Back catalogue: All genres

Review: Yatut's Vahue EP on Minor Notes Recordings is a nostalgic journey through early 90s techno and breakbeats, capturing the essence of a vibrant era. Side-1 opens with 'Vitamin,' delivering a classic UK techno sound that transports listeners back to the golden age of rave culture. Its pulsating beats and retro vibes set the tone perfectly. Following this, 'Learn The Code' continues the homage with melodic techno reminiscent of early 90s UK scenes, blending harmonious layers with driving rhythms. Side-2 begins with 'Natural,' a standout track that fuses early 80s electro rhythms with rave elements. This unusual combination works remarkably well, creating a unique and engaging soundscape. The EP closes with 'Yokamon,' an uptempo house track interwoven with breakbeats. Its sweeping, breezy melody makes it a perfect end-of-the-night anthem, leaving listeners on a high note. Vahue EP showcases Yatut's skill in blending nostalgic influences with modern production, making this a gem for fans of classic techno and breakbeats.

Review: youANDme has always been an important cog in the wheel of underground house and techno and his recent PPPPP was another fine project that has also spawned plenty of equally brilliant remixes. This is a second collection of them and it kicks off with the Polish master of perfect loop techno, Head High aka Shed. His bulky, barreling drums and big percussive loops come with plenty of bounce and raved up vocals. After that come Ian Pooley's dub, and Johannes Albert's deep house trip. Sasha, Roger Sanchez and Laurent Garnier have already been banging these so now it's your turn.

Review: Astonishingly, nearly seven years have passed since the last 12" single from Young Marco hit stores. While he's kept himself busy co-curating two volumes of proto-trance anthology series Planet Love and recording a tropical-tinged album (2019's hazy and home listening-focused Bahasa), it's still nice to see him refocus on delivering future dancefloor anthems. 'I'm Still Mellow' is a wholehearted tribute to a psychedelic, sample-heavy Dutch style of the early '90s known as Mellow, which was a kind colourful and loved-up take on British hardcore and European techno. Young Marco's interpretation is simple but devastatingly effective, with fluttering synth sounds and gorgeous electronics tumbling down over a booming bassline and heavyweight breakbeats. Turn to the flip and you'll find a fully psychedelic backwards version. Trippy!

Review: It's not often we pass on much trappy EDM to listeners at Juno, but Eprom is a special case, having made a name for himself for pushing the glossy post-dubstep trap style that made many artists like him famous. At the same time, Barclay Crenshaw (Claude VonStroke) is another name in the EDM world whose direction isn't quite the same as Eprom's, but nevertheless shares a space with the former artist for having also remixed Yung Skrrt's wilfully trashy hit 'McDonalds' of late. As both artists have dropped their respective cuts in many a DJ set all over the world, Skrrt's label DIRTYBIRD have now orchestrated a meeting of the two minds - not least to mention this juicy vinyl compilation of the two remixes.

Review: Pressure Dome's Yussh gets busy with her debut EP on Wisdom Teeth. Flexing fully across four tracks, her signature fusion of breakbeat, bass, jungle and club hits the spot in true Bristol brutalist fashion. 'Look Mum No Hands' eases us in with a dreamy, spacious halftime trip while the recent single 'Same Same' continues to keep the subtle sense of chill with its floating chords and slinky percussion. Elsewhere 'Close Fall' sounds like it could have come from the desk of Kid Drama and dBridge's Autonomic HQ while 'Self Conscious' closes on a deep space cosmic jungle/techno hybrid. No hands, no fear.

Review: Garage powerhouse Zed Bias is back with more old school garage brilliance with the new single 'Shell Them Again' featuring the vocals of Yung Saber and Brakeman. The original has plenty of retro signifiers from the low-end wobble to the withering synth effects, plus crisp hits and jostling drums. After the dub mix comes a remix from Zed himself alongside Safire which is much more dirty and raw. The beats are broken up so the track takes on a dubstep quality as the low-end oscillations bring the weight and drums hit with more force. Finally, the acappella closes out this fresh 12" on IFG.

Review: Yo Speed has been making moves on the likes of 83 and Distorsion Records, and after several standout EPs, now makes his full-length debut with Colores. Across four sides of vinyl he explores every facet of breakbeat, starting with the sort of emotionally, architecturally grand cut that has defined Sasha's approach to sound for many years. 'Fucsia' gets more down and dirty with howling basslines from drum & bass and soulful r&b vocal hooks. Elsewhere are gems like the sun-kissed and serene 'Esmeralda' and masterfully melodic, tightly sequenced arps of the potent 'Escarlata'. A real widescreen trip.

Review: Since he first landed on our radar via Vivid a few years back, Yosh has dished out enough high grade garage and breakbeat gear to fuel the scene on his own. Not only a prolific producer, he's also got a razor sharp flair which edges him in front of a crowded scene, and now he's back to Vivid to show us exactly what he's about with a 12-track double-pack, his biggest release to date. In one sense you should know exactly what to expect - elevated steppers and deft rollers, but the fundamental appeal of Yosh is all those ear-snagging traits which make his tracks sparkle, and you never know what they're going to be until the needle's tracking in that groove. Now you can enjoy that sensation 12 times over - a good deal if ever we saw one.