Back catalogue: Broken Beat/Nu Jazz/Nu Soul

Review: Since emerging in their home country a decade ago, Caixa Cubo have flitted between labels (most notably Heavenly Recordings and Jazz 'N' Milk) while establishing trademark sound that expands on the jazz-funk-meets-samba-jazz template created by fellow countrymen Azymuth (like that band, they're a trio based around drums, bass and organ/electric piano). Unsurprisingly, they've now found a home on Joe Davis's Brazil-focused Far Out Recordings, a stable that has done much to champion Azymuth in the UK. Modo Avia (air mode) is typically warm, breezy and gently tropical, fusing killer grooves and infectious, off-kilter rhythms with brilliant solos, infectious riffs and far-sighted musical flourishes. It feels like the sort of set that will be talked about in hushed tones in 30 or 40 years, and we can think of no greater praise than that.

Review: Novela by Brazilian songstress Ceu is a collaborative masterpiece, bringing together diverse musicians to craft an analog-driven, richly textured album. Produced by Pupillo and Adrian Younge, Novela features contributions from LadyBug Mecca, Loren Oden, Jensine Benitez, and DJ/producer Frankie Reyes. Opening with 'Raiou,' a 70s-inspired dramatic piece featuring Ladybug Mecca, the album sets a soulful tone. 'Cremosa' follows with its vibrant chords, slick guitar riffs, and a hypnotic groove.'Gerando na Alta,' on the other hand, is a mellow duet with Franco-Senegalese singer Anaiis which explores sisterhood over lush rhythmic grooves and bilingual lyrics. 'Crushinho' delivers cinematic strings and Ceu's emotive vocals. 'Into my Novela,' featuring Loren Oden and Jensine Benitez, is about the suspense of TV dramas without scripts, while 'Mucho Oro' is a slow ballad about self-expression and love. 'High na Cachu' infuses a reggae bounce with Ceu's whispery vocals to great success. 'Bua Bua' features the amazing Frankie Reyes, adding to the harmony. The album closes with the solemn 'Corp e Colo,' featuring Nando Reis and Kleber Lucas, and the anthemic 'Reescreve,' which addresses Brazil's turbulent history with thought-provoking lyrics. Novela brilliantly melds Brazilian culture, bossa nova, soul, funk and cinematic elements into a dynamic, bold album that strays from the norm.

Review: Having previously decided to ditch the Chet Faker moniker for a couple of subsequently low-key albums, including last year's digital-only ambient excursion, Musical Silence, Nick Murphy has finally decided to resurrect it. In the process, the Australian artist has gone back to basics, with Hotel Surrender sounding far more like his much-loved 2014 debut, Built on Glass - a massive hit in his home country - then anything else he's recorded since. It was a smart move, because Murphy does synth-heavy, electronica-tinged pop far better than most. As a result, the album is full of confirmed earworms, from the blue-eyed soul of 'Oh Me, Oh My' and the string-drenched swell of 'Whatever Tomorrow', to the flash-friend funk-pop of 'Feel Good' and the Rhodes-clad R&B-soul of 'In Too Deep'.

Review: If you missed The Comet is Coming's brilliant debut album, Channel The Spirits, first time around, help is at hand. Happily, the Leaf label has decided to reissue the Mercury Music Prize nominated album, expanding it to two discs via the addition of 2015's similarly sublime Prophecy EP and a trio of previously unheard wig-outs. The genius of the London combo's music lies in their unique and eccentric approach to musical fusion. While their roots lie in fusing spiritual jazz and freaky psychedelic rock, keen listeners will hear a myriad of other influences and inspirations seeping into their distinctive instrumental compositions, from spiraling electronica, Afrobeat and skewed funk, to ambient, dub, drum and bass, Roots Manuva and low-slung industrial funk.