シンセ・モジュール

Notes: Expand the sound of your modular rack with incredibly lush, ethereal reverbs. Enhance signals with gorgeous chorus, flanging, and modulated delays. Create uniquely expressive synth voices with Karplus-Strong string synthesis. StarLab is a single module that will completely transform your modular rack.

The seemingly simple idea of allowing the pre-delay signal to be fed directly to the module's output led to the development of rich sounding delay, chorus, and flanger effects, all of which can be used together with or independent of the reverb.

While experimenting with short delay times using feedback and filtering, Strymon began finding very musical and expressive Karplus-Strong string synthesis sounds, and realized that StarLab could move beyond signal processing and become a truly unique voice module as well. All this ultimately resulted in the creation of a module that is equal parts reverb, delay/ modulation, and playable instrument.

From patch creation to live performance, StarLab's powerful features are easily accessible at the turn of a knob or the touch of a button. With no menus to wade through, StarLab's interface is designed for intuitive hands-on sonic exploration, while every function and control works together to respond musically and smoothly.

From perfectly voiced room ambience to vast, immersive, nearly infinite decays, StarLab offers the pinnacle of premium reverb sounds with unparalleled depth and spaciousness. Add musical intervals to the reverb signal with Shimmer, and enhance the harmonic spectrum with Glimmer, while enjoying real-time control over the size/pitch of the reverb process.

StarLab has vastly expanded what reverb pre-delay can do by allowing you to bus the pre-delay signal to the output while making the pre-delay time a modulation target. This results in the ability to create rich choruses, sweeping flanger effects, and beautiful modulated delays, while also processing signal through the reverb.

In addition to input signal processing, StarLab is a powerful Karplus-Strong string synthesis voice module that allows freely alternating bowing and plucking as well as dynamic string damping. This results in an astoundingly expressive and lifelike instrument with a unique voice all its own, which can be enhanced and expanded by the full range of StarLab's reverb capabilities.

Notes: Easily connect your modular system to the rest of your setup with Out, a compact 2HP stereo line output and headphone module. Despite its small size, it includes everything you need for clear, convenient listening.

The top section features stereo modular-level inputs with LED indicators for quick level monitoring. From there, the signal is routed to both a stereo line output and a dedicated headphone jack, each with independent volume control. Whether you're sending your modular through external effects, recording into an interface, or just monitoring with headphones, Out keeps things simple and efficient.

Notes: Quad Attenuator/Inverter, Splitter, and Offset Generator

Scale your audio or CV sources and route them to various destinations with this versatile utility. It consists of four identical unity gain amplifiers. Each amplifier can multiply an incoming signal by values ranging from 0 to 1 (for attenuation) or from 0 to -1 (for inverting attenuation). The input of each channel is normalled to the input of the next channel, allowing for easy signal routing from one input to the subsequent ones.

The first channel is normalled to 10V, enabling the module to function as an offset generator when no input is connected.

Features

Inversion switch per channel.
Precise zero at the left side of the pots.
Four level LEDs indicate output level and polarity.
Cascaded input topology

Specs

Current needs: +12V: 60mA, -12: 50mA, 5v:0
Width: 4 HP
Depth: Assembled version 25 mm
Depth: DIY version 35 mm
Designed, kits prepared and modules assembled in Barcelona.

Notes: The SELECTOR module is an electronic switch for any kind of signals to select one of up to eight sources or sending a signal to a specific destination (it's bidirectional). It is also known as "Sequential switch" in former modular synths. The SELECTOR has 8 inputs for any kind of signals, no matter if audio CV or gate, and one of them can be routed to an output in different ways: Either by a knob, or by a CV, or by clock pulses to advance by 1 plus a reset trigger input. By a switch it can be set to operate as a dual unit with 4 inputs each.

It's a quite useful tool for more complex patches, e.g. for selecting between different sequencers, or sending a modulation source to varying "receivers".

Notes: Legendary Vermona drum synthesis circuits get reimagined for Eurorack. The Bass/Drum reworks the kick and 'drum' circuits from the DRM-1 for extra modular flexibility, maintaining the powerful analogue sound.

Supplier's Notes:
With BASS|DRUM, Vermona have transferred the sonic foundation of the DRM1's KICK and DRUM instrument channels to the Eurorack format. They reworked the existing circuitry in key areas to optimize it for the modular context. The result is an Eurorack sound generator that clearly reveals its origins and at the same time surpasses them many times over.

The modulation possibilities of BASS|DRUM offer enormous flexibility. Many parameters like the pitch of the oscillator, the decay time and the integrated wave shaper can be controlled by external voltages. For example, you can create rhythmically alternating long and short or low and high kicks or tonal variations by modulating the waveform.

Use the DYNAMIC input to control the amount of force your trigger source applies to the internal circuitry of BASS|DRUM. This not only changes the volume, but also many different nuances of the sound.

Bass or drum? BASS|DRUM can do both, without compromise. If you need drum sounds that follow the tuning of your music, you'll find what you're looking for here. At the same time, the module serves as a full-featured audio oscillator that can be used to create bass lines or melodies.

From deep, powerful bass drums, toms and tom-toms to high-frequency pings and percussive chirps - no problem with BASS|DRUM! In combination with other modulation sources, this spectrum can be extended infinitely. The module is also an excellent oscillator for anything other than classic analog drum sounds.

Notes: Multi-operator phase-modulation platform oscillator ideal for lovers of drone

Toros Iteritas Alia is a multi-operator, three-algorithm phase-modulation oscillator. Taking inspiration from Nosie Engineering's favourite things about FM synthesizers and doing away with complicated interfaces and mysterious controls, Toros prioritizes immediacy and, of course, epic sounds.

The unique Blendex controls allow the user to route each oscillator to be a PM for the next oscillator in the algorithm or direct to the output. Fine-tune the output for your needs with the frequency controls that constrain the range to span a minor third, an octave, or two octaves. Dial in and morph between anything from dark and noisy to tonal to sub-shaking sounds with ease with the completely CV-able interface.

Designed with drones in mind, Toros is the perfect tool for long, evolving textures and dark drones - or big, clangorous tones if that suits your patch better.

Toros Iteritas Alia is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Firmware Swap app and check out any other Alia firmware, free of charge, any time. More info can be found on the World of Alia page here.

Hotswappable overlays are coming in January, so you can easily panel your module to match your firmware, no assembly required.

Size and Power
10HP Eurorack
+12v:100mA
-12v: 15mA
Toros - perforated lizard - from Latin Torosaurus "foundation" with suffix -lus "small"

Iteritas - repetitiousness - from Latin itero "repeat" with suffix -tas "state of being"

Alia - supreme, from Latin alia

"Lizards reign supreme, as always"

What's in the box?

Module
Power cable
Micro USB cable

Noise Engineering no longer include screws with newly packaged modules, but Bulk screws are available for purchase.

Notes: Multi-operator phase-modulation platform oscillator ideal for lovers of drone

Toros Iteritas Alia is a multi-operator, three-algorithm phase-modulation oscillator. Taking inspiration from Nosie Engineering's favourite things about FM synthesizers and doing away with complicated interfaces and mysterious controls, Toros prioritizes immediacy and, of course, epic sounds.

The unique Blendex controls allow the user to route each oscillator to be a PM for the next oscillator in the algorithm or direct to the output. Fine-tune the output for your needs with the frequency controls that constrain the range to span a minor third, an octave, or two octaves. Dial in and morph between anything from dark and noisy to tonal to sub-shaking sounds with ease with the completely CV-able interface.

Designed with drones in mind, Toros is the perfect tool for long, evolving textures and dark drones - or big, clangorous tones if that suits your patch better.

Toros Iteritas Alia is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Firmware Swap app and check out any other Alia firmware, free of charge, any time. More info can be found on the World of Alia page here.

Hotswappable overlays are coming in January, so you can easily panel your module to match your firmware, no assembly required.

Size and Power
10HP Eurorack
+12v:100mA
-12v: 15mA
Toros - perforated lizard - from Latin Torosaurus "foundation" with suffix -lus "small"

Iteritas - repetitiousness - from Latin itero "repeat" with suffix -tas "state of being"

Alia - supreme, from Latin alia

"Lizards reign supreme, as always"

What's in the box?

Module
Power cable
Micro USB cable

Noise Engineering no longer include screws with newly packaged modules, but Bulk screws are available for purchase.

Notes: Bartender is the centerpiece of the mixer system. Four stereo channels, with two stereo aux send and two stereo returns. Each channel can be used in a mono mode where both channels are mixed. If you want to do eight channels of mono, you can put the channels in stereo mode (I know it feels backwards) and then use the pan control to control the crossfade between each channel, and then take the mono output. There is a built in cueing system so you can monitor channels in your headphones and control the blend with the main output. You can expand a Bartender with both a Barback and/or another Bartender. When connecting two Bartenders, the main level control on the 'expander' Bartender acts as a group control.

Notes: The SetonixSynth Marsupial is a new dual filter design based around the re-issued AS3350 filter IC, originally used in rare synths such as the Synton Syrinx, Crumar Spirit and Rhodes Chroma but never widely utilized. Normalization between the control inputs and a Series/Parallel switch makes it simple to dial in a huge variety of unique and musical filter sounds.

Current draw: 36mA @ +12V; 35mA @ -12V

Eurorack width/depth: 8hp; 25mm

Notes: The Solar Gravity from SetonixSynth and Tidbit Audio is an analogue vactrol-based VCA designed to bring the lovely response of optocouplers into the realm of clean, performance-based Eurorack VCAs. Starting with this simple concept, the Solar Gravity utilizes some neat active circuitry to significantly reduce the bleed inherent in vactrol-based VCAs and to provide the user with lots of control over the level, direction, and response of incoming control voltage.

Though it's primarily designed for use with audio signals, the Solar Gravity can also be used to control the level of CV such as envelopes or stepped voltages with a unique vactrol response through its DC-coupled input.

Technical Specifications

Width: 4hp
Depth: 28mm
Peak Current Draw: 16mA @ +12V, 18mA @ -12V
Input Impedance (All Inputs): 100kO
Output Impedance: 1kO
AC Input Cutoff Frequency (-3dB High Pass): 5 Hz approx.

Notes: Updated version of WMD's exceptional performance mixer. Full stereo design with improved sound quality, revised layout and increased expandability. An even better version of what was already one of the best mixing solutions in Eurorack.

Supplier's Notes:
Enter the WMD Performance Mixer MKII - Eight years after the MKI was released, the MKII builds on all the valuable feedback received. This is a serious upgrade, with feature enhancements and engineering improvements affecting every bit of the design.

Decisions, decisions, decisions!

If you recall, WMD showed a previous version of the PM MKII a year ago. That version was very similar to the original, with a few enhancements. Primarily focused on manufacturability and overall noise floor with some great recording features. WMD moved to an 8-layer board, replaceable channel strips, developed the MIDI and bootloader, pre/post fader headers, and made it work on both AUXs simultaneously.

Noise Performance - The MKI was alright with noise, there was a little bleed too. Going to 8-layer boards meant I could put ground planes between trace layers, and spread the traces out triple the spacing of what they were on the MKI, this reduces bleed/crosstalk by a factor of about six.

Noise Performance 2 - On the Original, the Level VCA was before the Panning VCAs, which saved on parts/power, but it meant that the Panning VCAs were always connected to the mix bus, adding noise floor that couldn't be attenuated. Making all the channels stereo and putting the Pan circuit first eliminated this problem, now the noise add is controlled by the fader. This did force WMD to make every channel stereo, so the design got simpler through figuring this out.

Panning / Crossfader - The above panning/level improvement made it possible to convert the Pan control into a crossfader, buy simply routing the post pan signals through a switch to the opposing channel, summed at the Level control. This huge improvement allowed the A/&/B input switching scheme to still work on the PM MKII, a bit differently, but it's there in spirit.

Modular Design - The channel strips are all now stereo, and identical, which makes assembly much easier, and lowers the cost. It also makes replacing them easier should a mechanical part fail or get spilled into. Further, the Patchbay, Power board, and Master section are all separate parts, so if there's a failure, they can be quickly swapped without having to RMA the whole unit.

Patchbay - The MKI and rev E MKII still had jacks misaligned with channels. This was a source of frustration for d many users of the PM MKI. And I decided to just be done with it. It didn't make sense to try to put jacks over the channel, it wasted too much space on the panel... So all the jacks go left, keeping the mixer clear of cables, this let me space the knobs out a bit to take up all 3U. It's cleaner, simpler to make, and intuitive to use.

Expandability - It's super modular now, the DB25 can connect to any two headers that spits out audio, they're all the same format across PM MKII and Channels MKII. Pre, post, mixes, connect it however you want. And the connectors can't be hooked to power, meaning no more blown opamps and RMAs to the factory. They're all shrouded too so they won't get bent in shipping!

Features Overview:

Everything is stereo. Inputs, Busses, Auxes, and Cue Mix.
INPUTS: IN LEFT is normalled to IN RIGHT.
GAIN: Each channel has a Gain trim range of -12dB to +20dB, this will let you use line level devices easily.
GAIN CLIP LED: lights red 1dB before clipping the input stage.
LVL FADER: smooth intuitive curve for easily adjusting the mix level on the fly. A yellow indicator shows the level.
MUTE: Press the channel button and the channel will soft mute with a red LED indicator.

Notes: Designed by Hexinverter, from classic electro snares to warping, alien percussion, the Mutant Snare is a radical departure from the static sounds of the TR-808.

13HP
30mm deep
+50mA, -50mA
Eurorack format module

Notes: A classic electro percussion synthesis design reborn as something completely different. Hexinverter wanted to recreate a classic hihat synthesis design as something new and exciting, so they took the super electro 808 circuit and transformed it into a powerful creative tool for modular synthesis.

13HP
30mm deep
+75mA, -45mA
Eurorack format module

Notes: Capture the iconic sound of tape sliding to a halt with Tape Stop, a clock syncable tape stop module that puts this classic effect at your fingertips. Originally an accidental artifact of analog tape, this effect has become a beloved tool in music genres from hip-hop to IDM. Now, it's fully controllable in your modular system.

Adjust the Lag to set the stop length, then tap Trig to activate. Hit it again to resume your audio seamlessly. With clock sync, your stops and starts stay perfectly in time, and a toggle lets you switch between momentary and latching Trig modes. Add a touch of tape magic to your modular system with Tape Stop!

Notes: Bring your Eurorack modules to life with our groundbreaking 2HP wide Switchable Logic Gate, an essential tool for anyone looking to enrich their modular synthesis with complex rhythmic patterns and sequences. This compact but powerful module offers intuitive operation and innovative features that make it a must-have for creative sound tinkerers.

The module offers a separate inverter stage, which is normalized to the output of the first stage. Not only does this allow you to reverse the original logic operations, but it also gives you the ability to create even more complex and creative waveforms.

An LED is provided for each stage, which indicates the current initial state. This direct visual feedback makes it easy to see and understand the impact of your settings in real-time, which is invaluable, especially during live performances.

Dimensions: 2 HP, 39 mm deep

Current Draw
30 mA +12V
15 mA -12V
0 mA 5V

Notes: Presenting the new AJHSynth Matrix VCF - this may well be the most versatile Eurorack VCF ever.

This amazing multimode filter and VCA offers sixteen different filter types, and two different resonance models on each, totalling an incredible thirty two assorted resonant filters to choose from. AJH Synth have also included manual and CV control of filter type selection, along with 16 LED's that give a clear visual indication of which filter type is currently selected.

The filter core circuitry is based on that of the rare and highly sought after Oberheim Matrix 12 synthesiser, and of course has an all analogue signal path. The Matrix 12 VCF originally offered fifteen filter types, however AJH Synth have expanded this to 16 with the addition of AP4, a full four pole all pass phaser mode.

AJH Synth have added a unique P-Vox resonance distortion and overdrive circuit that changes the character of the resonance completely, and can force all of the filter modes into self oscillation. This effectively doubles the filter variants and hugely broadens what is already a very impressive sound pallet.

Other features include an inbuilt VCA with Input and Output Level controls, a Peak level LED, CV control of resonance, and of course the legendary AJHSynth build quality.

The Matrix VCF in depth

After two years of development AJH Synth have finally released what they consider to be the most versatile Eurorack VCF & VCA ever. Like many other AJHSynth modules it uses the very best vintage analogue circuitry as the starting point for the design, and in this case, the filter was chosen from the rare and very desirable Oberheim Matrix 12 synthesiser. AJH Synth expanded this from the original fifteen filter compliment to sixteen distinct filter types by adding in a really useful four pole phaser!

So, behind the compact 14hp front panel lies sixteen distinct filter types, including all of the favourites: Low Pass filters with a choice of one, two, three or four poles, Band Pass filtering with two or four poles, High Pass filtering with one, two or three pole options, along with Notch filtering and four complex, combination filter types. Finally, a four stage phaser with two types of emphasis that can be forced into tuneful self-oscillation!

However, this is far from the end of the story. AJH Synth decided to use their design expertise to add in some crazy resonance distortion circuitry, that could be switched on from the front panel. This was inspired by the filter from the Soviet Polivoks synthesiser, but again the implementation used here is considerably changed, improved, and best of all this can be applied to all filter types! This completely changes the filter character when engaged, and it forces all of the filters into self-oscillation at higher resonance settings. Better still, the oscillation waveforms are more harmonically rich than the usual sine waves - everything from gloriously fat to screaming and angry! Best of all, this takes the number of different filters up to a massive thirty two variations!

AJH Synth put a lot of thought into the ergonomics and how to select the individual filter type. Filter type can be changed either with the front panel Mode knob, or by using a control voltage patched to the MODE CV input. The selected filter mode is displayed by the LED next to the filter in use. This is also very helpful when using a step sequencer to change filter mode as it gives a real time display of the filter chosen as you take the step CV voltage up or down, while setting up each individual step.

Lastly, AJH Synth have also included a VCA hard-wired to the output - simply patch an envelope or an LFO to the VCA input, connect a VCO to the audio input and you have a synth voice (with a choice from 32 different filters!) using only three modules!

Thirty two Eurorack VCF's and a VCA would most certainly take up a lot of rack space - AJH Synth have got all of this into 14hp and managed to have a really finger-friendly user interface, without it feeling cramped.


Sixteen distinct filter modes to choose from

Here's a list of the different filter modes that are available:
1 - Four Pole Band Pass
2 - Three Pole High Pass combined with One Pole Low Pass
3 - Three Pole All Pass combined with One Pole Low Pass
4 - Two Pole Notch combined with One Pole Low Pass
5 - Two Pole Low Pass
6 - Four Pole All Pass (Phaser)
7 - Four Pole Low Pass
8 - Two Pole Band Pass
9 - Two Pole High Pass combined with One Pole Low Pass
10 - Three Pole High Pass
11 - Three Pole All Pass
12 - Two Pole Notch
13 - One Pole Low Pass
14 - Two Pole High Pass
15 - Three Pole Low Pass
16 - One Pole High Pass

All of the above filter types can be further altered by switching in P-Vox mode, this doubles the list up to thirty two different filter variants!

P-VOX MODE

Transforming the resonant character of every filter type

This magical switch completely transforms the resonance of the filter core by overdriving it in a similar fashion to the filter from the Soviet Polivoks synthesiser, which was renowned for it's powerful, aggressive character.
In common with the Oberheim Matrix 12 VCF, some of the sixteen filter types will not normally go into self-oscillation, however when you switch on P-Vox mode all sixteen filter types can be forced into self-oscillation at higher resonance settings. But that isn't the only change, the self-oscillation waveform is not the usual sine waveform, it is a rather more interesting and harmonically rich waveform that varies according to the filter type chosen - generally Low Pass modes produce the nearest to regular sine waves, whereas other filter types can produce very much more complex waveforms as can be seen in the diagrams below. It does not require any audio input for this, it can be a stand alone oscillator. Most of the filter types will track 1V/Oct reasonably well over a three to five octave range, so it can be used as a VCO with a few interesting waveshapes!

Of course, P-Vox mode isn't just useful for self-oscillation, it adds lots of character to any audio signal as P-Vox resonance is switched in.

Module Width: 14hp
Module Depth: 29mm (Including power lead)
Current Usage: 56mA Positive, 36mA Negative

Notes: Four-part probabilistic rhythm crossfader

Confundo Funkidos is a rhythm crossfader and mute utility. Patch two pairs of rhythms to the left and right inputs, then use the CV-controllable crossfader and three Curve algorithms to fade between them and combine them in different ways. Each channel has a mute switch which can be used to bring a voice in and out of a patch at will. Tap the Burn button for some instant fills, and your percussion performances will never be the same.

New to the second version is the addition of four Accent outputs. Accent patterns are generatively created using the rhythms at the inputs, adding a new, dynamic dimension to even the simplest of trigger sequences. The Accent jacks output high or low gates, which can be used with dedicated percussion modules or as modulation sources in a patch.

The Burn functionality has also been expanded, with the addition of a potentiometer for more versatile and hands-on fill creation. Even the Mute switches have been expanded with three positions: each channel can output triggers but not receive Burn fills or output accents when set to the middle position.

If you want to liven up your percussion system with a completely unique and hands-on utility, Confundo Funkidos brings modular performance to a whole new level.

Size and Power
12HP Eurorack
+12v: 55mA
-12v: 15mA
Confundo from Latin confundo - "to blend"

Funkidos agitation disease - from Flemish fonck "agitation" with suffix dos for "two"

"Second blended agitation"

What's in the box?

Module
Power cable

Nosie Engineering no longer include screws with newly packaged modules, but Bulk screws are available for purchase separately.

Notes: Motion Pictures

(Delay And Reverb)

Motion Pictures combines lush delay and reverb with intuitive, powerful controls within a 10HP module. Choose between a crisp digital delay or a warm analogue delay and pair it with a spacious, large-hall stereo reverb. Delay and reverb levels can be adjusted independently, allowing you to use them separately or together. The delay time can be controlled using a knob, tap tempo, or CV. You can even send opposing CV signals to the tap tempo and delay time for glitchy, pitch-bending, rhythmic effects. Additionally, CV control extends to the feedback, delay, and reverb levels, providing greater flexibility. Motion Pictures offers rich ambient sounds in a compact design, combining delay and reverb in one module to optimize rack space while preserving sonic depth.

Notes: Black edition of Hexinverter's 808-inspired drum bundle. Kick, clap, snare and hat modules recreate the iconic sounds of Roland's legendary analogue drum machine, all updated with modular features.

Supplier's Notes:
Introducing four re-issues of classic Hexinverter drum modules - the Mutant Bass Drum, Mutant Snare, Mutant Clap and Mutant Hihats! These modules are perfect for anyone with a taste for classic TR808/909 sounds, but with a greatly expanded tonal range with voltage control over parameters and, of course, optional high distortion!

Notes: Introducing the HATS808, a drum module that brings the classic TR-808 closed and open hi-hat sounds to the Eurorack modular synth format. This module includes features like independent accent levels, a high-powered gain stage, dual input pulse-shaper, and adjustable Filter Q and VC-Q knobs for additional tuning.
The HATS808 uses six analogue square wave oscillators to create its signature sizzling sound, maintaining the unique metallic character of the original. The original "choke" circuitry is fully implemented but can be disabled if needed. The high-powered gain stage allows for further sound harmonization through distortion and clipping. The dual pulse-shaper circuit ensures consistent sound quality from any pulse source, making the HATS808 an easy and powerful addition to any modular synth setup.

TR-808 is a Trademark of Roland Corp Japan

Size: 8HP
Depth: 14mm
Power: +12V 30ma / -12V 25ma

Notes: Intellijel have created a 1U version of the handy Atlantix Expander. It is exactly like the 3U version but arranged to fit in a 1U space. Comes with a cable for connecting to the Atlantix.

Notes: ADDAC219IN was designed to replace bulky 1/4 inch jacks when plugging external stereo gear into the modular realm.

Using a 3.5mm TRS stereo jack input, the module splits the TRS stereo signal into 2 mono outputs (Left + Right) while also converting the line input to synth level.

There are 2 independent sections allowing for two stereo sources to be connected.

Tech Specs: 3HP, 4 cm deep, 20mA +12V, 20mA -12V

Notes: The Flame FM Kosmos is a full-featured 4-voice polyphonic FM synthesizer with integrated multi-effects unit. With 6 operators per voice and 32 selectable FM algorithms, it offers a wide range of sounds from classic FM tones to complex modulations. Each operator has a loopable ADSR envelope for detailed sound shaping.

It also allows morphing between two sound variations (A and B) and real-time control of effects. The integrated multi-effects processor includes stereo chorus, MIDI-syncable delay and reverb. Intuitive operation is paramount, with 8 knobs and easily accessible menus for all key parameters.

The module supports both analogue CV signals and MIDI control, making it extremely versatile. With 128 preset sounds and 128 memory slots, there is plenty of room to store and recall your own sounds.

Power consumption: 120-140mA at +12V and 60-70mA at -12V
Depth: 30mm
22 HP

Notes: A colourful approach to mixing here, the Kemmerskan offers two stereo channels and four mono channels, processed through germanium transistors. Three band master EQ and aux sends give plenty of creative options.

Supplier's Notes:
More than just a mixer, the Kemmeskan can be used as a soundscaping module. It has an equaliser that sounds really musical and gives the user the ability to change the sound drastically. It can be used in an Eurorack context or with external devices.

Notes: PM DB25 MKII is an expander output for the MKII versions of the Performance Mixer and Channels.

Pre-fade and Post-fade connections are available for all channels. The DB25 has 16 outputs. All mixer channels are stereo, so one DB25 handles the main PM MKII (either pre or post), and the DB25 can handle 2x Channels (either pre or post).

Simply connect the cable to the Pre or Post headers on the back of the PM MKII or Channels MKII modules to choose pre/post.

The PM MKII has an additional header with both Aux Sends, Master Bus, and Submix Bus.

Connect a DB25 cable of your choice to the front connector and then straight to your DAW or recording interface.

For use with original WMD Performance Mixer, an adapter board can be added on. Please note that width behind panel is increased by 8mm when adapter board is added on. This may require some clever position in your case. The original Performance Mixer still only offers Pre Fader Outputs.

Notes: Analogue discrete Synthvoice with two VCOs, three SUB-VCOs, Wavefolder, Noise, Ring Modulator, two loopable ADRS, two LFOs/VCOs, MIXER, 24db Lowpass VCF, VCAOur new Eurorack flagship hits stores this summer. Very compact (pre-patched) discrete synth voice module with excellent analogue technology for endless soundscapes at a reasonable price.

Two discrete VCOs with highly stable tracking

Three analogue Suboscillators (3/4-1/2-1/4 with SQUARE, SAW, TRI) + Gravity Mix -Sync

Wavefolder (VCO 1 TRI WAVE)

White Noise

XOR Ringmodulator

Discrete VCA

24dB LP VCF with overdrive

Dual analogue LFO (one also usable as VCO) with incredible range and keytracking -Two superfast and punchy analog ADSR sections with LOOP function and four TRG outputs (End of ATT, End of DEC)

Mixer section with Master level -Glide presets and huge Patchfield to communicate with other Eurorack Modules.

Screwed metal shaft potentiometer

Rackspace: 36TE
Depth: 25mm

Notes: Connect Eurorack Cases without long patch cables. Great for jams and large systems.

7Path is a pair of modules that can connect two points in your system, or two different systems together via an ethernet cable. Think of it like a patch cable extension cord: instead of 7 long patch cables, you just have 1 ethernet cable! 7Path allows patching of any type of eurorack signal to be passed between the modules. There is no restriction for using only input or output signals on the modules, you can have combinations of both.

The jack numbers between the modules are 1-1. Thus, a signal you patch to the #4 jack of a 7Path module will be available on #4 jack of the other 7Path module!

Technical Specs:
- 4HP x 3U x 20mm deep
- Passive module (no power required)
- Supports signals up to 10ft (unshielded ethernet cable, more if shielded)

What's in the box:
- 2x 7Path modules
- 4x Mounting screws
Note: Does not include ethernet cable

Notes: The iconic clap sound of the TR-909, but with all the features we all wished the original had. Hexinverter's take on this design adds some much-needed range and depth. The clap is a highly versatile module - it is a voltage-controlled LFSR noise oscillator as well as a powerful percussion synthesis engine.

13HP
30mm deep
+75mA, -45mA
Eurorack format module

Notes: The Morphor VCO is a compact yet powerful analogue oscillator designed to be the foundation of your Eurorack system. Built around the legendary 3340 architecture, it delivers the clean, precise waveforms that have shaped countless classic synth sounds.

Despite its slim 6HP footprint, the Morphor VCO packs a versatile feature set. It offers four dedicated outputsisquare, saw, triangle, and sineiproviding a rich palette of tones. Pitch control is precise and stable across the entire audible range, with fine-tuning via a tune knob, CV input, and an attenuated FM control for added modulation flexibility.

A three-position octave switch, hard sync input, and pulse-width modulation (PWM) round out the module, making it a reliable and expressive sound source for any patch. Whether you're crafting deep basses, soaring leads, or complex FM textures, the Morphor VCO is ready to deliver.

Features

100% analogue
4 dedicated outputs
Trangle/Sine/Square/Saw
3-position octave switch
FM
PWM
Hard-Sync

Specifications

Panel width: 6 HP
Panel height: 3 U
Module depth: 25 mm
Dimensions: 128.5 x 30.3 x 25 mm
Mass: 111 g
Power Socket: 16-pin

Current draw:
12 V: 26 mA
-12 V: 23 mA
+5 V: 0 mA

Notes: Voltage-Controlled Voltage Processor

A*B+C is the ultimate utility for audio and control voltage. It performs multiplication, addition, and attenuation, providing a simple way to create complex signal interactions and timbres.

It is formed by two channels, each of which takes two input signals (A and B), multiplies them (A × B), and then adds a third signal (C) to the result.It is formed by two channels, each of which takes two input signals (A and B), multiplies them (A × B), and then adds a third signal (C) to the result.

By combining different blocks, many functions can be achieved:

Audio Processing:

Four-quadrant amplitude modulation (ring modulation)
Linear VCA
Signal mixer
2x gain amplifier
Phase inverter
Attenuator

CV Processing:

Voltage-controlled attenuator
CV mixer
Attenuator
Inverter
VCA
DC generator

Features

DC Coupled
Signal LED Indicators
B and C INs normalled to 5

Specs

Current Draw: +12V: 50mA, -12V: 50mA +5v : 0mA
Width: 6HP
Depth: Assembled version 25 mm
Depth: DIY version 35 mm
Designed, kits prepared and assembled in Barcelona.

Notes: Flame Black Filterbank is an analogue moving resonance filter bank.

The module is based on the Flame Curves and combines its most important functions in a more compact format. As a result, the individual outputs for the filter channels no longer found a place on the front panel.

The filterbank includes twelve-channel and a pattern player programmable via a software editor. You can use a freeware "Curves editor software" (Win/Mac) for setup and user pattern editing. The module needs a clock to run in pattern-mode. It also features a reset input to set the sequence back to the first step. The memory in the module can save up to 99 patterns. The active pattern can be seen on the display and selected thanks to two buttons.

When the Black Filterbank is in sequencer mode, the Envelope potentiometer controls the AR envelope, the Variation knob adds random velocity and release, and the Fill potentiometer controls the level of all the channels.

In manual mode, when the sequencer is off, you can select different filter-types with the Variation potentiometer: allpass, lowpass, bandpass 1-3 and highpass. Thanks to the Fill knob it is possible to sweep through the twelve filter bands. The Envelope knob smooths the sweep by activating a second band next to the selected filter band. Thus, the change from one band to another is not so abrupt.

It is also possible to play the twelve filters via MIDI like a drum module, thanks to the supplied MIDI to minijack cable. It even reacts to velocity.

There are several CV inputs for controlling Envelope, Variation and Fill parameters as well as the pattern number.

Power consumption: 250mA at +12V and 180mA at -12V
Depth: 42mm
22 HP

Notes: Combine up to four audio and or CV sources into one output, with independent manual level control.

It can be used as a four-channel mixer or as two separate two-channel mixers, depending on the connection.

If a cable is connected to the Master output but not to the 1+2 output, all channels will be summed at the Master output. If both the Master and 1+2 outputs are connected, the Master will output the mix of channels 3 and 4, while the 1+2 output will provide the mix of channels 1 and 2.

Each pair of channels has an LED indicator that shows the presence of a signal.

Notes: The QSlider black is an analogue CV source with four 60 mm faders.

The control range of the four sliders can be defined with two min/max controls.

The Min controller determines the output voltage at zero position of the slider and the Max controller determines the output voltage at the end position of the slider.

The slider now regulates between these two voltages. This allows you to restrict the control range and still have the entire control path of the slider available.

The reverse voltage is available at a second output socket (min and max are reversed). This means that the slider can also be used as a crossmix fader.

Two common channels can be operated unipolar or bipolar. The voltage ranges are 0..+10V or +/- 5V.

The output sockets are located on an extra 4HP panel for mounting at any point (with approx. 40cm long connection cable). This means that several modules can also be mounted seamlessly next to each other.

Power consumption: 30mA at +12V and 20mA at -12V and 12mA at +5V

Depth: 28mm

18 HP

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Endlessly customisable digital 'modular system within a modular system'. Includes more than 80 modules, allowing you to create effects, synths, control devices, oscillators, filters and much more.

Supplier's Notes:
What's a Euroboro?

The ZOIA Euroburo is a digital modular system that can be placed in your modular system, a real Russian nesting doll situation. We added a headphone output and a super-slim optional case so the Euroburo can live happily on your desktop or be easily mounted in a Eurorack case. Hence the euro + buro, pronounced "bureau"...get it!?

Create unique signature effects, synthesizers, sequencers and more while using 4 freely assignable CV ins and 4 outs to interface with other CV enabled devices. The additional headphone output and powered 9v case makes the module even more desktop friendly. With over 90 modules from CV utilities to audio effects, oscillators and envelopes to MIDI, the Euroburo can do almost anything to fill the gaps in your setup.

There's no need to worry about getting bogged down with endless menus or a cluttered interface. Creating patches and performing with the ZOIA is a tactile experience. Patching, deleting or moving modules and editing values can all be done quickly using the push-button grid and a flick of the encoder. With the addition of dedicated push buttons for the CV and Audio I/O, patching on the ZOIA has never been faster.

Notes: OCTOPASS is an eight voice 24db/octave low pass filter based on the classic 2044 filter. All eight filters are fully analogue with gain compensation of resonance and the lovely lush sound of classic synths. A global frequency modulation CV using a 3.5mm jack can be used to modulate all eight incoming CVs of the Polytip jack. The typical use is to patch polyphonic synthesisers with the use of only a few Polytip patch cables for its audio ins and outs and its cut-off frequency controls. To tap each filter I/O or CV using discrete modules the OCTO I/O module can be used as an expander. As there are eight filters in the module special attention has been given to power consumption efficiency.

Size: 20HP

Notes: Octo I/O is a bi-directional passive Polytip to 3.5mm expander and a Polytip Mult. The expander section lets you break out to each individual voice from a polyphonic module. The mult section lets you mult Polytip polyphonic signals from one source to multiple destinations. For example patching the OCTOSTAGES envelopes to control both your OCTOPASS filters and HEXAGAIN VCAs.

Dimensions:

6HP - Depth: 15mm

Current Draw:

Module does not draw current

Notes: The LedPressor is a full stereo Diode-based compressor module.
Its unique core adds character and color to any signal passed through it.
The LedPressor can be used as a normal compressor with low input levels, but as the input volume increases and the "nuke" LED lights up, it enters a new territory that combines compressor and overdrive, creating a dynamic overdrive effect.

Get it pumping with the Side Chain
The module features an external sidechain input that accepts audio and CV signals. Only the sidechain signal passes through a high pass filter, which gives the user greater control over the sound shape. The audio signal itself is not affected by the filter.
Parallel compression
The module also includes a mix knob that can be controlled with a dedicated mix CV input, allowing for greater flexibility when blending dry and wet signals. Additionally, it features a momentary bypass button to easily adjust the levels of dry and wet signals.
Feed-Back Or Feed-Forward - it's your choice
The module can be configured with a feed-back or feed-forward topologies with a jumper in the back.
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width
: 12HP
Depth
: 34mm
Current Draw
+12V
: 20mA
-12V
: 15mA

Notes: 
Q^Mix
4 channels CV/Audio polarising mixer
Q^Mix is a four-channel CV and audio mixer designed to take simple signals and combine them into something altogether new.
The four DC-coupled inputs feature a switch that selects between linear attenuation or bi-polar attenuversion.
Q^Mix can be used to sum simple signals to create much more complex results.
perfect for use as a final volume control when used as an audio mixer.

Technical Specifications
All inputs are DC-coupled.
Four-channel audio and CV mixer.
Logarithmic attenuation on the output stage.
Input impedance: 100k for all inputs.
Noise filtering and resettable fuses on the module's power input.
Reverse current protection.
Dimensions
Width
: 6HP
Depth
: 10mm
Current Draw
+12V
: 5mA
-12V
: 5mA

Notes: 2^VCA is a dual vca module in 1u Intellijel format.
Both of the VCA's are normlised so it can be used a stereo VCA, as a dual mono VCA , mono to stereo VCA and many more combinations.

Technical Specifications
1u Intellijel format
Noise filtering and resettable fuses on the module's power input.
Reverse current protection.
Dimensions
Width
: 12HP
Depth
: 20mm
Current Draw
+12V
: 10mA
-12V
: 10mA

Notes: S&M is a very useful utility module in 1u Intellijel format combining unity mixer and a precision active buffer.

CV and Audio Mixer
Audio grade dc-coupled unity mixer for mixing CV or Audio signals
Active Buffer/Splitter
Precision active buffer/splitter for splitting signals along your system without any signal loss (highly recommended for splitting Pitch CV).
Reverse polarity protection
The module have proper reverse current and over current protection in its power input stage to protect the module in case it was connected the wrong way or connected to a faulty power supply.
Dimensions
Width
: 12HP
Depth
: 20mm
Current Draw
+12V
: 10mA
-12V
: 10mA

Notes: The SetonixSynth/Tidbit Audio Psychedelic Voltage Processor, or PVP, is a four-channel chaos module. It uses colour-changing LEDs to produce fluctuating voltages in response to the Channel input, with each channel normalized in series to create increasingly chaotic "taps" that can be used one after another for different variations.

Any positive voltage input such as unipolar LFOs, envelopes, stepped voltages, or simply the onboard normalized voltage patched to a channel input is reproduced approximately on each channel output, with the PVP inducing unpredictable fluctuations due to the variable current consumed by an LED circuit with a mind of its own.

Dimensions
8 HP
25 mm deep

Current Draw
135 mA +12V
10 mA -12V
0 mA 5V

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Nicely creative sequencer module based around controlled randomness. Build patterns and then morph them in real time. Great for live performance as well as studio use.

Supplier notes:
The Eloquencer is a powerful and versatile eurorack sequencer that can be used both as a performance and a composition tool. It's designed to be intuitive, easy to use, and quick to edit. It has been built around the "controlled chance" concept. This means you can decide when and where there will be randomness and how much this randomness will affect your sequences. It features 8 tracks of CVs and Gates in a 16 step disposition, but with the ability to define larger bar counts or chaining patterns to build multiple song parts of 256 steps each.

INPUTS AND OUTPUTS
8 V/oct CV Output
8 Trigger / Gate Output
Reset Input
External Clock Input (configurable. i.e: can be used as a clock divider / multiplier)
Accent Output (configurable)
Clock Output (configurable. i.e: can be used as a clock divider / multiplier)
2 CV Input (assignable to different parameters)

Notes: The FADRMIX JACKOUT is an extension for the FADRMIX6 with two 1/4" (6.5mm) jack sockets for master left/right output and 4 stereo minijack sockets for the FX send and returns.

The module is connected via a small internal connection cable to the right of the FADRMIX6.

Notes: Octogain is a eight voice polyphonic analogue audio VCA plus a eight voice mixer with master level control and odd/even (Right and Left) channels for a stereo output and clipping indicator. All eight VCA ins and outs are simultaneously available through Polytip jacks and 3.5mm jacks so the module can be used in a variety of ways both polyphonic or multi-voice monophonic. The fully analogue audio path has exponential CV control. CV inputs are 0-5V, typical audio input is 10Vp.p. A global Offset knob allow to open all VCAs manually or apply positive offset to incoming CV. The design uses very low power consumption with excellent audio quality.

Size: 16HP - Depth: 40mm
Power: +12V 42mA / -12V 35mA

Notes: The Octovert is a CV processor capable of scaling, inverting, and offsetting up to eight polyphonic signals. It can also be externally controlled via CV! Its most obvious applications include inverting envelopes, reversing the direction of CV, and scaling plus offsetting any CV source to precisely fine-tune the modulation sweet spot of the target module. With the added feature of external control, it takes things even further by modulating the modulation signal itself for even deeper modulation motion.

Size: 6HP - Depth: 40mm

Power: +12V 18mA / -12V 15mA

Notes: The M module is a 5-way Polytip signal multiplier. It takes a single polyphonic audio, CV, or gate signal set and routes it to up to five multiple outputs. The module is completely passive and requires no power. Like all Polytip jacks on Tiptop Audio modules, the jacks on the M module are top-quality components made in Japan.

Size: 4HP - Depth: 15mm

Power: no power required

Notes: The world's favorite CV to Midi chord generator, now available in black.

Chord Pilot is an algorythmic chord generator that lets you create chords by defining their size and shape, instead of by their name. So forget about major, minor Dorian 7th augmented add 9ths, Chord Pilot lets you tweak your way to musical nirvana. You can store up to 196 original chords and fire them at will using the 8 buttons, CV control or MIDI.

Connect it up to any MIDI synth or a Poly Cinematic or a Pianophonic and let Chord Pilot navigate you through a musical journey of inspiring arpeggios, orbiting chord sequences and stunning polyphonic spreads of up to 8 notes at once.

Notes: SWEnigiser Proto VCF/A

Enigiser multimode filter and VCA in 12hp. Circuit based on originalEnigiser prototype kindly loaned by Anthony Linell of Northern Electronics.

VCF
Unique configuration with 3 x 4 filter modes
2x audio input with drive
2x cutoff CV attenuverter inputs
1x cutoff CV input, tunable to 1v/oct

VCF output normalized to VCA input.

VCA
1x audio input with gritty drive, normalized from VCF output
2x CV input. CV1 knob adds offset for drone etc.
CLIP switch for old/new revision Enigiser diode setting adjusting drive character.
+12V 22mA
-12V 22mA
Skiff friendly
Includes power cable, 4 screws+ plastic washers

Available in sand blasted silver and black panel versions.

Notes: Skippy Exp is a tiny module in 2HP that adds "Play/Stop" and "Reset" functions to Skippy, either via a button or a CV input. It cannot operate independently; you absolutely need Skippy to use it.

For those who don't need the live adjustments offered by Skippy Live (or have run out of space!), Skippy EXP still provides two essential functions for dynamic performance.

This module cannot operate alongside Skippy Live, which already has these two functions. It can be placed either to the right or left of Skippy. The connector to link it to Skippy is included. This module does not need to be connected to power.

Technical Specifications
2 HP

Depth: 20 mm

Power consumption:
+12 V 10 mA
-12 V 0 mA
+5 V 0 mA

Supplied with cable and Knurlies.

Notes: SWEnigiser Proto VCF/A

Enigiser multimode filter and VCA in 12hp. Circuit based on originalEnigiser prototype kindly loaned by Anthony Linell of Northern Electronics.

VCF
Unique configuration with 3 x 4 filter modes
2x audio input with drive
2x cutoff CV attenuverter inputs
1x cutoff CV input, tunable to 1v/oct

VCF output normalized to VCA input.

VCA
1x audio input with gritty drive, normalized from VCF output
2x CV input. CV1 knob adds offset for drone etc.
CLIP switch for old/new revision Enigiser diode setting adjusting drive character.
+12V 22mA
-12V 22mA
Skiff friendly
Includes power cable, 4 screws+ plastic washers

Available in sand blasted silver and black panel versions.