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Back catalogue: Disco/Nu-Disco
Juno's full catalogue of Disco/Nu-Disco
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Review: Euro disco pioneer Cerrone embarks on a fascinating new project, collaborating with the Symphony Orchestra of Cannes to reinvent 21 of his most celebrated and influential tracks. Cerrone's role in shaping modern dance music is monumental, with countless timeless releases from disco's golden era and beyond. Classics like Supernature, Love in C Minor, and Give Me Love continue to resonate, frequently appearing in the sets of today's top DJs. Here, they're transformed by a 50-plus piece orchestra led by the legendary Randy Kerber, delivering rich strings, sharp brass and dynamic percussion that elevate these iconic tracks to new heights.
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Review: Self-proclaimed "quadruple threat" (he is, after all, a DJ, comedian, actor and poet) Craig Charles swings open his colossal Trunk of Funk for a third time. In line with previous dives into the popular BBC 6 Music DJ's music collection, he's served up a selection that moves between the decades, taking in all manner of funky treats (think funk breaks, modern soul, jazz-funk, disco-boogie, classic soul and more). Flick through the clips and you'll find genius-like gospel (the Harlem Gospel Travellers), recent remixes (Smoove reworking the Third Degree, A Skillz putting his stamp on The Niceguys), classics reimagined (the Boogie Back rework of Beggar & Co classic 'Somebody Help Me Out'), modern gems (Dave Lee and Omar) and the odd exclusive (a previously unheard vocal version of The New Mastersounds' 'Watchu Want').
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Review: Following acclaimed contributions from Mandy, DJ T, Dixon and Jesse Rose, the fifth instalment of Get Physical's "Body Language" mix series comes courtesy of Chateau Flight (aka Gilbert Cohen and Nicolas Chaix). "Body Language Vol. 5" is a discerning, rich and tasteful celebration of the best in disco, techno, electro and house in all it forms and it's a joy to listen to, from start to finish. This is one Get Physical chartered flight you should not miss.
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Review: Balearic scene stalwarts Chris Coco and DJ Rocca are old pals, with the pair first working together five years ago on an EP released by Faze Action's FAR imprint. Cocorocca, though, is their first collaborative full-length - a set that cannily combines Coco's love of fluid pianos, tactile downtempo grooves and sun-soaked ambient textures with DJ Rocca's passion for dubby basslines, moon-lit low-tempo nu-disco, starry Balearic synth-pop and the trippy and psychedelic ethos of Italy's 1980s Afro-cosmic scene. As a result, there's plenty of subtle variety on show - compare, for example, the dubbed-out slow acid oddness of '303/808' with the sunset-ready dancefloor colour of 'Sunshine Love' and the slap bass wielding dub disco madness of 'Night Dubbin' - as well as plenty club-ready material.
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Review: Confidence Man's third album, 3AM (LA LA LA), captures the wild energy of London's club scene and the 90s rave culture, blending euphoric dance beats with a darker undercurrent. Written during late-night studio sessions, the album pulses with breakbeat, trance, and techno influences, pushing their sound into bolder, more intense territory. Tracks like 'I Can't Lose You' and 'So Whay' hit with fierce, rave-ready energy, while vocalist Janet Planet's playful lyrics echo the spontaneity of a night out. The group's penchant for theatricality and fun comes alive in their live shows, full of synchronised dance moves and chaotic party vibes. Compared to their lighter 2022 album Tilt, 3AM (LA LA LA) is a wilder, harder experienceia hedonistic celebration that reflects the delirious, sweaty-ceilinged clubs. It's Confidence Man at their boldest, offering an electrifying escape.
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Shakin' All Over
I Had Too Much To Dream (Last Night)
Pushin Too Hard
Baby I Need Your Loving
Review: Much loved and hugely influential disco maestro Patrick Cowley is back on regular home label Dark Entries with From Behind. The label has done much great work to highlight his indelible contribution to the world of disco after he left a remarkable legacy before his death in 1982 from AIDS-related illness. Known for his chart-topping disco hits, this one is a collection of vibrant covers of 60s garage and soul classics recorded during his prolific period from 1980 to 1982. From Behind then is full of all of Cowley's influences and blends psychedelic sounds into dancefloor-ready tracks that honour the songs that shaped him. The album arrives on both CD as here, but also vinyl, complete with great artwork.
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Review: Crazy P's latest release sees the band effortlessly blending their love of classic disco, house and funk with a modern sensibility, exploring both the joyous and reflective sides of the human experience. The album opens with the summery, hypnotic 'Human After All', its groovy bassline and warm synths creating an instantly inviting atmosphere. As the record unfolds, the songs take on a more introspective tone, like the emotive 'The Revolution Will Not Be Anything', which pulses with infectious rhythm and nuanced melodies. There's a deep sophistication in how the group fuses elements of nostalgia with forward-thinking production, creating an album that's as much about feeling as it is about moving.
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Cat: QROBIN 80CDD. Rel: 13 Mar 25
Review: Rufus and Chaka Khan's final stretch balances the unfiltered funk of their live performances with the studio polish of their later work. Their live recordings deliver an electrifying set, reworking classics like 'Tell Me Something Good' and 'Sweet Thing' into extended, groove-heavy jams. 'Ain't Nobody' stands outinot just as the lead single but as a masterclass in electro-funk, pairing airtight drum programming with Chaka's soaring vocal for a career-defining moment. Their studio material shifts towards sleek 80s production, offering a more restrained but still soulful contrast. A dynamic farewell from an era-defining partnership.
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