Back catalogue:

Review: Waajeed is a top tier talent - a producer, DJ, expert beat maker and label head at Dirt Tech Rack who moved away from his deep house sounds to cook up this masterful hip hop record back in 2006. It now arrives on vinyl almost 20 years later but time has not diminished its quality. It finds the Detroit native, who thrives on breaking conventional boundaries, telling the story of the kidnapping of Patricia Hearst as an emblematic American tale that he pairs with a raw beat framework that taps into the vibes of artists like J Dilla and Slum Village. It is a serious work from a serious artist.

Review: This special Anniversary Edition celebrates the groundbreaking band War's 55th year with a remastered version of the original album by legendary engineer Bernie Grundman. The iconic, multi-million selling, Billboard 200 Top Ten original has plenty of seminal WAR classics such as 'Low Rider' and the title track 'Why Can't We Be Friends?' and next to this eon disc one is a second disc filled with unreleased tracks from the original sessions, along with unedited mixes that offer deeper insight into the group's creative process. Blending funk, soul, jazz, pop and Latin influences, this genre-defying band has remained a cornerstone of Los Angeles's scene for over five decades.

Review: Cast your mind back to 2011 if you can, when Canadian legend The Weeknd was just making his debut appearance with the House Of Balloons mixtape. He set out his stall quickly as a vital new voice in the field of RnB, producing everything alongside Illangelo, Cirkut and Doc McKinney and laying his life down in the most ear-snagging bars. There are some audacious samples which have only been cleared since his star rose and he had the clout to make it happen, and so now this highly-anticipated 10th Anniversary Edition lands and you can hear The Weeknd's opening salvo how it should be heard.

Review: We love an album with a nice specific remit and they don't come much more specific than The Love Magician Archives - Disco - New York City 1978-79. Vol.2. It is the latest project on Past Due to involve Weeks, who signed with the label back in 2019 and since then his work as a singer, songwriter, musician, and producer has been showcased for all and proven what a key player he was in the New York disco, boogie funk and house scenes and beyond from the late 1970s to the 1990s. It came on several different labels and as part of various different groups and now comes a second collection of it that is just as good as the first.

Review: Come and Get It was the fourth album by Boston's Westbound Train, and it was originally released in 2009 on Hellcat Records. The album is a smart mix of traditional Jamaican music with classic notes of r&b and plenty of contemporary influences that offer a great glimpse of the band's refined, soulful sound with rich horn sections and groove-driven rhythms. From uptempo ska anthems to heartfelt ballads there is plenty of ground covered here and all with trademark energy and musicianship. The album was produced by David Hillyard of The Slackers and Obi Fernandez, and this reissue marks the first-ever vinyl pressing with two bonus dub tracks for extra pleasure.

Review: To celebrate the 50th anniversary of the Wild Magnolias' debut album, Decca Records from France is releasing a special vinyl box set that pays tribute to these legendary recordings. This limited-edition 3LP collection includes the two original Barclay albumsiThe Wild Magnolias and They Call Us Wildialongside four bonus tracks and two previously unreleased remixes. This beautiful set is presented on 140gm vinyl, is housed in a lift-off lid box that features the original album artwork for the first two LPs. Fans and collectors alike will appreciate this carefully curated release, which not only revisits the groundbreaking work of the Wild Magnolias but also adds fresh content to their storied legacy. The collaboration between Willie Tee, the New Orleans Project, and the commanding vocals of Bo Dollis brought the soulful energy of New Orleans to life, and these recordings remain some of the most dynamic and cherished representations of that spirit, even five decades later.