FELIPE GORDON レコード& CD

Review: Multi-artist EPs have all been all the rage of late, though few can boast quite as strong a line-up of artists as this one from dependable French deep house label Phongramme. It begins with a gorgeous chunk of detail-heavy, sun-splashed electronic deep house brilliance courtesy of Abacus (an artist whose discography also contains outings on Prescription, Innermood and NDATL Muzik) and ends with a vibraphone-solo sporting shuffler from the effervescent Byron The Aquarius and Computer Jay ('When The Freaks Come Out'). Sandwiched in between you'll find two more must-have workouts: the bumpin', brilliant and spiritually uplifting 'States of Motion' by Fred P, and a typically dusty, jazzy and warming number by Colombian hero Felipe Gordon ('The Gordon Way').

Review: Felipe Gordon returns with NeighbourSoul Edits Vol 5, delivering a vibrant mix of funky rhythms, nu-disco grooves and jazzy undertones. Released via NeighbourSoul Rhythm Germany, this 12" captures Gordon's signature style, blending deep house textures with soulful samples and organic instrumentation. Known for his unique ability to fuse genres, Gordon's latest edits bring a fresh twist to timeless sounds, perfect for both the dancefloor and home listening. Expect warm basslines, catchy melodies, and plenty of groove throughout this standout edition in the series.

Review: It has always been hard to define the exact sounds of Shall Not Fade behind 'just good tunes'. The Bristol label is one of the UK's finest at this point and Felipe Gordon is exactly the sort of artists who fits their vibe. His new EP The Lichtenberg Effect is a timeless one that draws on jazz for its vibrant house kicks. The drums are raw and punchy on 'Happy Sunday' while the keys are off grid and wonky. 'I'll Find A Way' brings a little swing to get those hips moving while clipped vocals add some soul. The title cut is a blend of off-dance jazz chords and feathery hi hats with leggy drums and 'You Can Do It On Your Own' closes with some downbeat introspection.

Review: Fresh from fine outings on Razor N Tape Reserve, Royal Oak and Nervous Chill, prolific producer Felipe Gordon makes his bow on French label Phonogramme. While the Colombian producer made his name with a jazz-funk-flecked brand of warming deep house, these days his EPs tend to showcase more subtle variety. That's certainly the case here, as he first gives his take on Latin-flecked jazz-house (the superb 'Who's Gonna Be', which makes great use of vintage female vocal snippets), before flitting between gorgeous, piano-laden deep house (the similarly jazzy, sample-heavy 'Wait On You (Say Goodbye)'), bluesy deep house haziness ('Keep Doing What You Love'), and hypnotic excellence (title track 'Phasing The Shit', where warped electronic motifs, woozy chords and crispy cymbal hits catch the ear).

Review: Felipe Gordon kicks off the new Wide Awake album with Errare Humanum Est, a second conceptual album that runs a gamut of deep house sounds. The title comes from the Latin proverb 'To err is human' which is an inspiration for Gordon who leaves the mistakes in his music. It was written in his home studio in Bogota at the end of 2022 and the start of 2023 and finds him re-visit some forgotten musical sketches to rework them and cook up a long and absorbing listen that really makes use of the long player format.

Review: He is just about to drop his second conceptual album with Wide Awake but before that Felipe Gordon offers up a new three-track EP on Toucan Sounds. 'The Warehouse Beast' is a mid tempo house cut with deep drums and plenty of focus on the pixelated chords that churn up top over tighter stabs that keep things moving. 'It's Over (You Can Drive My Car)' is another unhurried cut with smeared synth warmth and hiccuping hits. The pick of the bunch however is the acid laced Glenn Underground remix of 'The Warehouse Beast'.

Review: Prolific producer Felipe Gordon rounds off another tremendous 12 months of releases with a first appearance on Nervous Records' 'Nervous Chill' offshoot, a sub-label dedicated to the deeper and jazzier end of the house spectrum. Saxophonist Paul Shapiro guests on both tracks, adding a touch of emotive, eyes-closed expression to the Colombian's typically tasteful, musically rich house tracks. A-side 'Elisa' is beautiful and attractive, with Shapiro jazzin' away above a tasty mix of squelchy acid bass, twinkling pianos, spacey chords and rolling deep house drums. 'Resonant Memories' is a slightly bolder and denser affair, with lower register sax lines wrapping around more heavily layered beats, glassy-eyed synth stabs and immersive chords.