エフェクト・ペダル

Notes: In 2025, MOOER has announced that it will be set to release its latest multi-effects pedal, the GS1000 Intelligent Amp Profiling Processor, an augmented intelligent amp profiling processor. Built on MOOER's advanced third-generation digital platform, the GS1000 introduces groundbreaking MNRS 2.0 technology, allowing guitarists around the world to emulate their favorite gear with immense precision -specifically, for distortion pedals, preamps, amplifier heads, and cabinets.

With this innovation, guitarists can fully capture the essence of their favorite guitar gear without owning the physical hardware, enabling them to carry their favorite tones wherever they go. Users are even able to use third-party IRs for cabinets of their choice, further enhancing the flexibility of this feature.

It's unforgettable how much MOOER's multi-effects pedals have impressed audiences so far, primarily thanks to their robust tone libraries. However, even still, the GS1000 continues to build upon this with storage for up to 120 sampling profiles, along with continued integration with the MOOER Cloud app. Essentially, this cloud integration facilitates infinite upload and download possibilities, giving users access to a global community of shared tones, widely expanding the number of accessible tones. More still, the GS1000's previously mentioned third-party IR cabinet simulations support up to 2048 sample points, guaranteeing studio-grade tonal accuracy across the board.

Even more impressive for the price is how the GS1000 inherits the dual-chain effects architecture that made previous MOOER gear so versatile, making it suitable for highly complex usage scenarios. With over 350 factory effects models and a Sub-Patch preset grouping mode, the GS1000 makes it far simpler for users to make seamless transitions between tones, all while maintaining effect tails to guarantee seamless transitions. Additionally, the reintroduction of the innovative AI-driven EQ Master builds upon MOOER devices' previous capabilities, using intelligent adjustments in real-time to match the musical style of players to tones, while still allowing manual tweaks for precise control.

Impressively, the GS1000 also comes packed with a Groove Station module, consisting of a combination of drum machine and looper features - including 56 high-quality drum kits! It offers a 480-second phrase looper with infinite overdubs, automated detection, and synchronization capabilities, resulting in an intuitive platform for solo jamming, composition, and live loop-based performance. Overall, the Groove Station acts as an all-in-one suite for creating full arrangements, without having to depend on additional backing tracks or bandmates.

Visually and functionally, the GS1000 really stands out thanks to its sleek visual design and enhanced user experience. For example, it features a convenient 5-inch high-resolution touch screen, which is also paired with ambient lighting to add a visually stunning element to the pedal. As a result, the GS1000 is not only designed for convenient touch-based control but also as a standout centerpiece in any guitar rig.

In addition to this touchscreen control system, the GS1000 also provides expanded connectivity options, improving upon the already impressive flexibility of past pedals. Most notably, it supports connectivity with the MOOER F4 wireless footswitch, as well as the ability to control presets via external MIDI devices.

As is expected from MOOER these days, the GS1000 also excels when it comes to routing opportunities, going above and beyond the typical stereo 14" inputs and outputs that would be expected from other brands. Yes, it still includes such staples, but it also includes an XLR microphone input, alongside balanced TRS outputs for long-distance signal clarity. The configurable serial/parallel stereo effects loop enables seamless integration of external effects, and the addition of Bluetooth audio input and MIDI compatibility broadens its wide range of use cases for live and practice-based applications.

Furthermore, the pedal also serves as a professional audio solution thanks to its low-latency 2-in/2-out ASIO USB sound card. Supporting up to 192kHz sampling rates, the GS1000 makes recording and live streaming effortless, as it can easily be used with software DAWs, MOOER's editing software, as well as the USB-based MIDI control.

The GS1000 will be available in two versions - the standard white edition, which is powered by mains power, and the GS1000 Li version, which introduces a 7.4V 4750mAh lithium battery, chargeable through its power port. With this upgrade, users can enjoy up to six hours of continuous power-free playtime, making it ideal for practicing, busking, and generally performing on the go.

Overall, for fans of MOOER's previous amp simulation offerings, the GS1000 represents a natural evolution, building on everything that made its predecessors great while introducing cutting-edge features and expanded capabilities. Most importantly, MOOER has promised to continuously update its MOOER 4.0 tonal algorithms on the MOOER Cloud in line with the release, keeping things fresh for the company's dedicated user base.

Notes: Intelligent multi-effects from Mooer, the Prime M2 is a compact, convenient pedal compatible with the Mooer Prime mobile app, Mooer Studio desktop software and the Mooer Cloud tone-sharing platform.

Supplier's Notes:
Over the last few years, MOOER has released several Prime multi-effects devices, including the Prime P1, P2, S1, and most recently in 2024, the Prime Minimax M1. Excitingly, the company is kicking off 2025 with a brand new addition to the Prime family-the Prime Minimax M2 Intelligent Pedal.

Within this small multi-effects device, a whole lot of functionality is packed in, including an impressive 194 effects models, including overdrive, preamp simulators, cabinet models, delays, reverbs, modulation effects etc., and more. In typical MOOER style, though, the company took things a step further by offering limitless flexibility through the support of its in-house MNRS sample files, as well as third-party IR sample files. Essentially, this means that users can download additional tonal emulations and effects from the MOOER Cloud and third-party sources to the device, which they can then save across 80 preset slots.

As with some past models in the Prime series, the M2 sports a convenient touchscreen design, facilitating easy browsing through the device's banks of presets. However, guitarists are not limited to interfacing with the pedal in this way, as it also features two footswitches, both of which can be used to switch between presets in each bank. There is even a MIDI jack built into the device, enabling users to connect their MIDI controllers to extend the control functions, and the MOOER F4 wireless footswitch support is also supported. Essentially, these augmentation options facilitate additional footswitches to ensure switching preset tones is always as quick and seamless as possible within any workflow.

While the Prime M2 Intelligent Pedal is primarily designed for effects and tonal simulations, it also comes packed with an array of other useful features. For example, it contains a looping module with a hefty 80-minute capacity, in addition to 10 recording save slots to ensure that any looping creations can be kept for future use in performances. Similar to past looper modules in MOOER's products, users are also free to overdub their recordings and even undo or redo their overdubs, offering a lot of real-time flexibility for creating loop-based musical structures.

As if the addition of a looper wasn't enough, this feature is also synchronizable with an internal drum machine and metronome, a combination that includes 56 drum grooves and 4 metronome varieties. Ultimately, it's a reminder that MOOER clearly recognizes and wishes to solve the struggles that musicians have when attempting to produce precise loops while staying in time. Upon commencing recording, the drum machine can produce four initial beats to serve as a count-in cue, and of course, this can be combined with the device's tap-tempo control for dynamic use. Best of all, this feature can also be applied to modulation and delay effects, ensuring that they work perfectly in time with any performance.

Extra features are included to complete this all-in-one pedal, including a high-precision tuner with fully customizable frequency ranges. Guitarists can even leverage the M2's built-in Bluetooth input support, allowing them to practice, jam, and even produce looped musical structures over their favorite backing tracks, band prototypes, and musical pieces.

Perhaps unsurprisingly for existing MOOER product users, the Prime M2 also boasts an impressive variety of audio routing systems. As was previously mentioned, that includes Bluetooth input, as well as industry standards such as dual-channel stereo output, perfect for stereo delay and modulation effects. It also supports headphone output for those who wish to practice in silence, and even OTG recording, which means that guitarists can record their creations directly to their smartphone whilst on the go.

Speaking of on-the-go, MOOER is continuing its recent portable-play focus with the Prime M2 Intelligent Pedal, as it is fitted with a built-in rechargeable lithium battery with a battery life of up to 6 hours. Ultimately, this means that even a lack of local power sources won't get in the way of rehearsals and live performances. Combined with the pedal's lightweight and small build, it truly is an ideal addition to the pedalboard of any traveling musician.

Overall, the Prime M2 Intelligent Pedal is set to be an impressive new addition to the Prime series. It features augmented functionality when compared to past models, yet still in a minimalist and easy-to-use package, keeping the size small and light yet still packing in footswitches, a touch screen, and other flexible control systems.

Notes: A fresh, original take on pitch shifting, the HammerOn generates hammer-on pitch shifts which alternate between two different intervals. Seven modes provide a range of effects, from simple hammer-ons to automatic techno guitar sequencing with trills.

Supplier's Notes:
Hands-free Hammer-Ons

Hammer-on notes in conjunction with your hands to create never-before-heard licks and riffs - the only limit is your imagination.

7 pedals in 1

Seven modes range from pitch jumps and harmony effects to pitch sequences and drop/capo tunings - HammerOn is like seven pedals in one.

Play the Impossible

Impossible Mode allows you to hammer-on pitch shifts that alternate between two selectable pitch amounts.

The DigiTech HammerOn is a versatile effects pedal with an amazing amount of flexibility and options to create and channel your musical ideas. Take the time to get to know the many options and see if it sparks new creative ideas.

The PITCH 1 footswitch is dedicated to always be a hammer-on selectable momentary pitch shift above or below what you are playing. PITCH 2 footswitch has 3 different modes of operation selectable using the MODE button. There is a button called DRY+ that can turn on the dry signal and a button called TRILL that can mimic rapid presses of the footswitches.

With all these options it's like having 7 pedals in one:

1. HAMMER-ON: An instantaneous momentary pitch shifter pedal
2. HAMMER-ON with TRILL: A rapid fire hammer-on action pedal
3. HARMONY-ON: An instantaneous harmony creation pedal
4. The IMPOSSIBLE Pedal: A dual alternating momentary pitch shift pedal
5. DROP/CAPO SEQUENCE: A multi-setting pitch transposition pedal
6. SEQUENCE with TRILL: An automatic guitar riff sequencer
7. SEQUENCE with DRY and TRILL: An automatic techno guitar sequencer

Specifications

Electronics
Sample Rate: 44.1 kHz in classic mode, 22 kHz in chords mode
Frequency Response: 20 Hz-16 kHz (classic mode), 20 Hz-11 kHz (chords mode)
Signal to Noise Ratio: > -106dB (A weighted); ref = max level, 22 kHz bandwidth
THD: 0.004% @ 1kHz; ref= 1 dBu w/ unity gain
A/D/A Conversion: 24-bit

Input / Output
Input Type: 1/4" Unbalanced TS
Max Input Level: +5 dBu
Input Impedance: 1MO
Output Type: 1/4" Unbalanced TS
Max Output Level: +10 dBu
Output Impedance: 1kO (Effect enabled or effect bypassed), True Bypass

Physical

Dimensions: 5.12"(13.00cm) x 3.57"(9.06cm) x 1.84"(4.67cm) (L x W x H)
Weight: 1.12 lbs. (508g)

Power

Power Consumption: 2.3 Watts (258 mA @ 9VDC) typical
Power Requirements: External Adapter (included), 9 VDC 1300 mA

Notes: In 2025, MOOER has announced that it will be set to release its latest multi-effects pedal, the GS1000 Intelligent Amp Profiling Processor, an augmented intelligent amp profiling processor. Built on MOOER's advanced third-generation digital platform, the GS1000 introduces groundbreaking MNRS 2.0 technology, allowing guitarists around the world to emulate their favorite gear with immense precision -specifically, for distortion pedals, preamps, amplifier heads, and cabinets.

With this innovation, guitarists can fully capture the essence of their favorite guitar gear without owning the physical hardware, enabling them to carry their favorite tones wherever they go. Users are even able to use third-party IRs for cabinets of their choice, further enhancing the flexibility of this feature.

It's unforgettable how much MOOER's multi-effects pedals have impressed audiences so far, primarily thanks to their robust tone libraries. However, even still, the GS1000 continues to build upon this with storage for up to 120 sampling profiles, along with continued integration with the MOOER Cloud app. Essentially, this cloud integration facilitates infinite upload and download possibilities, giving users access to a global community of shared tones, widely expanding the number of accessible tones. More still, the GS1000's previously mentioned third-party IR cabinet simulations support up to 2048 sample points, guaranteeing studio-grade tonal accuracy across the board.

Even more impressive for the price is how the GS1000 inherits the dual-chain effects architecture that made previous MOOER gear so versatile, making it suitable for highly complex usage scenarios. With over 350 factory effects models and a Sub-Patch preset grouping mode, the GS1000 makes it far simpler for users to make seamless transitions between tones, all while maintaining effect tails to guarantee seamless transitions. Additionally, the reintroduction of the innovative AI-driven EQ Master builds upon MOOER devices' previous capabilities, using intelligent adjustments in real-time to match the musical style of players to tones, while still allowing manual tweaks for precise control.

Impressively, the GS1000 also comes packed with a Groove Station module, consisting of a combination of drum machine and looper features - including 56 high-quality drum kits! It offers a 480-second phrase looper with infinite overdubs, automated detection, and synchronization capabilities, resulting in an intuitive platform for solo jamming, composition, and live loop-based performance. Overall, the Groove Station acts as an all-in-one suite for creating full arrangements, without having to depend on additional backing tracks or bandmates.

Visually and functionally, the GS1000 really stands out thanks to its sleek visual design and enhanced user experience. For example, it features a convenient 5-inch high-resolution touch screen, which is also paired with ambient lighting to add a visually stunning element to the pedal. As a result, the GS1000 is not only designed for convenient touch-based control but also as a standout centerpiece in any guitar rig.

In addition to this touchscreen control system, the GS1000 also provides expanded connectivity options, improving upon the already impressive flexibility of past pedals. Most notably, it supports connectivity with the MOOER F4 wireless footswitch, as well as the ability to control presets via external MIDI devices.

As is expected from MOOER these days, the GS1000 also excels when it comes to routing opportunities, going above and beyond the typical stereo 14" inputs and outputs that would be expected from other brands. Yes, it still includes such staples, but it also includes an XLR microphone input, alongside balanced TRS outputs for long-distance signal clarity. The configurable serial/parallel stereo effects loop enables seamless integration of external effects, and the addition of Bluetooth audio input and MIDI compatibility broadens its wide range of use cases for live and practice-based applications.

Furthermore, the pedal also serves as a professional audio solution thanks to its low-latency 2-in/2-out ASIO USB sound card. Supporting up to 192kHz sampling rates, the GS1000 makes recording and live streaming effortless, as it can easily be used with software DAWs, MOOER's editing software, as well as the USB-based MIDI control.

The GS1000 will be available in two versions - the standard white edition, which is powered by mains power, and the GS1000 Li version, which introduces a 7.4V 4750mAh lithium battery, chargeable through its power port. With this upgrade, users can enjoy up to six hours of continuous power-free playtime, making it ideal for practicing, busking, and generally performing on the go.

Overall, for fans of MOOER's previous amp simulation offerings, the GS1000 represents a natural evolution, building on everything that made its predecessors great while introducing cutting-edge features and expanded capabilities. Most importantly, MOOER has promised to continuously update its MOOER 4.0 tonal algorithms on the MOOER Cloud in line with the release, keeping things fresh for the company's dedicated user base.

Notes: Over the last few years, MOOER has released several Prime multi-effects devices, including the Prime P1, P2, S1, and most recently in 2024, the Prime Minimax M1. Excitingly, the company is kicking off 2025 with a brand new addition to the Prime family-the Prime Minimax M2 Intelligent Pedal.

Within this small multi-effects device, a whole lot of functionality is packed in, including an impressive 194 effects models, including overdrive, preamp simulators, cabinet models, delays, reverbs, modulation effects etc., and more. In typical MOOER style, though, the company took things a step further by offering limitless flexibility through the support of its in-house MNRS sample files, as well as third-party IR sample files. Essentially, this means that users can download additional tonal emulations and effects from the MOOER Cloud and third-party sources to the device, which they can then save across 80 preset slots.

As with some past models in the Prime series, the M2 sports a convenient touchscreen design, facilitating easy browsing through the device's banks of presets. However, guitarists are not limited to interfacing with the pedal in this way, as it also features two footswitches, both of which can be used to switch between presets in each bank. There is even a MIDI jack built into the device, enabling users to connect their MIDI controllers to extend the control functions, and the MOOER F4 wireless footswitch support is also supported. Essentially, these augmentation options facilitate additional footswitches to ensure switching preset tones is always as quick and seamless as possible within any workflow.

While the Prime M2 Intelligent Pedal is primarily designed for effects and tonal simulations, it also comes packed with an array of other useful features. For example, it contains a looping module with a hefty 80-minute capacity, in addition to 10 recording save slots to ensure that any looping creations can be kept for future use in performances. Similar to past looper modules in MOOER's products, users are also free to overdub their recordings and even undo or redo their overdubs, offering a lot of real-time flexibility for creating loop-based musical structures.

As if the addition of a looper wasn't enough, this feature is also synchronizable with an internal drum machine and metronome, a combination that includes 56 drum grooves and 4 metronome varieties. Ultimately, it's a reminder that MOOER clearly recognizes and wishes to solve the struggles that musicians have when attempting to produce precise loops while staying in time. Upon commencing recording, the drum machine can produce four initial beats to serve as a count-in cue, and of course, this can be combined with the device's tap-tempo control for dynamic use. Best of all, this feature can also be applied to modulation and delay effects, ensuring that they work perfectly in time with any performance.

Extra features are included to complete this all-in-one pedal, including a high-precision tuner with fully customizable frequency ranges. Guitarists can even leverage the M2's built-in Bluetooth input support, allowing them to practice, jam, and even produce looped musical structures over their favorite backing tracks, band prototypes, and musical pieces.

Perhaps unsurprisingly for existing MOOER product users, the Prime M2 also boasts an impressive variety of audio routing systems. As was previously mentioned, that includes Bluetooth input, as well as industry standards such as dual-channel stereo output, perfect for stereo delay and modulation effects. It also supports headphone output for those who wish to practice in silence, and even OTG recording, which means that guitarists can record their creations directly to their smartphone whilst on the go.

Speaking of on-the-go, MOOER is continuing its recent portable-play focus with the Prime M2 Intelligent Pedal, as it is fitted with a built-in rechargeable lithium battery with a battery life of up to 6 hours. Ultimately, this means that even a lack of local power sources won't get in the way of rehearsals and live performances. Combined with the pedal's lightweight and small build, it truly is an ideal addition to the pedalboard of any traveling musician.

Overall, the Prime M2 Intelligent Pedal is set to be an impressive new addition to the Prime series. It features augmented functionality when compared to past models, yet still in a minimalist and easy-to-use package, keeping the size small and light yet still packing in footswitches, a touch screen, and other flexible control systems.

Notes: One Small Stomp For Man - One Giant Leap For Chorus, Delays & Reverbs

The Zoom MS-70CDR+: Your New Modulation Station

The MS-70CDR+ gives musicians 149 spatial effects ranging from lush choruses to crystal-clear delays to atmospheric reverbs. This single stompbox can shape your tone and provide endless depth and textures.

A Deep Dive into Chorus, Delays, Reverbs & More

Chorus - 43 different chorus and modulation effects that add depth and motion to your sound including phasing, flanging, tremolo, vibrato, detuning, and pitch shifting.

Delays - Featuring 29 mono and stereo delays, with delay times of up to 4 seconds. Everything from reverse and multi-tap to pitch-shifted and self-oscillating delays.

Reverbs - 33 sophisticated studio-quality effects. From spring and plate reverbs to giant hall and arena reverbs.

Dynamics / Filters - Round out your sound with 44 dynamics and filters such as EQ's, compression, noise reduction, and special effects.

Expanded Controls

The MS-70CDR+ offers expansive parameters for each effect, allowing you to dive deep into tweaking your tone.

Define Your Sound
Use a singular effect or up to 6 simultaneously to create unique tones. Save your creations in one of the 100 patch slots or use the 80 preset patches as inspiration to get you started.

Next Generation Circuitry

Newly designed analogue circuits provide more fidelity for improved sound quality. The flat phase response provides sharp attacks and clean low end.

Everything's Better in Stereo.

The MS-70CDR+ has stereo input jacks that accept signals from passive and active guitars, as well as line-level devices such as synthesizers. Its dual line-level output jacks enable you to record and perform with the MS-70CDR+'s 58 stereo effects.

Soundscapes Are Key

For musicians looking to add lush layers to their synths or keyboards, the MS-70CDR+ provides high-quality effects that are perfect for adding atmosphere and character to your sound.

Change Patches With MIDI

With USB MIDI, you can connect the MS-70CDR+ to other MIDI gear to remotely trigger patch changes.

Enhanced Navigation

Cross Key Switches

The Cross Key switches allow you to instantly switch between effects and patches with a tap of your foot.

Control Knobs

Adjusting and tweaking parameters for each effect can be done with the four encoder knobs.

Colour Coded LCD Screen

The LCD backlight changes colour to make it easier to distinguish each category of effects while scrolling.

Sturdy Build

The MS-70CDR+ is built around a metal frame designed to withstand the rigors of live performances.

Power Options

The MS-70CDR+ runs on 2 AA batteries, USB power or AC power.

Tune-Up

The onboard chromatic tuner uses the colour backlight to give visual feedback to help you tune quickly and accurately. It supports all standard guitar tunings as well as open & drop tunings.

Handy Guitar Lab

With a growing library of patches and effects, guitarists can continue to expand their sound with the Handy Guitar Lab for MS-70CDR+ app for iOS. *Coming Soon to the App Store.

Technical Specifications

Maximum number of simultaneous effects: 6 effects
User patch memories: 100
Sampling frequency: 44.1 kHz
A/D conversion: 24-bit 128× oversampling
D/A conversion: 24-bit 128× oversampling
Signal processing: 32-bit
Frequency response: 20 Hz - 20 kHz (+0.5 dB/-0.5 dB) (when 10kO load)
Display: 160×128 dot-matrix LCD

Inputs L/R
Standard mono phone jacks
Rated input level: -20 dBu
Input impedance (line): 470 kO
Input S/N: 122 dB

Outputs L/R
Standard mono phone jacks
Maximum output level: +7.2 dBu (when output impedance 10 kO or higher)
Noise floor (residual noise) L/R: -100 dBu

Power
AC adapter: 9V DC 500mA centre negative (ZOOM AD-16 optional)
2 AA batteries (alkaline, lithium or rechargeable NiMH batteries)
Estimated operation time using batteries
These values are approximate. Battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.
Alkaline batteries: about 7 hours (about 5 hours using stereo input)
NiMH batteries (1900 mAh): about 6.5 hours (about 5 hours using stereo input)
Lithium batteries: about 14 hours (about 10 hours using stereo input)

USB Port:
USB 2.0 Type-C / Supported cable type: Type-C
Handy Guitar Lab: USB 1.1 Full Speed
Use a USB cable that supports data transfer. USB bus power is supported.

Dimensions: 133 mm (D) × 79 mm (W) × 61 mm (H)
Weight: 368 g (excluding batteries) / 415 g (including batteries)
Note: 0 dBu = 0.775 V

Notes: Based on technology from the award-winning LVX and MercuryX pedals, the Enzo X is a superbly powerful six-voice modular synth, with polyphonic pitch detection and no special pickup needed on your guitar.

Supplier's Notes:
Combining 5 synth modes, Enzo X incorporates each of these into a modular system UI/architecture from both the award-winning LVX and MercuryX pedals.

In addition to being a 6-voice poly synth, Enzo X includes 3 reverbs which are adapted from Mercury X (Prism algorithm), 5 Drives (including Bitcrush), a full stereo 2.5 second Delay and 5 modulation types.

To make this complex system immediately intuitive to navigate, Meris again leveraged the simple and easy to use UI first developed for LVX.

Notes: The Zoom MS-90LP+ is a versatile stereo looper. With the tap of your foot you can add loops, layers, effects and rhythm patterns. And with 32-bit float processing, the MS-90LP+ gives creators flawless audio quality every time.

Notes: Black Fountain Stereo Characterful Delay Building on the inimitable Black Fountain, a pedal that put OBNE on the map and for many a favourite always-on device, Black Fountain Stereo is much more than just turning things from mono into stereo. It truly expands Old Blood Noise Endeavors' highly regarded 'oil-can delay' pedal right into a multi-tool.

With a wider control set that's complete with added sonic options, a lower noise floor, dual delay lines that play together in a multitude of ways, presets, MIDI and expression control over everything, Black Fountain Stereo combines a sonic powerhouse of creative delay tones and into a pedalboard friendly package.

Black Fountain Stereo emulates the sound of a spinning oil-can delay. This is a warm, modulated and a little gritty type of tone that's perfect for chorusing, doubling, slap back and long rhythmic delays alike. You choose the amount and rate of modulation, the tone and grit of the core voice, the two delay times and their feedback. Plus, to top it off the mono/stereo voicing of it all can be set exactly as you like and everything can be saved into presets, for easy recall.

The Rate and Depth controls sets the amount of modulation and speed, Tone shapes the warmth of the repeats, while Grit sets the amount of drive in the repeats. To help maintain the clarity of your tone or for more special effects, you can set the mix of volume of either the Dry and/or Wet levels. Space defines the mono delay mode or stereo width and adds diffusion past the noon position.

Separate controls are available for setting the Left and Right Delay Time as well as being able to choose between six subdivisions for each side when holding the Tap footswitch. That little Tap switch (surprise) helps you set the delay repeats in time with your tempo, while holding it down will give for infinite feedback. Optionally, it can also be used as a preset switcher.

Product Height (cm): 6.9
Product Width (cm): 10.8
Product Depth (cm): 12.6
Product Weight (kg): 0.454

Box Height (cm): 7.06
Box Width (cm): 11.43
Box Depth: 12.7cm
Boxed Weight (kg): 0.596kg

Notes: Black Fountain Stereo Characterful Delay Building on the inimitable Black Fountain, a pedal that put OBNE on the map and for many a favourite always-on device, Black Fountain Stereo is much more than just turning things from mono into stereo. It truly expands Old Blood Noise Endeavors' highly regarded 'oil-can delay' pedal right into a multi-tool.

With a wider control set that's complete with added sonic options, a lower noise floor, dual delay lines that play together in a multitude of ways, presets, MIDI and expression control over everything, Black Fountain Stereo combines a sonic powerhouse of creative delay tones and into a pedalboard friendly package.

Black Fountain Stereo emulates the sound of a spinning oil-can delay. This is a warm, modulated and a little gritty type of tone that's perfect for chorusing, doubling, slap back and long rhythmic delays alike. You choose the amount and rate of modulation, the tone and grit of the core voice, the two delay times and their feedback. Plus, to top it off the mono/stereo voicing of it all can be set exactly as you like and everything can be saved into presets, for easy recall.

The Rate and Depth controls sets the amount of modulation and speed, Tone shapes the warmth of the repeats, while Grit sets the amount of drive in the repeats. To help maintain the clarity of your tone or for more special effects, you can set the mix of volume of either the Dry and/or Wet levels. Space defines the mono delay mode or stereo width and adds diffusion past the noon position.

Separate controls are available for setting the Left and Right Delay Time as well as being able to choose between six subdivisions for each side when holding the Tap footswitch. That little Tap switch (surprise) helps you set the delay repeats in time with your tempo, while holding it down will give for infinite feedback. Optionally, it can also be used as a preset switcher.

Product Height (cm): 6.9
Product Width (cm): 10.8
Product Depth (cm): 12.6
Product Weight (kg): 0.454

Box Height (cm): 7.06
Box Width (cm): 11.43
Box Depth: 12.7cm
Boxed Weight (kg): 0.596kg

Notes: Best known for Eurorack synth modules, Noise Engineering's Batverb builds on the brand's extensive experience, offering a performance-focused take on echoes, dynamics and tone.

Supplier's Notes:
Batverb is the stereo reverb that dreams are made of. Taking inspiration from Noise Engineering's famed tail-generating synth modules, Batverb brings reverberation and delay to a whole new level with extensive control of timbre, echoes, and dynamics.

Start by setting a predelay time and adjusting Regen to taste: this will set the length of the tail, from a short slapback-style echo to an infinite wall of reverberation. Add in some chaotic suboctaves with Doom, or some haunting overtones with Shimmer - or both at the same time. If you need to carve the range for your reverb, Batverb has low and high damping settings for the reverb tank. Batverb even has settings for saturation that can be applied to only the reverberant signal, or to the whole output.

Batverb is easy to balance with the rest of the effects in your chain, thanks to its onboard dry/wet Blend control, as well as input and output gain parameters. It also features a unique Duck switch that allows the reverb to duck out of the way of an input signal, or match the dynamics of your playing, similar to a gated reverb.

Batverb was designed to integrate perfectly into your performances. The left switch mutes the input to the reverb and sets the feedback to maximum, creating a wall of sound as long as it's held down. The expression input can also be routed to any parameter on the pedal. Plus, if you're a fan of MIDI, Batverb can store and recall 16 different presets and recall them in response to program change messages.

Batverb is an advanced pedal with state-of-the-art features, but it's incredibly easy to use and immediately fun to play.

Notes: Sync all your time-based devices, seamlessly move through preset setlists, and simplify tempo matching with the Canvas Clock! Designed for any kind of rig you throw at it and deeply customizable, users can put their full trust in the Clock to be an all-in-one tempo solution for their board.

The Canvas Clock can interface to any device in your rig that accepts clock signal, whether MIDI, (via the 1/8 in or 5-pin MIDI ports) or analogue (via the 1/4 in jacks). Clock will send time signals for both MIDI and analogue devices, and will continue to do so as you move through your song list or manually adjust the tempo. As you edit, save, and recall songs in real-time or via the online editor at walrusaudio.io, Clock will send your specific settings for whichever song you are currently on out to all of the time-based devices you are connected to.

Customize your Clock

The four 1/4" in jacks aren't just for sending tempo. They can each be assigned one of four functions:

Tempo Out - Connect to any pedal or device that accepts external tap inputs or analogue time controls (ex: Walrus' Arp-87 Delay or Monument Tremolo). Canvas Clock can send analogue clock and MIDI clock at the same time. No more relying on your feet to keep perfect time.

CV (Control Voltage) Out - Control any device that accepts CV. Good for Analog Synths, Drum Machines, or similar devices.

Switch Input - Each jack can be configured to receive input from two external footswitch controls. The switches are connected to the Tip (left) and Ring (right) of the associated 1/4 in jack. These can be assigned to many functions available on the pedal with the ability to add more options via a software update.
Expression In - Connect an expression pedal, and use it to send a MIDI CC message out to a pedal connected to the Clock. The "Toe Down" and "Heel Down" values can be adjusted to fine-tune the controlled parameter range. Use this to adjust the mix of a reverb or the depth of a tremolo (via MIDI out).

Footswitches

Footswitches for the Clock are customizable. Eliminate the "bending over between songs to make adjustments portion of a set" by assigning one of the onboard functions to the A and/or B switches:

-Advance to the next song
-Go back to the previous song
-Advance to the next setlist
-Go back to the previous setlist
-Toggle the metronome start and stop
-Global tap tempo

Sync

The "Sync" jack found on top of the pedal can be set in two ways:
-Input - Great for accepting BPM from an external source.
-Output - Great for syncing external devices, such as a Eurorack device, a Roland Volca Synth, and many other devices.
Some external devices send/receive clock signals that are "double" the standard timing signals, so Walrus included the option to send/receive a 1x or 2x signal, depending on the specific device's needs. Users can also determine the subdivision of the BPM to send out.

Metronome


If active, the Clock metronome can be heard via the MET OUT port at the top of the pedal. This signal can be sent to a front of house console for live gigs or a monitor for practicing. Metronome type, volume, and accent note controls can all be edited in the Metronome Menu.

Songs

There are 128 "Song" slots available to users in the Canvas Clock. You can think of each song as an editable preset where you can adjust the song name, meter, BPM, MIDI Macros, and metronome start or stop. Once your song is edited to your liking, every time it is recalled it will operate just the way you set it!

Setlists

Keeping your songs organized is crucial for live sets, which is why with the Clock, songs can be grouped together and navigated through easily using the Setlist feature. Once you access setlist settings, you can select songs from your master song list to curate and reorder in the way you'd want them for a gig or practice. Once your setlist is saved and active, going through the setlist in real-time will recall these songs and all their settings in the order you curated them for that setlist.

MIDI Macros

For the MIDI-minded players who may want further control over their rig, there are standard MIDI commands that can be triggered when you recall songs with the Clock. MIDI Macros allow users to create one or a series of MIDI CC or PC messages that get sent out of the Canvas Clock when a specific song is recalled. Users have 128 adjustable Macros with 15 messages per MIDI Macro, which can be useful in further dictating how you want your MIDI devices to behave during certain songs, (ex: bypassing some pedals but engaging others).

Walrusaudio.io

While you can edit and customize your Canvas Clock settings using the menu on the pedal, users can also connect the pedal to a computer via the USB-C port and customize their Clock with the Canvas Clock Editor web-app. Quickly and easily set up songs, edit your Setlists, edit MIDI Macros, and more. Firmware updates will also be available via this site as well.

Specs

Power:
9VDC, 300mA,
Center-Negative, 2.1mm center pin OR Powered via USB-C
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.
Computer Connectivity: Requires Chrome web browser on either Windows or Mac OS. Visit walrusaudio.io to use the Canvas editor and get firmware updates when available.
Enclosure: 2.3" x 2.96" x 4.84" including jacks & knobs

Hardware

Preset/Menu Encoder and Switch
Tempo/Save Encoder and Switch
Footswitch A
Footswitch B
1/4" Jack 1 (TS or TRS)
1/4" Jack 2 (TS or TRS)
1/4" Jack 3 (TS or TRS)
1/4" Jack 4 (TS or TRS)
MIDI In/Out (5-pin DIN)
MIDI In/Out (1/8th" TRS cable)
Sync (1/8th" TRS cable)
Met Out (1/8th" TRS cable - not intended to drive headphones, please plug into high impedance input)
USB-C

Notes: Last year in 2023, MOOER released its Prime Stomp S1 multi-effects pedal, to great critical acclaim. The device expanded on MOOER's previous pedalboard creations, applying a more sleek, lightweight, and, most importantly, chargeable design. Now, the company is turning heads once again with the Prime Minimax M1, an upgraded device that improves functionality not only for electric guitarists, but for bassists too.

Packed inside the Prime Minimax M1 are 149 high-quality effect models across 10 banks, each of which contains 4 patches. These include amp and cabinet simulations and overdrives, along with dynamic, modulation, delay, reverb, and EQ effects, as well as empty user slots. Most notably, though, 20 of the amp and cabinet simulations have been curated specifically for bass guitarists, showing MOOER's dedication to providing support for this additional audience.

As with the Prime Stomp S1 and other recent MOOER multi-effects pedals, the Prime Minimax M1 is supported by the MOOER Cloud, a cutting-edge framework for preset sharing. Not only does this allow guitarists to customize and share their favourite M1 creations via the Bluetooth-compatible MOOER Prime app, but it also supports the importing of third-party IR files of up to 512pts. As a result, the 149 built-in effects are greatly expanded, with users able to simulate their favourite classic amplifiers, cabinets, and tones, whether they have downloaded them online or recorded the IRs themselves.

Taking an all-in-one approach to guitar practice and performance, the M1 also includes a built-in drum machine, complete with 40 different drum grooves and 10 metronomes. This goes hand-in-hand with the 80-second looper, with which guitarists can record electric and bass guitar phrases, play them back, and overdub them, all with simple footswitch presses. The looper can even be triggered automatically through signal detection, ensuring that loops always begin perfectly to form a perfect loop. Moreover, the looper can also be synced with the drum machine, a combination of which results in an all-in-one suite for songwriting.

Rather than the four footswitches found on the Prime Stomp S1, the Minimax M1 features just two footswitches, facilitating a more compact and streamlined design. Each footswitch is multi-functional, supporting a variety of tasks, such as browsing preset slots, triggering loop recordings, activating the device's built-in tuner, the tap tempo functionality, and interacting with the drum machine. The status and information of these features are visualized through the device's LED screen, along with indicators for Bluetooth activation, charging, battery life, and footswitch status. Two buttons are also provided-one to activate the drum machine and another for the device's power toggle.

In contrast to MOOER's recent flagship device, the GE1000 Li, the Prime series focuses heavily on portability and compactness. Weighing up at just 190g and 12cm in length, the Minimax M1 can fit comfortably into any backpack and most pockets, facilitating on-the-go guitar practice and performance. To add to this convenience, the M1 can be charged by USB through its built-in 2000mAh lithium battery. As a result, with the device's portability, guitarists can truly use this multi-effect pedal anywhere, anytime.

Continuing MOOER's reputation for providing flexible audio routing options, the design of the Prime Minimax M1 inputs and outputs are varied. Of course, the usually 14" mono input and 14" stereo output are available, as well as the 3.5mm output for headphone practice and monitoring. However, further options are available, such as Bluetooth 5.0 support for audio playback, allowing users to stream audio from another device to play along with. The device's USB-C port can even be used for OTG recording, allowing users to record their creations directly into the MOOER Prime mobile app.

Overall, the Prime Minimax M1 is yet another welcome addition to the pedal producer's range of multi-effects pedals. In particular, it marks a new level of portability for MOOER's device portfolio, showing just how much functionality its design team can pack into such a small box.

Notes: Based on Mooer's extensive experience producing looper pedals, the GL100 offers affordable, powerful dual looping options and drum machine features. Two foot switches provide hands-free control for guitarists and keyboard players.

Supplier's Notes:
Throughout MOOER's track record of producing electric guitar pedals, the company has put a lot of its innovative prowess into its range of loop pedals, including 2023's VP3 Loopation. Ever since, MOOER's engineers have been hard at work designing the GL100, a feature-packed dual-footswitch stereo phrase looper and drum machine that has far more on offer than its younger looper siblings.

Perhaps the most impressive upgrade that MOOER has integrated into the GL100 is the sheer amount of looping time that this pedal can provide. In total, the pedal supports 300 minutes of looping time, all of which can be manually or automatically saved into 100 different storage slots.

The two footswitches are the primary means for controlling this feature, used through short presses and holds to trigger phrase recording, playback, overdubs, cancellations, and, most impressively, undo and redos. Most importantly, the pedal's position-jumping function gives users the flexibility to switch between storage slots with the footswitches while performing, providing them with the potential to perform fully structured loop-based music.

In synchronization with the phrase looper, users of the GL100 can also leverage the pedal's integrated drum machine, which contains 11 variations of 20 different drum pattern styles in various time signatures. Ultimately, this ensures that just about every musical genre is covered, regardless of whether it's for music performance, rehearsals, or simply experimenting at home. It's very simple to use, being triggerable with the device's footswitches, editable through the touchscreen, and, of course, tap-tempo synchronisable. Four different stop modes are also provided to facilitate perfect drum machine endings. More still, for the first time, MOOER has integrated its AI Band Technology feature, an intelligent accompaniment system that automatically matches suitable drum patterns based on the character of real-time guitar input, facilitating control-free synchronization.

Notably, MOOER has also made a serious effort to ensure that it is easy to record the perfect loop with the GL100. For example, the count-in function is very easy to use, as is the auto-record feature, which allows users to capture perfect loops by triggering it based on signal detection, preventing the need for perfectly timed footswitch presses. Better still, this signal detection feature can be toggled on or off with a single button press, and the signal threshold is easily adjustable, helping to support instruments of varying signal ranges.
A simple footswitch press also primes the pedal for various drum synchronization features, triggering the drum pattern to stop after one bar, repeat, or reset the looper, making it easy to perfect the loop's ending and creation-not just the beginning. To aid in this, an internal quantizer function is active to ensure that users always trigger and stop recording perfectly, even if they are slightly late with the footswitch press. Better still, the phrase looper even has a time-stretch feature, facilitating the changing of the tempo of a recorded loop but without changing the pitch, allowing any loop to sync perfectly, in key, with the drum machine.

As with any other MOOER product, the team's designers have really pushed the boundaries when it comes to the user experience. Despite packing so many features into such a small device, MOOER's signature multi-purpose footswitches, dials, and, most notably, touchscreen have all been integrated into this pedal to ensure users can squeeze as much dynamic use out of it as possible. A perfect example of this is how users have two different ways to browse through their phrase loop creations-both through using the pedal's menu encoder and by pressing and holding the footswitches, enabling dynamic looping control and real-time phrase selection without needing to stop playing the guitar.

Furthermore, the GL100 also stands out from MOOER's past loop stations for its flexible audio routing functionalities. As you would expect from a modern looping pedal, stereo input, and output are provided, but these inputs and outputs can be used with different amplifiers or instruments depending on the routing settings, allowing performers to coordinate complex loop phrases and drum patterns together in a coherent and sonically diffused manner. This includes mono connections, dual-channel connections, and even the isolation of both drum machine and instrument channels.

Finally, the GL100 comes with its own MOOER Studio software, compatible with both Windows and iOS, which users can use to save, export, import, and delete phrase recordings, expanding the device's storage capabilities. This same software can also be used to download firmware upgrades to the device when available and to complete a factory reset if ever necessary. Overall, this pedal combines an expanded showcase of MOOER's impressive looper and drum machine functions, along with a focus on innovative user experience, convenient performance flexibility, and, most importantly, accessibility to create the perfect loop from start to finish.

2 x 1/4" mono input and output jacks
1 x 1/8" stereo headphone jack
Sample rate: 44.1kHz
Sample depth: 24 bit
Export file format: .wav
9V 300mA power supply (included)
Weight: 200g

Notes: Sometimes pedals can change. Parts drift, pots break, transistors go bad. They go to new homes; they get neglected and resold. Sometimes people get in there and try to revive them to their original state and sometimes they just throw whatever is laying around inside and hope it does the trick. In this case, EQD are pretty sure all the above happened to the fuzz pedal that made its way to James Murphy and ended up finding a forever home with LCD Soundsystem.

Chelsea really does have something special. It's heavy without being too heavy, clean but not too clean. A simple set of controls yet it has an expansive array of tones that makes it very versatile on a wide variety of instruments, has clarity when you need it and can blur all discernable lines when you don't. It still retains the familiar foundation of the classic fuzz it was intended to be, but something special happened to it over the years and it has very much grown into its own thing

Notes: The legendary Strymon deliver quality goods once again with this analogue-inspired stereo delay. Single head sound gives a classic 60s vibe with modulation and subtle imperfections.

Supplier's Notes:
Experience the dreamy sound of a classic '60s tape echo complete with the harmonic richness of the accompanying tube preamp. Enjoy organic and ethereal modulation produced by countless subtle mechanical imperfections, and easily dial in anything from warm slapback to expansive echo feedback beds with a strikingly gorgeous stereo image. With beautifully-tuned low frequency response, lush tape saturation and sublime echo decay, EC-1 provides all the best of what a tube driven tape echo can deliver.

EC-1 offers impressive power and flexibility in a small and elegant form factor: Selectable tube-modeled preamp voices. Artifact-free tap tempo. Discrete stereo operation for independent processing of the left and right stereo inputs. Straightforward controls and expression pedal capability. High-impedance, ultra-low noise discrete Class A JFET stereo input preamp for exceptional touch sensitivity, dynamics and feel. MIDI control of tempo, patch save/recall and more. Premium components, rugged construction and a USB jack for performing firmware updates or controlling the pedal from a computer.

Featuring meticulous tube modeling techniques, EC-1 offers a choice of two authentically reproduced preamp circuits that lend a subtle vintage character to your input signal. One is based on the classic EP-2 tube preamp and features an enhanced high-end shelf perfect for brightening up darker humbuckers. The other preamp option (the default setting) produces a warm, balanced response based on the modded preamp circuit in the EP-2 unit that we studied during the development of EC-1. This option adds a pleasing sense of heft, especially to single-coils. Both preamp choices offer an optional boost of up to +6dB, or the preamp can be bypassed for an unprocessed dry signal if desired.

Strymon's unique dTape technology was first developed for El Capistan, and they have expanded on it to reproduce all the inspiring nuances weencountered while studying a recently-acquired tube Echoplex that was in uncommonly superb condition. Our dTape system allows precise replication of every aspect of every tape echo we've studied, and in EC1 this includes the effect of the moving head, the tape condition, the bias setting, the mechanical effects of motors, capstan slippage and all the irregularities that add up to create the unmistakable, inspiring sound of vintage tape echo repeats.

Whether you want the cleanest repeats, subtle fattening or even downright dirty echos, you can instantly dial in the desired amount of tape saturation with the flip of a switch. Providing pleasing tonal shifts from thinner to fatter, EC-1's three-way Record Level toggle switch selects the gain of the signal fed into the virtual record head. Choose the low position for unity gain with optimized bias for the cleanest repeats, medium for a 6dB input signal boost with increased bias for slightly saturated repeats, or high for a 12dB input signal boost with further increased bias for heavily saturated repeats. This control also gives you a fast and easy way to match EC-1's response to your input signal level to obtain the desired sound from any pickup type or pedalboard configuration.

For EC-1, fluctuations from motors and mechanical components were thoroughly studied to accurately capture their imperfections. At the lower end of the Mechanics control's range only slower motor-related wow and flutter are present, but at around one o'clock these fluctuations are reduced in favor of faster disturbances from crinkle, splices, and capstan slippage which accurately replicate the sound of our golden EP-2 unit.This setting can create uniquely reverberant and three-dimensionalechos that spread across the stereo spectrum. The slower fluctuations are mixed back in more prominently as you approach the maximum Mechanics setting, and the unique combination of multiple imperfections create truly gorgeous, organic stereo modulation effects unlike anything you've ever heard.

The frequency characteristics of tape echo repeats are determined in part by the bandwidth of the actual tape stock, so older tapes will have a lower bandwidth with a warmer top end. EC-1 allows you to faithfully reproduce these characteristics by turning up the Tape Age knob for warmer repeats, or turning it toward minimum for the full-bandwidth sound of fresh tape.

EC-1 is designed to allow high levels of repeats that are truly lush but that don't spiral into uncontrollable feedback. That wide sweet spot on the edge of runaway feedback can create intriguing sound beds under your lead or rhythm playing. Of course if you want to crank the Repeats control to maximum and play with the unique pitch effects that only a sliding record head tape echo can produce, those effects are all precisely replicated in sound and response.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Excellent value from the updated Mooer delay/reverb/looper. The Ocean Machine II features improved sound quality all round, plus expanded loop memory up to a total of 120 seconds.

Supplier's Notes:
Similarly to the original, the Ocean Machine II offers two independent delay modules, each with nine different delay types of up to two seconds, including household names such as digital, tape, and echo delays, as well as more abstract options, such as galaxy, crystal, and rainbow. A high-fidelity reverb module complements these delays with nine reverb types, as well as a shimmer effect. Each delay and reverb effect can also be 'frozen,' creating static ambient drones, an effect that sounds particularly impressive considering the pedal's DSP upgrades.

While the original Ocean Machine's looping capabilities provided just 44 seconds of loop storage, the new addition features an impressive 120 seconds. To experiment with this feature, along with Ocean Machine II's other sonic capabilities, users can use an intuitive LCD screen along with 12 knobs (four for each delay and reverb module) to easily adjust parameters within the device's 'Play Mode.' Three footswitches are also provided to facilitate independent effect toggling, tap tempo control, looper interfacing, and a preset selector.

Once the guitarist has crafted an interesting effect chain, they can save their work as a preset and enter 'Patch Mode,' in which they can toggle between saved settings with each of the three footswitches. In total, the Ocean Machine II provides eight preset storage banks, each of which supports up to three presets, resulting in a total of 24 save slots.

The pedal's versatility is further enhanced by its programmable parallel and serial effect chain hybrid, a signature element of Devin Townsend's tone creation. This feature allows users to customize the order of effects, providing endless creative possibilities. Further programming options can be accessed through the LED screen, which impressively includes synchronizable MIDI connectivity, a feature that was absent in the original Ocean Machine.

In addition to MIDI, the pedal supports various external control systems, including expression pedal input through a TRS cable. Furthermore, the pedal is compatible with MOOER's F4 wireless footswitch, allowing for extended capabilities for mapping presets and other features. A USB-C port is also available for firmware updates, ensuring that the pedal remains up-to-date with the latest features and improvements.

Considering the experimental nature of Devin Townsend's performances, MOOER has also gone above and beyond to facilitate the seamless integration of Ocean Machine II into any audio setup. The device features full stereo inputs and outputs, as well as adjustable global EQ settings, letting users tailor their sound to suit different environments. Guitarists can also customize their effect chains to be used with true bypass or DSP (buffered) bypass, depending on their preferences and specific use cases.

Overall, Ocean Machine II brings higher quality delay and reverb algorithms, augmented looping support, and various updated connections to Devin Townsend's original device. As per MOOER's typical standard, the pedal is engineered to withstand the rigors of touring and frequent use, allowing guitars to bring their special creations and atmospheric drones to the stage.

*Dimensions: 215 x 127 x 56 mm

*Weight: 1.1 kg

*Power Supply: 9V DC

*Sampling Rate: 44.1 kHz

*Sampling Accuracy: 24-bit

*Includes USB-C to USB-A cable, power adaptor, stickers, and artist signature card from Devin Townsend

Notes: The signature tones of a guitar legend on your pedalboard

Joe Satriani's TONEX ONE is the latest product of IK's ongoing relationship with one of the guitar world's most respected players. It is truly something special. Handmade in Italy in a custom chrome finish, this limited-edition pedal comes preloaded with 20 presets created by Joe. These exclusive presets feature Tone Models from his Amp Vault Signature Collection, also included, but go beyond that by incorporating Joe's choice of TONEX FX to recreate the great moments of his recording career.

"The TONEX ONE roars and shimmers like its full-size big brother, the mighty TONEX Pedal. You can use it as a standalone amp, a recording interface, or even a headphone practice amp. And it looks amazing!"
Joe Satriani

20 Custom presets with TONEX FX

Exclusively with TONEX ONE Joe Satriani, you'll immediately experience 20 presets custom-designed by the artist himself. All presets feature Tone Models from Joe's TONEX Amp Vault collection, plus the new TONEX FX blocks to recreate his essential tones in one compact pedal.

The preloaded tones range from the early years to new sounds featuring his latest Signature 3rd Power Dragon Amplifier. The presets are inspired by and named after classic songs, including "Time Machine," "The Extremist," "Summer Song," "Ice 9," "Crush of Love," "Love Thing," and many more.

Includes Joe's Amp Vault Signature Collection
This limited-edition pedal includes Joe's complete Amp Vault Signature Collection for TONEX, featuring 28 amplifiers from his private collection. Joe handpicked each amplifier, dialed in his favorite settings and captured them using IK's Advanced AI Machine Modeling at Sammy Hagar's Red Rocker Studios.

The 67 Tone Models are incredible and a testament to Joe's relentless pursuit of great tone and generosity in sharing them with the TONEX community.

Specs

TONEX ONE

20 customizable presets
Ultra-low noise, 24-bit/192 kHz converters.
5 Hz-24 kHz frequency response
Up to 123 dB dynamic range
USB connection/ 24-bit/44.1 kHz audio interface
Power Source: 9V DC, 120 mA (not included) or via USB-C
Size: 48 mm/1.89" (W) x 94 mm/3.7" (D) x 53 mm/2.09" (H)
Weight: 160 g/ 5.6 oz

Package includes

TONEX ONE
USB C-Type to USB C-Type connection cable (0.6 m/2 ft)

Notes: Dark Star Stereo Flagship Reverb Pedal

The continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.

Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.

Notes: Limited black edition of the excellent stereo Dark Star pedal, offering premium reverb with beautifully creative pitch shifting, filtering and bit crushing options. Superb value for money.

Supplier's Notes:
Dark Star Stereo Flagship Reverb Pedal

The continued pull, the drift unabated, the controlled wash of gravity and the chaotic meander of its combined uncertainties. In fact, the original and highly loved Dark Star is a pedal that historically was OBNE's most popular reverb. People bonded with its warmth and aliasing, its long trails and the way it encouraged you to turn the mix fully up. Now, it's in with the new. Dark Star Stereo expands on the promise of ambient reverb and is a pitch shifting, bit crushing, filtered reverb pedal with just about every feature you could ask for. One massive stereo voice, with a wide suite of controls that likes to go anywhere in your signal chain - all that's left is for you to decide just how dark you must go.

Reviving the magic of the long-trail lo-fi reverb algorithm that made Dark Star a breakout hit years ago, Old Blood Noise Endeavors announces a new Dark Star for a new era, with a drastically expanded feature set and improved signal quality that is sure to draw in old fans and new. New features like Stereo Input and Output, on-board Presets, Trails, Expression control over all parameters and MIDI control, of both Parameters and Presets, all help to give more versatility to this device than ever before. Beyond that, the new Dark Star does away with the three-mode toggle, instead creating a single mode combining all the Pitch-Shifting, Bit-Crushing, delayed goodness of the original. Access your favourite sounds as well as new combinations, with new shapers like Filter, Multiply, Volume and Stereo-Spread.

Notes: ***B-STOCK: Box opened, product in perfect working order***


MOOER is well known for producing highly versatile multi-effect pedals, but its latest product announcement, the Prime Stomp S1, is not just a multi-effect pedal. It is an all-in-one pedalboard for guitar effects and tones, looping, and music production, complete with a unique portability-focused design.

Initially, guitarists will be impressed by its 126 internal guitar effects and tone presets, which are editable, sharable, and downloadable through the MOOER Cloud platform, fostering unlimited tonal flexibility. However, these capabilities shine particularly brightly when combined with the pedal's recording features.

This includes a looper module, which facilitates up to 80 seconds of looping, whilst also providing functionality for real-time playback, loop deletion, and overdubbing. Loops and arrangements can also be recorded directly onto a mobile phone or tablet through a USB/OTG cable.

When combined with the pedal's 40 synchronizable drum machines, 10 metronomes, and tuner, these looping and recording capabilities empower guitarists to craft complete musical arrangements within a single unified pedalboard, without the need for studio equipment. All features can be controlled by four simple footswitches, making for a powerfully minimalist user experience.

Whilst MOOER offers several pedalboards that offer similar functionality, the Prime Stomp S1 stands out due to its focus on portability. Instead of being powered by a mains power supply, it is powered solely by an integrated lithium battery. This battery is charged by a USB C port, enabling users to charge the pedal with a portable power bank, laptop, or regular USB C charger. The device also weighs just 350g, making it effortless to carry in a backpack.

Whilst the Prime Stomp 1 primarily caters to traveling musicians, it still includes industry-standard pedal features, such as a 1/4" input, stereo 1/4" outputs, and an independent headphone output. All of these features are presented in a sleek case and are visualized by MOOER's signature digital LED display, making for an unbeatable unified toolkit for traveling guitarists.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Based on the legendary Roland Space Echo, the RE-202 brings tape-style delay effects into the future. Classic vintage sound in a modern, user-friendly package.

Supplier's Notes:
A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and Boss' latest innovations, the RE-202 faithfully delivers the authentic sound and behaviour of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201's magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colourful preamp circuit. And to take things even further, Boss have expanded the vintage Space Echo experience with lots of new features tuned for today's music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colours the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analogue preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s-including a pristine original unit from the BOSS and Roland factory archive-the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavour and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, Boss' engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201-without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behaviour is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviours of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob.

Sampling Frequency: 48 kHz

AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.

DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, INPUT B: -10 dBu
Maximum Input Level: INPUT A/MONO, INPUT B: +7 dBu
Input Impedance: INPUT A/MONO, INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, OUTPUT B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, OUTPUT B: +7 dBu
Output Impedance: OUTPUT A/MONO, OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button

Connectors: INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)
Power Supply: AC adapter
Current Draw: 140 mA
Accessories: AC adapter, Owner's Manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Rubber foot

Options (sold separately)
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 192 mm / 7-9/16 inches
Depth: 133 mm / 5-15/64 inches
Height: 52 mm / 2-3/64 inches
Height (including rubber foot): 53 mm / 2-3/32 inches
Weight: 860 g / 1 lb 15 oz

Notes: The Qi Etherealizer (pronounced "chee ethereal-izer"), a collaborative creation with Yvette Young, is a multi-effects pedal that combines Chorus, Delay, Granular effects, and, of course, Reverb, into a creative playground for atmospheric exploration.

Known for her innovative and explorative fingerstyle playing technique, love of guitar pedals, and leadership of the math rock band Covet, the Qi reflects her approach to creating lush, evolving soundscapes. Named after the vital life energy that flows through all living things, the Qi is designed to deliver rich textures, expansive atmospheres, and dynamic layers. By blending Yvette's artistic vision with cutting-edge design, the Qi opens the door to immersive, otherworldly sounds.

The Qi allows you to mix and match the chorus, delay, and grain and run in series or parallel to create your own inspiring universe of possibility in a stereo field. With the ability to save presets and bypass the chorus, delay, and grain controls, you can quickly and instantly change settings by simultaneously pressing the Bypass and Freeze stomp switches. Go from a traditional chorus with a little bit of delay, or go all in and let the Qi take over with unexplainable washes of glitchy and lush ambiance. Whatever your style is, the Qi will give it a new life.

The Qi is the first creation to emerge from Walrus' groundbreaking proprietary digital processing platform, MDSP. Designed in-house by their talented engineering team, MDSP sets a new benchmark for high-fidelity audio and innovative design, delivering decades of inspiration to creators seeking practical yet forward-thinking gear.

At the core of MDSP is the powerful ARM-based Cortex M7 processor, renowned as the highest-performing processor in its class. With a proven history in high-level electronics, the Cortex M7 has been meticulously tailored for advanced audio algorithm processing in the MDSP platform. This unique system integrates a microcontroller and a DSP into a single compact unit, enabling a smaller, modular design that can seamlessly adapt to a wide range of pedal formats.

This modular and "mini" approach empowers Walrus Audio to push the boundaries of audio processing. The enhanced capabilities of Walrus's MDSP allow for the development and execution of more sophisticated algorithms than ever before, delivering unparalleled creative possibilities for musicians and audio professionals alike.

The MDSP platform also boasts a superior audio codec, supporting faster sample rates, increased bit depth, greater headroom, and an exceptional signal-to-noise ratio. These enhancements ensure outstanding audio performance, setting a new standard in digital signal processing for the music industry.

The introduction of MDSP reflects Walrus Audio's commitment to providing creators with cutting-edge tools that inspire innovation and creativity.

Global Controls


Space Knob: Space adds a delightfully charming reverb to your affected signal. Use this knob to modify the mix and decay of the reverb. Go from smaller room sounds to a huge, diffused ambient reverb at maximum settings. It's lush and complimentary, and adding it in with the other effects will put you squarely in dreamscape territory.


Tone Knob: The Tone parameter controls the cutoff of a synth-style resonant low pass filter, allowing you to shape the tone of the effect output.


Series and Parallel: In series, effects will feed into each other in the order of Chorus > Delay > Grain > Output.


In parallel, all of the effect outputs on Chorus, Delay, and Grain are summed together and do not feed into each other. The top row of knobs will act as level controls, and the user can control the level of each effect.


The Mix/Dry parameter controls the mix of wet and dry signal in series mode and dry level in parallel mode.

Grain Controls


The featured Grain effect features two 'flavours' of operation:


Grain Cloud: This mode triggers small samples (grains) randomly from your playing, which gives you unpredictable, yet charming glitchy texture for your sound. The X knob controls the length of time between grains, so you can go from dense clusters to sparse accents.


Phrase Sample: This mode triggers grains rhythmically from your playing. Initial peaks in your playing are detected and grains are played back starting at these peaks, creating a rhythmic and intentional effect. The X knob controls the tempo at which the samples will be played back. Turning the X knob to the minimum position will sync the Phrase Sample time to the Delay time so that repeated grains are in time with the Delay repeats.


The Grain effect also features 5 playback modes that dictate different ways the grain samples are projected.


x1: Normal
x2: Double-speed and +1 octave
x.5: Half-speed and -1 octave
REV: Reverse playback
RNDM: Randomized combination of the previous four modes.


Delay Controls

The delay effect is a full, clean digital delay that offers repeats for up to two seconds. Use the time knob to control the time between delays as well as the feedback knob to control the amount of delays. The TAP/OSC switch on the bottom right of the pedal can also be used to control the delay effect via tap tempo, or when held down will ramp up the feedback and cause the delay to oscillate.

Subdivisions

Delay trails can be projected in three subdivision modes:

Quarter Note
Dotted Eighth Note
Eighth Note

Chorus Controls

The Chorus effect offers two modes:
Tri Chorus: A multi-dimensional chorus favourite. Lush, complex, modulated sounds combining three voices for a full, vibrant sound.

Stereo Chorus: This mode is a classic chorus effect but with the modulation of the chorus being offset 180 degrees to the right channel to achieve the stereo width effect.


Other Features

Three on-board presets (red, green, blue) plus a live mode (white).
TRS MIDI 1/8" in and thru ports for MIDI control.
USB-C port included for future firmware updates.
Momentary Grain Freeze
Momentary Grain + Max Reverb Freeze

Notes: A hard hitting distortion effect pedal, ideal for metal and hard rock styles. Dial in the desired amount of distortion with Gain and set the output Level to suit. Tone adjusts the amount of grit and bite to accentuate the guitar sound if needed. High gain on demand for high energy music.

Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
Controls: Gain, Tone and Level
Dimensions: 115 x 68 x 47mm
Weight: 275g

Notes: Add clean sustain to your guitar notes and chords with the CM-50 compressor pedal. Turning up the Sustain control squashes down the peaks in the signal and lifts the quieter parts, causing notes that are fading out to last longer with effortless sustain. Set the output with the Level control and adjust the amount of picking emphasis with the Attack control. Great for country licks and overlapping arpeggios.

Sustain, Level and Attack controls
9V battery or optional DC adaptor operation

Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
Controls: Sustain, Level and Attack
Dimensions: 115 x 68 x 47mm
Weight: 275g

In the Box

CM-50 compressor pedal
PP3 battery

Notes: The Qi Etherealizer (pronounced "chee ethereal-izer"), a collaborative creation with Yvette Young, is a multi-effects pedal that combines Chorus, Delay, Granular effects, and, of course, Reverb, into a creative playground for atmospheric exploration.

Known for her innovative and explorative fingerstyle playing technique, love of guitar pedals, and leadership of the math rock band Covet, the Qi reflects her approach to creating lush, evolving soundscapes. Named after the vital life energy that flows through all living things, the Qi is designed to deliver rich textures, expansive atmospheres, and dynamic layers. By blending Yvette's artistic vision with cutting-edge design, the Qi opens the door to immersive, otherworldly sounds.

The Qi allows you to mix and match the chorus, delay, and grain and run in series or parallel to create your own inspiring universe of possibility in a stereo field. With the ability to save presets and bypass the chorus, delay, and grain controls, you can quickly and instantly change settings by simultaneously pressing the Bypass and Freeze stomp switches. Go from a traditional chorus with a little bit of delay, or go all in and let the Qi take over with unexplainable washes of glitchy and lush ambiance. Whatever your style is, the Qi will give it a new life.

The Qi is the first creation to emerge from Walrus' groundbreaking proprietary digital processing platform, MDSP. Designed in-house by their talented engineering team, MDSP sets a new benchmark for high-fidelity audio and innovative design, delivering decades of inspiration to creators seeking practical yet forward-thinking gear.

At the core of MDSP is the powerful ARM-based Cortex M7 processor, renowned as the highest-performing processor in its class. With a proven history in high-level electronics, the Cortex M7 has been meticulously tailored for advanced audio algorithm processing in the MDSP platform. This unique system integrates a microcontroller and a DSP into a single compact unit, enabling a smaller, modular design that can seamlessly adapt to a wide range of pedal formats.

This modular and "mini" approach empowers Walrus Audio to push the boundaries of audio processing. The enhanced capabilities of Walrus's MDSP allow for the development and execution of more sophisticated algorithms than ever before, delivering unparalleled creative possibilities for musicians and audio professionals alike.

The MDSP platform also boasts a superior audio codec, supporting faster sample rates, increased bit depth, greater headroom, and an exceptional signal-to-noise ratio. These enhancements ensure outstanding audio performance, setting a new standard in digital signal processing for the music industry.

The introduction of MDSP reflects Walrus Audio's commitment to providing creators with cutting-edge tools that inspire innovation and creativity.

Global Controls


Space Knob: Space adds a delightfully charming reverb to your affected signal. Use this knob to modify the mix and decay of the reverb. Go from smaller room sounds to a huge, diffused ambient reverb at maximum settings. It's lush and complimentary, and adding it in with the other effects will put you squarely in dreamscape territory.


Tone Knob: The Tone parameter controls the cutoff of a synth-style resonant low pass filter, allowing you to shape the tone of the effect output.


Series and Parallel: In series, effects will feed into each other in the order of Chorus > Delay > Grain > Output.


In parallel, all of the effect outputs on Chorus, Delay, and Grain are summed together and do not feed into each other. The top row of knobs will act as level controls, and the user can control the level of each effect.


The Mix/Dry parameter controls the mix of wet and dry signal in series mode and dry level in parallel mode.

Grain Controls


The featured Grain effect features two 'flavours' of operation:


Grain Cloud: This mode triggers small samples (grains) randomly from your playing, which gives you unpredictable, yet charming glitchy texture for your sound. The X knob controls the length of time between grains, so you can go from dense clusters to sparse accents.


Phrase Sample: This mode triggers grains rhythmically from your playing. Initial peaks in your playing are detected and grains are played back starting at these peaks, creating a rhythmic and intentional effect. The X knob controls the tempo at which the samples will be played back. Turning the X knob to the minimum position will sync the Phrase Sample time to the Delay time so that repeated grains are in time with the Delay repeats.


The Grain effect also features 5 playback modes that dictate different ways the grain samples are projected.


x1: Normal
x2: Double-speed and +1 octave
x.5: Half-speed and -1 octave
REV: Reverse playback
RNDM: Randomized combination of the previous four modes.


Delay Controls

The delay effect is a full, clean digital delay that offers repeats for up to two seconds. Use the time knob to control the time between delays as well as the feedback knob to control the amount of delays. The TAP/OSC switch on the bottom right of the pedal can also be used to control the delay effect via tap tempo, or when held down will ramp up the feedback and cause the delay to oscillate.

Subdivisions

Delay trails can be projected in three subdivision modes:

Quarter Note
Dotted Eighth Note
Eighth Note

Chorus Controls

The Chorus effect offers two modes:
Tri Chorus: A multi-dimensional chorus favourite. Lush, complex, modulated sounds combining three voices for a full, vibrant sound.

Stereo Chorus: This mode is a classic chorus effect but with the modulation of the chorus being offset 180 degrees to the right channel to achieve the stereo width effect.


Other Features

Three on-board presets (red, green, blue) plus a live mode (white).
TRS MIDI 1/8" in and thru ports for MIDI control.
USB-C port included for future firmware updates.
Momentary Grain Freeze
Momentary Grain + Max Reverb Freeze

Notes: EQ for bass guitar in a convenient pedal format for tone shaping on the fly. 5 individual frequency sliders help you to accurately sculpt the tone from mid-range growl to deep scooped slap. Perfect for mid-set EQ changes or as an "always on" tone machine.

5 frequency bands tuned for bass guitar
9V battery or optional DC adaptor operation

Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
EQ controls: 62.5Hz, 125Hz, 500Hz, 1kHz, 4kHz, Volume
Dimensions: 115 x 68 x 47mm
Weight: 279g

Notes: Active gain boost pedal to increase the level of your guitar signal with 2-band EQ for tone shaping. Ideal for driving the input of a guitar amp to a point to make it distort the true sound of the amplifier, or as a signal booster for pushing the guitar forward in the mix for a solo, or even a combination of both.

Low & High tone controls
9V battery or optional DC adaptor operation

Power supply: 9V battery (PP3 included) or optional DC adaptor
Construction: Aluminium housing with rubber base
Controls: Low, High and Level

Dimensions: 115 x 68 x 47mm
Weight: 275g

Notes: Phonkify X

Envelope Filter and Octave

Maximise your funk with the Tsakalis Audioworks Phonkify X pedal. A potent pairing of fabulous filters and outstanding octaves. Expanding on the esteemed original Phonkify, the Phonkify X turns up the funk-o-meter with three selectable flavours of envelope filter and three types of octave voicings. This makes the pedal not only perfect for juicing up your jams and dripping your tone in cosmic gravy, but also delivers filters and octave tones that go way beyond and into the spaces between. Featuring flexible momentary or latching operation for each effect, plus a dedicated toggle switch for selecting the order of the filter and octave, the Phonkify X is ready to pour on the funk gravy and turn up the stank factor!

Phonkify X's Filter section warps and wiggles your tone into a kaleidoscope of grooves.

Flip the dedicated toggle switch to find your filter flavour: Low Pass for warm, buttery tones, Band Pass for that snappy, in-your-face attitude or a cosmic combo of Low Pass-to-High Pass for sweeping, interstellar effects. Got an expression pedal? Slide it in and ride the funk wave with hands-free control over your freaky frequencies.

While the Octave section can make the floor rumble and shake! No matter if you're feeling that high-flying octave-up, a deep-diving octave-down or a spaced-out blend of both, hit that footswitch and squeeze out every last funky drop.

Need more juice? Crank the master volume to fine-tune your output, while the pedal's internal voltage doubling gives your tone headroom for days. True Bypass keeps your original signal pure when you step off the funk train.

The Phonkify X isn't just a pedal. It's a total vibe machine, a groove generator and a tone tailor for the funky-hearted. Whether you're laying down tight pocket grooves or blasting off into experimental soundscapes, the Phonkify X has the tools to elevate your sounds right into the stratosphere.

Notes: Proudly billed as the first fully programmable drum machine in a pedal format, the Step is designed to accompany other instruments. Four-track, 16-step sequencer with 300 Beat presets and 500 kits.

Supplier's Notes:
Step Modern Drum Machine

Step is the first fully programmable drum machine in pedal format. It's an instrument, a co-writer, an accompaniment at a live performance, or a bandmate in an empty studio. Designed with the flexibility to instantly start a unique song but with deep customization options to quickly create fresh beats. Step is for everyone - everyone that isn't afraid to experiment, take chances, try something new, and create original music.

4 Customizable Drum Tracks

Step is a 4 track drum machine with a complete interface. Easily control all parameters for each of the 16 steps on the face of the pedal, no computer editor needed.

Mix & Match

How about an electronic snare with a jazzy kick? With Step, with a twist of a knob, you can create your sound pack by combining sounds from different Kits.

Instant Drum Beat Generator

Tap in the tempo, turn the Beat and Kit knobs to find your groove and play! There are 300 rhythms and 500 kits - it gives tons of combinations.

Modern Sound

With over 2000 samples, from the sounds of classic analogue machines to acoustic drums, anyone can find the sound they want. And, if you're going to create your kits, you can easily do it, too.

Per-Step Control
Customize over 15 parameters for each track's drum sound on a per-step basis. Switch up hi-hat velocity, add reverb to a final crash or throw in a 10% chance for a drum roll.

A Thousand Songs

Create and play complete 16-part songs, easily put together by quick-copying patterns, selecting new beats or making your own. Then make a playlist and go live!

Stomp-In FX

Use the FX stomp-switch to punch in customized effects from delays, reverbs, loopers, rearrangers and more. Every pattern in your song can have a different stomp-in effect.

Expansive Connectivity

Step has all the connectivity you need, stereo input and output, MIDI in and out, expression pedal input, and micro SD card storage with USB-C connectivity.

Nerdy on Demand

Need polymetric or polyrhythmic beats? Or maybe some generative drums? Step offers per-track swing, speed and length, step probability, randomized note playback, and more. You don't have to get nerdy with Step, but you can!

Instant Inspiration

From musicians wanting to quickly play along with a drum kit to deep divers looking to create more than traditional drum beats, Step is for everyone. Either create songs instantly by selecting from 500 preset rhythms and 200 drum kits or use the interface to create completely customized beats anywhere. Loop 16 steps and jam or combine patterns into a 16 pattern song.
A Complete Instrument

Step is a fully customizable drum machine, with features designed to make original drum tracks you want to play along with. All Step's parameters can be controlled directly on the pedal with a straightforward, intuitive user interface. Create complex and evolving patterns using probability, a dynamic drummer by switching up the velocity on eat hit, a sloppy drummer with the humanize, chance and micro-move features, or a perfect robotic machine.

Performance Ready

As a live companion Step can't be beat. With the ability to stomp-in effects and change songs or patterns via the dedicated stomp-switches, Step is a one stomp solution for all your performance needs.

Smash the FX stomp-switch and create interesting transitions or emphasize a solo. Freely assign over 50 effects in 8 different categories to the FX stompswitch, from repeaters and rearrangers to delays and reverbs.

For even more live control, assign the expression pedal to parameters including tempo or volume.

In Sync

Step is the perfect bandmate, keeping everything in sync. Use Step's MIDI input and output to stay in time with your delay, start playback at the same time as a looper, and more.

Keep your devices in sync too. Step's sequences are also compatible with Play and Play+. Create and exchange patterns between grooveboxes and the pedal, in both directions.

Tech specs

Ins & Outs

Stereo/Mono In: jack 6.3 mm
L-Out/MONO: jack 6.3 mm
R-Out: jack 6.3 mm
Expression Pedal
MIDI In: mini-jack 3.5 mm
MIDI Out: mini-jack 3.5 mm
USB-C
Power: 9-18 V DC / min. 500 mA (power adapter not included)

Physical Dimensions

Height: 2.24 inches (5.7 cm) - with knobs
Width: 7.09 inches (18.0 cm)
Depth: 4.72 inches (12.0 cm)
Weight: 2.05 pounds (0.930 kg)

Notes: Harvezi Hazze is a versatile and unique distortion pedal with a wide tonal palette.

The heart of Harvezi Hazze is a waveshaper designed around a unijunction transistor, a relic from the early days of the semiconductor industry unearthed from the e-waste bins of flea markets in Tbilisi, Georgia.

The unique properties of the unijunction transistor allow one simple component to replace a number of very complex devices: depending on the operating mode, we can get a distortion, a limiter, a waveshaper and a generator - with a smooth transition between them. Experiments have shown that this transistor is an excellent basis for a distortion stompbox.

The name translates from Georgian as "a fault on the transmission line" or "signal jamming", and both the semantic and phonetic natures of it unequivocally imply what to expect - an impediment to the input signal, ranging from pleasant harmonic distortions to complete obliteration. The signal chain of the unit consists of an optical compressor with fixed parameters; a dual-mode distorting amplifier with either softer or harsher clipping; a waveshaper built around a unijunction transistor; and a tone stack section trying to tame all this mess.

Signal Chain:

Input -> Compressor -> Distorting amplifier -> Waveshaper -> Tone stack -> Output

Controls:

Gain - controls the output amplitude of the signal in the distorting amplifier section. Depending on the position of the switch, the distortion introduced by this section is soft (switch in the left position) or more aggressive with an abundance of high harmonics (middle position).

Spoil and Spread - control the operation of the unijunction transistor (waveshaper section). Spoil sets the point on the amplitude axis at which the wave will fold, and Spread sets the amplitude of the folding. The sonic meaning of these knobs can be described as follows: the higher the Spread value, the more severe the distortion will be, and Spoil changes timbre and response threshold. By adjusting Spoil you can achieve various gating and cutoff effects. At low Spread values, distortion sounds are mixed into the clean sound.

Tone - adjusts the brightness of the sound; the higher the value, the more high harmonics are present in the signal.

The switch regulates either the distortion mode in the amplifier section (left and center positions), or it turns on the total feedback mode (right position), when the values of all knobs begin to influence each other and effects occur such as resonance at certain frequencies and self-oscillation.

Level - controls the output volume of the signal.

The footswitch routes the signal through the effect circuitry or from input to output directly (true bypass).

The array of switches on the side of the unit gives a few more tonal options:

TONE STACK - routes the signal through the tone stack section (Tone knob).

BASS BOOST - enhances bass frequencies.

TONE MODE - changes the behaviour of the Tone knob (tilt or lowpass).

NOTCH FREQ - changes the central frequency of the filter.

HIGH CUT - attenuates high frequencies.

COMPRESSOR - routes the signal through the compressor.

The lower position of the switch enables the function.

Examples:

Compression:

Switch in the central position, Spoil, Spread, Gain - min, Tone - 12 o'clock.

TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.

Soft clipping:

Switch in the left position, Spoil, Spread - min, Tone - 12 o'clock, Gain - 2 o'clock.

TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - on, HIGH CUT - off, COMPRESSOR - on.

Distortion:

Switch in the middle, Spoil, Spread - min, Tone - 1 o'clock, Gain - max.

TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - off.

Fuzz:

Switch in the left position, Spoil - 1 o'clock, Spread - max, Tone - 11 o'clock, Gain - 10 o'clock.

TONE STACK - on. BASS BOOST - on, TONE MODE - on, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.

Black:

Switch in the left position, Spoil - 12 o'clock, Spread - 1 o'clock, Tone - 3 o'clock, Gain - 3 o'clock.

TONE STACK - on. BASS BOOST - off, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - off.

Feedback:

Switch in the right position, Spoil - 11 o'clock, Spread - 4 o'clock, Tone - 2 o'clock, Gain - 9 o'clock.

TONE STACK - on. BASS BOOST - on, TONE MODE - off, NOTCH FREQ - off, HIGH CUT - off, COMPRESSOR - on.

Technical specifications:

Input - 1/4-inch/6,35mm mono jack.

Input impedance - 750 kOhm.

Output - 1/4-inch/6,35mm mono jack.

Output impedance - 100 Ohm

True bypass.

Power - DC 9V, 50mA, DC jack 2.1mm, centre negative.

Notes: In designing the Ola dBucket Chorus and Vibrato, Strymon started with the dBucket building blocks and used them to craft a beautiful and versatile modulation effect. Keeping in line with the same philosophy as the Brigadier delay, the high performance DSP is entirely dedicated to and focused on providing the most lush and organic chorus and vibrato sounds available. Strymon also drew influence from some of their favorite vintage chorus effects and a certain little blue box vibrato with a strong cult following. On top of that they threw in true bypass, a favorite preset, stereo input and output, and a super high quality analog front end and output section.

Features

Hand crafted dBucket algorithm for highly accurate reproduction of every stage of an analog bucket brigade chip. Built on the dBucket building blocks developed for our Brigadier delay.

Super low noise, high performance A/D and D/A converters w/ 110dB signal to noise

High performance DSP stuffed into a compact form factor

3 modulation types (chorus, muti-mode chorus, vibrato)

3 dynamic modes (normal, ramp, envelope)

Controllable ramp speed | envelope sensitivity

Global tone control for the overall color of your modulation

Mix control for dialing in various modulation intensities

TRUE BYPASS (electromechanical relay switching)

Stereo input and output

Favorite footswitch for saving your favorite setting

Powered with a standard 9V center negative DC supply. Compatible with all major DC supply brands. Current consumption 200mA - (250mA recommended supply)

Premium analogue front end and output section

No-nonsense user interface

Strong and lightweight blue anodized aluminum chassis

Crafted with love in the USA

Notes: Iridium

Leave Your Amp At Home.

Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialling in the perfect amp tone when going direct. Discover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.

Iridium gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp. Skip the hassle of lugging around or miking amps. Place Iridium on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system. With Iridium, it's a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones.

Three Iconic Amplifiers

The Matrix Modeling process captures all the subtleties and unique tonal qualities of each amplifier. Strymon have taken three iconic tube amps with distinct characters and mathematically modelled every aspect of their circuitry with absolute precision to deliver the response, feel, and inspiring experience of playing through the original amps at their best. Taking the process a step further, Strymon have hot-rodded each amp to provide an extended range of tonal options beyond what was available from the original designs.

Nine Stereo IR Cabinets

Iridium's speaker cabinets offer a level of realism and responsiveness unprecedented in outboard effects. Iridium delivers full stereo 24bit 96kHz resolution for the entire 500 milliseconds of its speaker cabinet impulse responses. Until now, IRs of this resolution have only been available for use within studio recording software. Iridium's breakthrough technology means you can use the very best impulse responses available, bringing maximum realism to your pedalboard.

Adjustable Room Ambience

Iridium's hybrid room reverb combines a 256 millisecond stereo impulse response with Strymon's reverb tank algorithm for extended decay. This combination places your amp and cab in a natural sounding room (small, medium, or large), creating a space for your amp to open up and breathe.

Round Amp - Based on* a Fender Deluxe Reverb

The Deluxe is one of the most recorded amps in history for good reason. This amp is clean, bright, and mid-scooped, with plenty of headroom. At higher Drive settings it delivers an overdriven sound unique to its architecture. Strymon chose the Deluxe's Normal channel for its round tone that plays well with pedals. While preserving access to all the tones originally available with this channel, our model gives you something extra: a midrange control. With the midrange at noon, you get the original fixed-resistor value and standard tonal characteristics of the Deluxe. Turn down the midrange for a more scooped sound, or turn it up for tweed-era tones.

Chime Amp - Based on* the Brilliant channel of a Vox AC30

The amp that defined the guitar sound of the British Invasion. Our model of the AC30 Brilliant channel (Top Boost) is jangly, bright, and chimey, providing air for subtle passages with a light touch, and bite when you want to dig in. For this amp, the Middle knob acts a Tone Cut knob, providing high-end roll-off just before the power tubes, per the original AC30 design. In addition to the full available gain of the original amp, toward the top end of the Drive knob's range of travel, Strymon have added a frequency-shaped front end boost to tighten the low end while driving the amp further into saturation.

Punch Amp - Based on* a Marshall Plexi (Super Lead model number 1959)

This powerful amp is meatier, with higher gain than the other two amps, and has a powerful midrange response. This amp features a buttery, smooth overdrive. At higher Drive settings it will deliver all the high gain distortion and growl this amp is known for, and then some. Setting the Drive control at around 2 o'clock gets you the maximum gain the original Plexi design allowed. Beyond that, our model has some additional gain on tap, giving you access to custom hot-rodded Plexi high gain tones.

*All product names are trademarks of their respective owners, which are in no way associated or affiliated with Strymon. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were studied during Strymon's sound design process. Fender and Deluxe Reverb are registered trademarks of Fender Musical Instruments Corporation. Vox is a registered trademark of Vox R&D Limited. Marshall is a registered trademark of Marshall Amplification Plc.

A Carefully Curated Cab Collection.

Iridium comes pre-loaded with a carefully curated collection of premium cabinet impulse responses from OwnHammer, Celestion, cabIR and ValhallaIR.

Round A - Deluxe Reverb 1×12" by OwnHammer
Impulse captures a vintage Fender Deluxe Reverb open back 1×12" combo loaded with a 1978 Fender CTS ceramic 12" speaker.

Round B - Blues Junior 1×12" by CabIR
Impulse captures a 1×12" Blues Junior cabinet, loaded with a Jensen C12N speaker.

Round C - Vibrolux 2×10" by cabIR
Impulse captures a Fender Vibrolux from 1965 with 2×10" Jensen C10NS speakers from 1965.

Chime A - AC30 2×12" Alnico by OwnHammer
Impulse captures a Vox AC30/6 open back fawn 2×12" combo with 2001 Celestion T0530 Blue AlNiCo speakers.

Chime B - 1×12" Alnico by Celestion
Impulse captures Celestion Blue Alnico speaker in a closed back 1×12" cab.

Chime C - Mesa 4×12" by ValhallaIR
Impulse captures a 4×12" Mesa Boogie "Halfback", which is loaded (open back) with two Black Shadow MC-90 speakers from CelestionTM and two Black Shadow EVM12-L from ElectroVoice.

Punch A - GNR 4×12" by OwnHammer
Impulse captures a 1971 Marshall 1960B "basketweave" 4×12" cabinet.

Punch B - 2×12" Vintage 30 by Celestion
Impulse captures a Celestion Vintage 30 in an open back 2×12" cab.

Punch C - Marshall 8×12" Alnico by cabIR
Impulse captures a re-issue of the 1965 Marshall 8×12" full stack cabinet, loaded with Celestion T652 AlNiCo speakers.

Load Your Own Impulses.

It's easy to replace the pre-installed IRs with custom IRs from your own collection by using Strymon Impulse Manager software.

Stereo Output
Operates at instrument and Line Level input sources
Discrete transistor headphone amplifier
Expression pedal input provides seamless morphing between knob positions (Expression mode), or smooth pre/post volume control with logarithmic taper (Volume mode)
USB jack for connecting to Strymon Impulse Manager software
to add and edit your own speaker cabinet IRs
Compatible with Strymon MultiSwitch Plus for remote selection of up to 4 presets
Full featured MIDI control accessible via EXP Jack for remote parameter control and access to 300 preset locations (requires Strymon MIDI EXP cable or MIDI to TRS interface)

Audio Quality

Ultra-low noise, high performance 24-bit 96kHz A/D and D/A
converters provide uncompromising audio quality
Super high performance SHARC and ARM co-processors
32-bit floating point processing

More

Transparent Analogue Buffered Bypass
Strong and lightweight anodized black aluminum chassis
9V DC power supply included
Power requirements: maximum 9 volts DC center-negative, with a minimum of 500mA of current
4.5" deep (11.43 cm) x 4" wide (10.16 cm) x 2.4" tall (6.1 cm)
Designed and built in the USA

Notes: Discover your amp's potential

Riverside's cascading gain stages create harmonically rich tones that are immensely musical and natural-from silky clean overdrive to colossal distortion, and all points between. The analogue JFET front-end ensures that Riverside responds to your guitar with uncompromised dynamics and feel. The precision crafted DSP generates dynamic complexity and pleasing harmonics at every stage, letting your amp shine at any gain level. Riverside takes your amp to places you never knew it could go.

Overview

Infinite sweet spot

Riverside's continuously variable circuit tuning dynamically tweaks multiple parameters under the hood so that the sweet spot follows you at any gain setting. As you turn the Drive knob, Riverside makes continuous adjustments, tuning the circuit for optimum tone. This results in an incredibly versatile drive pedal that is equally capable of providing sparking cleans, mild overdrives, high-gain leads, and heavy saturated distortions.

Flexibility to adapt to any amp

Your amp choice has a large influence on the sound of any drive pedal connected to it. Riverside's musical 3-band EQ, with independent Bass, Middle and Treble knobs, is designed to complement your amp's tone with the flexibility needed to dial in your sound effectively and efficiently. The three-position Presence switch tailors the highest frequencies, allowing Riverside to integrate perfectly with any amp or setup, no matter how dark or bright.

Digital or analogue? Strymon choose both

The first stage of Riverside's custom multistage drive topology is an all-analogue, ultra low noise, discrete, class-A JFET circuit. This gain stage is digitally controlled to maximize headroom while adding as much as 20dB of pure analogue gain, with tight integration to the subsequent DSP gain stages. With Strymon's hybrid approach you get the best of both analogue and digital worlds: The JFET stage provides exceptional touch sensitivity and dynamic interaction with your guitar, while the incredibly powerful SHARC DSP facilitates the great level of detailed complexity and responsiveness you'll want to hear.

Tone Adjustment and Shaping

Drive adjusts the amount of gain applied to the signal. Employs continuously variable circuit tuning which adjusts many parameters as you turn the knob.

Level controls the output volume level when the effect is engaged.

Gain toggles between low or high gain channels.

Low sets a gain structure allowing for a wide range of low to medium gain sounds. At high Drive settings the sound is heavily overdriven, and slightly 'loose' like a dimed vintage amp.

High increases the gain throughout the signal path and tightens things up. Stays relatively clean at low Drive settings, shifting to heavy saturated distortion at maximum.

Push toggles between flat or enhanced midrange frequencies.

Norm can be used for cleaner, more transparent tones.

Mid adds a mid-band EQ push just after the analogue front-end gain. This pushes the subsequent drive stages harder, tightening up the response. Perfect for fat drive tones, or pushing a distorted or on- the-edge amp into further breakup.

Bass is an active shelving/parametric low frequency control. The control is post-drive, shaping your drive tones before they reach your amp.
Middle is a parametric mid boost/cut control with optimized frequency centre. The control is post-drive, shaping your drive tones before they reach your amp.

Treble is a wide-ranging high frequency active shelf control. The control is post-drive, shaping your drive tones before they reach your amp.

Rear Panel

Presence is a three position switch that tailors the highest frequencies of the output signal.

Minus (-) provides clarity with a controlled top end that works well with many amps that have a brighter voice.

Enhanced (centre) extends the top end to allow for more sizzle on high gain tones. Useful if you want enhanced detail in the uppermost frequencies.

Plus (+) delivers extended high end detail to the darkest amps, and is also useful when plugging directly into a power amp.

In is a high impedance mono input. Plug your instrument in here.

Out is a mono signal output. Connect to your amp, other pedals, mixing board, etc.

Boost allows use of an external switch to toggle up to +6dB of post boost on/off. Or connect to the EXP input of another Strymon pedal and simultaneously engage the Favorite settings on both pedals with Riverside's Favorite switch.

Expression Pedal Input provides continuous expression pedal control over any or all of the knobs, in any direction, with your foot. Or can be used in Volume Mode to control the volume level of the effect.
Power - Plug your power supply in here. Maximum 9 volts DC centre-negative, with a minimum of 250mA of current. Standard 5.5mm x 2.1mm barrel connection.

Secondary Functions

Press and hold ON footswitch to enter Secondary Function mode. Release the footswitch, then turn the desired knob to adjust the parameter.

Optional variable-threshold Noise Reduction tames hum, buzz, and system noise when you're not playing. A downward expander with advanced signal detection techniques creates a seamless transition to noise reduced silence with all types of input signal dynamics.

Boost Level sets up to +6dB of available boost when using an external Boost footswitch.

Ins, Outs, Switches

High impedance mono input
Mono output
Favorite footswitch to save a favorite setting
Favorite Input to connect an external MiniSwitch to recall a Favorite preset
Expression pedal input allows the connection an expression pedal for simultaneous morphing control over multiple parameters (Expression mode), or logarithmic taper for smooth volume control (Volume mode)
MIDI accessible via Expression jack for remote parameter control and access to 300 preset locations
Boost pedal input allows connection of an external footswitch for up to +6dB of analog boost, or to toggle the Favorite preset on other Strymon pedals (Favorite Out mode)

Analogue Quality

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
Premium analog front end and output section
Super high performance SHARC DSP in a compact form factor
32-bit floating point processing

More

True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass
Strong and lightweight anodized gold aluminum chassis
9V DC power supply included
Power requirements: maximum 9 volts DC center-negative, with a minimum of 250mA of current
4.5" deep (11.43 cm) x 4" wide (10.16 cm) x 2.4" tall (6.1 cm)
Designed and built in the USA

Notes: A warm grittiness to the warble, a rippling, wooshing, bubbling irregularity to the modulation and a dynamic response to your picking are all hallmarks of the true vibe experience. Thicker and chewier than any chorus, earthier than any phaser and uniquely magical in front of a driven amp, the perfect vibe pedal moves you to dig in and play without inhibition. This feeling has been difficult to find outside of large and expensive fully-analog boutique units, but the search for that elusive experience is now over.

UltraViolet's simple and responsive controls provide a wider range of sounds than traditional vibe pedals. In addition to the familiar Chorus (50% wet) and Vibrato (100% wet) settings, there is a new Blend setting (30% wet) for an inspiring variety of more subtle effects. A Bias switch gives you three distinct flavors of sweep shape and tone emphasis, allowing for tons of sonic variation. At slow speeds, the intensity range has been expanded beyond that of traditional vibe circuits to push even further into warmly undulating sonic territory.

For UltraViolet's new vibe algorithm, all the elements of the classic optical vibe circuit (and their interdependencies) have been meticulously recreated for a dynamic playing response. From the effects of bias, speed and LFO waveshape on the pulsing of the lamp, to the response of the light-dependent resistors that set the center frequencies of the staggered phasing filters, the entire system has been duplicated and carefully tuned to produce the very best sounds a vibe pedal can offer.

TRS stereo input and output in a dual mono configuration means you can place UltraViolet at any point in your pedal chain with no impact on your stereo image.

Full MIDI implementation with 300 available preset locations ensures that UltraViolet is ready for your MIDI rig. In addition to TRS MIDI, there is a USB-C jack for controlling the pedal via MIDI from a computer or for performing firmware updates. For hands-free control without MIDI you can connect an expression pedal for control over any combination of knobs in any direction (Expression pedal controls Speed by default.) Or attach an optional external switch for tap tempo or favorite recall.

Finally, a high-impedance, ultra-low noise discrete Class A JFET stereo input preamp provides exceptional touch sensitivity, dynamics and feeliall in a rugged and elegantly compact form factor.

Notes: Your Dream Tone Starts Here.

Start your signal chain with the best possible version of your guitar tone. Treat your guitar signal to true studio quality analogue compression with two distinct voices for smooth transparency or vintage squeeze. Hit the Boost switch to add clean boost or soft-clipped dirty boost, with the EQ curve of your choice. Mix in some dry signal for natural attack even with extreme compression settings. Feel the perfectly tailored dynamic response, feeding your amp and effects just what they need to sound their best.

Your Everything Upgrade.

From pickups, tubes, capacitors, to speaker cabinets-the aspects of a rig that can be upgraded or changed are nearly endless. Plug in Compadre and you may find you already have everything you need for the tone you've been seeking.

Bring out your amp's character in ways you never thought possible. Compadre's Class A JFET input circuit, studio quality analogue compression, and musically voiced analogue boost circuits all work together to make your amp sound like it was just modified by a world-class boutique amp designer.

Super Flexible, Super Easy.

Compadre gives you everything you need to shape your front end tone, and nothing to slow you down. Auto makeup gain and auto threshold mean that all you have to do is turn up the Compression knob to dial in the desired amount. Compadre's wide variety of tone shaping features are all designed to easily sound great across a wide variety of settings.

Two Distinct Analogue Compression Circuits.

Choose between two compression circuits, each with its own unique character. Studio mode gives you the smooth, beautifully transparent compression typically found in the best vintage studio rack units. For a harder compression effect typical of classic guitar pedals, Compadre's Squeeze mode is designed to deliver heavy compression with maximum sustain.

Boost the Sweet Spot, Clean or Dirty.

Compadre gives you two distinct analogue boost circuits: a clean boost, and a dirty boost that introduces soft clipping, characteristic of an overdrive pedal. The selectable boost EQ ensures the perfect compliment to any guitar and amp combination. Add sparkle and shine with a treble boost, fatten your tone with the midrange boost, or level up the full frequency range with flat mode.

Extended Control.

Connect an expression pedal to add premium VCA-based volume control. Add an optional MiniSwitch or MultiSwitch Plus to store and recall your favourite settings. Integrate Compadre into a MIDI pedalboard using the MIDI EXP Cable and access up to 300 preset locations.

Vintage Inspiration, Modern Execution.

The Compadre design project started with a study of some of the finest analogue compressors ever created, inspiring and guiding the circuit design process. Utilizing a VCA in the compression circuits allowed Strymon to carefully tune the exact response and dynamics that were desired for each voicing.

For Studio mode, the goal was to achieve the musical and transparent sound found within Strymon's favourite studio rack units and the best vintage studio console bus compression. Careful tuning of the detection circuit provided Strymon with exacting control over decay, especially important for Squeeze mode. With ample sustain on tap, Strymon paid special attention to creating a completely smooth decay, with no unwanted pumping artifacts.

Notes: Way Back Machine

Step on Zelzah, play one chord, and you're instantly taken back to a world of classic phaser tones as they were always meant to sound, perfectly voiced, with tons of vibe. Vintage 4-stage and 6-stage phasing with controls that allow seamless transitions to vibrato, gorgeous flanging and chorus, and new sounds never heard before-all instantly musical with great tone all the way across every dial.

Two Effects At Once.

Zelzah is actually two different phasers, side by side in one pedal. Zelzah's 4-stage side gives you a wide array of classic tones ranging from phasing to vibrato and more, while the 6-stage side provides phasing, flanging, chorus, and all points in between. Dial in a chorus on one side and barber pole phaser on other, or a phaser on one side and tremolo on the other. Use the two sides independently or together in a variety of configurations. Zelzah may become the only modulation pedal you keep on your board.

Choose Your 4-Stage Phaser Sweep

Classic Sweep

The first Sweep mode is labelled "Classic" because this is the classic four stage phaser sweep we all know. In this Sweep mode, a single LFO with a warped triangle shape creates that familiar vintage sound.

Barber Sweep

Similar to the visual effect of a barber pole, the Barber sweep is a continuously rising or falling effect that is traditionally done with frequency shifters. In Zelzah, Strymon have used an arrangement of synchronized four stage phasers to produce the effect while maintaining the four stage sound.

Envelope Phaser

Set the Sweep switch to Env and you've got a whole new pedal under your feet. Now the phaser responds to your picking like an envelope filter/auto-wah would, with the phaser sweep being dynamically controlled by your input signal, creating harmonically complex and very funky sounds.

Six Stage Voice: Groundbreaking New Phaser Algorithm

The Voice knob on the six stage side simultaneously controls over 30 different parameters, all working in harmony for an inspiring musical experience.

Not only do you get thick, juicy, phasing with pure vintage vibe, but as you turn the Voice knob clockwise, the groundbreaking new modified all-pass structure expands the time response of the cascading all-pass filters seamlessly and continuously, adding spaciousness and airiness to the sound.

Explore a range of fresh musical tones that are not a mix of phasing and flanging, but actually something entirely new. Turn the Voice knob to the right for luxurious true flanger effects, and continue to the far end of the range for lush vintage chorus sounds. There are inspiring musical sounds at every point along the dial, and so many ways to make a sound that is truly yours.

Notes: DIG unearths the true soul of digital delay and doubles it; two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential. Rack-mount digital delays of the '80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.

Strymon's thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG's three digital delay voicings: the early '80s adaptive delta modulation mode, the mid-'80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode. The second generation DIG keeps the same distinctive rack-mount digital delay tones from Strymon's original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.

Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG's EXP/MIDI jack or USB-C connection. Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

The powerful tone knob control sets the feedback filter response for tailoring the sound of your echoes. Fast and intuitive to use, it is actually two filters on one control: Turn left for high cut and right for low cut, or set at 12 o'clock for a flat response.

Notes: Plug in, play a note or chord, and you feel it: All the warm, saturated, distinctive qualities and subtle nuances of vintage tape echo combine to instantly create an unmistakable atmosphere. Everything from classic slapback echoes to psychedelic space explorations have stunning richness and depth, responding to each note and knob turn in a musically inspiring way.

El Capistan provides three different tape machine types in one pedal, each with three unique modes and extensive control over tape quality, machine health and tone shaping. Styrmon's meticulously handcrafted dTape technology and powerful ARM DSP give you a range of tape experiences that would be unattainable with a single traditional tape machine. Plus you get sound on sound looping, all without the headaches of tape machine maintenance and repair.

The second generation El Capistan keeps the same rich magnetic tape echo tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio. Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via El Capistan's EXP/MIDI jack or USB-C connection. Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

A premium analogue JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Some classic tape echo machines included small integrated spring reverb tanks tuned for limited bandwidth. For El Capistan, we captured this vintage vibe while creating a spring reverb algorithm with a gorgeous, gentle character that stands on its own, in addition to enhancing delayed signals.

Notes: Mobius gives you twelve legendary, versatile, and inspirational modulation machines, all in an easy-to-use package. Go from lush, mouthwatering, vintage chorus sounds all the way to syrupy psychedelic phasers. Get classic, pulsating tremolos all the way to warbling crushed bits. Mobius opens up the history books of music and provides new sounds and inspiration for all of your musical ideas.

Utilizing an insanely powerful SHARC DSP, every drop of power is harnessed. Top it all off with 200 presets, full MIDI implementation and a unique Pre/Post Mode and you're on your way to modulation ecstasy.

Notes: The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances i from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. Strymon have carefully studied their favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

On the tremolo side of the pedal you can choose between the sonically complex '61 Harmonic Tremolo, the swampy and sultry '63 Power Tube Tremolo, and the sharp and balanced '65 Photocell Tremolo. On the reverb side you can select the classic '60s Spring Tank Reverb, the inventive '70s Electronic Plate Reverb, or the nostalgic '80s Hall Rack Reverb. With nine parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a premium quality analog front end and output section, and you have the history of tremolo and reverb in a pedalboard friendly format
.
The second generation Flint gives you the same gorgeous tremolo and reverb sounds from the original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio. Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Flint's EXP/MIDI jack or USB-C connection.Tremolo speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Love slow tremolo? The Speed knob range has been expanded to slow the tremolo down to nearly 1Hz at its minimum setting. On the reverb side, pre-delay time is now adjustable.

Notes: NightSky is a reverberant synthesis workstation and a powerful, hands on experimental sound design platform. Giving you real time continuous control of reverb pitch/processing rate/core size, harmonics, and even a synth-like resonant filter with multiple modulation waveshapes, plus a step sequencer with variable glide.

Deep and powerful sound manipulation with instant response knob- tweaking and no menu diving set a new standard in experimental reverb sound design. NightSky achieves some of it's most mind bending sounds by using a Variable Process Rate for it's reverb core, allowing you to simultaneously change the size of the reverb as well as the pitch. This pitch change can be completely smooth, or quantized to a variety of musical scales, it can also be sequenced.

Use Shimmer to shift the harmonic structure by selectable musical intervals. Add Glimmer to dynamically enhance the harmonic spectrum. Turn up Drive to generate saturated overdriven harmonics. Then sculpt the resulting signal with NightSky's synth-like variable-resonance low pass filter.

Features

Three selectable reverb types offer a wide variety of ambient textures

MOD section with various waveforms to modulate the reverb or tone filters

TONE section to sculpt the high and low EQ of the reverb

VOICE section to enhance the aural spectrum of the reverb

Adjustable SHIMMER for adding pitch shifting of up to +/- 1 octave to the reverb

GLIMMER dynamically enhances high or low frequency harmonics for synth-like textures

Pre or Post DRIVE to add saturated overdriven harmonics to the reverb

Adjustable reverb core size to increase or decrease the space for reflections

Independent REVERB and DRY level controls

Step sequencer for programming rhythmic pitch variations of the reverb

Access to 16 presets from the front panel and 300 presets via MIDI

High impedance ultra low-noise discrete Class A JFET preamp stereo inputs

Low impedance stereo outputs

Input Level switch allows for both instrument and line level signals

On, Favorite, and Infinite footswitches

Expression pedal input allows the connection of an expression pedal, MultiSwitch Plus, or 1/4" to MIDI cable

Full featured MIDI in/out supporting MIDI CCs, program changes, MIDI clock sync and more

USB jack for controlling via MIDI from a computer or for performing firmware updates

Analog dry path for a zero latency dry signal that is never converted to digital

Premium JFET analog front end

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality

Super high performance SHARC DSP

32-bit floating point processing

20Hz to 20kHz frequency response

Audio Input Impedance: 1M Ohm

Audio Output Impedance: 100 Ohm

True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass

Strong and lightweight anodized dark blue aluminum chassis

9V DC power supply included

Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current

Dimensions:

4.5" deep x 7" wide x 1.75" tall

114.3 mm deep x 177.3 mm wide x 44.5 mm tall

Designed and built in the USA

Notes: Excellent value from the updated Mooer delay/reverb/looper. The Ocean Machine II features improved sound quality all round, plus expanded loop memory up to a total of 120 seconds.

Supplier's Notes:
Similarly to the original, the Ocean Machine II offers two independent delay modules, each with nine different delay types of up to two seconds, including household names such as digital, tape, and echo delays, as well as more abstract options, such as galaxy, crystal, and rainbow. A high-fidelity reverb module complements these delays with nine reverb types, as well as a shimmer effect. Each delay and reverb effect can also be 'frozen,' creating static ambient drones, an effect that sounds particularly impressive considering the pedal's DSP upgrades.

While the original Ocean Machine's looping capabilities provided just 44 seconds of loop storage, the new addition features an impressive 120 seconds. To experiment with this feature, along with Ocean Machine II's other sonic capabilities, users can use an intuitive LCD screen along with 12 knobs (four for each delay and reverb module) to easily adjust parameters within the device's 'Play Mode.' Three footswitches are also provided to facilitate independent effect toggling, tap tempo control, looper interfacing, and a preset selector.

Once the guitarist has crafted an interesting effect chain, they can save their work as a preset and enter 'Patch Mode,' in which they can toggle between saved settings with each of the three footswitches. In total, the Ocean Machine II provides eight preset storage banks, each of which supports up to three presets, resulting in a total of 24 save slots.

The pedal's versatility is further enhanced by its programmable parallel and serial effect chain hybrid, a signature element of Devin Townsend's tone creation. This feature allows users to customize the order of effects, providing endless creative possibilities. Further programming options can be accessed through the LED screen, which impressively includes synchronizable MIDI connectivity, a feature that was absent in the original Ocean Machine.

In addition to MIDI, the pedal supports various external control systems, including expression pedal input through a TRS cable. Furthermore, the pedal is compatible with MOOER's F4 wireless footswitch, allowing for extended capabilities for mapping presets and other features. A USB-C port is also available for firmware updates, ensuring that the pedal remains up-to-date with the latest features and improvements.

Considering the experimental nature of Devin Townsend's performances, MOOER has also gone above and beyond to facilitate the seamless integration of Ocean Machine II into any audio setup. The device features full stereo inputs and outputs, as well as adjustable global EQ settings, letting users tailor their sound to suit different environments. Guitarists can also customize their effect chains to be used with true bypass or DSP (buffered) bypass, depending on their preferences and specific use cases.

Overall, Ocean Machine II brings higher quality delay and reverb algorithms, augmented looping support, and various updated connections to Devin Townsend's original device. As per MOOER's typical standard, the pedal is engineered to withstand the rigors of touring and frequent use, allowing guitars to bring their special creations and atmospheric drones to the stage.

*Dimensions: 215 x 127 x 56 mm

*Weight: 1.1 kg

*Power Supply: 9V DC

*Sampling Rate: 44.1 kHz

*Sampling Accuracy: 24-bit

*Includes USB-C to USB-A cable, power adaptor, stickers, and artist signature card from Devin Townsend

Notes: Sunset

Classic overdrive sound, x2.

Sunset gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. Strymon studied six circuit types found in many truly timeless and iconic overdrive pedals, and put their takes on all six of them into a single two-channel unit.

Overview

Two pedals at once.

Sunset is really two customisable overdrive pedals, independently selectable and flexibly routable, designed and voiced for complementary tones when stacked. Six distinct circuits each feel and react differently in your hands, two at once, all in one convenient package. Push your amp any way you want, from transparent "more amp" to heavy saturated fuzz, and all the best places in between.

Holy Grail tone, minus the quest.

We are all familiar with the endless search for the ultimate overdrive pedal and the perfect tone. Strymon did the critical listening and custom voicing to design each side of Sunset with just one tone knob, so you can quickly dial in the sound you want. The knob ranges for each circuit type are custom calibrated to provide maximal usable control. Strymon applied the same design philosophy and care to the stacking options, ensuring each combination interacts optimally and sounds great, so a huge range of classic overdrive tones are instantly achievable.

Optimized stacking.

Since the time when overdrives were created to simply push an amp in order to achieve an overdriven sound even at sane volume levels, players have evolved to want more layered, multistage tonalities. Stacking gives you more flexibility and tone range on the floor. You can find an overdrive that sounds good on its own, then run it through a second drive to add new dimensions to your tone. Sunset allows you to use any of its six overdrive circuits on their own, or route the Channel A drive circuit through Channel B, or Channel B through Channel A, or use two circuits in parallel. When stacking overdrive pedals, some combinations work especially well together. Sunset eliminates the guesswork. Routing options have been chosen deliberately to present the best-sounding combinations of drive circuits.

Digital or analogue? Strymon chose both.

Sunset's input features an ultra low noise, discrete, class-A JFET circuit providing up to 20dB of pure analogue gain. With Strymon's hybrid approach you get the best of both analogue and digital worlds: The JFET stage provides exceptional touch sensitivity and dynamic interaction with your guitar, while the incredibly powerful SHARC DSP facilitates the great level of detailed complexity and responsiveness you'll want to hear.

Channel A overdrive circuits

The Ge overdrive combines the softer response of germanium diodes with a parallel path that blends in the dry signal as the Drive is lowered. At higher gains the lower-midrange frequencies are emphasized to create a tight, thick response. This overdrive really fattens up single coil pickups, and responds with a bold push when paired with humbuckers.

The Texas overdrive employs a single stage soft-clipper configuration that is filtered before and after the gain stage to create a smooth and dynamic overdrive. The original signal dynamics are retained as the gain is increased - perfect for playing the blues or just fattening up your sound with a signature midrange bump.

Channel B overdrive circuits

The 2 stage overdrive combines a soft-clipping stage followed by a hard-clipping stage, creating a complex overdrive with a wide range of gain. Its EQ structure preserves the low end while adding some muscle to push your amp. This overdrive can easily take you from lightly clipped to beefy saturation.

The Hard overdrive uses a single-stage hard- clipping circuit that has a ton of available gain, approaching fuzz territory with the Drive knob maxed. At lower gains, mildly clipped transparent tones are achieved with this versatile drive. The wide-ranging Tone knob lets you shape the top end from smooth to buzzy.

Channel A boost circuit

The Treble type is a treble booster that removes the low frequencies as the Tone knob is turned up - great for tightening up an overdriven amp, or driving another gain pedal that's a bit looser on the low end. Turning the Tone knob down brings in the low end, making for a versatile all- around boost.

Channel B boost circuit

The JFET type is a clean boost that subtly

beefs up your signal with the dynamics and responsiveness created from the JFET front end. As you turn up the drive, the signal gets rounded and warmer. The is a great option when your amp just "needs a little extra."

Ins, Outs, Switches

High impedance mono input
Mono output
Favorite Input to connect an external MiniSwitch to recall a Favorite preset
Expression pedal input allows the connection an expression pedal for simultaneous morphing control over multiple parameters (Expression mode), or logarithmic taper for smooth volume control (Volume mode)
MIDI accessible via Expression jack for remote parameter control and access to 300 preset locations

Audio Quality

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality
Premium analog front end and output section
Super high performance SHARC DSP in a compact form factor
32-bit floating point processing

More

True Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass
Strong and lightweight anodized red aluminum chassis
9V DC power supply included
Power requirements: maximum 9 volts DC center-negative, with a minimum of 250mA of current
4.5" deep (11.43 cm) x 4" wide (10.16 cm) x 2.4" tall (6.1 cm)
Designed and built in the USA

Notes: TimeLine provides you with twelve different delay machines, each with extensive control over sonic character and feel. Tweak to your hearts content and save up to 200 presets of your favorite sounds. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines.

Get warm and fuzzy analogue style repeats all the way to shimmery, sparkling, and crystalline ice delays. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you're on your way to delay bliss.

12 Different Delay Machines. TimeLine provides twelve studio-class, fully tweakable, and completely adjustable delay machines

Features

Hand crafted rotary algorithms faithfully deliver the signature, three-dimensional rotating speaker experience

Extensive control over rotating speaker mechanics and configuration

Four rotary adjustment and tone shaping knobs:

Fast Rotor Speed, Preamp Drive, Mic Distance, Horn Level.

Four "hidden" knobs for extensive tone tweaking:

Slow Rotor Speed, Cab Direction, Acceleration Time, +/- 6dB Boost/Cut.

Instantly alternate between a fast and slow rotor speed with the Fast/Slow footswitch

Selectable Cab Filter allows for an optimal experience in front of guitar amplifiers and full range systems

Stereo output, high impedance mono input

Expression pedal input with selectable control over any knob parameter

Connect our optional Favorite switch to save a favorite preset or use as an external speed switch

Fast/Slow and Bypass footswitches

Press and hold Fast/Slow footswitch for Rotary Brake

Selectable Bi-Amp mode splits bass rotor and treble horn signals to separate outputs

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters

110dB typical signal to noise

Premium analogue front end and output section

Super high performance DSP in a compact form factor

32-bit floating point processing

True Bypass (electromechanical relay switching)

Powered with a standard 9V center negative DC supply. 250mA minimum

Strong and lightweight mahogany anodized aluminum chassis

Crafted with love in the USA

Notes: With the Orbit dBucket Flanger, Strymon have painstakingly recreated every aspect of some of the greatest vintage analog flangers. To go beyond that, they have also added features such as through zero flanging to take you where few have ever ventured before. Their high performance DSP is dedicated entirely to doing one thing and one thing only, delivering the ultimate flanger. Add true bypass, extensive expression pedal control, a favorite preset, super high quality analog front end and output sections, low power consumption and you'll never want to let go of your Orbit.

Features

Hand crafted dBucket algorithm for highly accurate reproduction of every stage of an analog bucket brigade chip. Built on the dBucket building blocks developed for our Brigadier delay.

Super low noise, high performance A/D and D/A converters w/ 110dB signal to noise

High performance DSP stuffed into a compact form factor

3 LFO types (log, lin, through zero)

3 Feedback types (positive, negative, pos/neg)

TRUE BYPASS (electromechanical relay switching)

Stereo output

Expression pedal input with selectable control over any knob parameter

Favorite footswitch for saving your favorite setting

Powered with a standard 9V center negative DC supply. Compatible with all major DC supply brands. Current consumption 200mA - (250mA recommended supply)

Premium analog front end and output section

No-nonsense user interface

Strong and lightweight purple anodized aluminum chassis

Crafted with love in the USA

Notes: Strymon's Big Sky reverb moves to the next level with the MX evolution, featuring more versatile editing options, two simultaneous reverb machines, full MIDI control and brand new algorithms.

Supplier's Notes:
In BigSky MX, raw computational power meets innovative design and consummate sonic craftsmanship to give you positively sublime reverbs with stunning new levels of richness and complexity.

BigSky MX features seven brand-new algorithms in addition to significant enhancements to the other classics. Dual reverbs can be routed in Series, Parallel or Split modes, and individually panned per engine. Access full IR editing functionality, as well as custom long captures of classic studio gear. Unlock massive width and presence with full stereo I/O featuring Strymon's discrete Class A JFET input preamps. Create lush pads to play over, or infinitely sustain any notes played for unique atmospheric effects. Change presets and control parameters with MIDI via USB-C, TRS, or DIN connections. Adjust controls on the fly via an expression pedal. All this and more in an elegant, easy-to-use pedal.

BigSky MX features a staggering amount of computing power - it uses a high performance tri-core 800 MHz ARM processor - all dedicated to producing truly breathtaking reverbs. Strymon's new reverb algorithms were meticulously created by hand, and then a state-of-the-art gradient descent optimization algorithm was used to dial out any undesirable ringing or artifacts. This type of neural fine-tuning is based upon the same techniques that have enabled the recent AI revolution, and the result is springs that drip and splash, physical spaces you can really feel yourself in, and the sweetest possible musical response to every note you play.

BigSky MX allows you to use two reverbs at once, for powerful sound sculpting and expansive reverb sounds that evolve organically over time. You can switch between reverb engines with a single button press while editing, and easily see the Series, Parallel or Split audio routing state clearly displayed onscreen.

For a more interactive experience, you can dedicate a footswitch to control each reverb's on/off state if you desire.

BigSky MX features seven brand new reverb algorithms built from the ground up, plus new features and enhancements for the classic BigSky algorithms. Impulse and Chamber were created specifically for BigSky MX, and Spring, Plate, Hall, Room and Shimmer boast entirely new handcrafted algorithms while still giving you access to the original BigSky voices for each one.

BigSky MX gives you powerful editing tools to intuitively manipulate impulse responses in real time. Set decay envelopes, gate the reverb tail, reverse the entire IR, resample on the fly to shorten or stretch the impulse, and create infinitely sustaining granular pads at the press of the Infinite footswitch. Any compatible audio file can be loaded, allowing you to use convolution reverbs for everything from hyper-realistic spaces to wacky experimentation.

BigSky MX comes preloaded with 22 unique stereo impulse responses, including a collection of our very own meticulous captures of legendary analog studio gear that are addictively inspiring.

Notes: The pedal that revolutionized compact reverb pedals has evolved. Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track of time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before. Whether you're a classic spring reverb fan, a studio rack aficionado, or an ambient soundscape creator searching for new sonic textures, the sounds you are looking for are here.

BlueSky provides three different reverb types: plate, room, and spring, and each type can produce everything from stunning realism to expanded sounds far beyond what would be physically possible, while always remaining musical and beautiful. Intuitive and powerful tone shaping controls allow you to easily dial in an endless variety of inspiring sounds. And with ultra low noise, high performance 24-bit 96kHz A/D and D/A converters and a 20Hz to 20kHz frequency response, blueSky is equally at home on top of a studio console or in front of a tube amp.

Our second generation blueSky offers true studio quality reverbs in a compact pedal, and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio. A dedicated Shimmer knob and new Shimmer behaviors yield an inspiring variety of immersive new sounds. A new Mod switch allows you to select the modulation depth for each reverb type. A beautiful new Spring algorithm creates extraordinary vintage spring reverb sounds, as well as expanded spring textures and hauntingly unique interactions with an octave-down Shimmer. A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. In addition, you can now control blueSky with an expression pedal or MultiSwitch Plus.

All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard. Full MIDI implementation allows you to control just about every knob, switch, and setting remotely via the EXP/MIDI jack or USB. And you can save and recall all the new sounds you create via 300 onboard MIDI preset locations.

Notes: Add warm dimensionality and luscious tape saturation to your signal. Teleport the tones of yesteryear to your board. Effortlessly create a huge range of beautiful, distinctive, and enveloping vintage sounds. From the inherent warmth and luscious tape saturation to the forgotten art of how these machines were manipulated, Deco brings this original inspiration back, giving you these vintage tape effects from the earliest recording studios, right on your pedalboard.

Deco's Tape Saturation smooths out your sound with familiar and delicious tape compression and saturation, while fattening your tone with subtle tape-driven transparent overdrive.The Doubletracker provides the power to shift your sound in many ways, easily allowing you to achieve syrupy slapback tape echoes, psychedelic tape flanging, and gorgeous tape chorusing sounds.
Our second generation Deco gives you the same gorgeous reel-to-reel tape sounds from our original, while adding several significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.

Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Deco's EXP/MIDI jack or USB-C connection. Lag Deck delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

Deco now comes with an all-new cassette tape voicing that employs an auto level control (ALC) process common to many high-end cassette tape recorders, resulting in a compressed, fat tone. In addition, a new dedicated Tone knob lets you adjust the tone of the Tape Saturation exactly to your liking, from dark to bright.

A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Features

High impedance ultra low-noise discrete Class A JFET TRS stereo input.

Low impedance independent TS stereo outputs.

Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.

USB jack for controlling via MIDI from a computer or for performing firmware updates.

Dedicated tap tempo & On/Off footswitches

Premium JFET analog front end

Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality

520MHz ARM Superscalar processor

32-bit floating point processing

20Hz to 20kHz frequency response

Audio Input Impedance: 1M Ohm

Audio Output Impedance: 100 Ohm

Strong and lightweight anodized dark gray aluminum chassis

9V DC power supply included

Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current

Dimensions: 4.5" deep x 4" wide x 1.75" tall (11.4 cm deep x 10.2 cm wide x 4.4 cm tall)

Designed and built in the USA

Notes: Instant ambient bliss coupled with the powerful ambience processing is a brand-new Ensemble engine, capable of creating pads and soundscapes that follow your playing organically - so if you change pickups or play in a different place on the neck you get different results. It's unlike anything you've ever heard or played before, all wrapped in a smaller form factor that still manages to house full stereo I/O, TRS MIDI and USB-C connectors on the back panel. Prepare to be inspired!

Cloudburst's Ensemble switch reveals a whole new world of captivating sounds never previously heard from a reverb pedal. Use it subtly to add harmonically rich and otherworldly dimensions to your ambient reverb soundscapes, or use it liberally to hear a lush synthesized string section swell under your guitar playing. Ensemble reacts to your entire guitar signal in an organic and musical way, delivering a richly responsive and uniquely inspiring playing experience.

Cloudburst gives you multiple reverb experiences, with beautifully-tuned and natural small spaces at one end of the Decay knob and vast, expansive atmospheres at the other. As you turn the Decay control numerous internal parameters are automatically adjusted, allowing this ambient reverb pedal to produce outstanding studio-quality spaces of any size at the turn of a single knob.

All of the premium components, sound quality and road-worthiness you expect from a Strymon reverb pedal are here in Cloudburst's new compact format. Featuring unbeatable ease of use and some of the finest reverb sounds we've ever created, Cloudburst could easily be the only reverb pedal you need on your pedalboard.