All genres charts

Notes: As close to an industry standard as you can get. The archetypal DJ headphones: punchy, comfortable and durable. Firm favourites of countless DJs, for good reason.

Supplier's notes:
The Sennheiser HD 25 Headphones have been redesigned, featuring the iconic split headband with a single-sided connection cable and a flip-away earcup for convenient single-sided listening.

With a frequency response of 16Hz to 22kHz, an impedance of 70 ohms and a maximum SPL of 120dB, the HD 25 headphones are ideal for any monitoring application; whether broadcasting, live recording, in the DJ booth or just travelling from venue to venue.

Notes: These are the same high-quality inner sleeves that MOFI use for their most-prized vinyl releases. They are imported, three-ply, anti-static, premium sleeves (similar to rice paper) and work with both LPs and laser discs.

Back construction consists of a paper layer sandwiched between two sheets of high-density polyethylene (HDPE) with a translucent HDPE front.

These custom-designed inner sleeves protect against all common problems associated with regular sleeves of all types, such as scratching, static build-up and contamination etc.

Your records are irreplaceable, these sleeves will guarantee they last a lifetime.

Notes: The Kyowa Stanton 500AL is suitable for replacement for Stanton D5100AL, D5100AL Mk2, D5107AL, D5107AA styluses. Fits Stanton cartridges 500A, 500AA, 500AL, 500AL Mk2, 500E, 505SK, 505SK2, 520SK.

Notes: Keep your vinyl collection in pristine condition with this specially designed antistatic brush. Designed to clear the fine grooves of dust & fluff without damaging the delicate playing surfaces, an essential requirement for maintaining optimum reproduction quality.

Review: In line with the timely reappraisal of all things R&S related, the resurgent Apollo have seen the opportunity to bring one of their most celebrated records back for another round. Aphex Twin's ambient recordings mature magnificently with age, sounding ever richer and more emotive as the rest of electronic music continues to play catch up all around. From the gentle breakbeats of "Xtal" to the aquatic techno lure of "Tha", the airy rave of "Pulsewidth" to the heartwrenching composition of "Ageispolis", every track is a perennial example of how far ambient techno could reach even back then. It's just that no-one quite had the arm-span of Richard D. James.

Notes: The classic SL-1200 is one of the first covers Decksaver ever manufactured. Technics stopped producing the lids for these thoroughbred decks shortly after they were discontinued, meaning that there would be thousands of turntables out there with little or no protection.

Meanwhile, the 1200 (and 1210) has remained an extremely popular item on the second-hand circuit, becoming perhaps one of the most sought-after pieces of discontinued music equipment, especially the limited edition models, which exchange hands for eye-watering amounts.

Despite its rugged and heavy-duty characteristics which earned the turntable it's reliable "workhorse" reputation, it must be noted that the elements of the topside of the device are still relatively delicate, and can be prone to damage if not handled properly.

The tonearm can be damaged fairly easily, and replacing it can be an awkward process. Whilst it is feasible to replace the tonearm, it requires a degree of skill and can be cumbersome. What makes the process even more difficult, is that individual tonearms are increasingly rare, and it is often more economically viable just to replace the entire unit, rendering the old unit useless.

The platter, while sturdy, can also be damaged through enough pressure, which can damage the delicate mechanical components underneath. The switches and buttons, while comparatively tough compared to other models on the market, can also be broken easily through accidental damage.

This Technics turntable cover fits the 1200, 1210 and similar models, such as the Pioneer DJ PLX-CRSS12 and PLX-1000 perfectly. The form fit allows them to fit easily into a gig bag or other ancillary equipment case, whilst the simple push fit design shields the tonearm from accidental damage whilst making allowances for cables, so your turntable can sit ready for operation.

Over the years, these covers have saved tens of thousands of Technics turntables from the scrapyard. Without them, who knows how much rarer the 1210s would be today?

At home, on the road, or in the club, Decksaver has your turntable covered.

Weight 0.63 kg
Length 45.6 cm
Width 35.6 cm
Height 7.5 cm

Material: Smoked clear polycarbonate.

Fits:

SL-1200
SL-1200/1210 MK2
SL-1200 MK3D
SL-1200 MK4
SL-1200/1210 MK5
SL-1200 MK6/MK6KI
SL-1200/1210 MK7
PLX-CRSS12
PLX-1000
SL-1200 LTD/GLD
SL-1200 M3D
Mixars LTA/STA
Gemini PT-1000
SL-1200 G
SL-1200 GR

Review: Seven years have passed since Burial first stopped us dead in our tracks with this universally acclaimed second album.. Sounding so different, so removed and far away from anything else, it changed the game entirely - and created a whole school of imitators in its wake. Now repressed by Hyperdub, this is a rare opportunity to grab it on fresh wax. Even if you have this on other formats in your collection, the dusty weight and chasmic crackles sound so much better on vinyl.

Review: There's no secret to the success of Late Nite Tuff Guy's long-running Tuff Cuts series. Buyers have simply responded to the consistency of the Australian producer's approach, and the quality of loopy, house-friendly re-edits. This eighth volume features more party-starting fare, from the glassy-eyed extended breakdown of "Go For That" (yep, a Hall & Oates rework) and soft-touch house take on Marvin Gaye ("Heard It"), to the end-of-night bliss of "Dreams", a decidedly warm and rolling rearrangement of the famous Fleetwood Mac cut of the same name. As if that wasn't enough bangers in one place, he finishes with a triumphant rework of disco-era Michael Jackson ("Starting Something").

Review: "In Rainbows", Radiohead's seventh album, finally gets a physical release! It's one thing downloading this landmark album, but to actually hold this is something special. Not only do you get increased sound quality, but you also get the amazing artwork from Stanley Donwood. This album includes "Nude", a live favourite for many years that was originally written during the "OK Computer" sessions. More minimal that their "Kid A" period, "In Rainbows" does something that very few albums have done - its sound is distinct from previous Radiohead albums, but is still clearly Radiohead. Hail to the kings, they are back on top form.

Notes: A High quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable with low loss conductors and global shielding ensure a clean data stream. Terminated at each end with a 180 degree 5 pin DIN plug.

Review: If you want hugs on the dancefloor deep into the night, Late Night Tough Guy's (formally DJ HMC) "Bless The Rains" is the perfect drug. The Adelaide based luminary rehashes Toto's "Africa" in a heavily pitched down and simple edit fit for any fromage-laced discotheque. Skirting around the throbbing bassline and triangle hits of "My Body On Fire" is a vocal that will have some train-spotters pulling their hair out in frustration, while "Not In Love Anymore" will have both Warren G/Nate Dogg and Michael McDonald fans bumping and grinding to excess.

Review: On their debut album, 2016's the Tony Allen Experiments, Naples twosome Nu Guinea re-invented tracks by the legendary Afro-beat drummer as synth-heavy chunks of deep jazz-funk and nu-Balearica. For this follow-up - their first full length entirely made up of their own compositions - the duo serves up a set of jazz-funk, disco and boogie cuts rich in both their trademark colourful analogue synthesizer sounds and live instrumentation. It's a formula that guarantees a string of memorable highlights, from the sun-kissed peak-time brilliance of "Disco Sole" and rubbery, funk-fuelled "Je Vulesse" (a killer vocal number), to the wobbly downtempo trip of "A Voce E Napule" and Mizell Brothers fizz of closer "Parev Ajare", the album's most synthesizer-heavy cut.

Review: Berlin-based Korean Peggy Gou has been surprisingly quiet since first bursting onto the scene back in 2016. Here, she returns to action having graduated from Technicolour to parent label Ninja Tune. Many may already have heard EP standout "It Makes You Forget (Itgehane)", a percussively ambidextrous beast based around a bouncy, off-skilter, snare-heavy rhythm track. It has been much discussed online after Gou included it her recent Resident Advisor podcast. On the B-side you'll find tracks representative of her developing style, which draws together elements of European deep house, electro, early '90s U.S house, the rubbery disco eccentricity of Maurice Fulton and the instinctive polyrhythms more often found in traditional African music.

Review: Originally issued back in 1998, Mezzanine remains the most commercially successful album released by Bristol troupe Massive Attack, thanks in no small part to the Liz Fraser-featuring "Teardrop". This third album signalled a change in sonic direction that played more explicitly on the darkness and tension that was always an undercurrent of their much loved debut Blue Lines and successor Protection. After numerous bootlegs over the years, Virgin have done the right thing and presented this official reissue of Mezzanine to appease fans of Massive Attack and it's clear the LP has lost none of it's bewitching power. The Quincy Jones and Isaac Hayes sampling "Exhange" and "Exchange" remain a delight in particular.

Notes: This 28.5cm x 21cm anti-static record cleaning cloth is ideal for taking care of your record collection. Soft brushed micro-fibre, lint free, designed to clean vinyl, CD's and DVD's. Removes dust, grease and static effectively with or without fluid.

Review: The Australian edit machine known across the globe as Late Night Tuff Guy offers up two sublime dancefloor weapons from his armoury for the second in his series of limited, hand stamped Tuff Cuts 12"s. "Ain't Nobody" from Rufus and Chaka Khan is a classic, and has been subjected to numerous edits and reworks over the years; this version from Late Night Tuff Guy belongs amongst the better ones, looping and extending the original and laying it over his trademark crunchy slo mo beats. Face down, the "Back To Life" accapella is joyously diced and laid down over a glistening disco production from the Nile Rogers and Bernie Edwards discography.

Review: Inspired by the slightly unlikely collision of the Thai music of the '70s and The Shadows, Khruangbin - the name means 'aeroplane' in Thailand - are purveyors of a deliriously mellow and beguiling form of jammed-out power-trio guitar music - far removed from standard notions of psych and dreampop, partly owing to its pan-global influences, its nonetheless both psychedelic and dreamy, not to mention possessed of an unhurried, reflective and spacious lilt that renders this Texan-London outfit a rare treat in an information-saturated age, taking on delicate soul and funk with exotic atmospheres and making the journey feel both blissful and effortless.

Review: Oooh! Angie Stone's "Wish I Didn't Miss You" definitely belongs in the canon of all time modern soul classics. Taken from her 2001 second album Mahogany Soul, the Swizz Beats produced track made optimum usage of an O' Jays sample and was instrumental in that LP going gold and propelling the former D'Angelo collaborator to stardom. It also inspired countless official and under the counter remixes with Blaze's perhaps the most recognisable. So yes this reissue on 7" from Outta Sight is worthy if you don't have the original in your collection and features a housed up remix from Hex Hector on the flip.

Notes: A high quality MIDI cable for connecting music controllers and devices together. Strong and flexible cable comes with low loss conductors and global shielding ensure a clean data stream. It is terminated at each end with a 180- 5-pin DIN plug.

Notes: Drain the static charge from your records and lift any residual dust and grime with the anti-static vinyl brush.
The conductivity of the brush's carbon fibre bristles eliminates static charges while gently and efficiently removing the dust, grit and particles that bung up your vinyl's grooves and degrade your record's sound.
The conductive carbon fibres reach deep into the grooves of your vinyl to remove even the smallest particles, leaving your records clean while prolonging the life of vinyl and stylus.

- Hand-made carbon hair brush for removing dust from vinyl records
- The brush makes the record antistatic so it does not attract dust
- For those who care for their collection of vintage or brand new vinyl records
- Can also be used for Schellack records

Review: There's a reason that Massive Attack's Blue Lines frequently appears in "greatest albums" lists. To put it simply, it's brilliant, and arguably remains the Bristol-based outfit's finest work to date (though some would argue that the dark and paranoid Mezzanine is possibly better). As this weighty vinyl reissue proves, it's lost none of its hazy, dub-propelled trip-hop charm. All-time classics such as "Unfinished Sympathy", "Safe From Harm" and "Hymn of the Big Wheel" have lost none of their soulful, mood-enhancing brilliance, while lesser celebrated cuts such as "Five Man Army" and "Lately" still sound great despite their vintage.

Review: For their latest journey into re-edit/original production fusion, Brooklyn's Razor 'N' Tape crew has turned to Munich duo COEO, who have previously impressed via fine outings on Toy Tonics and Let's Play House. The four-tracks here, which all blend samples from classic recordings with their own drums and musical flourishes, all sound like guaranteed dancefloor winners. Check, for example, the breezy Afro-beat-goes-disco cheeriness of "Nigerian Affair", the wonderfully rich keys and organic deep house bump of "Pajama Stomp", and the riotous, high-octane disco-house loop-funk of "Long Night Ahead". Best of all, though, is opener "Like It Is", a sweet, dewy-eyed, string-drenched soul revision that achieves the perfect balance between dancefloor grunt, and paying due reverence to the German duo's horn-heavy source material.

Review: France's Favorite label dabbles in all things funky and disco-flavoured, and this time they've decided to go with a Brazilian edge on their latest 12". Painel De Controle begins with a Waxist mix of "Relax", a chilled-out boogie monster with sultry vocals, while "Ripa Na Xulipa" by Rabo De Saia is more uplifting and heavy on the disco strings. Finally, Nick The Record rewires "Labirinto" by Famks into a subtly electro-fied boogie nugget. Nice!

Notes: 6.3mm stereo jack plug to 3.5mm stereo mini-jack socket, gold-plated for optimum signal transfer.

Review: Stee Downes is one of contemporary house music's most prominent vocalists and here he lends his silky tones to Freerange, Defected and OM Records associate, Lovebirds for this new one on South Street. "Want You In My Soul" is a mix of old and new, where disco percussion and cosmic synths nestle alongside a mid tempo house groove with plenty of warmth. Downes' vocals are the loved up icing on the romantic groove cake. Flip over for the "Summer In London Edit" - a more stripped back and direct version, perfect for outdoor stages as the sun beats down.

Notes: Inner sleeve for 12" vinyl records.

Notes: The Kenton Thru-5 is a high quality MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. It is powered from a mains adaptor (wall wart) so you can fit and forget.

Comes with multi-region power supply

Review: Late Nite Tuff Guy bursts through RSD 2016 with a hot selection of disco-flavoured house chuggers, and we'd been waiting on a comeback from both the dude and label - all boxes ticked from our side. "Hold Tite" is the perfect summer blazer, all luscious vocals and dripping beats, and "I Don't Like Acid" takes that same soulful spirit but strips the groove right down to a bopping little rhythm that is likely to be enjoyed by both hip-hop and house fans alike. The flip's "One Night In A Disco" is a sample-heavy, string-infused floor-melter, whereas "Shelter Me" goes all balearic and feet-up - the perfect lounge cut.

Review: Well, here's something to raise the spirits: a first new 12" from Frank Timm's Sound Stream alias for three years. Those familiar with the German producer's work will know exactly what to expect, namely delicious disco house cut-ups that turn selected loops from largely forgotten gems into insatiable dancefloor gold. A-side "Bass Affairs" is particularly good, delivering a perfect blend of sun-kissed Brazilian guitars, rubbery slap bass loops and lilting Rhodes chords (all accompanied, of course, by thunderous kick drums). There's a more traditional disco-house feel about the filter-heavy "Sweep Magic", while "Starstrike" is a throbbing, stripped back affair that makes great use of looped-up bass guitars.

Notes: The lightweight and affordable stereo headphones feature an adjustable headband and a 1.25m lead with 3.5mm stereo jack plug. Ideal for educational, tour company or home use.

Ideal for use by students, tour companies or in the home
Compatible with computers, MP3 players and other equipment
Lightweight design with adjustable headband for comfort
Featuring a generous 1.25m lead for greater flexibility

Review: In 2015, Texas & London-based trio Khruangbin's debut album 'The Universe Smiles Upon You' garnered wide critical acclaim and captured attention for its seamless genre-blending and internationally shaped sound - one that evidently has deep roots in Thai-funk cassette culture. Similarly to their debut, sophomore record 'Con Todo El Mundo' is a cocktail of largely instrumental surf-rock, afro-funk, middle-eastern and far-eastern influences, mixed with warmth and soul. As if their pallette wasn't diverse enough, the additions of the pared back boogie on 'Evan Finds The Third Room', the widescreen dream-pop of 'A Hymn' and deeply intricate writing of closer 'Friday Morning', are illustrative of a band who have worked hard to broaden their horizons while keeping their roots in mind and, despite transatlantic bases, clearly remain a stunningly cohesive and well-matched outfit.