Back catalogue: Funk

Review: Merci Yaya Bongo: Female Animation Groups In Gabon 1982-1989 offers a spellbinding glimpse into Gabon's vibrant music scene of the 1980s. The compilation showcases the talent and creativity of several female groups and presents a diverse range of styles from Afrobeat to funk and disco. Tracks like 'Abaga Mbouga' and 'Yaya Omar Bongo' exude infectious rhythms and soulful melodies and highlight the unique sound of Gabonese music during this era. With its rare and obscure selections, this compilation serves as a valuable homage to the overlooked contributions of female artists in shaping the country's musical heritage.

Review: Williamsburg-based Truth & Soul Records is fast becoming one of the most reliable sources of modern soul and revivalist deep funk. Should you be unfamiliar with their output - and you should be, given that they set up shop in 2003 - this double LP trawl through the label's bulging back catalogue should be an essential purchase. Highlights are naturally plentiful, from the Cuban and Caribbean influenced instrumental brilliance of Bacao Rhythm & Steel Band's "Pimp", and the stripped-back deep soul of Beau Williams' "I'll Be Home Soon", to the raw, Hammond-heavy 60s jazz-funk of The Fabulous 3's "Night Bird" and fuzzy analogue afro-funk of Zafari's "King Masuru".

Review: Hungarian outfit Budabeats proudly present Psyched Out Grooves From Hungary (1969-72), their latest compilation tracking the emergence and sure formation of psychedelic rock in Hungary. In the label's own words, "there were barely any drugs in Hungary to begin with", and we take this to be precisely the point. Psychedelia isn't a state that should rely on drugs as a crutch: no, there was something already dormant, but primed for the teasing, in the Hungarian psyche, that lent to its acquired taste for psych in the 60s and 70s. With contributions from "an undercurrent of smaller, semi-professional bands" who persisted in the shadow of a select few huge names, who dominated by dint of their sponsorship by the one, state-owned major label, this comp betrays an insider's knowledge and then some, with highlights from Non-Stop, Sampolo, Neoton, Apostol and Kex standing out as peak-quality Hungarian psych, despite none of these bands ever receiving a breakthrough. Such songs and bands were "the exception, not the norm", the "illusion of a scene".

Review: Between 1980 and '84, Duomo Sounds Ltd released some of the most inspired disco and boogie to come from Nigeria. This fine compilation from Odion tells the story of the label via a selection of the Humphrey Aniakor-founded imprint's finest moments. Although fuzzier and more lo-fi than the American and European records that inspired them, with the distinctive grooves of Afro-beat and Afro-funk never far away, the vast majority of these tracks are every bit as weighty and floor-friendly. Highlights include Mike Umoh's immaculate "Shake Your Body", the Moog-laden Christy Ogbah slow jam "Aimiugwah", the Clavinet-happy bounce of Bindiga's "Perfect Disco Machine" and the celebratory silliness of Johnny O's festive "Bazz Xmas Eve".

Review: For their latest tribute to Nigeria's booming music scene of the '70s and early '80s, Comb & Razor Sound has decided to do things differently. Whereas most compilations of vintage Nigerian grooves focus on music made in and around the bustling city of Lagos, Calabar-Itu Road looks instead at tracks made and released by those in South Eastern Nigeria. In true crate-digging fashion, the two records here - featuring tracks from previously unheralded stars of the "Calabar" scene, including Etubom Rex Willians and Cross River Nationale - come accompanied by a thoroughly researched, 44-page booklet telling the story of the region's love affair with popular music. If you're interested in African funk, soul and disco, it should be an essential purchase.

Review: Asiko Tito is one of many lost gems of Nigerian music. It has been curated by Lagos' legendary Jazzhole and feature music first recorded in the late 90s. The 10-track compilation captures Afrobeat, Yoruba-funk, Afro-funk, highlife and spiritual jazz gems that reflect Lagos' rich musical tapestry. Each track blends traditional rhythms with modern influences which are the hallmarks of the city's vital scene. Jazzhole is a label led by Olakunle Tejuoso and his son and has been a cultural institution for over 30 years thanks to its championing of African and Afro-diasporic sounds. This is another welcome reissue that reminds us of Nigeria's enduring creativity.

Review: Hot Casa has always been a proverbial hot pot of international sounds from across several rhythmic and cultural worlds. The New Year starts off on a strong footing for the French crew with a new album from Afro funk collective Vandou Game. It finds them reaching outside their usual Togolese confines to take inspiration from across the Atlantic. The record was made in the legendary OTODI studio with Peter Solo on hand to add his expertise to a bunch of feel-good, horn-laced workouts that are laden with percussion, have endlessly catchy rhythms and plenty of soulful, authentic vocal charms.

Review: Def Radio marks the return of Marc Mac's long-running Visioneers project. As ever with Visioneers, this record reimagines the default stock of hip-hop's best-stocked jukebox, often beginning from scratch and/or working around a central sample, to either recontextualise a classic or come up with a new song; whatever the case, the key hallmark of a Visioneers album is its live instrumentation, with flaunts a *gauche et droite* mastery over hip-hop's laggard swing. Where this would usually handled by the chance placement of the sample snippet on the timeline alone, here it (sounds) actually drummed in. On Def Radio, lead tune 'The Look Of Love' predominates with its three-note ostinato and unhurried beat flaneur, whilst runner-ups 'Layin' Low, Gettin' High' and 'Cuban Candy Sticks' also stick out as salient among the troupe.

Review: After a series of exceptional singles, SOL Discos fire up the album engine for the very first time with this fantastic exploration of modern soul from the late 70s to early 80s. Curated by label founder Waxist, Message In Our Music features numerous exclusive reissues and unreleased cuts; David Nathan's swooning take on "Ain't Nothing Like The Love", The Harden Brothers' silky smooth "Deep Inside Of You" and the vital up-tempo positivity of Don Scott's "Love With Me" are just a handful of essentials on this immaculate collection. Complete with detailed notes, pictures and quotes from the original artists, SOL Discos have created something genuinely special here.