Review: It's always good to see a split release from two artists whose track records (no pun intended) make it very difficult to predict where the new wares will fit. Which is exactly the case with this one, given K15's oeuvre name-checks imprints like Wotnot Music, Eglo and Wild Oats, while SMDB has appeared on Funkineven's Apron and the always great Lo Recordings in recent years. Needless to say, then, if we can rely on one thing it's that everything on this expansive, obscure collection of curveballs will be deep and richly textured. From 'Pace & Time''s downtempo barroom jazz, to the shuffling broken beats and waves of synth on 'Dry Mango (Part 2)', the confusing beat structures and delicate piano play of 'Earth State' to 'Syntherlude''s beat-less, science fiction tune up, it's all well made stuff.
Review: In advance of release, Diagonal and Elon Katz have been particularly mysterious when it comes to the contents of The Human Pet. Instead of the usual press release, they simply emailed journalists a bizarre list of "care instructions" for said mythical companion. Katz, who rose to prominence as part of Streetwalker and White Car, is something of a bombastic, electronic eccentric, and The Human Pet is ostensibly a pop album dragged through several hedges backwards. Expect impassioned, stylized vocals, twisted boogie synths, scattergun electronics, bizarre beats, breakcore style cut-up madness, and crusty special effects. Oh, and discernible nods to EBM, industrial and Autechre.
Review: Chris Weeks has been building up the Kingbastard catalogue for a long time now, generally taking a self-reliant approach in the underground electronica scene where CD-r releases reign supreme. He's been a key figure on Ambidextrous since the label launched back in 2008, and now he's committed to wax with a range of crunched up leftfield sonics for the machine-loving crowd. "Anxiety" is a melodic cut with a house-minded structure, but there's a lot of production acrobatics and compositional swerves taking place within this framework. "Scatterbrain" is more overtly out there, tapping up the kind of heavily processed sounds that producers like Paradroid have championed in the past. "Data_Loss" strike a heavy blow somewhere between dubstep and electro, and "Data_Ctrl" ups the tempo for a rabble-rousing exercise in mind-bending machine music.
Review: Started in 2013, Mollusca Vinyl is a Brooklyn based electronic reocrd label specializing in minimal style, analog laden music. Our folks believe in pushing the vinyl medium as art. This set of compositions has been described as Balearic downtempo with pastoral departures. Written while on several beaches, it suggests the definition of lackadaisical make out music, emoting euphoric post pillow talk feelings-of-the-raw through minimalist synth phrasing, ambient texturing and isolated beats. Artwork by Doroniyam at Azuri Cafe. Mastered by Jason at Transition Mastering UK. Printed at Brooklyn Phono.
Review: Anton Klint first came to our attention thanks to a handful of EP's that he dropped on Munich's Public Possession label, but while we were already big fans of the imprint's work, it was Klint's singular take on house and disco that attracted us. This latest two-tracker comes via Sweden's IDEAL label, and the producer offers something a little darker and more experimental compared to his previous escapades. "Personalmote" is a fuzzy, broken tune that verges on house but never quite fully rids itself of a tribal, stepping kind of vibe. On the other hand, "Efter Stangning" churns and drives away at a more classic deep house level, but Klint nevertheless injects a noticeable layer of something altogether more exotic. Twisted, dystopian house beats would be the best way to some this up.
Review: With this release, WOW Signal Records presents a modern view on bass oriented electronic music. From Russian producer Cyberworm's "Breath Slow" (future garage), Kontext's dub techno epic "Doubling Theory (Meteors)" to the techstep of Melotronics' "Launch Pad" and Diagram's leftfield drum & bass on "Orbital Collapse". These genres are united by a uniform deep sound of the planet. They even released it on vinyl, because they are intent on spreading the music that makes them vibe with other bass lovers the world over.
Review: Vester Koza has remained quiet as of late but he's back with his singular brand of deep house on his own Maslo imprint. While his previous 12"s were coated in a relatively upbeat and funked-out flavour, the PRISN EP feels darker, more expansive and ethereal, where Koza prefers the use of drones and abstract electronics as a base for his grooves. "Deciveid", for example, takes a broken, hypnotic beat and places it over subtle twists of noise, whereas "Bind_Dream_Service" is slow, jagged and lacking of a 4/4 beat...it's Vester Koza's industrial side coming out to play.
Review: Ryuichi Sakamoto's latest collaborative release sees him join forces with Kukangendai, a Tokyo-based experimental rock trio who've been putting odd and inspired releases in their native Japan since 2006. A-side "Zureru" offers a perfect blend of both parties' styles, with Sakamoto adding trippy production and mind-altering effects to Kukangendai's loose, post-rock sounds, free-jazz drums and wayward vocalizations. Over on side B, we're treated to two versions of "Suuji": Kukangendai's hypnotic, wayward and ear-pleasing original take, and a sublime re-interpretation by Sakamoto that re-imagines the track as a slowly pulsing journey into intergalactic ambient territory, where ghostly vocal snippets and shards of re-contextualized guitar drift across the sound space.
Review: The follow-up to legendary Marcello Giombini's cult Computer Disco album, I Adore Commodore was created to sex up the new home computer and relate its music to the clubs. Complete with a sassy video, the album sees the electronic pioneer reconstruct and recompose soundtracks of the games at the time on a Commodore 64. The results are incredible and pack much more of a punch than the processing power might suggest. The spiralling arpeggio and slapbass of "Jupiter Lander", the fright night theatrical funk of "Space Invaders" and the seafront silliness of "Depth Charge" are just some of the whimsical, funky highlights across an untarnished time capsule album that will bring back many memories for those around the 40 mark.
Review: Mistry enter album mode with a remarkable body of work from Kailin. A quantum leap from the floors the label has been denting, Kailin explores the post-club environment with dense weaves of textures and ghostlike vapours. Ambient in its nature yet spiked with fractured club echoes, it's an ultimately physical affair best experienced being as unphysical as possible. Highlights include the throbbing mechanical palpitations of "Chatter", the clunky glitches and alien designs of "Fracture" and the warped trickles and blurred cascades of "Disintegration". An intense move by all concerned.