Back catalogue: Funk Soul & Jazz

Review: TLM celebrates its 50th vinyl-only release with an exceptional offering of jazz-lounge house intonations. Legendary Canadian Mike Perras knocks down the first domino with 'Life Goes On', a jazzy house cut driven by a captive Rhodes groove. Craig Bratley follows with a deep houser featuring Tim Hutton on trumpet, while Mark Turner honours the legacy of Blaze on the A. The AA, meanwhile, introduces DFRA Experience Jazz Band from Argentina with 'Isolation', a smoothened pure jazz cut composed by Diego Ruiz and featuring Pablo Raposso on piano, Hernan Cassibba on double bass, Gonzalo Rodriguez De Vicente on sax, Joaquin Muro on trumpet, and Bruno Varela on drums. 'Sober' by Markus Enochson closes things out on a double bass boomer 'Sober', effecting a truly loose bonhomie.

Review: C&C Music Factory lynchpin Eric Kupper takes on 'BackStabbers' with a considered touch, reinforcing its groove while preserving the essence of its original 1982 recording. Captured at Virtue Studios by a powerhouse ensembleiincluding MFSB and Salsoul Orchestra greats like Earl Young, Ron Baker and Vince Montana, Jr.ithis session defined the lush, orchestrated soul of Philadelphia. Joe Freeman's lead vocal remains the focal point, its urgency cutting through Kupper's updated mix, which tightens the percussion and adds a refined low-end punch. Side A presents the vocal mix, where the track's layered instrumentation breathes with new clarity, while Side B strips it down to an instrumental, letting the intricate arrangements shine. US-based Kupper, a veteran of over 1,400 remixes, treats the material with the respect of a historian and the instincts of a modern dancefloor craftsman, balancing nostalgia with crisp, club-ready sonics.

Review: A new 7" from Sample & Example by Cut Creator$ delivers another rare, still mostly uncut gem in the tourmaline world of soul and funk. 'Here I Go Again' from 1976 hears Jean Plum, a soulful Memphis singer, come bundled together with 'Contact Off Funk' by Larry "T-Bird" Gordon, a masterpiece of Southern funk produced by the equally estimable Willie Mitchell. For enthusiasts of rare funk and soul, the influential Hi Records legacy is made evident once again.

Review: In the mid 1990s, Kent Soul uncovered Joe Evans' master tapes and were thrilled to discover the unreleased gem 'A Broken Heart Cries' by The Pretenders - note, no relation to Chrissie Hynde and co. The track quickly caught the attention of Crossover DJs, who picked it up from Kent Soul's CD release, precipitating an avalanche of demand. This soul quartet is mostly recognised these days as but a wooden limb on Evans' everlasting music-mogul marionette, but their brilliance spans many an exquisite 7" and 12" released during the late 60s and early 70s, mostly on the Newark label Carnival Records. The boy-girl group commanded loose but masterful drumming and vintage, summery harmonies, with the A-side especially seeming to reflect a mood of hidden satisfaction in heartbreak. Now seizing the opportunity to bundle it in with the group's equipotent ballad 'For The Rest Of My Days,' Kent Soul do well to support both songs' first-ever UK vinyl release.

Review: Two of James "Gem" Prewitt's two early 80s disco-funk tracks, 'My Love Box' (1981) and 'Juicy' (1983), come courteously reissued via AOTN, raring a snapshot of his exceptional talents and entrepreneurial funk fastenings. Recorded in St. Louis, Missouri, 'My Love Box' marked the beginning of Prewitt's journey, with the 27-year-old attending Forrest Park Community College at the same time as establishing his own label, Keyes Production. Not only did he write, produce, and perform all these tracks, but local success with 'My Love Box' inspired him to team up with Loretta Mathison for the creation of 'Juicy', which ensues here as the orally honeyed slow jam of choice, and which picks up the pace at the midpoint through gospel operatics and wooing coos. This collaboration led to a two-year singing tour, firelighting them from beneath and propelling them from the Philippines to Germany.

Review: Leo Parker was a pioneering baritone saxophonist in the bebop era, best known for his time in Billy Eckstine's band, where he became part of the legendary "Unholy Four" saxophone section alongside Sonny Stitt, Dexter Gordon and Gene Ammons in the mid-1940s. Despite personal challenges that sidelined him in the 1950s, Parker made a brief yet impactful comeback in 1961, recording two standout sessions for Blue Note, including Let Me Tell You 'Bout It and Rollin' With Leo. Sadly, Parker died at 36 from a heart attack before the latter was released. Initially shelved, Rollin' With Leo was finally issued in 1980 as part of the LT Series; his signature swinging compositions resound in full audiophile quality here, from 'The Lion's Roar' to 'Jumpin' Leo'.

Review: Pellegrino & Zodyaco's skillfully intertwine Neapolitan disco, funk, jazz and world music while channelling a spirit of creative escape of this new album, which is inspired by Henri Laborit's 'Eloge de la fuite'. It explores conscious escapism as a return to authenticity and seeks a "common language" through sound by merging Mediterranean melodies with global rhythms, vintage instruments and ethnic percussion that all bridge past and present. Four years after his last outing, Morphe, Pellegrino is still in top form here with a soulful, genre-blurring portrait of modern Naples that reflects the fact that, in the city, musical traditions meet modern experimentation.

Review: Gilles Peterson remains a man with his finger firmly on the pulse and this is another album to prove it: International Anthem is a special double compilation highlighting the renowned DJ and curator's deep connection with Chicago's celebrated contemporary jazz label. Featuring selections drawn from Peterson's BBC 6Music, Worldwide FM and syndicated shows, the collection showcases standout tracks from the label's first decade and also included is an exclusive, previously unreleased live recording from Worldwide FM. Pressed on "Frozen Lake Michigan" coloured vinyl, this Record Store Day exclusive is part of International Anthem's "IA11" series-celebrating 11 years by honouring their past while shaping the future of boundary-pushing global sounds.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


A fresh compilation album documents the best of the late 70s disco-funk-jazz-everything band Phyrework, synthesising a pyrotechnist's hand and a cutting engineer's ear. The Texan group were signed to Mercury in 1978 and released a hotly acclaimed debut album, and while their talents matched the likes of Sly And The Family Stone and Earth, Wind & Fire, they remained criminally under-world, resulting in the band's disbandment after the release. So this is a salvaging effort worth your while; a whopping nine of the songs have never been heard before, and only a complementary two appeared on the original early 80s single. All produced by Michael Cooper of Con Funk Shun, the likes of 'My Funk', 'Never Felt Like This' and 'What Happened To Us' command an extra jerkiness and synthweight bolshiness not nailed by many of their much-more-famous contemporaries.

Review: Pianist. Conductor. Composer. Impressario. Extraordinaire. We could probably leave it at that with Piero Piccioni, but for the sake of clarity let's get clear. One of Italy's most prolific film composers of the mid-late-20th Century, this monolith of big band and jazz wrote more than 300 movie scores in his career, and also lays claim to membership of 013, the first jazz outfit broadcast in his home country following the fall of Fascism in 1944. Born in Turin, one of the epicentres of Italian music, Cadaveri Eccellenti was a 1977 crime thriller about Lino Ventura, Italy's top homicide detective, who is investigating the assassination of a judge. Full of intrigue, mystery, and tension, not to mention that underlying sense of sexiness which seems to pervade European flicks of this era, by now you can probably imagine how cool the score is.

Review: NPG Records and Paisley Park Enterprises, in partnership with Warner Records, are pleased to announce the release of a brand-new audiophile Blu-ray featuring 2024's Dolby Atmos mix of Prince and the Revolution's iconic 1984 album, Purple Rain, as well as Prince's original 1984 stereo mix, in high-definition 24bit / 96kHz audio.

Prince shattered all expectations and made music history when he released the album Purple Rain, followed by the hit movie of the same name weeks later. The 9-track LP went on to win two Grammy awards ("Best Rock Performance by a Group" & "Best Album of Original Score Written For A Motion Picture"), two American Music Awards, a Brit Award, and an Academy Award for Best Original Song Score. In 2012 the Library of Congress added the album to the National Recording Registry, which only accepts sound recordings that "are culturally, historically, or aesthetically important, and/or inform or reflect life in the United States." Purple Rain spent 24 weeks at #1 on the Billboard album charts, sold over 25 million copies worldwide, and appears on countless 'Best Of' polls, most recently achieving the #4 spot on Apple Music's Top 100 Albums Of All Time.

The 2024 Atmos presentation of Purple Rain featured on this Blu-Ray, was meticulously mixed from the original multi-track master tapes by Prince's protege and Best Engineered Grammy nominee Chris James. It was released via all participating Digital Service Providers on June 21, 2024. "In 2024 we started our year-long celebration of the 40th anniversary of Purple Rain, we are thrilled to present Prince's masterpiece in ATMOS, providing an immersive, surround auditory experience of Prince's legendary album. This highly crafted release will present Prince's iconic work with more space and depth while preserving the beautiful songs that have shaped music and popular culture, and touched the lives of countless fans around the world." - Paisley Park Enterprises

Region code: universal

Review: This Price album was originally part of the 2023 Diamonds and Pearls Super Deluxe box set, but now the triple vinyl live recording arrives on standalone yellow vinyl in a fancy triple gatefold sleeve. It was initially captured on January 11, 1992, at Prince's Glam Slam club in Minneapolis and is a performance that showcases Prince and The New Power Generation at their creative peak, just ahead of their epic world tour. Spanning over 100 minutes and 14 tracks in all, the still electrifying set focuses on material from the Diamonds and Pearls era and includes a preview of the then-unreleased 'Sexy M.F.' to make for a fine snapshot of a new era in Prince's evolving sound.