Review: The Cult had their fair share of phases from the inception in the early 80s, with Ian Astbury and Billy Duffy forming the nexus of the band through various line-ups. Their self-titled album (known as Black Sheep to the band's devoted fanbase) from 1994 captures them shortly before breaking up for the first time, when Astbury and Duffy were at odds with each other and recording their parts in separate sessions. You wouldn't know to hear this cohesive, clear-sighted slab of early 90s rock, where detectable grooves sneak in amongst the hooky riffs and Astbury's gutsy delivery. It's also one of the most personal albums for the singer, tackling some deeply personal subject matter and making for a unique point in a perennial band in UK rock history.
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