Back catalogue: All genres

Review: For his first outing of 2025, Matt Edwards AKA Radio Slave has joined forces with vocalist Kameelah Waheed, a singer who has previously appeared on a number of singles on the long-serving producer's popular REKIDS imprint. In its' original 'Extended Mix' form, 'All Rize' is prime Radio Slave - think long, elongated, dark, mesmerising and mind-altering with all manner of raw, razor-sharp electronic noises and doom-laden motifs rising above a booming bassline and snappy drums. Edwards has included a fine alternative take in the shape of the 'Revolution Mix', a warmer, dreamier and jazzier interpretation that's looser and more akin to classic house of the 90s and early 200s, and a trio of DJ tools (a 'Beats' cut, a short suite of effects, and an acapella of Waheed's fine vocal).

Review: Celebrating 25 years of two of the most influential house labels around, this joint double-pack from London's R2 and Osunlade's Yoruba Records is a heavyweight offering that bridges soulful roots and dancefloor depth. Karizma's long-awaited 'Spirit' appears in multiple formsihis original gospel-powered burner, a Josh Milan remix (as Honeycomb), and a dub version featuring Nicholas Ryan Gant, all radiating righteous, late-night warmth. The second R2 cut, 'W!thout !t' is stripped and punchy, full of Karizma's trademark percussive invention. Yoruba's side sees Osunlade light up the system with 'Electricity' and 'Sumpin' Like Dis', both steeped in rhythm and spiritual uplift. Afefe Iku's '823' dives deep into his signature twilight textures, while Karizma's Baltimore remix of Mr. Flip's 'Drippin'' closes the set on a loose and funky high. It's a snapshot of two defining voices in house musicirich in groove, spirit and intention.