Back catalogue: All genres

Review: Eddie Parker offers a compelling slice of Detroit soul for northern soul enthusiasts, repurposing the unmistakable Pied Piper backing track from the Hesitations' rare 'That's What Love Is'. Revered within the scene, both versions of this stomper are beloved for their punchy, soul-filled power. With this 45 release, the track finds its rightful place in the hands of collectors and dancers, bringing the unmistakable Pied Piper sound back to life in a more accessible form, ready to ignite the dancefloor once again. On the flip, 'Soul Superman #2' makes its debut on 45, expanding the Pied Piper legacy with a previously unreleased track that shares the same bold, masculine energy as its more famous sibling, 'Soul Superman'. While '#2' might not have the chart success of its predecessor, it holds its own with a driving rhythm and recognisable hooks that will easily appeal to fans of the original. This release proves once again the timeless quality of the Pied Piper sound, replete with its rich, groove-laden atmosphere

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


]Nathan Haines, the renowned New Zealand musician, unveils his 11th studio album, marking his first solo venture since 2014. Known for his talents of saxophone, flute, and composition across jazz, electronic and dance genres, Haines melds his signature jazz sound with vibrant electronic and disco influences on Notes. This labor of love began years ago in collaboration with the late UK producer Phil Asher, whose influence permeates the album despite his passing during its creation. Featuring guest vocalists like UK soul-diva Vanessa Freeman and emerging talents Ajuna Oakes, Ruby Cesan, La Coco, and EO, Notes showcases a diverse range of voices intertwined with Haines's own instrumental strength. With contributions from bassist Jkriv and electronic jazz innovator Mark de Clive-Lowe, alongside beats by Marc Mac and acoustic bass by his father Kevin, the album is full of spirit and musical evolution. Frank Booker's production on three tracks adds depth, while the acoustic rendition of Rare Silk's 'Storm,' featuring vocalist Rachel Clarke, stands out as a poignant artistic highlight.

Review: Upon its release in 1970, Donny Hathaway's latest album was met with critical acclaim but modest commercial success. The LP showcased Hathaway's extraordinary versatility, blending gospel, jazz, blues and soul into a cohesive whole. It was a rich tapestry of influences, marked by Hathaway's stunning vocal prowess and his ability to craft arrangements that felt both intricate and organic. The album also set the stage for his subsequent works, cementing Hathaway as one of the most important voices of his generation. Tracks like 'The Ghetto' and 'Tryin' Times' revealed his commitment to addressing social issues, while songs like 'Thank You Master' and 'Je Vous Aime' showcased his personal and spiritual depth. In the decades since its release, Everything Is Everything has grown in stature, celebrated as a cornerstone of soul music.

Review: Soul legend Isaac Hayes' enduring legacy as a soul visionary echoes through this second volume of his singles, which picks up from where the first left off. The collection spans 1972 to 1976, a time when Hayes transitioned from Stax to his own Hot Buttered Soul label. Tracks like 'Hung Up On My Baby' and the relentlessly funky 'Chocolate Chip' showcase his blend of lush orchestration with raw, gritty grooves, a style deeply rooted in the soul-rich streets of Memphis, where Hayes' early musical foundations were laid. As he moved away from Stax's structure, Hayes embraced a new sense of creative freedom, merging cinematic soul with the emerging sounds of disco, perfectly captured in 'Disco Connection'. The production, unpolished and alive, channels the intensity of Hayes' sound from the early 70s, pushing boundaries while remaining deeply personal. This release is a reflection of the man's profound influence on soul music, one that continues to reverberate through generations.

Review: Brazilian artist Hyldon's 1981 album 'Sabor De Amor' is a Latin classic that is well overdue this reissue by Jazzybelle Records. It was the fourth from the soul man, singer and instrumentalist who was, with equally celebrated peers Tim Maia and Cassiano, at the very heart of the Brazilian soul revolution of 70s. This may be his most consistent album with its more than accomplished backing by Azymuth musicians including Alexandre Malheiros on bass, drums from Ivan "Mamao" Conti and Hammond jams from Sergio Carvalho amongst others. The bass is funky, the arrangements are sophisticated and full of sun with noodling jazz melodies and Portuguese vocals all oozing summer magic. From mellow moments like the title cut to more dazzling and upbeat dancers like 'Amor Na Terra Do Berimbau' this isa joyous listen.