Review: The classic 1982 funk anthem 'Don't Fight The Feeling' by American r&b and funk band One Way gets a fine 12" pressing here, which means it can be played nice and loud. Singer Al Hudson leads the way with his buttery vocal, while a stepping and broken rhythm with lovely dry claps and w sloppy synth squeal make for a pretty unique sound given when this was first recorded. On the flip side, Windjammer's 'I Thought It Was You' offers a more mellow, melodic contrast full of the band's signature blend of r&b and jazz with cooing, heart-melting vocals and a nice stepping rhythm that lovers of UK street soul will surely be drawn to.
Review: Osaka-incubated instrumental jazz and hip-hop group Wa Yo Set take their next big stride with a sure-to-be infamous new cover of a Notorious B.I.G. classic, 'Mo Money Mo Problems'. With Biggie having spat near infinite wisdom on this playful pop diversion - "it's like the more money we come across the more problems we see" - this killer 7" version takes heed, limiting its quantity to fewer than 1000, in case demand outstrips supply and concerns of fan rapaciousness bubble over. With a superb remix from DJ Koco on the B.
Review: Side-1 kicks off with a raw and funky garage band jam that perfectly captures the spirit of 1967. With its dynamic energy, the track blends elements of jazz, rock, funk and blues, creating an exciting, soul-infused experience. The rhythm section drives the track with relentless energy, while the soulful melodies and infectious groove make it a standout piece. The mix of surf rock and mod influences gives it a timeless, gritty edge that resonates with both vintage and modern listeners. Side-2 takes a more experimental turn with a unique jam laden with saxophone and rich instrumental textures. The track's experimental nature is underscored by its unconventional structure, utilizing the harpsichord to create a distinctive, jazzy vibe. The saxophone adds a layer of depth, intertwining with the rhythm to produce a mood that's both introspective and lively. This track offers a refreshing, avant-garde twist that contrasts beautifully with the raw energy of the opening side.
2023-05-12 Set II (2220 Arts & Archive, Los Angeles) (22:18)
2023-05-13 Set I (22:48)
2023-05-13 Set II (22:44)
2023-05-15 Set I (The Chapel, San Francisco) (23:10)
Review: The debut recording from The Ancients, an intergenerational trio featuring Isaiah Collier, William Hooker and William Parker initially formed to play Milford Graves' Mind Body Deal exhibition at the Institute of Contemporary Art in Los Angeles. This double LP captures the raw energy and improvisational brilliance of their live performances, showcasing the enduring legacy of free jazz. Collier's tenor saxophone soars and wails, drawing on influences from John Coltrane to Charles Gayle, while grounding his explorations in a deep understanding of structure and form. Hooker's drumming is a force of nature, a whirlwind of polyrhythms and explosive energy that pushes the music to its limits. And Parker, a true legend of the avant-garde, anchors the music with his virtuosic bass playing, creating a foundation for the trio's improvisational flights. The music is both a celebration of the rich history of free jazz and a bold exploration of new sonic territory. The Ancients tap into the spirit of their predecessors, channeling the energy of the Cecil Taylor Unit and the Ornette Coleman Trio, while forging their own unique path, the power of collective improvisation looming large throughout.
Review: Made up of Jun Miyake and Ichiko Aoba's live sessions held in Tokyo in November 2016 and the following February 2017, Pneuma consists of valuable recordings that had only been released in high-resolution format for distribution; the record is now finally released in vinyl format here on P-Vine. The first performance in January featured Tatsuhisa Yamamotoon on drums and the second in February made up a quartet formation with the addition of bassist Hitoshi Watanabe. The two ultra-talented musicians provide us a glimpse into how the music of Jun Miyake and Ichiko Aoba is made and this record breathes into their practice a new life.
Review: Weldon Irvine was a pioneering musician whose innovative style and emotionally powerful melodies earned him admiration across generations and genres, from 1970s jazz and soul to 1990s club and rare groove scenes. Known for his versatility, Irvine left behind a legacy of timeless tracks and this best-of album, curated from his extensive catalogue, features eight standout songs that showcase his genius. The always-sensitive P-VINE presents this special collection in style and offers a comprehensive glimpse into the depth and breadth of Irvine's musical contributions, all of which highlight his lasting impact on the music world.
Review: The second album from Vijay Iyer and Wadada Leo Smith on ECM is a meditation on resilience, sorrow and the human condition. Across four expansive tracks on Defiant Life, Iyer's piano and Fender Rhodes intertwine with Smith's haunting trumpet to create a soundscape that's both urgent and serene. From the solemn depth of 'Sumud' to the shimmering melancholy of 'Floating River Requiem' and the radiant close of 'Procession: Defiant Life' notions of suffering, resistance and hope are explored. The record was recorded in Lugano and produced by Manfred Eicher. It's a deeply reflective work of emotional and spiritual resonance.
Review: Osaka's acclaimed jazz-funk band Wa Yo Set are back with a highly anticipated third album. This release marks the arrival of another gem that captures the essence of the group's signature urban folk sound, or as they call it 'ADM, Acoustic Dance Music. Seamlessly blending influences from jazz, hip-hop and r&b, the record is a dynamic and multidimensional musical trip with an innovative crossover of styles that all push boundaries. There are wiggling instrumental funk workouts, fly moments of introspection like 'Tonight Is Boogie Back Nice Vocal' and much more besides.
Review: The newly unearthed Mal Waldron Trio 1970 live recording, officially released with the permission of the Waldron Estate and INA, captures an important moment in the pianist's career resurgence. Recorded at Paris' Palais d'Orsay Hotel during the International Sound Festival and aired on the "Jazz Vivant" radio show, this performance highlights Waldron's revitalised artistry after years of personal struggle. Backed by Christian Vander on drums and Jean-Francois Catoire on bass, the trio delivers a riveting set that exemplifies their deep cohesion. The set opens with 'Rat Now', showcasing Waldron's signature style, with his left hand's rhythmic foundation contrasting against his right hand's sharp, controlled improvisations. Vander's dynamic drumming adds a free-flowing energy to the piece, evoking Monk's influence on Waldron. 'Champs Elysees' follows, blending bluesy melodies with intricate interplay from the trio, while 'Rock My Soul' races forward with vibrant exchanges, particularly between Waldron's forceful left hand and Vander's energetic percussion. The set closes with 'Mount Fujiyama', a serene yet deeply rooted composition inspired by Waldron's visit to Japan. This rare recording is a testament to Waldron's rebirth as an artist and the trio's extraordinary synergy.
Review: This album was recorded in 1979 at Sound Ideas Studio in New York City with some heavyweights of the time all involved. Cedar Walton was on piano, Curtis Fuller on trombone, Bob Berg on tenor saxophone, Sam Jones on bass and Billy Higgins on drums and between them they had a finely tuned jazz sound that brought to life six strong tracks, all composed by Cedar Walton bar their jazz interpretation of the classic standard 'Never Never Land.' The dynamic interplay between the musicians makes this a tight, impactful collection.
Review: With their sixth album in seven years, German jazz quartet Web Web return with a fresh touch: Plexus Plexus is more psychedelic and at times far "Krautier" than before, representing a speedy departure from their previous Web Max release. Special guest JJ Whitefield (The Poets Of Rhythm, Karl Hector & The Malcouns, Syrup) weaves a remarkable guitar thread throughout, gluing its sound together through solo intermissions, riffs and vamps. In his style, we hear everything from The Poets of Rhythm and Syrup to the more psychedelic vibes of Karl Hector & The Malcouns, injecting the record with the zoomed-out energy of 70s jazz-Kraut bands. Departing from their last record, Web Web have truly a back-to-basics approach through spontaneity, riffing on the back of an intense three-day recording sesh in Munich.
Review: Ben Webster and Associates marked the final collaboration between tenor saxophone legends Ben Webster and Coleman Hawkins, with veteran Budd Johnson joining them. The album was originally released in 1959 and featured a lineup including trumpeter Roy Eldridge, guitarist Les Spann, pianist Jimmy Jones, bassist Ray Brown and drummer Jo Jones. It has many timeless standards like 'Time After Time' and Ellington's 'In a Mellow Tone' along with three original Webster compositions, all of which have been transferred from the original analogue tapes and remastered. The album served somewhat as a tribute to Lester Young, a tenor master from the same era who had died under a month before the session.
Review: Ben Webster's See You at the Fair stands as a triumphant farewell to his American recording career before moving to Europe, where his genius would be more appreciated. At the time, Webster was still at the height of his powers, his signature tone both rich and velvety, with an emotional depth that few could match. His interpretation of ballads like 'Someone to Watch Over Me' and 'Over the Rainbow' is breathtaking, as he weaves through these standards with unmatched grace and tenderness, making them definitive versions. The album features a stellar quartet, including post-bop greats Hank Jones on piano and Richard Davis on bass. The opener, 'See You at the Fair', sets an exciting tone with its upbeat blues, showcasing Webster's growling intensity alongside Jones' inventive piano work. On slower tracks like 'Stardust' and Ellington's 'In a Mellow Tone', Webster's lyrical playing creates an intimate, timeless atmosphere, effortlessly capturing the listener's heart. Roger Kellaway, who steps in on the second half of the album, adds a surprising yet delightful twist by playing the harpsichord on a few tracks, including the lively 'Lullaby of Broadway'. What could have been kitschy instead brings a quirky charm, blending seamlessly with Webster's swing. See You at the Fair is a masterclass in tenor saxophone, filled with heartfelt performances that highlight Webster's unique ability to express both joy and melancholy. It's an essential listen, capturing the spirit of a saxophone giant who remains a singular voice in jazz history.
How Deep Is The Ocean (How High Is The Sky) (2:36)
In The Wee Small Hours Of The Morning (3:08)
Sunday (3:56)
This Can't Be Love (9:53)
Review: Ben Webster, a titan of tenor saxophone, solidified his legacy through indelible collaborations, notably in Ben Webster Meets Oscar Peterson. This album showcases Webster's affinity for Peterson, his preferred partner at the piano. Part of Verve's Acoustic Sounds Series, it features meticulously remastered analogue tape transfers on high-quality 180-gram vinyl, presented in deluxe gatefold packaging. With tunes like 'Bye Bye Blackbird' and 'How Deep Is The Ocean,' each note resonates with heartfelt emotion, capturing the intimate interplay between two legends of jazz. A definitive collection for any serious audiophile.
Review: Norwegian pianist and composer Bugge Wesseltoft, a jazz innovator known for the diversity of his sound, is back with 'Am Are,' which is an expressive exploration of many sonic textures and dynamic contrasts. This album showcases Wesseltoft's inspiring collaborations with a constellation of superb musicians who bridge generations and styles. From sparse arrangements to complex layers of dubs and loops, Am Are highlights the power of human connection through improvisational interplay. Wesseltoft's curated selection demonstrates his passion for projects that spark creativity and celebrate the beauty of musical communication and make another fine addition to his catalogue.
The Night Before (Santa Claus Is Coming To Town intro)
In The Bleak Midwinter
Christmas Is Coming
Christmas Time Is Here
Sugarplum
Happiness Theme
Little Elfy
Skating
Peace Piece
Deck The Halls
The Christmas Song
O Christmas Tree
We Three Kings
Has He Been? (Santa Claus Is Coming To Town outro)
Review: This enchanting album from Welsh jazz harpist Amanda Whiting is a heartwarming celebration of the festive season. Combining her deep love for Welsh culture, jazz, classical music and Christmas, it radiates warmth and charm throughout. Whiting's virtuosity on the harp shines as she reimagines seasonal classics by Vince Guaraldi, Bill Evans, Holst and Tchaikovsky, offering original arrangements that breathe fresh life into these beloved pieces. The 14-track collection exudes joy and nostalgia, with standout moments like the recent singles 'Peace Piece' and 'Skating'. Whiting's arrangements are both intricate and inviting, with a sound that's cozy and uplifting. Inspired by legendary artists like Dorothy Ashby and Alice Coltrane, her music is a perfect blend of jazz sophistication and classical elegance, creating a timeless atmosphere. Supported by her accomplished trio, the album is a fitting soundtrack for the holidays, bringing the spirit of Christmas to life with every note. Whether you're curled up by the fire or enjoying festive gatherings, this release offers a musical embrace that's truly comforting. A stunning work that showcases Whiting's exceptional talent and her ability to craft an unforgettable seasonal experience.
The Night Before (Santa Claus Is Coming To Town) (intro)
In The Bleak Midwinter
Christmas Is Coming
Christmas Time Is Here
Sugarplum
Happiness Theme
Little Elfy
Skating
Peace Piece
Deck The Halls
The Christmas Song
O Christmas Tree
We Three Kings
Has He Been (Santa Claus Is Coming To Town) (outro)
Review: With a blend of warmth and virtuosity, Amanda Whiting's latest release is a seasonal collection that effortlessly blends jazz, classical and Welsh charm. Reinterpreting classic holiday tunes from the likes of Vince Guaraldi, Bill Evans and Tchaikovsky, Amanda's arrangements shine through with her signature harp, bringing a fresh yet nostalgic spin to beloved songs. Tracks like 'Peace Piece' (a reworking of Evans' 1958 classic) capture her ability to infuse rich jazz harmonies with the tender elegance of the harp. The album also features an array of original compositions, showing Amanda's deep love for Christmas and her Welsh heritage. With influences from artists like Dorothy Ashby and Alice Coltrane, this release radiates a cosy, soulful vibe, perfect for holiday gatherings. It's a true celebration of Amanda's musical talents and passions, offering a delightful blend of festive jazz and classical influences. A perfect addition to any holiday playlist.
Review: American jazz drummer Tony Williams rose to acclaim as a member of Miles Davis' so-called 'Second Great Quintet'. He later went on to pioneer jazz fusion with the group and formed his own outfit, the Tony Williams Lifetime. In 1986 he released 'Civilization', which marked a triumphant return to Blue Note and a great window into his visionary approach to jazz. Leading a stellar acoustic quintet with Wallace Roney (trumpet), Billy Pierce (sax), Mulgrew Miller (piano) and Charnett Moffett (bass), Williams served up a dynamic set of original compositions that pulse with intensity and technical brilliance, as well as emotional depth, while taking post-bop tradition into new relays. Each player brings sharp improvisational insight, but it's Williams' explosive yet precise drumming that anchors the session.
Review: Beautiful People captures the Wojtek Mazolewski Quintet's vibrant essence, recorded in December 2023 at Polish Radio's S4 studio following a series of acclaimed performances. This album emerges from a period of creative exploration, where the band harnesses their dynamic synergy and respond to enthusiastic crowds with an invigorating collection that marries contemporary spiritual jazz with WMQ's distinct character and Slavic heritage. Mazolewski, a distinguished figure in Polish jazz, show his talent as both a bassist and composer, weaving together traditional jazz influences with modern nuances. The result is an emotionally resonant musical journey that has garnered praise from around the world. With decades of experience, Mazolewski has become a staple of the jazz scene, captivating listeners globally with his electrifying live performances that blur the lines between classic and contemporary styles. Beautiful People has fresh sounds that resonate deeply within the modern jazz landscape.
Review: Often touted as a "masterpiece of jazz-funk live albums," The Wooden Glass's 1972 live recording proves it's more than just hype. Featuring vibraphonist Billy Wooten who previously played with Grant Green, this record was recorded at Indianapolis' The 19th Hole club and captures the essence of fusion driven by soulful 60s influences. Wooten's gentle melodies contrast with the gritty, distorted sound of Harold Cardwell's powerful drumming and Emmanuel Riggins' Hammond organ while the energetic performance from the band, including guitarist William Roach, creates a tapestry of intensity and dreamlike vibes. It's raw, electrifying, high-energy jazz.
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