シンセ・モジュール

Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.

Features:

- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).

Notes: 'Tangle Quartet' is a high quality quad linear voltage controlled amplifier (VCA) providing individual level control of 4 signal inputs with both individual outputs and a combined 'mix' output (for non patched outputs) . Control signal inputs and associated attenuation controls allow for voltage control of signal levels. Control inputs are normalised to 5v thus providing manual mix control in the absence of control signals.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~80ma
Size: 8 HP
Depth: 32mm (including power header)

Notes: Tallin is a dual voltage controlled amplifier (VCA) with overdrive, offering some unusual control features and a range of attractive tonal characteristics. Each of the two identical channels offers two simultaneously available inputs for voltage control over signal attenuation or gain, with linear and exponential response to CV. Volume control knobs offer manual gain settings ranging from fully closed (-80dB) up to +18dB. A colour LED indicator displays output signal levels. A soft-clip circuit avoids harsh clipping distortion, while a switchable overdrive circuit offers two carefully crafted distortion responses, simulating the sound of classic tube amplifiers.

Since both CV inputs are simultaneously active, they can be jointly exploited within patches featuring more complex volume control that otherwise would require using two traditional VCAs in series. As the signal path is DC-coupled, Tallin can also be used for handling the control voltages.

Notes: Row Power is a clean, regulated, and protected power solution for Eurorack systems. Row Power 45 provides enough power for two to three typical Eurorack rows (typically up to about 312HP):
+12V @ 2.0A maximum, 1.5A recommended
-12V @ 1.4A maximum, 1.2A recommended
+5V @ 1.5A maximum, 1.2A recommended

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying bus cables or the Bus Stick. For custom power systems, the Row Power 45 has a set of easily soldered holes for using large gauge wire or MTA156 connectors to connect to distribution bus boards.

Multiple Row Power modules can be powered from a single power brick by daisy-chaining with an inexpensive barrel cable. The Row Power 45 can also be daisy-chained to 4ms Company's Pod enclosures. Each power supply is independently regulated and protected for ultra-low cross-talk between rows/pods.

The Row Power 45 is compatible with the 4ms Row Power Shield. This device (sold separately) attaches to the back of the Row Power 45 and monitors the amount of current being drawn, as well as the voltages of the power rails. The information is sent over Bluetooth to be displayed on a phone or tablet.

Electrical and Mechanical Specifications

Module Size:
4 HP Eurorack format module

Power Output:
Maximum average load under normal conditions: +12V @ 2.0A, -12V @ 1.4A, +5V @ 1.5A
Maximum average load under any condition: +12V @ 1.5A, -12V @ 1.2A, +5V @ 1.2A
Powered by laptop-style DC power supply: 2.1mm barrel, positive center, 15V-20V.

Included with the Row Power 45:
16-to-16 pin power cable
2 M3 Knurlie screws

Notes: Milky Way is a multi effects module with stereo signal flow. Its algorithms are already known from the Blck_Noir and the Grand Terminal.

- Simple and effective 6hp stereo* FX module
- Comes with "T.F.D" firmware installed: 16 types of effects are available, sorted in two banks
- Meta CV effects scanning
- Volume control with VCA

*depending on the effect type

Notes: The Mutant Brain is the central nervous system connecting your modular analogue eurorack system to MIDI gear, especially for percussion, polyphonic notes and sync duties! It packs 16 eurorack compatible outputs into a tiny, super affordable 8HP package.

The 4 CV outputs and 12 Gate/Trig outputs are all universally reconfigurable. Triggers, gates, clock divisions and sync signals, polyphonic keyboard playing, velocity, sequencer transport, LFOs - you name it!

Configuring your patch is easy - just assign each output as you like in the Mutant Brain Surgery configuration utility, then send the MIDI SysEx file to the module and forget about it - the Mutant Brain remembers it all for you.

Hexinverter supply a convenient download pack of pre-configured, ready to use Mutant Brain patches for some select sequencing and drum machine devices on the market today, easily turning those sequencers and drum machines into a modular control powerhouse!

Designed with live and studio performance in mind, the Mutant Brain does away with wasted panel space and complex menu-diving interfaces, while freeing you from the limited "auto-learn" type MIDI interface. An auto-learn interface sometimes doesn't play well with the limitless combinations of different gear setups which today's modular performers play live with.

4 CV Outputs (0V to 8V) can be

Notes (Mono or Polyphonic, V/Oct or V/Hz)
Pitch Bend, Velocity or Aftertouch
MIDI CC values (LFOs, modulation, etc.)
Fixed Voltage Values
12 GATE Outputs (0 to 5V) can be

Note Gates and Triggers
Drum Triggers, Retriggers
MIDI Transport (Start, Stop, Run, Resets)
MIDI Clock Ticks (Divisions)
CC Value Above/Below Threshold
Each GATE output has an adjustable trigger length between 1 and 120ms

Dimensions
8 HP
38 mm deep

Current Draw
19 mA +12V
4 mA -12V

Notes: Yet more bargain Buchla collabs from TipTop Audio with this dual voltage processor. Generate CV outputs algorithmically based on multiple inputs, allowing for some seriously complex modulation.

Supplier's Notes:
Model 257 Dual Control Voltage Processor consistsof two identical sections, each of which permits several applied control voltages to define a single output voltage according to the equation:

(Va * K) + ((Vb * (1-M)) + (Vc * M)) + Voset = V_out

The algebraic manipulations possible with this module include addition, subtraction, scaling, inversion, and multiplication. Also incorporated is the capability of using one control voltage (M) to transfercontrol from one applied voltage (V_b) to another (V_c).

Functions

- Attenuverter
Va is the voltage input a for attenuverter (left jack on the panel)
K knob can scale the incoming Va voltage either positively or negatively

- Crossfader
Vb is the voltage input b for the left side of the crossfader (second jack from the left)
+.5 switch adds 5 volts to the input of Vb
Vc is the voltage input c for the right side of the crossfader (fourth jack from the left)
M scales Vb from 1 to 0 based on the position of M knob
M scales Vc from 0 to 1 based on the position of M knob
The middle CV input at M/M can crossfade between Vb and Vc (third jack from the left)
The M knob and M CV added together to control crossfade position

- Oset
Voset Adds 0 - 10 volts to any combination of Va + Vb + Vc

- Output
Vout is the combined voltage of the attenuverter, crossfader and oset (right jack on the panel)

Specifications:

Size: 14HP - Depth: 25mm
Power: +12V 45mA / -12V 22mA

Notes: Designed with versatility in mind, the Fold 6 is a six-stage wavefolder with simultaneous series and parallel outputs, dual signal inputs and voltage-controlled folding and overdrive shaping.

Supplier's Notes:
Often considered to be the opposite of filters within a modular system, wavefolders are designed to fold a signal over itself multiple times. This generates additional harmonics, resulting in rich timbres.

While there is a bewildering array of filter types within the synthesiser world, most wavefolders fall within only a few categories. Diode wavefolders in particular come in just two variants: series and parallel circuit topologies. Choosing a specific folder also means being limited to specific sounds and capabilities.

For the first time, Fold 6 puts forward a 6-stage hybrid series/parallel topology, yielding a greater sonic palette than ever in just 4 HP. Having both main (series) and alternate (parallel) outputs means a single module now gives access to just about all wavefolding tones imaginable.

To take things even further, an integrated symmetrical soft clipper limits the output signals to approximately 10 Vpp, keeping the amplitude within typical Eurorack levels and making it easier to create overdriven sounds at high fold ratios. This clipping stage can be driven continuously using the shape parameter, smoothly transforming the folded waveforms into pulse waves for even more harmonic content.

Two signal inputs are included, to mix audio signals or add in a DC voltage for asymmetric folding. The symmetry can also be manually controlled using the dedicated knob. Of course, both fold and shape parameters feature voltage control, to enable continuous timbral modulation.

Moving beyond simple signal processing, Fold 6 also lends itself perfectly for feedback patching, CV folding or frequency multiplication; its modest size belies the sonic capabilities within.

Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.

Notes: 'MUM M8' is an 8hp Eurorack low pass filter building on the filter design used in the classic Akai S950 12 bit sampler with the addition of resonance, voltage control, clipped saturation and a dedicated VCA.

The low pass filter gives the recognisable super smooth vacuum like tone sucking sound which works magic on complex sources. The addition of clipped overdrive and intentionally aggressive self-oscillating resonance compliment the smooth filter core by juxtaposing it into more wasp like territory with acidic squeals and a more gritty sound.
Mum M8 features dual voltage control with attenuation (and inversion) of filter cut off and voltage control of resonance together with dual audio inputs - one of which includes a VCA to with the capability to aid overdriving signals into the filter core.

The filter core is a 6th Order Butterworth switched capacitor type design featuring an analog core but controlled by a high speed digital clock. This produces the characteristic smooth sounding filter but, as with the original S950, has a relatively high minimum cut off as to avoid 'clock bleed' into the filter output from the digital control. This minimum cut of point (and introduction of bleed if required) can be controlled via trimmers on the rear of the module (see calibration chapter). It is not unusual for there still to be some low-level artefacts from the clock present, particularly during filter sweeps - these add to the filters character.

The motivation for the module came from discussing filters in classic samplers with the artist Jack Adams - aka Mumdance. Jack suggested investigating the S950's filter well known as for it use in classic use in early jungle and hardcore. From that point onward Jack provided inspiration, help and feedback in the development of the filter. Big up Mumdance.

Notes: While modular synthesisers are most often used as stand-alone instruments, they also present exciting opportunities for processing external signals. Anything from an electric guitar to an effects send on a studio mixing desk can benefit from the unique sonic capabilities of even a modest Eurorack system.

However, patching in an external source usually requires an adapter cable and plenty of clean gain to bring the signal to Eurorack level. If the signal source is balanced, a balanced input is required as well to provide the best possible interference rejection.

Receive 2 (or RX2 for short) provides a convenient all-in-one solution. It offers two universal external inputs, which accept both balanced or single-ended signals via XLR or 6.35 mm jack connectors.

The circuit incorporates low-impedance design practices, radio-frequency (RF) filtering and premium balanced receivers to provide transformer-like interconnect performance in a compact and affordable module. And thanks to the electrostatic discharge (ESD) protection, it’s rugged enough to survive the rigours of performing on the road.

The very clean integrated pre-amps feature variable gain, ranging from unity to +40 dB on each channel. As a result, Receive 2 can handle just about any signal source you may encounter, including electric instruments, piezoelectric pickups and many dynamic microphones.

Adjusting the gains is a breeze thanks to the dual peak-responding LED meters. A mix output is included as well, so external signals can be easily mixed directly in the module.

Notes: Versatile stereo digital filter based on Endorphin's Grand Terminal module. CV-controlled cutoff, resonance and separate high-pass filter. Simple but effective.

Supplier notes:
The Squawk Dirty To Me is a stereo filter with voltage controlled resonance. It features eight filter modes and zero-delay feedback.

- Simple and effective 6hp stereo VCF
- 8 filter modes available with meta CV scanning, famous zero-delay feedback Grand Terminal filters
- Additional hi-pass filter in series quickly cuts the boomy low end

Notes: The module contains two ADSR type voltage controlled envelope generators with exponential curve shapes (charge/discharge curves of a capacitor) behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V (10V = attack peak).

The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR.

Notes: uBurst

This is a new build of the micro version of Mutable Instruments Clouds. The module retains all the functions of the original Clouds, taking up significantly less rack space.

These modules use tall bushing potentiometers to offer a more stable feel.

The module is fully assembled, tested, and calibrated. Eurorack power cable is included.

Notes: Samara is a "Swiss Army Knife" type of module, intended to serve the most common voltage and audio signal processing purposes such as attenuation, offsetting, mixing, inverting, and even basic waveshaping. Samara features four channels, each with two inputs and an attenuator, additional switchable offset generators, four voltage level and polarity indicators, two adders with switchable scale, and a precision four-channel processor that selects minimum and maximum voltage.

Notes: Black Stereo Mixer is just what you need, if your setup has several nowadays gaining popularity modules with stereo inputs or outputs, like Black Hole DSP, Erica Fusion Delay, MI Clouds or some other. In order to save rack space, we designed compact mixer with lot of cool, performance oriented features.

In order to save rack space, we designed a compact mixer with a lot of cool, performance oriented features.

Check out also the Black Pre-fade Listen Expander that is a satellite module to Erica Synths Black Stereo Mixer!

Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, we did not economise on the module width, we put design and usability first. Big knobs are assigned to functions that make difference in sound. Together the Erica Black series are a range of modules that make an entire synthesizer.

Notes: Loop is a high fidelity looper with four unique recording modes and an intuitive user interface. It can capture up to five minutes of audio with reverse, and half-speed playback accessible. Each recording can use one of four modes: Sound on Sound, Dub, Replace, and Infinite (i.e. Frippertronics). Whether you're looking for minimal part layering, or full blown ambient soundscapes, Loop will take your patch for a ride.

High fidelity audio - 24-bit, 48kHz with five minutes of recording time
Four recording modes: Sound on sound, Dub, Replace, and Frippertronics
Intuitive interface
Half speed and reverse playback

Tech Specs:
Width: 2HP
Depth: 42mm

Notes: Clever four-channel utility module designed to make it easier to achieve perfect oscillator tracking and transpose CV signals. Also includes some neat quantising and portamento features.

Supplier notes:
The CalTrans solves issues encountered when playing tonal music with a modular system: tracking problems, curves unrelated to Volt per octave ratio, limited octave range, cumbersome transpose, ...

The CalTrans corrects and expands the range of troublesome VCOs and brings V/Oct tracking to anything that oscillates.

Besides calibration, the CalTrans offers live play features. Each channel can be quantized and any combination of them transposed jointly.

A pair of rotary encoders with detent allow an precise selection of octaves and semitones.

VCOs whose tracking doesn't go high enough to follow the leader will see their pitch repositioned in their highest possible octave so that the global harmony is unaffected.

You can add a pinch of portamento and glissando to each channel and save the whole in user presets.

Notes: AXON-2 is an 8HP expander module for the SQUID SALMPLE, MFX and Pamela's PRO Workout that like the AXON-1 provides 4 additional freely assignable CV inputs but additionally adds manual offset controls and 2 additional 'performance' buttons.

The addition of AXON-2 increases the Squid, MFX or Pam PRO's total number of CV inputs by 4, greatly increasing the possibilities for vast modular manipulation. Each of the CV inputs includes an offset for hands on control over parameters assigned to CV. Per assignment digital attenuation and offset via the host module is also available for fine tuning the modulation or control over parameters.

The AXON-2's large buttons are great for controlling select functions in a live performance environment or adding convenient quick navigation shortcuts when making edits. The buttons functionality and assignability are dependent on the host module. See respective manuals for details.

NOTE: AXON-2 support requires the latest firmware be installed for Pam Pro (120 or newer), Squid (187 or newer) and MFX (105 or newer).

Features
4 Additional freely assignable CV inputs for the SQUID SALMPLE, MFX or Pamela's PRO Workout
Manual offset knob controls
Two Assignable performance buttons for mutes, tap tempo, navigation, etc (dependant on module)
Powered directly from the module, no additional power header required
Made in England
Skiff friendly
Technical Specifications
Power: Additional approx 10mA on +12V

Size: 8HP

Depth: 38mm

Notes: Simple but effective output module, converts stereo instrument-level signal to balanced XLR outs. Ideal for live use but just as good for avoiding unwanted hum in the studio.

Supplier's notes:
Whether it's in the studio or on a live stage, keeping audio interconnections free from unwanted hum and interference can be a challenge. Balanced lines are the proven solution to this problem.

Conventional balanced output solutions often rely on transformers providing galvanic isolation to mitigate the effects of ground loops. Unfortunately, these components are bulky, expensive and colour the sound (often unfavourably, especially in the low end).

Instead, Transmit 2 (or TX2 for short) takes a fully solid-state approach. Offering a stereo pair of XLR balanced outputs, it ensures that the sonic clarity of your carefully planned modular system is not lost in its interface to the outside world.

Engineered to provide massive headroom while retaining extremely low noise and distortion, Transmit 2's circuitry incorporates low-impedance design practices, radio-frequency (RF) filtering and premium balanced drivers to provide transformer-like interconnect performance in a compact and affordable module. And thanks to the electrostatic (ESD) and phantom power discharge protection, it's rugged enough to survive the rigours of performing on the road.

Adjusting the main output level is a breeze thanks to the dual peak-responding LED meters. A high-end headphone amplifier is included as well, controlled by a separate level knob. It can deliver the voltage and current required to power practically any headphones, regardless of the impedance or driver technology. This 3.5 mm stereo socket can function as an auxiliary stereo line output or even drive small passive speakers, making Transmit 2 an all-round flexible answer to all your output needs.

Notes: Unusual output and mastering module, inspired by studio and radio mastering tools but fitting into just 6hp. Includes multi-band compression, mid/side stereo processing and brickwall limiting.

Supplier's Notes:
Golden Master is a multiband processor module in Eurorack format. Inspired from the studio mastering and radio loudness units from the 90's, this tool is a game changer for everyone who performs live with a Eurorack synthesizer.

The whole magic of Eurorack lies in its raw sound and simple analog mixes - processing through the Golden Master brings instant punch and sound pressure, as well as controlling the overall volume.

Power consumption: 135mA at +12V and 25mA at -12V
Depth: 30 mm (with ribbon cable connected)
HP : 6

Notes: The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

Notes: Row Power is a clean, regulated, and protected power solution for eurorack systems. Row Power 35 provides 35W of power, suited for any typical eurorack row (84HP to 168HP):

+12V @ 1.4A
-12V @ 1.25A
+5V @ 1.0A

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Daisy-chain multiple Row Powers to use a single power brick for multiple rows (typically 3-5 rows per power brick). Each row will be independently regulated and protected for ultra-low cross-talk between rows. Rows can also be hot-swapped (plugged/unplugged without powering the whole system down).

Notes: Another iconic Buchla module gets the Eurorack reissue treatment courtesy of TipTop. The 242t is the brand's unique voltage-controlled clock and trigger module, generating pulses based on a 4x12 matrix.

Supplier's Notes:
The Buchla and Tiptop Audio 242t Programmable Pulser is a reissue of the time-event-based generator from the 1970s 200 series. At its center is the Pulser, a voltage-controlled clock oscillator with a wide frequency range, extending up to audio frequencies, numerous outputs, and start/stop controls. The Pulser drives a programmable matrix with three rows of up to 12 stages: (A), (B), and (C). Stages are activated using the X/Y coordinate controls, and the total number of stages can be set using the (n) row. Clock and Reset inputs allow the 242t to sync with other devices, while the Reset input can also be used to control the number of stages with external pulses.

Notes: Loop is a high fidelity looper with four unique recording modes and an intuitive user interface. It can capture up to five minutes of audio with reverse, and half-speed playback accessible. Each recording can use one of four modes: Sound on Sound, Dub, Replace, and Infinite (i.e. Frippertronics). Whether you're looking for minimal part layering, or full blown ambient soundscapes, Loop will take your patch for a ride.

High fidelity audio - 24-bit, 48kHz with five minutes of recording time
Four recording modes: Sound on sound, Dub, Replace, and Frippertronics
Intuitive interface
Half speed and reverse playback

Tech Specs:
Width: 2HP
Depth: 42mm

Notes: Now available in Intellijel's 1U format, the Milky Way is Endorphin.es's stereo effect module, featuring 16 programs: reverbs, delays, chorus, flanger, compressor and more. Versatile.

Supplier's Notes:
Tasty multi-effects module in Intellijel's 1U format. Eight stereo effect programs include meta CV scanning along with Airways and Darkwaves banks borrowed from the Blck_Noir and Grand Terminal modules.

Supplier's Notes:
Milky Way is a stereo FX module already know from the Blck_Noir and the Grand Terminal. It offers 8 types of effects.


simple and effective 6hp stereo FX module
8 types of effects available with meta CV scanning, 2 famous Airways and Darkwaves banks (more banks coming soon)
volume control with VCA
Airways:

Hall Reverb
Shimmer Reverb
Stereo Room Reverb
Plate Reverb
Spring Reverb
Ping-Pong Delay
Tape Echo Delay
Chorus
Darkwaves:

Gated Reverb
Spring Reverb
Ping-Pong Delay
Flanger
Ring Modulator
Overdrive
Compressor
Freezer
Power consumption: 117mA at +12 V and 12mA at -12 V

Depth: 42mm

HP : 22

Notes: Module A-150-8 contains eight manually/voltage controlled switches. Each of the eight switches has a manual control button (Man.), a control voltage input (CV), a common Out / Input (O/I), and two In / Outputs (I/O1, I/O2). The switches are bi-directional, i.e. they can work in both directions, so can connect one input to either of two outputs, or either of two inputs to one output. Two LEDs show which in / output is active (i.e. which is connected to the common out / input). In addition, the LEDs are used for the programming of the module:

For each unit the operating mode can be selected: Toggle or Level controlled. In Toggle mode the rising edge of the CV input or operating the manual control button changes the state of the switch. In Level mode the switch state is defined by the voltage applied to the CV input (low voltage = I/O1, high voltage = I/O2) or by the state of the manual control button (not pressed = I/O1, pressed = I/O2). The modes are programmed very easily: Operating the Toggle/Level button of the program section displays the current state of each switch with the LEDs: left LED on = Toggle mode, right LED on = Level mode. Operating the manual control button of the switch in question changes the toggle/level mode while the Toggle/Level button of the program section is operated. During the programming patched CV signals may have to be removed as the CV signals would interfere with the manual operating buttons during the programming process.

In addition, it's possible to define master/slave groups. In such a group the upper unit (= master) controls also the state of the following switches provided that they are defined as slaves. Master/slave programming is also very simple: Operating the Master/Slave button of the program section displays the current state of each switch with the LEDs: left LED on = Master, right LED on = Slave.

When all 8 units are defined as master all switches are independent from each other. If for example the sequence is MSSSMSMS the control unit of the first switch also controls the switches 2, 3 and 4. The control unit of switch 5 also controls the switch 6, and the control unit of switch 7 also controls the switch 8. The current states of the slave switches are overwritten by the state of the master switch.

Technical note: To protect the electronic switches in case of an unsuitable patch (e.g. connection of two outputs) a 1k protection resistor is inserted into the O/I line of each switch. If control voltages used for VCOs are switched this may cause a small voltage drop and lead to undesired audible detuning. For this application we recommend to insert a CV buffer between A-150-8 and the VCO(s), e.g. the Buffered Multiple A-180-3 or the Precision Adder A-185-2. Integrating the buffers into the module A-150-8 was not possible because this would ruin the bidirectionality of the switches.

Width: 12 HP / 60.6 mm
Depth: 55 mm (measured from the rear side of the front panel)
Current: +40mA (+12V) / -5mA (-12V)

Notes: A comprehensive solution for stereo signals in Eurorack, the Enhance 2 offers stereo and mid/side processing with tons of CV control. Balance, widen and sculpt frequency bands.

Supplier's Notes:
Moving from mono to stereo sound: a logical progression for any synthesist looking to expand their sonic palette. Making use of two audio channels, rather than just one, quite literally adds another dimension to the capabilities of a synthesiser.

Unfortunately, controlling stereo signals can be a challenge within a modular system. This realisation led to the development of Enhance 2: a convenient yet high-fidelity tool for stereo enhancement. It can be used to adjust balance, width and spectral content, while also opening up a world of mid/side processing; all under voltage control and in just 8 HP.

The primary stereo parameters are balance (moving the sound left or right) and width (making it narrower or wider). The balance circuit uses a true constant-power gain law, while the width stage allows for seamless transitions from pure mono to extra-wide stereo.

In addition, tone control is provided by a pair of unique, wide-ranging mid/side voltage controlled tilt filters with selectable corner frequency. These make 'cleaning up' a muddy-sounding mix straightforward, but also provide unique binaural effects when modulated.

Mid/side processing encodes the stereo signals into one containing only the mono material (mid), and another containing the differences between both channels (side). Apart from the internal tilt filters, mid/side outputs also enable external signal processing such as compression or reverberation. An integrated mid/side decoder returns the results back to standard stereo. And at all times, a LED bar phase meter ensures that phase correlation can be easily maintained.

Stereo field modulation, mid/side equalisation and beyond; Enhance 2 brings true analogue stereo control to the Eurorack world.

8 HP
+12: 70 mA, -12: 70 mA

Notes: Alan (micro Turing Machine) Shift Register Based Sequencer

The randomness of the Music Thing Modular Turing Machine, shrunk down to 6HP. Alan retains all of the same functionality as the original including the connectors for the expanders.

While this module has little to do with the original Turing Machine (by Alan Turing), it is a shift register based sequencer. You cannot program this sequencer, instead it builds random sequences that can be locked in.

Alan comes tested, calibrated and ready to bring random voltages.

The After Later Audio panel is black and gold and made from FR4. The package will include a power/ribbon cable and a one year warranty.

Notes: Part of Xaoc's Leibniz subsystem, which processes signals and voltages by manipulating binary 8-bit numbers, the Poczdam allows switching between two data sources.

Supplier's Notes:
Poczdam is a binary data routing solution for the Xaoc Leibniz Subsystem. It facilitates manual and remote switching between two Leibniz data sources, modifying individual bits of the data stream, and re-clocking the data with its onboard voltage-controlled wideband oscillator or any external clock signal. Poczdam is particularly useful within complex Leibniz setups where the user needs to reconfigure the data flow between multiple modules. However, it can also be employed in small creative patches, e.g., for waveform splicing, disrupting rhythmic loops, or generating digital chaos.
To better understand the device and avoid common pitfalls, it is strongly advised to read through the entire user manual before use.

Component of the Leibniz Binary Subsystem
Routing Leibniz data
Reclocking Leibniz data
Additional CV clock generator (up to 2MHz)

6hp, 30mm deep
Current draw: +20mA/-10mA
Reverse power protection

The high quality Coal Mine black panels are available for all Xaoc Devices modules. Sold separately. Ask your favourite retailer.

Drezno is the input/output front-end of the system, consisting of an analogue-to-digital converter (ADC) and a digital-to-analogue converter (DAC), that alone can be used for manipulating analogue signals and voltages based on their binary representation.

Lipsk is a binary logic processing expander module that can flip (invert) individual bits of the digital signal representation. There are more Leibniz Binary Subsystem elements coming, with specialized and advanced sets of features.

Jena is a digital module that may be used as a flexible waveshaper for CV and audio signals, a wavetable oscillator, a Walsh function generator, or a rhythm generator.

Erfurt is a bi-directional digital counter, frequency divider. It has multiple applications: the output of the counter may be used as a phase source driving a digital wavetable, connected to other Leibniz modules it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc.

Notes: Great value from this versatile six-channel function generator, suitable for LFOs, envelopes, slew limiting and much more. A versatile module at a good price.

Supplier's Notes:
This modules is a 6 channels function generator, each channel has an attenuverter to set the output gain, there are 2 extra outputs with mixed signals (channels 1+2+3 and 4+5+6) for complex CV

-With no signal plugged in the input, channel will self-oscillate generating an LFO of i4,8V

-With gate/trigger signals in the input, channel is an AR envelope generator

-With an stepped CV signal plugged in the input, the channel acts as a slew limiter

min attack/decay time:
0,3 milliseconds in fast mode
13 milliseconds in slow mode

max LFO length:
1" in fast mode
1'20" in slow mode

max attack/decay length:
13" in fast mode
3'00" in slow mode (approx)

18 HP
159 mA +12V
153 mA -12V

Notes: EME (Eloquencer MIDI Expansion) is the perfect companion for the Eloquencer, adding capabilities to sync with MIDI devices, control most of the eloquencer parameters with MIDI interfaces, generating MIDI voices from the eloquencer tracks, and converting MIDI signals to the eurorack world.

Description:
MAIN FEATURES
IN / OUT
DIN-5 MIDI Input, DIN-5 MIDI Output, USB Host.

BUTTONS
4 freely assignable buttons. They can be assigned to:

Next/previous pattern
Next/previous part
Direct access to Pattern mode, Play parts, Duplicate, Project, Gate REC, CV Key REC, MIDI key REC, Free Play...
Save current project
Random 1 to 3 layers of selected track
Reset LFO of selected track
On/Off LFO of selected track
Freeze
Revert
Fill A to H or selected track
Mute A to H or selected track
DJ Nudge FWD/BCK fine/coarse

MIDI CLOCK
Eloquencer can receive 24ppqn sync from MIDI device from its DIN-5 MIDI Input, and can send 24ppqn MIDI clock through its DIN-5 MIDI out.
When working as 'internal' it will send the internal clock to the MIDI output.
When working as 'external' will send the eurorack incoming clock to the MIDI output transformed into 24ppqn.

MIDI OUT
The Eloquencer tracks can be independently assigned to:
- Voice events (note on/off, velocity, ch pressure...) For example Track A can be assigned to Channel 1 Note on/off and Track B can be assigned to Channel 1 Velocity, so track A gates and CV control Channel 1 notes and pitch, and track B controls Channel 1 Velocity.
- Control Change (CC)
- Program Change (PC)

The gate and CV output will work as usual when a MIDI OUTPUT is assigned, so voices can be doubled using the modular and an external synth.

There's a particular execution order for MIDI out events, so the first to be launched is the Program Change, followed by the CC and then the voice events. This way, we can launch program changes before the note on message is received allowing preset changes for each step.

MIDI IN
Both, the DIN-5 MIDI in and the USB can be used to change eloquencer parameters using controllers or to introduce notes in REC MODE using a keyboard.

There are 3 different groups of controls associated to MIDI channels:
- Channel : 8 MIDI channels to control parameters of specific tracks from A to H
- Global : 1 MIDI channel to control Global parameters.
- Focus: 1 MIDI channel to control the parameters of the currently selected track (track in focus). That means that if Track A is selected and we send CC 38, we will be shifting track A, but if we select track B and we send the same CC 38, we will be shifting track B.

When using the USB host input, the EME can send feedback information in case the controller that is being used has LEDs to be updated.

There is a big amount of eloquencer parameters that can be controlled using an external MIDI interface / controller. For example:

Non-destructive track parameters addition/subtraction (CV, CVP, CVR, GL GLP, R...)
Track length
Step mode / Step mode DIV / Step mode REP
Track shift
LFO on/off / Type / Length / amplitude.
Fill
Mute
Random
CV Gate link
Scale group and root
Tempo
DJ Nudge
Shuffle
Clock out
Play / Stop
Direct access to modes (Pattern, Project, Live REC...)
MIDI INTERFACE

A MIDI Channel can be assigned to an Eloquencer Track, so the gate and CV outputs will stop listening to what is sequenced and start listening all note on/off messages coming from the chosen MIDI channel.

Notes: Add external feedback loops, tilt filters and more to the Timiszoara effects module with this versatile expander. A must-have for Timiszoara owners.

Supplier's Notes:
Deva is an expander for Xaoc Devices' Timiszoara multi-fx module designed for creative exploration of the dirty/nasty side of signal processing. Deva opens up the Timiszoara programs you've come to love with some unexpected twists and turns along the way. The analog side features two external feedback loops (for the left and right channel) with tilt filters adjustable via sliders with two additional switches for choosing positive or negative feedback (for each channel). The third slider controls the DAC clock - from overclocking by a factor of two down to 16-times slower, so you can go from chipmunk to hardcore teeth gnashing of underclocked goodness. A switch allows for turning the clock control off for normal/regular operation. All features have inputs for external CV.

Technical details

Eurorack synth compatible
8hp, skiff friendly
Power drawn from Timiszoara: +60mA/ -50mA
Reverse power protection

Notes: Module A-108 is a completely new voltage-controlled low pass filter based on the well-known transistor ladder (Moog ladder). The module has internally an 8-stage low pass filter with different slopes available: 6, 12, 18, 24, 30, 36, 42 and 48 dB per octave. In addition, it features a band pass output (i.e. band pass with transistor ladder). In the factory, the 4 low pass outputs of the A-108 are internally connected to the filter stages 6, 12, 24 and 48dB.

Resonance (Emphasis or Q) can be adjusted manually right up to self-oscillation, in which case the filter will behave like a sine wave oscillator. The A-108 features an external feedback input that enables the insertion of additional modules into the feedback path (e.g. VCA for voltage-controlled resonance or phaser/frequency shifter for phase/frequency shifting effects). The socket is normalized and internally connected to the 48dB low pass output if no cable is inserted into the feedback socket.

The frequency can be adjusted manually, or by voltage control. Three CV inputs (CV1, CV2, CV3) are available. CV2 and CV3 are equipped with attenuators.

The filter audio input is very sensitive so that distortion - if desired - is possible even with normal A-100 levels (e.g. VCO output). Self-oscillation will break off at high distortion levels as the internal feedback signal is drown out by the distorted audio signal. This feature may intentionally be used to create new sounds.

In combination with the Voltage Controlled Mixer A-135 and the Morphing Controller A-144 a filter with voltage-controlled slope can be realized (i.e. controlling the slope from 6dB to 48dB via CV).

Notes: This new module should not be judged by it's size, at 6hp it's packed with features.

At its core it features a noise source and two precision Sample & Holds with 0.01% of maximum deviation from the Input which allows for quantized signals to be sent through without any noticeable detuning or the typical voltage drops over time.

The Sample & Hold sections can also be used as a Track & Hold meaning it holds the incoming input while the Trigger input is ON and lets the input flow to the output when the Trigger input is OFF.
Each section also features it's own slew processor with a single control over attack and decay and an ON/OFF switch.

The noise signal is normalled to both sections inputs, meaning that without a jack plugged into the Input the sample and hold function will act upon the incoming noise signal generating random CV values.

The [Trigger A Alternate] switch allows to Link both sections so that any trigger input in Trigger A will alternate between triggering the A and B section.

Besides each section outputs there's also 4 extra outputs: Noise, Difference, Average and Sum. The Noise output is coming from the noise source, the Difference output is the subtraction of section A minus section B, the Average output is the sum of both A plus B and then divided by 2 and finally the Sum output is the sum of both A plus B sections.

MECHANICAL:
Format: Eurorack
Width: 6 HP
Depth: 4 cm

ELECTRICAL:
Max current: +50mA/-50mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector

Notes: An 8hp version of the retired Mutable Instruments Grids. It is an identical functional clone, so it will behave in the same was as the full size version, and will run any firmware that runs on the full size version.

Notes: Following the ADDAC103 T-Networks, this new module is also inspired by Twin T-Networks circuits used in many lengendary drum machines. A simple 4 voice module with frequency controls for each of the voices. This new module also features CV inputs with attenuverters for each voice Frequency. Due to the specificities of the circuit, and to keep the module at a low price, these inputs are not callibrated to 1v/octave.

At each voice input there's a gate to trigger converter so any input source is possible.
Audio inputs can also be used as an input, in this case and due to the nature of the gate to trigger converter, each voice can be used as very destructive filters.

The top 2 channels feature a higher frequency range, the bottom 2 channels feature a lower frequency range.

Notes: The Flame u16MCC is a compact MIDI interface, which converts received MIDI control change commands on 16 outputs into CV voltages between 0 and + 5V. The resolution of the data bytes is 7bit. The outputs each have a passive lowpass filter, which smoothes the output voltages.

Each of the outputs can be assigned a separate control change number between 0 and 127 on its own MIDI channel. The module is programmable via the LEARN function with a MIDI keyboard and MIDI controllers, or via SYSEX commands. Some SYSEX files with default settings already exist.

The module has two MIDI sockets (mini jacks in TRS-B standard) INPUT and THRU. The data received at MIDI-IN is forwarded via MIDI-THRU. Additional MIDI modules can then be connected there.

MIDI/USB to CV/Gate/Sync

Features:

16 ControlChange to 16 CV outputs 0..+5v
programmable via MIDI keyboard/DAW/computer
MIDI start/stop trigger outputs
MIDI input and THRU (TRS MIDI B standard)

Power consumption: 50mA at +12 V and 30mA at -12 V
Depth: 40mm
5 HP

Notes: One of the most authentic sounding emulations of the famous Russian synth the Formanta Radio Factory Polivoks in 10HP

Erica Synths Black Polivoks VCF is one of the most authentic sounding emulations of the famous Russian synth the Formanta Radio Factory Polivoks.

The original Russian ICs K140UD12 are used in the sound circuit. Several updates were added to adapt the VCF for contemporary modular synth demands, it has independently buffered inputs, extended Cutoff knob, eliminated clicks when switching filter modes and output stage added to eliminate signal inversion. The result is a much punchier bass sound and very smooth controls.

Erica Black series are high-end modules with unique functionality. Only the highest quality components are used and all inputs and outputs are protected against undesired overvoltage. When designing the Black Series, design and usability was prioritised over module width. Big knobs are assigned to functions that make difference in sound. Together the Erica Black series are a range of modules that make an entire synthesizer.

Technical specifications:

Input level: up to 20Vptp
CV input level: 10V - +10V
Filter modes: BP(6dB/oct)/LP(12dB/oct)
Power consumption: +11mA, -11mA
Module width: 10 HP
Module depth: 25mm

Notes: The Z4000 NS is a snappy voltage-controlled analog envelope generator with a built-in CV processor for scaling, inverting, and voltage-controlled deviating of the envelope shape. The Z4000 generates an envelope made of the four classic segments: Attack, Decay, Sustain and Release, in which each segment can be manually set using knobs or dynamically set under voltage control.

Control knobs for the Attack, Decay, and Release segments are scaled. The first 0-50% of the knobs rotation is dedicated to high resolution adjustment in the millisecond range.

The output levels are fully adjustable with signals that can reach up to 10V in either polarity and can be mirrored into the opposite polarity or clipped using the voltage-controlled deviater-scaler. A bi-color LED indicates intermediate values in both polarities and their crossfade state.

The Attack slope switch allows selection of a logarithmic or exponential curve for the Attack segment. This subtle effect helps further the fine adjustment of the Attack segment slope. A Shoot button is provided to let you fire the envelope manually. The Z4000 also provides a retrigger input allowing you to create legato notes when using a classic keyboard interface.

Going down to nuts and bolts, the Z4000's smoothness and snappiness is made possible by a four segment active-charge discrete circuit which is an extended version of circuits found in classic two segment rise / fall transient generators.

Size: 8HP
Depth: 28mm
Power: +12V 34ma / -12V 18ma

Notes: 1U version of the excellent Golden Master, a surprisingly creative little output module which combines radio-style multi-band compression with brickwall limiting and mid-side stereo processing.

Supplier's Notes:
Golden Master is a multiband processor module in Eurorack format. Inspired from the studio mastering and radio loudness units from the 90's, this tool is a game changer for everyone who performs live with a Eurorack synthesizer.

The whole magic of Eurorack lies in its raw sound and simple analog mixes - processing through the Golden Master brings instant punch and sound pressure, as well as controlling the overall volume.

Features:

instantly improve your raw Eurorack mixes to sound balanced and powerful on stage or wherever you are
96 kHz 16 bit digital audio stereo processing
3-band compressor with intuitive adjustment and brickwall limiter
mid/side stereo field processing
Power consumption: 125mA at +12 V and 12mA at -12 V

Depth: 42mm

HP : 22

Notes: The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Notes: Gera is a component of the Leibniz subsystem that allows masking individual bits of the digital data by the use of logical AND operation.

It features 8 individual gate inputs that affect the individual bits of data, as well as 8 illuminated tact switches for manual inverting of each control input. When connected to Drezno that is processing a waveform or voltage, masking of individual bits yields various forms of quantization. However, Gera can function on its own. The AND operation is a basic building block for sequence automation, chaos and rhythm generation, and various computer-like modular patches.

Bit processing logic in Gera is hardware based, hence there is virtually no latency, and the binary signals may change at extreme rates.

Main features:

Logical AND operation on Leibniz data
Masking of individual bits controlled manually and by gate signals
Visual indication by illuminated buttons
6HP
30 mm depth (including ribbon cable brackets)
- +12V: +45mA / -12V: 0mA / +5V: 0mA

Notes: XFADE 1U is a classic DJ-style stereo crossfader, with a few extra tricks up its sleeve. The 'A' and 'B' sides both have L+R inputs. The crossfader blends two stereo input signals together - crossfading one into the other depending on the position of the slider and the selected XFADE Shape. The blended output appears at the MIX L and MIX R output jacks.

In addition, XFADE 1U can be used as a modulation source for controlling other modules, since the crossfader also outputs control voltages from the CV A and CV B jacks. A switch determines whether these voltages are unipolar (crossfading from 0V to 5V; and 5V to 0V), or bipolar (crossfading from -5V to +5V; and +5V to -5V). The two LEDs indicate the polarity and relative levels of the CV A and CV B signals.

XFADE 1U uses a precision Innofader crossfader submodule, with moving capacitance technology for smooth and precise control. This is the same part found on many high-end DJ mixers.

Features:

Smooth and ultra-low friction Innofader Mini-Innofader module with moving capacitance technology
Stereo or Mono operation
DC coupled inputs and outputs
Three crossfade shapes: DJ cut, Constant Power and Linear
Unipolar or Bipolar CV outputs

Width: 26HP
Depth: 38mm
Power: 48mA @ +12V / 41mA @ -12

Notes: A rock-solid all-rounder of a VCO, the Cycle 5 is a triangle-core oscillator with morphable wave shapes as well as conventional sine, triangle, saw and pulse outputs. Switchable octaves and 5th transposition make the module even more user friendly.

Supplier's Notes:
A small Eurorack oscillator that packs a punch: that's the best way to summarise Cycle 5.

At its heart lies a refined high-stability triangle core voltage controlled oscillator (VCO), with performance matching or exceeding that of much bigger and costly oscillator modules.

Instead of a coarse frequency knob, a 7-position octave switch is provided. This in combination with a perfect fifth transposition switch and factory pitch tuning, makes Cycle 5 an exceptionally straightforward and musical VCO to use: simply centre the fine tune knob, and the module will be instantly tuned to reference C.

Meanwhile, its dual precision volt per octave inputs add a great deal of versatility. For example, one could be used for pitch sequencing and the other as a generic exponential FM input, or both sequenced together for transposition effectsithe dual inputs serving as a built-in precision adder.

Sporting all the classic waveforms, ranging from sine wave, triangle, saw and square/saw, as well as a hard sync input and low frequency oscillator (LFO) mode, Cycle 5 makes for a real workhorse VCO. The novel trigonometric waveshaper results in a very clean sine wave, ideal for sub bass duty.

Cycle 5's highlight however, is its vari-wave feature. By adjusting the vari-wave knob, the waveform on the matching output will smoothly morph from sine, to triangle, saw, square and finally a very narrow pulse. The vari-wave parameter can be CV controlled, up to audio frequencies for some intense timbres.

Equally at home as a modest modulation companion to big VCOs, as being in the spotlight in miniature or polyphonic systems, Cycle 5 might just be the most multi-talented tiny analogue oscillator yet.

6 HP | +12: 75 mA, -12: 70 mA

Notes: Get glitchy with it.

The 2hp Slice is a compact beat repeat/glitch engine built to add clickless stutters, digital glitches, and more to your patch. With an onboard Triplet button, seamlessly switch between straight beat repeats to offset triplets, perfect for those trap style fills you can't live without. With massive repeat range, and CV/Gate inputs for complex glitch sequencing, Slice is everything you need to get glitchy with it, all in 2HP.

Tech Specs

Width: 2HP
Depth: 45mm
Power Consumption: +12V=83mA, -12V=8mA, +5V=0mA

The 2hp Slice will be available in both Silver aluminium and Black PCB front panels.

The 2hp Slice ships with a 10-16 power cable and 2 Silver M3 mounting screws.

Notes: Play is a high-fidelity sample player with a full feature set.

Up to 32 samples can be loaded at a time and dynamically switched between using the file knob and associated CV input. Playback modes include one-shot, looping, or gated playback; all with extremely low latency. Transform your samples by pitching them up two octaves or down three octaves, all with a pitch knob that can be free running or quantized to semitones. The pitch CV input tracks volt per octave across its entire range and allows for musical sequencing of samples. Play ships with a pre-loaded SD card packed with loops, drum hits, and field recordings to get you up and running immediately.

Notes: This useful module is a Bipolar Mixer, DC voltage source and Linear DC coupled VCA.

- With no input to channel 1 the Input 1 pot becomes a voltage source with a range of +/- 6V.
- The control pot and input for channel 4 can be switched to become an offset control and/or a second CV input for the VCA.
- Input 3 has 2x gain, so it can amplify lower level CV's too.
- All inputs are bipolar, which means that either non-inverted or inverted version of the input signal can be added to the mix depending upon the Input control being turned clockwise (non-inverting) or anti-clockwise (inverted). The 12'o'clock position is zero.

Notes: Really nice stuff here. The filter circuit from ADDAC's 4 Voice Cluster module gets reimagined as a multi-mode stereo or dual mono filter module. A lot of filter action in just 6hp.

Supplier's Notes:

While developing the ADDAC105 4 Voice Cluster module, a new multimode filter to place after the summing mix stage- and the results were so postitive that it was released as a dedicated filter.

To make it more interesting, the circuitry was duplicated, to be able to use it in a stereo signal path.

To make it more versatile, a switch was added to set the working mode from Stereo to Dual Mono where both filters can be used independently.

In Stereo Mode the Left Cutoff is used to control the Right Cutoff.
In this case the Right Cutoff Knob and CV Input are simply bypassed and will have no impact on the Right Channel operation.
This allows immediate sync of both filter frequencies when the Stereo position is engaged.
Optionally there's a jumper in it's back that, when placed, connects the Right Controls back to the Right CV control allowing the possibility to control the offset of the Right Channel Cutoff.

Resonance is independent on both Modes and still has to be set manually to match both channels.

Both the Audio and CV inputs are normalled from the Left into the Right channels.
As standard plugging any input to the Right channels removes this connection.

Tech Specs:
6HP
4 cm deep
70mA +12V
70mA -12V

Notes: Endless Processor (Ex)pander Kit opens new possibilities for Endless Processor!

Now, there is pitch control over both channels. You can shift one octave up or shift down to a full sound stop, covering multiple octaves, effectively replicating the variable speed replay effect. This allows for the creation of new textures from existing sounds.

Additionally, with the expansion PCB, the Endless Processor gains an SD card slot that enables you to store up to 5 sound banks. This means everything sustained in both channels can be saved to preserve those happy accidents! However, this is not just a simple save and recall process. It allows more performing possibilities: sustain new sounds, play with them, and then recall the stored ones, all with respect to the fade controls.

And if that's not enough, there's a bonus! With the help of our web tool, you can upload the sound banks saved on the SD card and extract clickless loops of each layer in WAV format. You can then import these loops into your DAW or hardware sampler to build your composition on top of the captured sounds.

Endless Processor Expander Kit contains:

Endless Processor Ex module
Expansion PCB for the Endless Processor
Cable to connect Ex module to the expansion PCB

Width: 4HP

Depth of Endless Processor with expansion PCB attached: 45mm

Depth of Endless Processor Ex module: 30mm