantly, the album balances emotional depth with head-nodding groove and in all, it solidifies Philmore Greene as a compelling voice in hip-hop who is both authentic and artistic in all new ways.
Grey October Sound & Monbee - "Fly-Day China Tow" (2:27)
Grey October Sound & Achamico - "Plastic Love" (4:57)
Grey October Sound & Monbee - "Mayonaka No Door - Stay With Me" (3:17)
Grey October Sound & Judo125 - "Tokai" (2:54)
Grey October Sound & Esu - "Anohi Ni Kaeritai" (2:19)
Grey October Sound & Lo Film Creation - "Kanashimi-Ga-Tomaranai" (4:15)
Grey October Sound & Esu - "Kimi Wa 1000%" (4:56)
Grey October Sound & Judo125 - "Amaku Kiken Na Kaori" (3:05)
Grey October Sound & The Sidewinder - "Mr Summertime" (2:28)
Grey October Sound & Kimono Boyz - "Down Town" (4:05)
Grey October Sound & Judo125 - "Mayonaka No Door - Stay With Me" (version) (4:07)
Review: Following the success of Lo-Fi Ghibli in 2022, underground hip-hop head Grey October Sound is back with a new cover album that finds him reimagining iconic Japanese city-pop tracks through lo-fi hip-hop. It is another gem from P-VINE that features laid-back reinterpretations of classics such as Miki Matsubara's 'Mayonaka no Door,' Yasuha's 'Fly-Day Chinatown,' and Taeko Onuki's 'Tokai' alongside songs by Tatsuro Yamashita, Mariya Takeuchi and Yumi Arai. It's. Lush world of carefully hinted at nostalgic melodies with relaxed beats soothing mind, body and soul, all with a lo-fi and retro city-pop charm.
Wrapped In Gentleness (Kiki's Delivery Service) (3:05)
The Bygone Days (Porco Rosso) (2:44)
One Summer's Day (Spirited Away) (3:24)
A Town With An Ocean View (Kiki’s Delivery Service) (3:48)
The Path Of Wind (My Neighbor Totoro) (2:32)
Nausicaa Requiem (Nausicaa Of The Valley Of The Wind) (2:16)
The Princess Mononoke (The Princess Mononoke) (2:40)
The Legend Of Ashitaka (The Princess Mononoke) (2:42)
The Sixth Station (Spirited Away) (2:42)
Carrying You (Castle In The Sky) (4:21)
Review: Grey October Sound's latest offering blends lo-fi hip-hop with the timeless allure of Ghibli's iconic soundtracks. The album reinterprets beloved melodies with smooth, chilled-out beats and warm, atmospheric production. Tracks like 'The Bygone Days' and 'One Summer's Day' breathe new life into these classic tunes, making them feel both nostalgic and contemporary. The integration of lo-fi textures creates a soothing backdrop, perfect for unwinding or studying. This release successfully bridges the gap between two worlds, bringing a fresh, relaxed vibe to Ghibli's unforgettable music.
Review: Grey October Sound, known for their standout lo-fi hip-hop compilations like Timeless and The Cave, has gained traction in Japan and beyond. Their popular series like Lo-Fi Ghibli and Lo-fi City Popicovering iconic Studio Ghibli tracks and beloved city pop hitsihas cemented their place in the lo-fi scene. Now, they team up with Salad Days, Europe's top lo-fi/chill pop label, for a highly anticipated collaboration. This new compilation features digital lo-fi favourites from artists such as ENRA, Lenny Loops, Slowheal, and Eugenio Izzi. The visual aesthetic, including cover art, comes from celebrated illustrator Rika Nagatani, the creative force behind Lo-Fi Ghibli, adding another layer of charm to the release.
Review: After a busy 2018, Da Buze Bruvaz emcee Him Lo is starting the new year strong with his first official solo project, and a fine one it is too. It shows that he is determined to prove he can stand alone, though he does team up with rising producer Giallo Point, who is revered for working with top dogs like SmooVth, Big Twins, Roc Marciano and more. Giallo crafts a lush yet gritty gangster soundtrack of dusty, hardcore loops that perfectly complements Him Lo's raw delivery. Stepping out from Da Buze Bruvaz without Clever 1, Him Lo showcases his real creative hunger and fine artistic versatility here on an album that is a grimy, unapologetic triumph.
Review: MC Money and Gangsta Gold's collaboration offers a glimpse into the hard-hitting underground sound of Memphis rap, capturing the raw energy and stark realities of the city in the 90s. The tracks feature gritty, no-frills vocals, driven by bass-heavy beats and shadowy synths that mirror the harsh streets of Frayser. The music remains unapologetically rough around the edges, yet there's an undeniable sense of purpose behind each trackian unwavering honesty that demands attention. It's not just about the aggressive delivery or tough subject matter; it's about a snapshot of a time and place that continues to resonate. Each beat pulses with a sense of urgency, while the lyrical content cuts straight to the heart of Memphis' rap scene, without pretense or over-production. There's something undeniably compelling about its rawnessia reminder of the power of minimalism when it's done with conviction.
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