TAKAHIRO FUCHIGAMI レコード& CD

Review: Stefano De Santis kicks off Ten Lovers' new 'Best Of Various' release with 'Murk'; as the name suggests, this is indeed a dark workout from Rome's finest. The tone is set thereout for a thoroughly varied V/A, blending every curious hallmark from jazzdance, G-funk, Chicago house and progressive. The opener is a muted but no less expansive start, establishing the broken, one-beat-eliding, live-drummy mood that is then heard throughout. Batavia Collective's 'Rearview' thematically harks after an unconscious joy, considering what can only be implied, not stated, by way of a gorgeous, what sounds to be largely live, modal synth squeezer on which the slowdown is the real highlight. Future Jazz Ensemble's 'Over The Rainbow' is by far the most challenging, blurring any woulda-been established lines popularly splitting 'live' and 'electronic' with a reverb-drenched generative fill workout, while closer 'Outer Heaven' from Takahiro Fuchigami, hailing from Fukuoka, rounds things off on a note of Hancockian jive.

Review: The Robinson and Takahiro Fuchigami take a side each on this compelling exploration of house music infused with diverse jazz influences. This release effortlessly blends genres, creating a rich and textured soundscape that bridges lounge, disco and blues. Side-1 opens with 'Passion Is The Key', a track that leans into lounge jazz vibes, pairing smooth melodies with a laid-back house groove. Following this, 'A Satisfying Day' injects disco elements into the mix, creating an uplifting fusion of rhythm and melody. Side-2 deepens the jazz-house connection. 'Jazzing Bird' delivers an intricate, jazz-forward interpretation of house, balancing vibrant improvisation with danceable beats. 'How's That Sound?' captures the essence of a smoky jazz club, blending sultry brass lines with a steady house pulse. Closing the release, 'In Motion' incorporates bluesy undertones into a chilled-out vibe, offering a soulful, reflective end to the journey.