Back catalogue: All genres

Review: Dutch keyboard player Fred van Zegveld's 1969 release is a high-voltage display of Hammond organ wizardry, stretching across jazz, soul and r&b with unshakable confidence. His originals, like 'Family Blues' and 'Blue Organ,' are thick with groove, their choppy rhythms and swelling chords bouncing off Ruud Jacobs' steady basslines and Louis de Bey's crisp, unfussy drumming. The title track channels that same energy into a slow-burning, percussive churn, each phrase pulling tighter before van Zegveld lets loose with another spiralling run. His approach to covers is just as striking. 'Misty' drifts into smoky, late-night territory, drenched in shimmering vibrato, while 'I Wanna Be Your Man' ditches the Beatles' pop polish for something grittier, the organ growling over a rolling rhythm section. There's a looseness to the playing, a sense that the band is locked in but always on the edge of cutting loose. The whole record moves with a natural, in-the-room warmthivan Zegveld doesn't just play the Hammond, he makes it breathe, pulling back for hushed, introspective moments before launching into ecstatic swells.

Review: Catawba Records celebrates 40 years of influential music with The Lowdown: A Catawba Records Story. Founded by industry legend Richard Mack who helped launch icons like Earth, Wind & Fire and The Jacksons, this curated compilation from the label highlights Catawba's rich legacy in disco and soul with standout tracks from Maurice Starr, Dutch Robinson and The Fantastic Aleems. It takes in all manner of infectious grooves with throwback analogue drums sounds, brilliant keys and smooth vocals with plenty of rare edits, unreleased gems and more well-known but still timeless cuts. Favourites for us include the lithe and leggy Silk jam 'Somethin' 'Bout The Way' and the soul-drenched funk-disco of Jackie Moore & Wilson Pickett's 'Seconds Of Your Love'.

Review: Adrian Younge's latest in the Something About April series is a stunning analogue opus that blends a 30-piece orchestra with breakbeats, synth work and Brazilian psychedelia. It has reportedly been years in the making and is the culmination of Younge's sonic vision as well as being his most expansive and experimental work to date. Brazilian vocalists, fuzzed-out drums and lush orchestration evoke MPB greats like Verocai and Os Mutantes and hip-hop kings Wu-Tang in equal measure. Tracks like 'Nunca Estranhos' and 'Nossas Sombras' are richly cinematic and deeply soulful standouts. More than a closing chapter, this record cements Younge's legacy as a visionary composer.