シンセ・モジュール

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Endlessly customisable digital 'modular system within a modular system'. Includes more than 80 modules, allowing you to create effects, synths, control devices, oscillators, filters and much more.

Supplier's Notes:
What's a Euroboro?

The ZOIA Euroburo is a digital modular system that can be placed in your modular system, a real Russian nesting doll situation. We added a headphone output and a super-slim optional case so the Euroburo can live happily on your desktop or be easily mounted in a Eurorack case. Hence the euro + buro, pronounced "bureau"...get it!?

Create unique signature effects, synthesizers, sequencers and more while using 4 freely assignable CV ins and 4 outs to interface with other CV enabled devices. The additional headphone output and powered 9v case makes the module even more desktop friendly. With over 90 modules from CV utilities to audio effects, oscillators and envelopes to MIDI, the Euroburo can do almost anything to fill the gaps in your setup.

There's no need to worry about getting bogged down with endless menus or a cluttered interface. Creating patches and performing with the ZOIA is a tactile experience. Patching, deleting or moving modules and editing values can all be done quickly using the push-button grid and a flick of the encoder. With the addition of dedicated push buttons for the CV and Audio I/O, patching on the ZOIA has never been faster.

Notes: The LedPressor is a full stereo Diode-based compressor module.
Its unique core adds character and color to any signal passed through it.
The LedPressor can be used as a normal compressor with low input levels, but as the input volume increases and the "nuke" LED lights up, it enters a new territory that combines compressor and overdrive, creating a dynamic overdrive effect.

Get it pumping with the Side Chain
The module features an external sidechain input that accepts audio and CV signals. Only the sidechain signal passes through a high pass filter, which gives the user greater control over the sound shape. The audio signal itself is not affected by the filter.
Parallel compression
The module also includes a mix knob that can be controlled with a dedicated mix CV input, allowing for greater flexibility when blending dry and wet signals. Additionally, it features a momentary bypass button to easily adjust the levels of dry and wet signals.
Feed-Back Or Feed-Forward - it's your choice
The module can be configured with a feed-back or feed-forward topologies with a jumper in the back.
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width
: 12HP
Depth
: 34mm
Current Draw
+12V
: 20mA
-12V
: 15mA

Notes: 
Q^Mix
4 channels CV/Audio polarising mixer
Q^Mix is a four-channel CV and audio mixer designed to take simple signals and combine them into something altogether new.
The four DC-coupled inputs feature a switch that selects between linear attenuation or bi-polar attenuversion.
Q^Mix can be used to sum simple signals to create much more complex results.
perfect for use as a final volume control when used as an audio mixer.

Technical Specifications
All inputs are DC-coupled.
Four-channel audio and CV mixer.
Logarithmic attenuation on the output stage.
Input impedance: 100k for all inputs.
Noise filtering and resettable fuses on the module's power input.
Reverse current protection.
Dimensions
Width
: 6HP
Depth
: 10mm
Current Draw
+12V
: 5mA
-12V
: 5mA

Notes: 2^VCA is a dual vca module in 1u Intellijel format.
Both of the VCA's are normlised so it can be used a stereo VCA, as a dual mono VCA , mono to stereo VCA and many more combinations.

Technical Specifications
1u Intellijel format
Noise filtering and resettable fuses on the module's power input.
Reverse current protection.
Dimensions
Width
: 12HP
Depth
: 20mm
Current Draw
+12V
: 10mA
-12V
: 10mA

Notes: S&M is a very useful utility module in 1u Intellijel format combining unity mixer and a precision active buffer.

CV and Audio Mixer
Audio grade dc-coupled unity mixer for mixing CV or Audio signals
Active Buffer/Splitter
Precision active buffer/splitter for splitting signals along your system without any signal loss (highly recommended for splitting Pitch CV).
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width
: 12HP
Depth
: 20mm
Current Draw
+12V
: 10mA
-12V
: 10mA

Notes: The SetonixSynth Marsupial is a new dual filter design based around the re-issued AS3350 filter IC, originally used in rare synths such as the Synton Syrinx, Crumar Spirit and Rhodes Chroma but never widely utilized. Normalization between the control inputs and a Series/Parallel switch makes it simple to dial in a huge variety of unique and musical filter sounds.

Current draw: 36mA @ +12V; 35mA @ -12V

Eurorack width/depth: 8hp; 25mm

Notes: The SetonixSynth/Tidbit Audio Psychedelic Voltage Processor, or PVP, is a four-channel chaos module. It uses colour-changing LEDs to produce fluctuating voltages in response to the Channel input, with each channel normalized in series to create increasingly chaotic "taps" that can be used one after another for different variations.

Any positive voltage input such as unipolar LFOs, envelopes, stepped voltages, or simply the onboard normalized voltage patched to a channel input is reproduced approximately on each channel output, with the PVP inducing unpredictable fluctuations due to the variable current consumed by an LED circuit with a mind of its own.

Dimensions
8 HP
25 mm deep

Current Draw
135 mA +12V
10 mA -12V
0 mA 5V

Notes: The Solar Gravity from SetonixSynth and Tidbit Audio is an analogue vactrol-based VCA designed to bring the lovely response of optocouplers into the realm of clean, performance-based Eurorack VCAs. Starting with this simple concept, the Solar Gravity utilizes some neat active circuitry to significantly reduce the bleed inherent in vactrol-based VCAs and to provide the user with lots of control over the level, direction, and response of incoming control voltage.

Though it's primarily designed for use with audio signals, the Solar Gravity can also be used to control the level of CV such as envelopes or stepped voltages with a unique vactrol response through its DC-coupled input.

Technical Specifications

Width: 4hp
Depth: 28mm
Peak Current Draw: 16mA @ +12V, 18mA @ -12V
Input Impedance (All Inputs): 100kO
Output Impedance: 1kO
AC Input Cutoff Frequency (-3dB High Pass): 5 Hz approx.

Notes: The QSlider black is an analogue CV source with four 60 mm faders.

The control range of the four sliders can be defined with two min/max controls.

The Min controller determines the output voltage at zero position of the slider and the Max controller determines the output voltage at the end position of the slider.

The slider now regulates between these two voltages. This allows you to restrict the control range and still have the entire control path of the slider available.

The reverse voltage is available at a second output socket (min and max are reversed). This means that the slider can also be used as a crossmix fader.

Two common channels can be operated unipolar or bipolar. The voltage ranges are 0..+10V or +/- 5V.

The output sockets are located on an extra 4HP panel for mounting at any point (with approx. 40cm long connection cable). This means that several modules can also be mounted seamlessly next to each other.

Power consumption: 30mA at +12V and 20mA at -12V and 12mA at +5V

Depth: 28mm

18 HP

Notes: Serious versatility from AJH here. Based on the circuits from the Oberheim Matrix 12, the Matrix VCF offers a whopping 16 different fully analogue filter modes, each with two different resonance models. All bases covered.

Supplier's Notes:
Presenting the new AJHSynth Matrix VCF - this may well be the most versatile Eurorack VCF ever.

This amazing multimode filter and VCA offers sixteen different filter types, and two different resonance models on each, totalling an incredible thirty two assorted resonant filters to choose from. AJH Synth have also included manual and CV control of filter type selection, along with 16 LED's that give a clear visual indication of which filter type is currently selected.

The filter core circuitry is based on that of the rare and highly sought after Oberheim Matrix 12 synthesiser, and of course has an all analogue signal path. The Matrix 12 VCF originally offered fifteen filter types, however AJH Synth have expanded this to 16 with the addition of AP4, a full four pole all pass phaser mode.

AJH Synth have added a unique P-Vox resonance distortion and overdrive circuit that changes the character of the resonance completely, and can force all of the filter modes into self oscillation. This effectively doubles the filter variants and hugely broadens what is already a very impressive sound pallet.

Other features include an inbuilt VCA with Input and Output Level controls, a Peak level LED, CV control of resonance, and of course the legendary AJHSynth build quality.

The Matrix VCF in depth

After two years of development AJH Synth have finally released what they consider to be the most versatile Eurorack VCF & VCA ever. Like many other AJHSynth modules it uses the very best vintage analogue circuitry as the starting point for the design, and in this case, the filter was chosen from the rare and very desirable Oberheim Matrix 12 synthesiser. AJH Synth expanded this from the original fifteen filter compliment to sixteen distinct filter types by adding in a really useful four pole phaser!

So, behind the compact 14hp front panel lies sixteen distinct filter types, including all of the favourites: Low Pass filters with a choice of one, two, three or four poles, Band Pass filtering with two or four poles, High Pass filtering with one, two or three pole options, along with Notch filtering and four complex, combination filter types. Finally, a four stage phaser with two types of emphasis that can be forced into tuneful self-oscillation!

However, this is far from the end of the story. AJH Synth decided to use their design expertise to add in some crazy resonance distortion circuitry, that could be switched on from the front panel. This was inspired by the filter from the Soviet Polivoks synthesiser, but again the implementation used here is considerably changed, improved, and best of all this can be applied to all filter types! This completely changes the filter character when engaged, and it forces all of the filters into self-oscillation at higher resonance settings. Better still, the oscillation waveforms are more harmonically rich than the usual sine waves - everything from gloriously fat to screaming and angry! Best of all, this takes the number of different filters up to a massive thirty two variations!

AJH Synth put a lot of thought into the ergonomics and how to select the individual filter type. Filter type can be changed either with the front panel Mode knob, or by using a control voltage patched to the MODE CV input. The selected filter mode is displayed by the LED next to the filter in use. This is also very helpful when using a step sequencer to change filter mode as it gives a real time display of the filter chosen as you take the step CV voltage up or down, while setting up each individual step.

Lastly, AJH Synth have also included a VCA hard-wired to the output - simply patch an envelope or an LFO to the VCA input, connect a VCO to the audio input and you have a synth voice (with a choice from 32 different filters!) using only three modules!

Thirty two Eurorack VCF's and a VCA would most certainly take up a lot of rack space - AJH Synth have got all of this into 14hp and managed to have a really finger-friendly user interface, without it feeling cramped.


Sixteen distinct filter modes to choose from

Here's a list of the different filter modes that are available:
1 - Four Pole Band Pass
2 - Three Pole High Pass combined with One Pole Low Pass
3 - Three Pole All Pass combined with One Pole Low Pass
4 - Two Pole Notch combined with One Pole Low Pass
5 - Two Pole Low Pass
6 - Four Pole All Pass (Phaser)
7 - Four Pole Low Pass
8 - Two Pole Band Pass
9 - Two Pole High Pass combined with One Pole Low Pass
10 - Three Pole High Pass
11 - Three Pole All Pass
12 - Two Pole Notch
13 - One Pole Low Pass
14 - Two Pole High Pass
15 - Three Pole Low Pass
16 - One Pole High Pass

All of the above filter types can be further altered by switching in P-Vox mode, this doubles the list up to thirty two different filter variants!

P-VOX MODE

Transforming the resonant character of every filter type

This magical switch completely transforms the resonance of the filter core by overdriving it in a similar fashion to the filter from the Soviet Polivoks synthesiser, which was renowned for it's powerful, aggressive character.
In common with the Oberheim Matrix 12 VCF, some of the sixteen filter types will not normally go into self-oscillation, however when you switch on P-Vox mode all sixteen filter types can be forced into self-oscillation at higher resonance settings. But that isn't the only change, the self-oscillation waveform is not the usual sine waveform, it is a rather more interesting and harmonically rich waveform that varies according to the filter type chosen - generally Low Pass modes produce the nearest to regular sine waves, whereas other filter types can produce very much more complex waveforms as can be seen in the diagrams below. It does not require any audio input for this, it can be a stand alone oscillator. Most of the filter types will track 1V/Oct reasonably well over a three to five octave range, so it can be used as a VCO with a few interesting waveshapes!

Of course, P-Vox mode isn't just useful for self-oscillation, it adds lots of character to any audio signal as P-Vox resonance is switched in.

Module Width: 14hp
Module Depth: 29mm (Including power lead)
Current Usage: 56mA Positive, 36mA Negative

Notes: Presenting the new AJHSynth Matrix VCF - this may well be the most versatile Eurorack VCF ever.

This amazing multimode filter and VCA offers sixteen different filter types, and two different resonance models on each, totalling an incredible thirty two assorted resonant filters to choose from. AJH Synth have also included manual and CV control of filter type selection, along with 16 LED's that give a clear visual indication of which filter type is currently selected.

The filter core circuitry is based on that of the rare and highly sought after Oberheim Matrix 12 synthesiser, and of course has an all analogue signal path. The Matrix 12 VCF originally offered fifteen filter types, however AJH Synth have expanded this to 16 with the addition of AP4, a full four pole all pass phaser mode.

AJH Synth have added a unique P-Vox resonance distortion and overdrive circuit that changes the character of the resonance completely, and can force all of the filter modes into self oscillation. This effectively doubles the filter variants and hugely broadens what is already a very impressive sound pallet.

Other features include an inbuilt VCA with Input and Output Level controls, a Peak level LED, CV control of resonance, and of course the legendary AJHSynth build quality.

The Matrix VCF in depth

After two years of development AJH Synth have finally released what they consider to be the most versatile Eurorack VCF & VCA ever. Like many other AJHSynth modules it uses the very best vintage analogue circuitry as the starting point for the design, and in this case, the filter was chosen from the rare and very desirable Oberheim Matrix 12 synthesiser. AJH Synth expanded this from the original fifteen filter compliment to sixteen distinct filter types by adding in a really useful four pole phaser!

So, behind the compact 14hp front panel lies sixteen distinct filter types, including all of the favourites: Low Pass filters with a choice of one, two, three or four poles, Band Pass filtering with two or four poles, High Pass filtering with one, two or three pole options, along with Notch filtering and four complex, combination filter types. Finally, a four stage phaser with two types of emphasis that can be forced into tuneful self-oscillation!

However, this is far from the end of the story. AJH Synth decided to use their design expertise to add in some crazy resonance distortion circuitry, that could be switched on from the front panel. This was inspired by the filter from the Soviet Polivoks synthesiser, but again the implementation used here is considerably changed, improved, and best of all this can be applied to all filter types! This completely changes the filter character when engaged, and it forces all of the filters into self-oscillation at higher resonance settings. Better still, the oscillation waveforms are more harmonically rich than the usual sine waves - everything from gloriously fat to screaming and angry! Best of all, this takes the number of different filters up to a massive thirty two variations!

AJH Synth put a lot of thought into the ergonomics and how to select the individual filter type. Filter type can be changed either with the front panel Mode knob, or by using a control voltage patched to the MODE CV input. The selected filter mode is displayed by the LED next to the filter in use. This is also very helpful when using a step sequencer to change filter mode as it gives a real time display of the filter chosen as you take the step CV voltage up or down, while setting up each individual step.

Lastly, AJH Synth have also included a VCA hard-wired to the output - simply patch an envelope or an LFO to the VCA input, connect a VCO to the audio input and you have a synth voice (with a choice from 32 different filters!) using only three modules!

Thirty two Eurorack VCF's and a VCA would most certainly take up a lot of rack space - AJH Synth have got all of this into 14hp and managed to have a really finger-friendly user interface, without it feeling cramped.


Sixteen distinct filter modes to choose from

Here's a list of the different filter modes that are available:
1 - Four Pole Band Pass
2 - Three Pole High Pass combined with One Pole Low Pass
3 - Three Pole All Pass combined with One Pole Low Pass
4 - Two Pole Notch combined with One Pole Low Pass
5 - Two Pole Low Pass
6 - Four Pole All Pass (Phaser)
7 - Four Pole Low Pass
8 - Two Pole Band Pass
9 - Two Pole High Pass combined with One Pole Low Pass
10 - Three Pole High Pass
11 - Three Pole All Pass
12 - Two Pole Notch
13 - One Pole Low Pass
14 - Two Pole High Pass
15 - Three Pole Low Pass
16 - One Pole High Pass

All of the above filter types can be further altered by switching in P-Vox mode, this doubles the list up to thirty two different filter variants!

P-VOX MODE

Transforming the resonant character of every filter type

This magical switch completely transforms the resonance of the filter core by overdriving it in a similar fashion to the filter from the Soviet Polivoks synthesiser, which was renowned for it's powerful, aggressive character.
In common with the Oberheim Matrix 12 VCF, some of the sixteen filter types will not normally go into self-oscillation, however when you switch on P-Vox mode all sixteen filter types can be forced into self-oscillation at higher resonance settings. But that isn't the only change, the self-oscillation waveform is not the usual sine waveform, it is a rather more interesting and harmonically rich waveform that varies according to the filter type chosen - generally Low Pass modes produce the nearest to regular sine waves, whereas other filter types can produce very much more complex waveforms as can be seen in the diagrams below. It does not require any audio input for this, it can be a stand alone oscillator. Most of the filter types will track 1V/Oct reasonably well over a three to five octave range, so it can be used as a VCO with a few interesting waveshapes!

Of course, P-Vox mode isn't just useful for self-oscillation, it adds lots of character to any audio signal as P-Vox resonance is switched in.

Module Width: 14hp
Module Depth: 29mm (Including power lead)
Current Usage: 56mA Positive, 36mA Negative

Notes: Four-part probabilistic rhythm crossfader

Confundo Funkidos is a rhythm crossfader and mute utility. Patch two pairs of rhythms to the left and right inputs, then use the CV-controllable crossfader and three Curve algorithms to fade between them and combine them in different ways. Each channel has a mute switch which can be used to bring a voice in and out of a patch at will. Tap the Burn button for some instant fills, and your percussion performances will never be the same.

New to the second version is the addition of four Accent outputs. Accent patterns are generatively created using the rhythms at the inputs, adding a new, dynamic dimension to even the simplest of trigger sequences. The Accent jacks output high or low gates, which can be used with dedicated percussion modules or as modulation sources in a patch.

The Burn functionality has also been expanded, with the addition of a potentiometer for more versatile and hands-on fill creation. Even the Mute switches have been expanded with three positions: each channel can output triggers but not receive Burn fills or output accents when set to the middle position.

If you want to liven up your percussion system with a completely unique and hands-on utility, Confundo Funkidos brings modular performance to a whole new level.

Size and Power
12HP Eurorack
+12v: 55mA
-12v: 15mA
Confundo from Latin confundo - "to blend"

Funkidos agitation disease - from Flemish fonck "agitation" with suffix dos for "two"

"Second blended agitation"

What's in the box?

Module
Power cable

Nosie Engineering no longer include screws with newly packaged modules, but Bulk screws are available for purchase separately.

Notes: Super versatile granular filtering. Incoming sounds are granulated, then processed with eight contrasting filters. Hands-on and CV controls allow you to manipulate and modulate the output.

Supplier's Notes:
Sisyphus is built around a granular engine and a palette of eight original filters. Its granular system allows multiple grains to coexist within a single stereo audio stream, where they combine and interact with each other.

This filter is based on a comprehensive granular approach to sound: rather than a granular engine followed by a filter, it offers true integration of filtering into the grain-generation process. Each generated grain carries the filtering characteristics defined by the musician and will be combined with other grains according to evolving, configurable patterns.

These filters have been developed entirely from scratch in-house, without using typical filter libraries, so they each have their own unique color for you to explore!

Filters

Lowpass: Attenuates high frequencies above the cutoff frequency. 12 dB/oct slope.
Highpass: Attenuates low frequencies below the cutoff frequency. 12 dB/oct slope.
Bandpass: Lets through a band of frequencies around the cutoff frequency. 12 dB/oct slope.
Notch: Dips around the cutoff frequency while letting the rest of the spectrum pass through.
Peak: Boosts the band around the cutoff frequency while allowing the rest of the spectrum to pass without a drastic cut.
Comb: Creates a series of cancellations and resonances based on an internal delay and feedback.
Karplus (Karplus-Strong: Simulates the vibration of a string or looping resonance by combining a short delay, feedback, and damping.
Ladder: Inspired by Moog-style analogue filters, with four stages in cascade. Features a steep slope (24 dB/oct) and a distinctive resonance that can reach self-oscillation.

Filter Controls

Cutoff (Cutoff Frequency):Defines the filter's cutoff frequency or center frequency (depending on filter type), ranging from 10 Hz to 20 kHz.

Resonance: Emphasises frequencies near the cutoff frequency, from a slight bump up to the edge of self-oscillation.

Feedback: Re-injects part of the output back into the filter input.

Variations: Introduces an instability in the setting of the cutoff frequency, resonance, or feedback (depending on the selected filter), allowing for a more or less "organic" filter character.

Grain Controls: The incoming sound is continuously sampled and segmented into buffers. Each segment is analysed, filtered, and then extracted to become a grain. You can change the length of each grain, the interval between grains, the way grains follow one another, how they are arranged in relation to each other, and their density (number and influence).

Grain Length: Adjusts the length of the audio grains. The shorter the grains, the more the sound fragments into a "grained" granular texture; the longer the grains, the closer the result is to the original sound, but filtered and delayed. When multiple grains are played simultaneously, longer grains make echo effects more noticeable.

Grain Interval: Determines the time between the start of two successive grains (or the probability of automatic triggering).

Pattern: Grains are organized according to predefined, adjustable patterns. Several scenarios allow you to explore different ways grains can combine, from highly organized to more chaotic.

Density: Determines how many grains are played simultaneously and their intensity.

Variability: Sets the magnitude of the special effects specific to each pattern.

Transition: Defines the shape of the envelope applied to the grains as they link together.

Input and Output: Sisyphus works with two parallel channels that share the same settings. You can use it either in stereo mode or as two separate mono audio channels.

CV Inputs: Four CV inputs allow control of Sisyphus using other Eurorack modules. These inputs accept the standard Eurorack voltages (0 to 8 V).

The four basic parameters that can be controlled via CV are: Grain Length, Density, Cutoff, and Resonance.

However, you can configure the module differently using an external file on an SD card. In that case, any CV input can be assigned to any control, the input voltage range (from 1 to 8 V) can be set, LED brightness can be adjusted, and more.

Specifications

Width: 24 HP

Power Consumption:
+12 V: 200 mA
-12 V: 10 mA
+5 V: 0 mA

Depth: 28 mm

Carefully built in France, with all potentiometers bolted to the front panel, and shipped in a metal storage box.

Power cable and knurlies included.

Notes: Capture the iconic sound of tape sliding to a halt with Tape Stop, a clock syncable tape stop module that puts this classic effect at your fingertips. Originally an accidental artifact of analog tape, this effect has become a beloved tool in music genres from hip-hop to IDM. Now, it's fully controllable in your modular system.

Adjust the Lag to set the stop length, then tap Trig to activate. Hit it again to resume your audio seamlessly. With clock sync, your stops and starts stay perfectly in time, and a toggle lets you switch between momentary and latching Trig modes. Add a touch of tape magic to your modular system with Tape Stop!

Notes: Expand the connectivity options in your Eurorack system with the versatile 2HP Eurorack compatible Passive Multiple. This compact module is an indispensable helper when it comes to efficiently distributing signals within your modular setup. With its intelligent design and two normalized channels, it offers a flexible solution for a wide range of patch requirements.

Space-saving design

With its slim design of only 2HP, the Passive Multiple fits seamlessly into any Eurorack system without taking up much space.

Flexible Signal Distribution

Thanks to the two normalised channels, this module can be used either as a 2x 1->3 multiple for distributing a signal to up to three targets, or as a 1x 1->6 multiple to send a signal to up to six targets. This flexibility makes it a true all-rounder for your patch environment.

Optimized for gate and trigger

The module is specially designed for the distribution of gates and triggers. It allows you to route a signal unchanged to multiple outputs, which is ideal for complex signal paths.

Limited CV signal suitability

Although the passive multiple can also be used for CV signals, it is only suitable to a limited extent due to its passive design. For precise voltage distribution, especially with pitch CV, we recommend using a buffered multiple to avoid signal loss and inaccuracies.

Dimensions
2 HP
14 mm deep

Current Draw
Module does not draw current

Notes: ***B-STOCK: Without original box, item shows small amount of damage but in perfect working order***


FLAME "TAKT" rhythm sequencer.

"TAKT" is a compact 30HP Eurorack sequencer module for playing or programming trig- ger/gate/velocity rhythm sequences.

The sequencer has 8 tracks with trigger/gate outputs, 8 velocity/modulation CV outputs and full MIDI functionality. The CV track can also be used independently as a modulation track. Live sequencing in looper mode is possible in two ways: SHOTS for playing "note repeats" or quantized triggering via keys or sensors.

Four tracks can be triggered simultaneously with four external distance sensors. These sensors are just 2HP slim modules that can be rack mounted at desired locations. These are connected directly to the module with narrow and sufficiently long ribbon cables, which also supplies the sensors with the necessary operating voltage. The 4 sensors and the connection cables are included in the scope of delivery. The sensors generate trig- gers/gates and can be switched live as a set between tracks 1-4 and 5-8 (e.g. via foots- witch).

Four syncable LFOs with VCOs for amplitude adjustment are also provided. The LFOs are equipped with many interesting functions. This includes 26 different waveforms, phase, amplitude, speed and output voltage. This can be unipolar or bipolar (0..+5v or +/- 5v) and additionally attenuated by AMP (amplitude) with built-in VCA. This means that the LFO outputs can also be adapted to modules that do not have an input attenuator.

Patterns can be switched live and are each up to 4 bars long. 4 patterns plus a fill pat- tern are saved as a scene. 50 scenes can be permanently stored in the module. This means that 250 patterns are available in total.

Additional inputs and outputs for controls are available. There are 4 CV inputs to be defi- ned by the user, as well as 2 programmable analog clock outputs. On the front there are MIDI input and output as 3.5mm TRS sockets. Firmware updates can be done via MIDI- SYSEX.

HP : 30

Notes: The SetonixSynth SkyWave is an all-analogue voltage controlled oscillator capable of producing many different timbres and unique harmonic behaviours, thanks to an original step-based control scheme which allows the user to dial in completely different wave-shapes and levels for successive oscillator cycles.

This complex VCO uses an internal feedback loop with the clock output of the oscillator triggering a step sequencer which in turn cycles through settings at the frequency of the core oscillator, thus changing the shape and level of the waveform output on a per-cycle basis while also staying in tune and tracking pitch like a typical VCO.

Notes: Based on the ADDAC501 Complex Random module, the 511 expands the concept to become an even more powerful random/stochastic voltage generator. Four channels, all capable of being used for envelopes, modulation sources, sequencers and much more.

Supplier's Notes:
This module greatly expands on the principles of the ADDAC501 Complex Random from 2013.

This is a fully fledged 4 channel voltage generator capable of all things random, with quantization, probability, distribution, interpolation, time control, clock, states and a 32 step sequencer.

The module operation relies on its screen for all parameter editing, each button accesses one single page where parameters can be changed allowing a fast and fluid workflow across all settings.

Long presses on all buttons have a secondary function allowing fast Channel selection plus Mute and Hold functions.

The combination of having 2 Encoders with Push buttons allow swift navigation and editing across all pages and their settings.

Tech Specs:
20HP
4.5cm deep
200mA +12V
100mA -12V

Notes: Motion Pictures

(Delay And Reverb)

Motion Pictures combines lush delay and reverb with intuitive, powerful controls within a 10HP module. Choose between a crisp digital delay or a warm analogue delay and pair it with a spacious, large-hall stereo reverb. Delay and reverb levels can be adjusted independently, allowing you to use them separately or together. The delay time can be controlled using a knob, tap tempo, or CV. You can even send opposing CV signals to the tap tempo and delay time for glitchy, pitch-bending, rhythmic effects. Additionally, CV control extends to the feedback, delay, and reverb levels, providing greater flexibility. Motion Pictures offers rich ambient sounds in a compact design, combining delay and reverb in one module to optimize rack space while preserving sonic depth.

Notes: Want to smooth out attack and release on your signals, but don't want to sacrifice too much space in your case?

Quadar is an analogue 4 channel slew rate limiter that can be used as an attack/release envelope generator. Send in any signal to independently control the attack time and release time with the A and R knobs.

Technical Specs:
- 3U x 6HP x 25 mm deep
- Current Draw: 10mA @ 12V, 10mA @ -12V

What's in the box:
- 1x Quadar module
- 1x Power cable
- 2x Mounting screws

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Manis Iteritas is a Eurorack 10HP voice based on the architecture of Basimilus Iteritas, but designed to be more gritty and aggressive. It accomplishes this by producing only sawtooth waves that are manipulated, modulated, and distorted through a rethought interface. Manis is suitable for leads, bass lines, drums, darkness, detuned madness, or pure mayhem.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Dimensions is a true stereo chorus effect for the Eurorack modular system featuring two algorithms. The first is a direct port of our Fluid chorus plug-in, and the second is taken from the unit's namesake. With automatic routing based upon what you plug in the I/O, Dimensions can do mono->mono, mono->stereo, and true stereo chorus duties.

Dimensions' Mode A operation is a ludicrously thick chorus. Most chorus effects have either a single delay line or a pair. Dimensions has six of them, each with its own modulation scheme. The Mode B operation changes the routing to match the vintage rack unit, but keeps the controls available. This results in a subtly different, but equally thick and appealing, effect.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Nicely creative sequencer module based around controlled randomness. Build patterns and then morph them in real time. Great for live performance as well as studio use.

Supplier notes:
The Eloquencer is a powerful and versatile eurorack sequencer that can be used both as a performance and a composition tool. It's designed to be intuitive, easy to use, and quick to edit. It has been built around the "controlled chance" concept. This means you can decide when and where there will be randomness and how much this randomness will affect your sequences. It features 8 tracks of CVs and Gates in a 16 step disposition, but with the ability to define larger bar counts or chaining patterns to build multiple song parts of 256 steps each.

INPUTS AND OUTPUTS
8 V/oct CV Output
8 Trigger / Gate Output
Reset Input
External Clock Input (configurable. i.e: can be used as a clock divider / multiplier)
Accent Output (configurable)
Clock Output (configurable. i.e: can be used as a clock divider / multiplier)
2 CV Input (assignable to different parameters)

Notes: Discover the flexibility in your sound design with our ultra-compact 2HP wide Sync LFO (Low-Frequency Oscillator) in Eurorack format. Designed for musicians looking for versatile modulation in their Eurorack system, this LFO delivers a wide range of possibilities to make your soundscapes dynamic. Despite its small size, this Sync LFO offers a wide range of features to help you reach your creative potential.

Compact design With a width of only 2HP, the Sync LFO can be seamlessly integrated into your Eurorack and saves valuable space for additional modules.

Unleash your creative freedom with manual control over the rate and waveform of the LFO. Whether it's slow, gentle modulations or fast, rhythmic oscillations, you're always in control of the character of your sound.

Synchronizable

Expand your sound spectrum with the LFO's synchronization function. Sync it with external beats to keep modulations perfectly in time and add precise rhythmic structure to your sound design.

With three different output waveforms - triangle, square and sine - the Sync LFO opens up a wide range of modulation possibilities. Choose the right shape to give your sounds the texture and movement you want.

Intuitive Performance

Easy-to-use controls make it easy to perform live or explore new sonic ideas. Create modular soundscapes with the Slimline Sync LFO and breathe life into your sounds.

Content:
Module
Bus cable 16-pin > 10-pin, 30cm
2x Screw M2.5x9 Phillips
2x Screw M3x9 Phillips

Notes: Capture the iconic sound of tape sliding to a halt with Tape Stop, a clock syncable tape stop module that puts this classic effect at your fingertips. Originally an accidental artifact of analog tape, this effect has become a beloved tool in music genres from hip-hop to IDM. Now, it's fully controllable in your modular system.

Adjust the Lag to set the stop length, then tap Trig to activate. Hit it again to resume your audio seamlessly. With clock sync, your stops and starts stay perfectly in time, and a toggle lets you switch between momentary and latching Trig modes. Add a touch of tape magic to your modular system with Tape Stop!

Notes: SWEnigiser Proto VCF/A

Enigiser multimode filter and VCA in 12hp. Circuit based on originalEnigiser prototype kindly loaned by Anthony Linell of Northern Electronics.

VCF
Unique configuration with 3 x 4 filter modes
2x audio input with drive
2x cutoff CV attenuverter inputs
1x cutoff CV input, tunable to 1v/oct

VCF output normalized to VCA input.

VCA
1x audio input with gritty drive, normalized from VCF output
2x CV input. CV1 knob adds offset for drone etc.
CLIP switch for old/new revision Enigiser diode setting adjusting drive character.
+12V 22mA
-12V 22mA
Skiff friendly
Includes power cable, 4 screws+ plastic washers

Available in sand blasted silver and black panel versions.

Notes: Skippy Exp is a tiny module in 2HP that adds "Play/Stop" and "Reset" functions to Skippy, either via a button or a CV input. It cannot operate independently; you absolutely need Skippy to use it.

For those who don't need the live adjustments offered by Skippy Live (or have run out of space!), Skippy EXP still provides two essential functions for dynamic performance.

This module cannot operate alongside Skippy Live, which already has these two functions. It can be placed either to the right or left of Skippy. The connector to link it to Skippy is included. This module does not need to be connected to power.

Technical Specifications
2 HP

Depth: 20 mm

Power consumption:
+12 V 10 mA
-12 V 0 mA
+5 V 0 mA

Supplied with cable and Knurlies.

Notes: SWEnigiser Proto VCF/A

Enigiser multimode filter and VCA in 12hp. Circuit based on originalEnigiser prototype kindly loaned by Anthony Linell of Northern Electronics.

VCF
Unique configuration with 3 x 4 filter modes
2x audio input with drive
2x cutoff CV attenuverter inputs
1x cutoff CV input, tunable to 1v/oct

VCF output normalized to VCA input.

VCA
1x audio input with gritty drive, normalized from VCF output
2x CV input. CV1 knob adds offset for drone etc.
CLIP switch for old/new revision Enigiser diode setting adjusting drive character.
+12V 22mA
-12V 22mA
Skiff friendly
Includes power cable, 4 screws+ plastic washers

Available in sand blasted silver and black panel versions.

Notes: Part of TipTop's exceptional series of Eurorack-format Buchla modules, the 264t provides four sample-and-hold circuits, plus a logic circuit designed to control polyphonic patches. Deceptively simple but surprisingly creative, like most Buchla modules.

Supplier's Notes:
Four independent sample-and-hold circuits, plus a specialized logic circuit for expediently implementing polyphonic patches.

Sample-and-hold's are essentially one-cell analog memories. They are useful for "remembering" the instantaneous value of a control voltage (a detected envelope, for example), for generating equally spaced steps from a constant slope input (as from a 281t envelope generator), and for converting any continuously changing voltage (a random voltage, for instance) into a series of discrete values.

The 264's sample-and-hold circuits have two operating modes: sample and track. In the sample mode, the value of the input is sampled and applied to the output whenever a pulse is received. The output remains at this value until the next pulse arrives. The track mode diers in that an input is applied to the output for the duration of the pulse. The output tracks the input until the end of the pulse and remains at a constant value until the next pulse.

To use the 264t as four independent channels set the separate/common switch to separate. A single CV can be set to all four channels by setting the operate/common to common and plug CV in the the back jack on the with right side.

The Model 264t includes a polyphonic adaptor, which performs the logic necessary to implement four-voice polyphony. Facilities are incorporated for fine tuning and f.m. modulating the oscillators; light emitters display the adaptor's operation.

Specifications:

Size: 18 HP - Depth: 45mm
Power: +12V 60mA / -12V 30mA

Notes: ***B-STOCK: Product with some signs of usage but in perfect working order***


A fresh twist on a simple 303-style acid synth, featuring a triangle/sawtooth/square wave VCO, multi-mode resonant filter, simple AD envelope and a VCA which can be overdriven. Excellent value.

Supplier's Notes:
ADDAC started this module with the idea of developing a complex drum source however, somewhere along the process, it was clear how much better it performed as a synth voice and this lucky accident was embraced.

It features a VCO with a [FREQUENCY] and [FINE TUNE] knob plus a dedicated CV Input and Attenuator knob (tunable over 4 octaves).

The VCO waveform output is achieved by selecting either a Triangle or Saw through a switch. the selected waveform can then be mixed/balanced against the square wave. The resulting mix is then sent to the Filter.

The Filter features a [CUTOFF] and [RESO] resonance knob plus a Cutoff CV Input and Attenuverter knob.

A 3 position switch is used to select the filter type: Highpass, Bandpass or Lowpass.

The resulting output is then sent to the VCA.

The VCA features an Input with [INPUT GAIN] knob which at maximum can amplify the incoming signal by a factor of 2.

This is a very important control, it accepts any signal Trigger, Gate or CV. Whatever input is plugged in the signal is then fed through an AD with a very short attack and controllable decay through the [VCA DECAY] knob plus the CV Input and Attenuverter knob. The resulting slewed signal is then used to control the VCA gain.

This signal is also sent to the CV OUTPUT as well as the LED monitor.

The Accent input adds to the Input signal creating a different amplitude output.


The CV OUTPUT is normalled to the Frequency and Cutoff inputs.

Tech Specs:
9HP
4cm deep
80mA +12V
80mA -12V

The [INPUT GAIN] knob

Usually Attack/Decay envelopes have a maximum voltage of +5v, no matter if the input gate is +5v or above the AD will clip at +5v. In this case, this clipping method was not used, and instead ADDAC allowed the incoming voltage to determine the maximum AD voltage, meaning that if a +5v gate is present then the AD maximum voltage will be +5v but if a gate of +10v is sent then the AD maximum voltage will be +10v.
This also means that with higher input voltages the decay, although falling at the same speed, will be longer than with lower voltages as it has a longer range to go back to 0v.

As previously mentioned, The [INPUT GAIN] knob can amplify the incoming input by a factor of 2, allowing to use a standard +5v gate or envelope and being able to make the resultant AD go up to +10v.

The AD signal is responsible for opening the VCA. Up to +5v the VCA will open to unity gain above this value the VCA will start to amplify and eventually saturate and distort. This saturation will add harmonics to the signal which will change its gentle timbrical nature to a more unique and peculiar timbre that will make the module shine in Acid contexts.

Adding high levels of Resonance or even filter self oscillation in combination with high VCA saturation will create even more harmonics that ADDAC highly encourage the user to explore.

Notes: Bring your Eurorack modules to life with our groundbreaking 2HP wide Switchable Logic Gate, an essential tool for anyone looking to enrich their modular synthesis with complex rhythmic patterns and sequences. This compact but powerful module offers intuitive operation and innovative features that make it a must-have for creative sound tinkerers.

The module offers a separate inverter stage, which is normalized to the output of the first stage. Not only does this allow you to reverse the original logic operations, but it also gives you the ability to create even more complex and creative waveforms.

An LED is provided for each stage, which indicates the current initial state. This direct visual feedback makes it easy to see and understand the impact of your settings in real-time, which is invaluable, especially during live performances.

Dimensions: 2 HP, 39 mm deep

Current Draw
30 mA +12V
15 mA -12V
0 mA 5V

Notes: Versatile Sinevibes software power in Eurorack form, the Radiant offers six powerful algorithms: dub delay, pole phaser, chord wrapper, feedback shifter, distortion and re-trigger. Filter, morph between presets and add optional reverb to all algorithms.

Supplier's Notes:
The Radiant, developed in collaboration with Sinevibes, is a powerful and highly creative multi-effect processor designed to bring unique and dynamic sound-shaping capabilities to modular synthesis setups.

Multi-Effect Processor with Six Selectable Core Algorithms

Radiant offers a versatile collection of six distinct core algorithms, designed to be both familiar and experimental:

Dub Delay

Pole Phaser

Chord Wrapper

Feedback Shifter

Distortion

Re-Trigger

These algorithms contribute to a wide range of sonic possibilitiesifrom ambient soundscapes and subtle modulations to complex, evolving textures and otherworldly effects.

Morphing Between Presets

One of Radiant's standout features is its ability to morph between presets. This allows for seamless transitions between different effect states, creating evolving and dynamic sounds. The morphing feature makes it ideal for live performances, as users can shift smoothly between various sonic textures.

Three-Band Filter

Radiant includes an onboard three-band filter that lets users shape their sound by adjusting the low, mid, and high frequencies. This is particularly useful for fine-tuning the effects or isolating specific frequency ranges for more controlled sound sculpting.

Reverb and Sound Reverse

In addition to the core algorithms, Radiant provides a built-in reverb, adding space and depth to the sound. The sound reverse function allows for experimental sound manipulation by reversing the audio signal, creating eerie, backward effects that can be synced to the external clock.

Preset System and Save Function

Radiant features a straightforward preset system that allows users to save and recall different effect configurations across 3 available slots. These presets can be morphed in real-time, offering expanded creative possibilities.

User-Friendly Interface

Despite its complex capabilities, Radiant is designed with a simple and intuitive user interface. The module offers easy-to-use controls, allowing for quick adjustments and real-time tweaking of effects. This makes it accessible for both experienced modular users and those new to modular synthesis, providing a powerful yet approachable tool for creative sound design.

Notes: ***B-STOCK: Product with some signs of usage but in perfect working order***


The Mutant Rimshot is a fully analogue rimshot and clave generator inspired by the rimshot found in the legendary 909 drum machine; a triple bridged-T oscillator coupled with a state variable filter. The clave sound (not a feature of the original 909 rimshot) is achieved by using just one of the oscillators.

Features

Three oscillator modes

Rimshot HI mode brings classic rimshot sounds
Rimshot LO gives a lower pitch range; try playing with the filter on this setting to get low tom and kickdrum sounds.
CLV (Clave) mode uses just one of the oscillators to give you a brighter, higher percussive sound.
A switch on the back lets you select between original and extended pitch modes. Original mode can give you rimshots exactly modelling that of classic machines (in Hi mode), whereas extended mode gives a wider range of pitch, at the expense of classic accuracy.

Three filter modes

Use the lowpass or highpass filter modes for classic sounding rimshots
Highpass and bandpass can give a wider range of clave and rimshot sounds, as well as completely different percussive elements (especially when turning the resonance up!)
VCF IN lets you blend the clave or rimshot with other sounds. Try adding some filtered noise for a more acoustic sounding rimshot, or for pseudo-snare type sounds.

Novel decay and filter mod controls

The MOD DECAY envelope controls the decay of the VCA envelope
The VCF MOD attenuverter allows you to modulate the filter cutoff with the MOD DECAY envelope
Alternatively, a switch on the back lets you modulate the filter cutoff with the pitch-controlled internal VCO, for filter FM style percussive hits.

Technical specifications

Width: 8HP | Depth: 30mm
Current draw: +45mA, -50mA @ 12V

Notes: 
2^LFO
Dual Analog VC-LFO
2^LFO is a dual analog VC-LFO Eurorack module, each LFO unit consists of two outputs of square and triangle that can be used simultaneously.

From LFO to Audio-Rate
Three variable rates range from super slow modulation of 20 seconds to super fast audio-rate of 700hz.
Control the speed
CV input for external control of the modulation rate.
No light bleed
Custom made light bleed blocker to prevent indicator light to bleed to other modules.
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width
: 4HP
Depth
: 10mm
Current Draw
+12V
: 10mA
-12V
: 10mA

Notes: Reduxer is a stereo sample reducer effect module.

Depends on it's signal, It can produce dynamic range of sounds from knurly bitcrushing to formant/vowel style effects.

Extra resolution

Custom made Redux potentiometer with 300 degrees rotation for extra crashing resolution.

Double the power

Two proprietary sample reduction circuits with extra offset control on channel 2 via the "Spread", lets you create motion in the streo field for wider effect.

Stereo operation

Inputs are normelized - supporting mono to stereo configuration.

Reduction under control

Redux CV input with attenuator for external control of the bit reduction rate.

Reverse polarity protection

The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.

Dimensions

Width: 8HP
Depth: 20mm

Current draw

+12V: 25mA
-12V: 25mA

Notes: SetonixSynth Sands Of Time 1U Filtered Noise Source Module

The SetonixSynth Sands of Time is a compact 1U noise source which contains two separate noise circuits: a transistor-based analog noise generator similar to those used in many classic modular synth systems of the '60s and '70s, and a CMOS logic-based fixed oscillator bank as found in some of the great drum machines of the '80s, particularly of the TR series.

Either or both of these noise sources may be routed to a sweepable active bandpass filter, perfect for shaping the noise into many different "flavors," from low-frequency rumble, to chest-thumping midrange snare source, to hissing raw hi-hat noise and everything in between.

In a very small package, the Sands of Time provides a full palette of audio frequencies and Noise-like sounds which are useful in many popular patching techniques, especially analog drum patches and "Noise Walls" along with the generation of pseudo-random voltages for use with Sample & Holds, slew generators, and more.

Though it demands just 10hp of 1U rack space, the Sands of Time is still a useful and diverse noise source with some "oomph," a crucial yet often overlooked addition to any setup or patch.

Width: 10 hp (Intellijel 1U format)
Depth: 35 mm
Peak Current Draw: 25 mA @ +12V, 25mA @ -12V

Notes: The FADRMIX JACKOUT is an extension for the FADRMIX6 with two 1/4" (6.5mm) jack sockets for master left/right output and 4 stereo minijack sockets for the FX send and returns.

The module is connected via a small internal connection cable to the right of the FADRMIX6.

Notes: Intellijel have created a 1U version of the handy Atlantix Expander. It is exactly like the 3U version but arranged to fit in a 1U space. Comes with a cable for connecting to the Atlantix.

Notes: ***B-STOCK: Without original box, product in perfect working order***


Basimilus Iteritas Alter is a parameterized digital drum synthesizer with its roots in the analog world. At its heart, it is a simple six-oscillator additive synthesizer with adjustable waveform, harmonic spread and decay. Adjustable attack including a noise oscillator is also included. dLese are summed and fed into an in..nifolder for crunch and variety.

Basimilus Iteritas Alter is an improved version of Basimilus Iteritas. It is 2HP smaller, includes CV of switches, adds an third mode, and pitch range and knobs know offset rather than attenuate.

Size: 10HP Eurorack
Depth: 1.5 Inches
Power: 2x8 Eurorack
Draw +12V: 150 / 80
Draw -12: 5 / 5
Draw +5v: 0 / 90

Notes: This versatile dual-function Eurorack module offers both a Low Pass Gate (LPG) and a Voltage-Controlled Amplifier (VCA), inspired by two iconic designs in synthesiser history.

Low Pass Gate (LPG)

The LPG is modeled after the classic Buchla design, delivering a rich, organic sound that blends amplitude control with low-pass filtering. Ideal for producing natural-sounding dynamics, the LPG responds to control voltages to create plucky, percussive tones and smooth, woody textures. Its distinctive vactrol-based architecture provides a warm and unique character, adding depth and nuance to your patches.

Voltage-Controlled Amplifier (VCA)

The VCA draws its inspiration from the legendary Minimoog, ensuring a clean, dynamic, and responsive performance. Known for its iconic smoothness and headroom, this design is perfect for traditional amplitude shaping, allowing precise control over audio signals with minimal distortion. The VCA section excels in both subtle modulation and aggressive signal sculpting, making it a versatile choice for any patch.

Power consumption: 30mA at +12V and 47mA at -12V

Depth: 27mm

6 HP

Notes: Clock generation meets waveform manipulation in this analogue harmonic oscillator. Combine with the Tobinski sequencer and/or interpolating scanner modules for the best creative results.

Supplier's Notes:
The Harmonic Timing Generator is a versatile Eurorack module that combines advanced clock generation with harmonic waveform manipulation. Combined with the Tobinski Sequencer, the module is a great tool for rhythmic and sonic creativity in the modular system.

As a reference clock generator, the Harmonic Timing Generator produces a base frequency with analogue multipliers (x1 to x8) to generate complex timing signals. Three selectors provide manual or voltage-controlled frequency switching, offering flexibility for intricate sequencing patterns. An LFO mode enables slower clocking rates, ideal for driving sequencers or generating modulation sources.

When used with the Interpolating Scanner, the sawtooth outputs of the Harmonic Timing Generator are transformed into sine waves. This allows the module to function as a harmonic oscillator at audio rates or as a versatile modulation source in LFO mode. Its dual functionality ensures that it can adapt to a wide range of patching needs, from rhythm generation to rich harmonic exploration.

The Harmonic Timing Generator is a versatile and creative tool, offering rhythmic and harmonic possibilities that complement any modular synthesizer setup. Its integration with other Tobinski modules ensures a cohesive and expansive sonic palette.

Power consumption: 235mA at +12V and 176mA at -12V and 20mA at +5V

Depth: 27mm

18 HP

Notes: Tobinski 8-Channel interpolating scanner with integrated VCAs

This Eurorack module combines an 8-channel interpolating scanner with a powerful array of 8 independent VCAs, providing unparalleled flexibility for dynamic audio and CV routing for creative sound design.

Key Features:

1. Interpolating Scanner

8-Channel Interpolation: Smoothly blend between up to 8 stages with high precision, using either bipolar CV or manual control.

Scan Stage & Width Control: Dedicated controls for selecting active stages and defining the range of the interpolation window.

Multiple Outputs: Individual outputs for odd stages, even stages, and a combined all stages output provide versatile routing options.

2. Integrated VCAs

8 VCAs with CV Control: Each VCA has its own dedicated control voltage input, allowing for intricate amplitude shaping.

Mix Outputs: Summed outputs for odd channels, even channels, and all channels, perfect for mixing duties or creating complex stereo effects.

Subtractive Mixing: Individual VCA outputs are excluded from the mix outputs when patched, allowing for flexible routing and advanced signal processing.
3. Parallel and Flexible Signal Flow

Parallel Input Routing: The 8 inputs feed both the scanner and VCAs simultaneously, making it easy to use the module in multiple roles at once.

Switchable Sliders: 8 high-quality sliders can control input levels to the scanner, the VCAs, or both, adapting to your workflow needs.

Creative Patching Examples:

Stereo Mixer:
Use 2 scanner channels and route their outputs through the odd and even mix outputs to create a dynamic stereo mix.

4-Channel Mixer:
Combine 4 inputs through the VCA sections and use the mix outputs to create a versatile sub-mixer for blending multiple signals.

VCA Control:

Independently use 2 or more VCAs for precise amplitude modulation of separate signals.
All the above options can be implemented simultaneously, making this module an exceptionally powerful tool for complex patches.

Expandable with Tobinski Harmonic Timing Generator (HTG):

This module seamlessly integrates with the Tobinski Harmonic Timing Generator (HTG) via an internal ribbon cable that goes to the switched (normalled) connections of the input jack sockets. The scanner inputs automatically link to the HTG outputs via sine shaping circuitry, enabling the two modules to function as a sinewave harmonic oscillator. This pairing unlocks harmonic interpolation and complex timbre creation, expanding your sonic palette.

Connections:

Inputs:
8 for audio or CV

Outputs:
8 individual VCA outputs

Mix outputs for odd, even, and all channels
Scanner outputs for odd stages, even stages, and all stages

Control Inputs:
Bipolar CV for scan stage and scan width

Dedicated CV inputs for each VCA
Sliders: 8, switchable between scanner, VCAs, or both

Power consumption: 205mA at +12V and 190mA at -12V

Depth: 27mm

18 HP

Notes: ST.FONT is a stereo liquid filter that takes the beloved core of our FONT module and expands it into a powerful stereo filtering tool.

With a dual filter core (one for each channel), it offers a massive liquid sound with smooth resonance, adding warmth and depth to any audio signal.

Independent filter cores for left and right channels with Low Pass, Band Pass, and High Pass modes, plus seamless crossfading between filter outputs.

Built-in VCA with soft clipping for rich sound shaping, plus CV control.

Switch between Mild for traditional resonance or Wild for extreme distortion and aggressive filtering.

Dedicated FREQ Span, RES Span, and MODE Span knobs allow you to create a wide, immersive stereo field by adjusting the spread of parameters across both channels.

Notes: The First Aid Kit is here to be your first choice, regardless of whether you're picking out your first utility module, building a minimal system or expanding a large system, by offering a powerhouse toolbox built on the principle of "everything you need, nothing you don't."

Offering ten functions in just 8hp, you can feel assured that you are no longer likely to run into dead ends while patching, because you need just one more utility - no need to buy lots of specialized utility units either, which can be both costly and space ineffecient, as you get all in one with the First Aid Kit.

Functions include:

5v DC source
Buffered multiple
LED voltage indicator
Summing 3-to-1 mixer
Signal inverter
Half-wave rectifier
Full-wave rectifier
Gate-to-trigger generator
Attenuverter
Bipolar and unipolar 8v offset generator
Functions can be used independently of each other, and the unit can be patched with itself for even more functions. Enjoy a toolbox that will solve nearly any problem you're facing, all in a compact-yet-comfortable 8hp.

The First Aid Kit replaces lots of other individual modules, and gives both newcomers an excellent starting point for what can feel like boring but necessary purchases, while also offering excellent utility to both large and small systems.

The First Aid Kit: don't get caught without one when you need it most.

Notes: Solist is not your average performance mixer and mute combination - far from it. Designed in collaboration with Bries, Solist contains four channels of soft vactrol muting, controlled by tactile and pleasantly clicky mechanical switches. Solist will help make your performances shine - but most importantly, the red solo switches allow you to override the current state of the mute switches, allowing for creative transitions between solo and mute states during your performance.

While the audio circuit is fully analogue, it is also entirely isolated from the digital circuit that controls the mutes. Running on a fast and reliable Raspberry Pi RP2040, you get all the benefits of digital control without the downsides of digital audio processing. Best of all, the mechanical state of the switches determine the state of the module, so even if you power cycle, you will return to your previous state.

The analogue mixer section can be used simultaneously with the individual outputs of the Solist, so for those who already have a mixer solution, the buffered individual outputs will bypass the mixer entirely. You may of course also use both simultaneously for exciting parallel processing opportunities.

Solist brings a whole new aspect of muting and soloing to your Eurorack performances, and with soft opening and closing vactrols, you'll never have to worry about clicks, truncated transients or actuation noise.

Notes: Introducing the Cortisol Legend: a spiritual successor to one of my early designs, the Steroid Legend, it presents as 4hp of white hot saturation and hairy distortion, and features manual control over two op-amp driven gain stages, with a diode saturation control in the middle, giving you precise control over distortion ranging from smoldering saturation all the way into utter rail-to-rail fuzzification.

As for the diodes, the Cortisol Legend has two flavors on tap: Steroid Legend-inspired diodes and genuine, Cold War-era USSR-made Germanium diodes from the far reaches of Europe. These diodes are getting increasingly hard to find, but have been known for their warm and fuzzy characteristics by guitar pedal enthusiasts for years. Here, you get the genuine article, for as long as they can be reliably sourced.

In addition to having control over the saturation depth, the Cortisol Legend offers an additional control parameter: Eustress and Distress. Roll off the edge and noise a bit with a Styroflex-capacitor filter which varies with saturation depth, or leave no edge unjagged with this setting.

Speaking of noise, this thing is LOUD, so you may want to have an attenuator such as the psATT on hand, unless of course the loudness is exactly what you want. Hand in hand with the overdrive and distortion comes, of course, beautiful new harmonics added to anything from single waveforms to samples, sounds and entire mixes.

Various diodes will be available at different times, but all variants are ultimately limited - all Germanium diodes used in these are new old stock from the Cold War, and one day they will run out.. Expect individual modules to have a bit of their own character.

Notes: NANO modules are excited to introduce you to OCTA, the upcoming 4-channel Analog Drum module, inspired by the iconic TR-808 and redesigned with a modern twist.

OCTA delivers punchy and dynamic analogue drums, with individual outputs, mute switches, CV control over Drive, and a built-in Tilt EQ and Compressor for creative shaping. Nano stayed faithful to the original circuits, but added key controls to give each voice more range and modular versatility.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Drawing inspiration from the MMI Maxima, the MMI Helios is intended as a middle ground between the gestural control surface of the Maxima and the fingertip control of the smaller MMI.

Less density, but a much higher degree of patch control is the key point of the Helios, which complements other MMI devices very well, and can be joined with other Helios (Helii?) to form larger and creative control surfaces.

The design is greatly simplified compared to the original MMI, with only two I/O jacks - either can function as input and output, and their interaction with each other is determined by touching both plates simultaneously to form a connection, or in cooperation with other MMI devices.

Available in a "right" and "left" version - one is an exact mirror image of the other, which makes it suitable for having two units adjacent to one another.

Dimensions
8 HP

Notes: ***B-STOCK: Box opened, product in perfect working order***


Tiptop's reissues of iconic Buchla modules continue with the 285 frequency shifter. Edgy, twangy harmonic modulation with ring mod options and stereo operation via sum and difference outputs.

Supplier's Notes:
The 285t combines two sets of functions: the top section features a frequency shifter, while the lower section includes both balanced modulation and classic ring modulation, all with voltage control. The frequency shifter can shift incoming audio using either its internal oscillator or external audio. Both SUM and Difference outputs are available simultaneously for analogue stereo widening effects and more.

As Tiptop Audio continues its aural odyssey of preserving and transforming the hallmark engineering prowess of Don Buchla's namesake synthesizer modules, the 285t brings a constellation of blistering sonic-contouring tools to your Eurorack array. Like its predecessor, the Tiptop Audio Buchla 285t is a menagerie of modulation madness, offering variable degrees of ring, frequency, and amplitude styles of modulation. Plus, its dyad of modulation sub-modules operates independently, with dedicated audio and CV I/O for each, functionally giving you the sum of performance possibilities you'd get with two modules, all in one instrument. Suffice it to say: Sweetwater's synthesists commend Tiptop Audio on capturing the electric magic of Don Buchla's imaginative engineering while transposing it for the world of Eurorack to experience. For a constellation of timbral sculpting and summitting heretofore unknown peaks of daring synthesis exploration, the Tiptop Audio Buchla 285t Frequency Shifter module is your key. Discover what awaits at the fringes of Eurorack possibility!

Note: This module is not compatible with Buchla system voltages. CV signals require a distinct connectivity configurations. Please contact your Sweetwater Sales Engineer with any questions or concerns regarding compatibility or use in your Eurorack case.

Type: Frequency Shifter
Depth: 1.77" (45mm)
HP Size: 18HP
Power Usage: +12V/70mA, -12V/40mA
Power Supply: Requires Eurorack Case and Power Supply
Manufacturer Part Number: 285t

Notes: ***B-STOCK: Product with some signs of usage but in perfect working order***


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