Review: The wonderful Brazil 45 series from Mr Bongo is back with its big old torch to shine a beam of deserving attention on two standout funk and bossa nova tracks from Rosa Maria, which originally came in 1972 and have remained in demand ever since. The A-side, 'Deixa Nao Deixa', blends Afro-Latin guitar, wild horns and percussion with infectious vocal harmonies that all coalesce into a Brazilian funk classic. On the B-side, 'Avenida Atlantica' delivers alternating funk and bossa beats beneath layers of vocals, horns and percussion to bring big energy and dancefloor-ready heat. This reissue ensures these timeless tracks become available for your rotation once more.
Review: Medium Wave Band's 'So Tender' is a smooth, late-night jazz slow jam with sultry, soulful vocals that feel oddly familiar. The B-side, 'Games (Instrumental)' delivers a perfect example of Britfunk and UK jazz-funk with a bass-driven groove reminiscent of Elite Records releases. Surprisingly, this 7" was a private press by the band and not released on a label. The lineup featured Elliot Browne, Ron Lyseight, Andrew Proverbs, Tony Peart, Paul Snook, Linton Levy, and the stunning vocals of Jaki Graham, best known for her hit 'Could It Be I'm Falling in Love.' Only 200 copies were pressed, mainly sold in Birmingham, and so this is a cult classic for many and a welcome reissue.
Review: Brooklyn based Mighty Eye welcomes the Michael Leonhart Orchestra - which features some 20+ musicians - for their first single since 2018, although the collective has put out three albums in that time. These two cuts on this 45rpm are the first and second movements in Michael Leonhart's The Normyn Suite #1, which is a soundtrack to the five stages of grieving and is both a celebration and a requiem. The soundtrack is inspired by the death of an old dog and first appeared on The Normyn Suites album. Here it is expanded with the original brass, woodwinds, and strings now siting with choir and found percussion as well as gritty breakbeats from Nick Movshon.
Review: Cuban bandleader, composer and rumba magician Ramon Santamaria had a huge influence throughout his 40 year career, notably writing Coltrane's famous "Afro Blue". Here are two of many stand-out cuts from his 1963 album Watermelon Man! While most the album's focus was on his Herbie Hancock cover, it's tracks like these that really gave the album its spirit and unique character; "Yeh Yeh!" is a samba shaking horn-led cut laced with crackling percussion and party cries while "Get The Money" leans back with rhythm and blues sass and a rhythm that's as powerful as Ramon's legacy. Moneymaker shaking guaranteed.
You Believed In Me (Mr K instrumental edit) (4:52)
Review: Mr. K's series of edits continues. Any self-respecting music head is well familiar with the Most Excellent Unlimited series from Mr K aka Danny Krivit by now, and the latest entry into it is another doozy on 45rpm. The A-side features an edit of the title tune from a 1972 Ralph Bakshi animation originally played by a top crew of San Francisco area musicians. It is a steamy funk workout in a Latin jazz style with plenty of reverb and DJ friendly grooves. Flip it over and you'll find a gem from Philadelphia's Executive Suite which In Mr. K's hands is lit up with addictive strings and driving rhythms that never let up.
B-STOCK: Missing sleeve but otherwise in perfect working condition
Ten Acres (4:09)
Ten Acres (MdCL remix) (5:12)
Review: ***B-STOCK: Missing sleeve but otherwise in perfect working condition***
Zy The Way hail from Taiwan and are recognised as pioneers of the jazz scene in Asia. Their signature style is to infuse their work with ancient Chinese poetry and their first outing 'A Different Destiny,' reimagined 3,000-year-old poems curated by Confucius and earned them plenty of plaudits. Now, they unveil two EPs as a prelude to their upcoming album. Collaborating with renowned remixers who operate at the jazz-electronic crossroads, they present 'Ten Acres' with a remarkable remix by Mark de Clive Lowe. Maintaining jazz's essence while igniting the dancefloor, this EP bridges East and West, past and present and shows Zy The Way as a transformative musical force who are pushing boundaries.
Review: Initially inspired by a request by long-term supporters Jazz FM to perform a live remake of one of their favourite albums, Herbie Hancock's peerless Headhunters, Chameleons sees rising British jazz-funk and contemporary jazz combo Mama Terra dive deeper into the great man's catalogue on a set recorded live at a gig in Glasgow. In keeping with their own style, they made a conscious decision to replace the formative synth sounds and future-funk influences prevalent on Hancock's work of the 70s and 80s with acoustic instrumentation. It's a bold move but, thanks to their undoubted quality and deft touch, works well. For proof, check the languid and laidback breeze through 'Butterfly', a wonderfully gritty and low-slung jazz-funk re-make of 'Chameleon' and the triumphant takes on earlier Hancock works 'Cantaloupe Island' and 'Watermelon Man'.
Review: Zara McFarlane, the renowned British jazz vocalist, delivers an exquisite tribute to the legendary Sarah Vaughan with her album Sweet Whispers: Celebrating Sarah Vaughan. McFarlane's rich, soulful voice captures the essence of Vaughan's timeless artistry, blending classic jazz elements with contemporary nuances. Each track is a heartfelt homage, showcasing McFarlane's deep respect and understanding of Vaughan's influence on jazz. The album is a masterful exploration of emotion and technical prowess, highlighting McFarlane's versatility and her ability to breathe new life into beloved standards.
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