Own a piece of DJ history with the D-Styles Phantazmagorea Show Vinyl Variants & Deviations Set, a highly exclusive, limited-edition release with only 500 units made worldwide
Notes: Own a piece of DJ history with the D-Styles Phantazmagorea Show Vinyl Variants & Deviations Set, a highly exclusive, limited-edition release with only 500 units made worldwide. This collector's set is a must-have for turntablists, vinyl enthusiasts, and fans of D-Styles' groundbreaking "Phantazmagorea."
Featuring two premium vinyl records (12" and 7") packed with battle breaks, scratch kits, and sound effects, as well as the rare 3" Razorblade Alcohol Slide, this set is designed for DJs who demand the best in quality and creativity. Complete your collection with the 3" slip mat included in this one-of-a-kind release.
What's Included:
12" Battle Breaks Vinyl (White):
Tracks include "Felonious Funk Skratch Vocal Kit," "John Wayne on Acid Skratch Drum Kit," "Diabolikal Skratch Drums + Bassline Kit," and 4 bonus scratch kits.
A total of 23 tracks designed for DJs to unleash their creativity.
7" Battle Breaks Vinyl (Red):
Tracks include "Return to Planetary Deterioration Synth," "Felonious Funk Skratch Vocals + EFX," and 2 bonus drum & synth tracks.
A total of 12 tracks perfect for scratch DJs and live performances.
3" Razorblade Alcohol Slide (Black):
A rare collector's item featuring unique sound effects and scratch tools.
3-Inch Slip Mat:
Includes an integrated adapter for seamless use with 3" records.
Key Features:
Limited to Only 500 Units Worldwide: A true collector's item for fans of D-Styles and turntablism. Once it's gone, it's gone forever!
Premium Quality Vinyl: Designed for scratch DJs with high-quality sound and durability.
Complete DJ Toolkit: Packed with vocal kits, drum kits, basslines, synths, and bonus scratch kits for endless creativity.
Exclusive Design: Unique variants and deviations inspired by "Phantazmagorea" make this set unlike any other.
Whether you're a professional DJ, a vinyl collector, or a fan of D-Styles' legendary work, this set is your chance to own a rare, limited-edition masterpiece. With only 500 units available, don't miss your opportunity to secure this iconic release!
Review: Many Hands is a fresh label helmed by Jona Jefferies and Kava that here kicks out an eclectic EP with four tracks from various members of its musical family. Dan Aikido opens with '0800 TXT4 Herb,' a smooth fusion piece that builds a laid-back groove, blending fretless bass, jazzy keys and soulful vocals all reminiscent of Rare Silk's 'Storm.' Ernie Ruso's 'Stroke It' offers slow, sensual r&b infused with P-funky wah-wah effects while DJ Nomad's 'African Boy' brings upbeat pop house next to funky organ and a female reggae MC.Jefferies' closer 'A Change Will Come' samples Dr. Martin Luther King Jr with a rave-inspired beat and soulful piano. Cracking stuff.
Review: No whimpers, all bangs... Monika Kruse's Terminal M brings another four Richmonds our way, as the label celebrates its silver anniversary (25 years) of releasing. Ignacio Arfeli and Kaspar bring Portuguese fire and German glaciations to a unipolar techno A-side each, with 'Never Look Back' shooting a hideous glower at Orpheus especially with a "don't you ever look back" jet-breakage of the sound barrier, precipitating a massive techno drop, of course. A felt sense of continuation is heard on the strobing 'Masterpeace' by Chris Bekker, before 'Alhalma', where Drumcomplex and Frank Sonic lead us to a cruddy close.
Review: This Vincent Arthur album is a tribute to his daughter Vivian and was crafted by talented musicians from Africa, the Caribbean and Germany. Once obscure for 30 years, its standout track, 'Travel With The Music' became an anthem after making a high-profile appearance in a Dekmantel set where its euphoric afro-disco sound really made a lasting mark. Online sleuths uncovered its origin which has reignited interest in this hidden gem, which has been remastered by Frank at The Carvery. It revives three key tracks in 'Travel With The Music' which shines with afro, disco, and gospel-like euphoria. 'Afro Disco' brings playful energy while 'Jubilation' closes the night with deep, celebratory vibes.
Nathan Haines - "U See That" (feat Vanessa Freeman & Marcus Begg - Atjazz Love Soul mix) (5:12)
The Realm x Atjazz x Kelli Sae - "On The Road" (vocal mix) (7:58)
Review: Back ion 2021, the relaunched Foliage Records imprint offered up a killer mix from NYC house legends Mood II Swing, the must-check Deep Rooted. Soon, the revitalised label will release a sequel, with long-serving British deep house don Atjazz at the helm. This sampler EP boasts six of the highlights from that set - all remixed and reworked by Atjazz himself. There's much to enjoy throughout, from the tense, slowly building deep-tech shuffle of Halo''s 'Glorty (Atjazz Galaxy Art Remix)'and the sun-splashed 6am bounce of Atjazz's remix of Dominique Fils-Aime's gorgeous 'Sun Rise', to the dreamy dancefloor wooziness of Ralf GUM's 'AWA' (re-imagined by Atjazz as an Osunlade-esque spiritual house workout) and the jazzy, bass-guitar-propelled broken house excellence of 'On The Road (Vocal Mix)', a three-way collab between Atjazz, Kelli Sae and The Realm.
Review: OMEN Recordings's next release is a big one that unites Axkan and Duellist on the same slab of wax. They take care of one side each and we're told the inspiration for their sounds was making a "shared response to the turmoil of global conflicts." Duellist kicks off and suggests with his offerings that he is anxious, unsettled and in fight mode because 'Oxidative Stress' is front-foot techno with monstrous bass energy. 'Stains Of Time' is another one with brash drums and perc and plenty of tension, then Axkan offers the hypotonic loops of 'Warfare' and broken beat menace of 'Thermobaric.
A Soft Mist Production - "Upside Down Rainbows" (5:01)
Dr Sud - "Zaffiro" (Jazz cut) (3:59)
DatSIM - "Influx" (4:40)
The Rabbit Hole - "Tail Groove" (4:27)
Review: No matter your particular preference in the deep house world, this various artists' outing from Q1E2 Recordings is sure to have something for you. Mike Riveria & Marco Ohboy, for example, tap into an early sound on 'Euphoria' with its big, brash piano stabs and whistles, while A Soft Mist Production keeps it all cuddly and deep with languid chords draped over gentle drums on 'Upside Down Rainbows.' DatSIM brings in some space-tech vibes for a deft rhythm and neon infused sound on 'Influx' and The Rabbit Hole's 'Tail Groove' has a mad double bass sound jumping about beneath frantic jungle breaks.
Review: Back to 93! Two OG pioneers are deep in the lab, cooking up the future - Bizzy B and DJ Zinc. These are two of many blueprints from such a turbulent, primordial era in jungle history. 'Dex Flex' is a sci-fi movie epic in the form of a song... The eerie intro, dramatic militant breaks and the wide screen way it rolls out and develops are powerfully ambitious. We're unsure if it ever actually came out or not, too. 'Getting Down' did come out, however. But not under this title. Due to Zinc being signed with another label, it came out as Bizzy's 'Break Of Dawn'. Still breaking things up to this day, it's a bubbler that never quits. What a flashback.
Review: After a blistering first 'Hot Creations Sampler' EP heard an inaugural black-gold palm tree get blown down, with everyone to hear it, now comes a gratifyingly quick follow-up, this time with Steve Bug, Denney, Joshwa, Vintage Culture, Vinter and Hot Since 82 all in tow. No-one misses a kick, with Bug & Denney's opening gambit 'That Beat' locking down a morse bassline against stereo planed beat axis; Hot Since 82 contrasts with the incredibo 'Sonedo', which relays pop dance saxophony a-la Alexandra Stan through a believably ecstatic deep house filter. Second's the best!
Outside Looking In (Full radio edit version 2024) (4:58)
Review: Cash Money Experience are soul dons and if you need proof listen no further than this new 7". Darryl Howard is the vocalist and songwriter of Nu'rons and here he offers up the lead vocals while Emanuel Campbell, who is one of his co-members in Nu'rons, is responsible for the lyrics. On the extended version of 'Outside Looking In' the vocals convey plenty of pain on nice laidback drums and funky riffs. The Full Radio Edit distils things to a shorter play length but is just as effective.
Review: Setting the year aflame with a three-G bang, Amsterdam producer D Stone flaunts his fieriness with four house music furtherances, after two knockout releases on 803 Crystal Grooves and Cecille. 'Bang' utterly bangs, with its streetwise vocal shouts and offbeat, Chi-style beep sounds making for a cosmopolitan intro. 'Deep Inside' adds downward pressure with a central dub stab and well-hung string part, and 'No Activities' sounds to incorporate percussive glassware and bomb whistle sounds into the mix. Finally, 'Talking About' rounds things out with an extensive drumline competition, as a blurry vocal sample urges us, from what sounds like it, to flail our hands about in the air.
Review: The second in D'Julz's rollicking Raw Toolz series brings four 'Out Of Place Artefact's to the contemporary deep house sphere. From 'Big Wag' to 'Lionozed', every track on this dreamatic, diatonic whorl eschews high tones and sibilants for a rigorous, plombing exercise in depth and draught. The sampled, suspended echoes of jazz and piano blues ripple through the extra space thus provided; for those DJs seeking a selection of mid-set sauces, precooked to keep the party pumping, from which to choose without faf, this is your record, courtesy of the longtime French DJ and production artisan.
Review: After his debut album E o que a casa oferece from 2023, Gabriel da Rosa is back with another silken bossa nova record, in homage to the musical style that raised him. 'Cafune' was first released digitally a follow-up single to the alnbum, one which rounded out the year that said debut was released, and which was written for the soundtrack to the film film All Happy Families (Haroula Rose). Now an authentic 12" version, the song is here backed by the B-side 'Sort Of', an impressive desert passage through refractive, rainbow dream pop.
Review: In late 2023, Tokyo-based musician Daigo Sakuragi moved to London where he revisited recordings made with fellow Japanese artists. Inspired by the city's energy and atmosphere, he crafted Togenkyo, a 28-minute fusion of early 2000s folktronica and contemporary ambient music that now comes as two long continuous pieces on one slab of vinyl. Layering immersive synth textures with spatial production, he grounds the piece in organic drum and bass grooves while a saxophone elegantly weaves through the soundscape. Togenkyo reflects an inner utopia that is attainable yet imperfect and is a comforting, meditative work.
Review: Conceived for maximum floor-lift, Daje Funk is the namesake of both artist and label; here the elusive but fun-loving moniker brings another four whopper disco edit-remixes to vinyl, further charging the collective body with a haul of kitsch spirituals. Three out of four tracks here are "lovely edited" - intentional or not, we can't resisting stealing such brilliant turns of phrase - by longtime Roman disco purveyor Les Inferno, with the support of a cracking cadre made up of fellow producers and engineers Max Pottini, Emiliano Patrick Legato and Dom Scuteri. Stefano Fusco also handles the B1; and though we don't know the original IDs of any of the tracks here, the vibe is consistently spirited, and the artists only carefully betray their access to the original stems (made eventually obvious by faint vocal delays, extra-thwacking kick EQs, etc.).
Review: Dajusch brings the rave to CROWD here with some feral techno beaters that will get floors going mental. 'No Mas' is lit up with euphoric vocals and trance-y pads that are impossible to ignore. 'Ambition' has barreling beats that fizz with texture and are topped by nimble chords that dance about the mix. 'Split' is another one overflowing with energy and dusty analogue edges while '36G' shuts down with a tunnelling lead and bouncy low end. This is full fat techno with real machine soul.
Review: Dutch duo Dam Swindle are masters of updating traditional house sounds with a subtle contemporary twist. That is exactly what they have long been doing on their own superb Heist Recordings label and now they make the step over to Jimpster's equally vital Freerange with a fresh new EP. 'Unfinished Business' kicks off with sustained chords that bring a classic touch next to some steamy vocals and warm chords. 'Under The Spell' is more loose limbed and soul drenched, then a Crue remix brings some real heft to 'Unfinished Business.' Last but not least is 'Woman', a laid back vibe with swirling chords for loved up floors.
Review: Death, taxes and quality techno from Planet Rhythm are the three sureties of life. The label that maintains a high laity output and never strays from its blueprint is back with more functional and well-formed sounds, this time from Mattia Dambrosio. He opens with a cut doused in static, fizzing synth lines and with a funky, mid-tempo beat on 'Spring.' 'Ossidiana' dials it back to allow the dub chords and deep roaming bassline room to lure you in then 'Domani' mesmerises with silky synth sequences that glow bright above an implied rhythm. 'Stabs' is an upright and warm techno pumper with Detroit chords and 'Warmer' then takes you way down deep into cavernous underground dub worlds.
Review: Giovanni Damico teams up once again with Star Creature for a new 45 packed with fresh boogie bangers. The A-side delivers a funky, psychedelic disco stomper that will effortlessly and quickly transport you to listeners to 1981. It has echoes of Afro sounds from Lagos and the disco energy of NYC's Lower East Side, with catchy chants and breakbeats evoking a hidden Kid Creole track. The B-side is a great take on Italo disco with dusty drum machines, percussion and vintage synths infused with Damico's own guitar and bass work. This is another great chapter in the ongoing story between artist and label.
Chez Damier - "Speechless" (Chez Damier Panorama Bar remix) (5:04)
Makez - "Rocket Music" (5:15)
Alkalino - "Rio" (Alkalino rework) (5:30)
Gledd - "Sere Yo" (5:31)
Review: Adeen Records returns with a superb EP that blends a classic with three new and fresh unreleased tracks. Deep house don Chez Damier's Panorama Bar Remix kicks off and is a a 2021 standout with a killer baseline and Spanish guitar that brings some sunny soul and makes for some top level house grooves. Makez then shines with 'Rocket Music' which has a chunky low end and glistening, golden piano chords making it a late night favourite. On the B-side, Adeen regular Alkalino delivers a tropical-infused edit for the peak time and Gledd closes with a classy cut 'Sere Yo' that is all about the drums. Lovely stuff.
Review: Japanese electronic disco producer and performer Fujisawa Hideki aka. Dance Man coined the term "mirrorballism" as the philosophy behind his ultra-tight brand of disco. Four albums of mirror-ballistic albums, New Generation Dance Classics Volumes 1-4, appeared before his fifth album, Funkoverlic, surfaced in 2004, from which this ingenious pair of trax, 'Bomber' and 'Hey Hey Ookini Maidoari', came. Translating roughly to "there is a lot of everything" from Japanese, the latter track brims with posse-backed instrumental disco-hop steeze, worthy of bombastic emceeing should any rap collective fancy it. 'Bomber' is comparatively funky, save for its devilish wax scratches, giving way to one of Dance Man's more glamorous vocal lines.
Review: Italian Dandolo makes a bold solo debut, taking us on an adventurous sonic journey from the Adriatic coast to the distant shores of Thailand. The track pulses with the vibrant energy of Italo Disco, blending infectious melodies with rich, tropical rhythms. There's a sense of escapism here, capturing the allure of a sun-soaked escape, while the production stays firmly rooted in the glistening sounds of the 1980s. On the flip side, Cosmo Dance delivers a remix that is pure dancefloor gold. The dub version leans into Eastern-inspired motifs, nodding to the golden age of Italo Disco with its deep basslines and shimmering synths. It's a track designed to move bodies and keep the energy high, elevating the original's already infectious vibe. This release is a fantastic chapter in Dandolo's evolution and showcases Mirella Records' dedication to preserving the essence of classic Italo while bringing fresh energy to the scene.
Review: The world of dark disco tech is vast and so covers plenty of niches and nuances with artists all over the world adding their voice to the conversation. Spanish label Waste Editions offers up four more to the mix here with another well-assembled VA. Dark Vektor's 'Amb La Mirada Ens Menjarem' begins with some synth sounds that evoke a horror scene over snappy drums and sleazy guitar riffs. Synth Alien's 'Replica Cosmica' gets a little more loose but still comes with evocative vocal samples and a characterful world of synth sounds, some that fart, some that gurgle, some that amuse. Imiafan's 'Stupaj (Keen K RMX)' is another prying, loopy sound brought to life with myriad effects, textures and vocal snippets and Wardum shuts down with 'Wrambling' which has grinding bass and scuttling effects topped with occult vocals.
Review: The Extra Soul Perception label held a first ever writing camp in Nairobi in 2019 and Lynda Dawn was one of the pupils. She has already released 'Roses' on the label's New Tangents...Vol. 1 EP with other music from the UK, Kenya and Uganda. But this was the standout track so now it makes its way to its own 7". It is the sort of heart achingly beautiful slow motion disco-soul that will be perfect end of the night send home or early evening warm up for more cosy dance floors. There is a slightly more beefed up version from XL Middleton to complete this tidy 7".
Review: DC11's approach to techno is that he is always trying to find the perfect loop. Whether or not he thinks he has on this latest EP for Dutch label TH Tar Hallow, he sure does hit a nice sweet spot between dub, techno, depth and drive. 'Forced Removal' is a fierce opener with twitchy synths peeling off the muscular drums. The hulking great groove of 'A Vast Reserve Of Indifference' keeps the pressure on while 'Florus' is lit up with synths that shiver across the face of the drums. After a locked groove comes the menacing funk of 'Terribly Partial.' Serious tackle.
Review: Miami-based electro stylish Shad T. Scott aka Dcast Dynamics really knocks it out of the park with this one. It's a perfectly evocative, cinematic and physical workout packed with detail and depth. 'Eleuthera Shadows is impossibly kinetic with closely stacked kicks and hits barreling along at high speed but with serious funk. 'Output' rather slows down and allows you a moment to gaze at the beautiful and tumbling melodic pixel while some squelchy bass keeps busy down low. 'Lucayan Rites' shuts down with a reflective air to the chords and sense of optimism for whatever future lies ahead.
Stix & Stonz (feat Grandmaster Caz, Tito Of The Fearless Four, Whipper Whip, La Sunshine & Superstar)
Review: This long-lost De La Soul gem, originally a promo-only release from 1994, finally sees the light of day. Featuring four tracks from their acclaimed Buhloone Mindstate album, this 12" also boasts two exclusive cuts showcasing De La Soul's collaborative spirit. 'sh.Fe.Mc's' sees them trading verses with fellow Native Tongues posse members A Tribe Called Quest, while 'Stix & Stonz' unites them with hip-hop pioneers Grandmaster Caz, Tito of the Fearless Four and Prince Whipper Whip. The real magic of this release lies in its ability to transport listeners back to the golden age of alternative hip-hop, where Tracks like 'iN tHe WoOds' and 'i aM I bE' showcase the group's signature blend of jazz-infused beats, playful lyricism and socially conscious themes. The presence of Maceo Parker, Fred Wesley and Pee Wee Ellis adds a layer of soulful funk, further enriching the sonic tapestry. This limited edition release offers a glimpse into a pivotal moment in De La Soul's career, where their adventurous spirit and collaborative nature were in full effect.
Dead Man's Chest - "Living Real" (Artificial Red remix) (5:41)
L Own X Response - "Rumination Cycles" (7:59)
Eusebeia - "Affinity" (5:44)
Esc - "Hot Hands" (7:11)
Review: Dead Man's Chest is about to unleash all kinds of breakbeat mayhem with the third volume of Western Lore's Blunted Breaks series and here's a little taster of the full flavour experience to expect. Artificial Red kicks off with a hazy-but-heavy remix of DMC's 'Living Real' before L Own & Response's 'Rumination Cycles' enshrouds us with rasping tendrils of acid and loose live drum breaks. Flip for two more breath-taking moments in (blunted) breakcraft as Eusebeia captures that early Good Looking magic on 'Affinity' and ESC closes the EP with the powerful, cobweb blast celebration of hardcore's influence on 'Hot Hands'. Get blunted!
Review: Alex Eveson aka Dead Man's Chest is the man behind the Bristol-based Western Lore label, which is a trusted source of some mad cap jungle. The man himself is back with more such sounds here, starting with the impassioned vocal cries and soulful pad work of 'How U Wanna Do This Baby?'. The vibes keep flowing when 'U Don't Know Me' drops with some old school piano energy and unrelenting amen breaks. It's controlled chaos with great filter work building the tension and 'How U Wanna (Jungle edit)' shuts down with hyper speed drums and devastating snare work while the angelic vocal tones soar.
Review: Long awed electronic rock moniker Death In Vegas, formerly a duo but now largely masterminded by one Richard Maguire, brings its latest set of cutting room floorers to a very different kind of (dark dance-) floor. The new 'Acid Rejects' series hears DIV cycle through offcut avant-gardisms and industrial churns, veering heavily on sides of unpolished and intense. The daymare 'While My Machines Gently Weep' mourns in dialogue with the synths used to make the track, with its gurgling sawbasses, while the lighter lilt that takes the EP's title manifests as a recompensing sonic dream, with sonar tweeter synths fading in and out over a painterly soundscape.
Border One - "Organoid" (Jeroen Search remix) (5:47)
Review: Binar's fifth outing looks to a selection of talented remixers to add their own spin to some stylish techno originals. First, it is Decka's 'Alignment' that gets reworked by Efdemin, who we haven't heard from for a while but are glad to do so now. He flips it into a straight-up and smooth techno pumper with fuzzy pads softening the edges. Next, Amotik brings some urgent synth pulses and hunched-up drum funk to 'Remains Mystery' and The Lady Machine remix of 'Run' is all fat, drunken synths tumbling about with jacked-up drums and analogue hits. Jeroen Search brings some signature future cosmic energy to his take on Border One's 'Organoid.'
Review: Incredibly, it is almost two full decades since Echospace and Rod Modell's legendary Deepchord project dropped the original version of this album. Happily, it has aged to perfection and gets reissued here with the first-ever remix from Gerard Hanson aka Convextio. Next to that are a series of dubs and mixes that result in widescreen dub landscapes, soft synth plumes, delicate melodic curlicues and some of the headiest electronic music you could possibly immersive yourself in.
Review: Deetroit plunges us into the depths of motor city techno with an immersive EP. 'One Chord One Love' sets the stage, its hypnotic simplicity drawing the listener into a world of pulsating rhythms and subterranean grooves. But Deetroit doesn't shy away from experimentation, as evidenced by the darker, more abstract textures of tracks like '999' and 'Wally Dorf'. These cuts showcase a producer who's not afraid to push boundaries and explore the outer limits of techno's sonic palette. The B-side continues the journey, with 'Basic Communique' offering a stripped-back, hypnotic groove that locks the listener into a trance-like state. 'What Did You Do?' and 'Deep Discoveries' delve deeper into the subterranean realms, their atmospheric textures and dub-infused echoes creating a sense of spaciousness and intrigue. This EP is a testament to Deetroit's mastery of the genre, a captivating exploration of Detroit techno's hypnotic power and sonic depth.
Miss Suave (Laurent Laboratoire Garnier remix) (11:18)
Miss Suave (DJ Gigola vinyl version) (5:39)
Miss Suave (Gerd Janson remix) (5:59)
Review: French techno innovator Laurent Garnier, Berlin's shape-shifting DJ Gigola and German house mainstay Gerd Janson each put their own spin on 'Miss Suave', a cult favourite from Swiss producer Deetron from the early 2000s. Garnier twists it into a deep, acid-tinged Detroit workout, layering hypnotic synth cycles over rolling percussion. DJ Gigola dials up the tension with a stripped-back rave approach, sharpening the groove into something raw and propulsive. Janson, known for his disco-inflected touch, injects a dose of swing and warmth, transforming the track into a fluid, floor-ready mover. Three distinct takes from three essential names, each pushing the original into new territory.
Review: Electronic soul music in all its glory. A new 12" from this legendary UK techno artist fuses deep house, acid house and electro techno, the four tracks boasting some fantastic melodic gems that are as soulful as they are groovy with expertly crafted rhythms. Side-1 features 'Seven Minutes Of Funk', an atmospheric, acid-laden deep house journey that borders on techno. It's a lesson in proper acid usage, delivering a hypnotic ride with depth and clarity. The title track 'Elate' follows, balancing lush, deep acid lines with soulful deep house elements. The piano work here is exceptionalirich, emotive and perfectly woven into the groove. Side-2 opens with 'Five Minutes Of Dub', a dubby reinterpretation of the A1 track. It dives deep into echo and delay territory, with a groove-laden acid line that keeps things both emotional and raw. The EP closes with 'Lost', a track that leans into atmospheric beauty, offering a softer, reflective end to the record, a strong reminder of the Cyphon label's prowess in delivering soul and acid-infused excellence.
I've Gotta Heat (Ohm Hourani Festival Du Soleil rework) (8:43)
I've Gotta Heat (Delavelour Freespacemix) (6:38)
Review: Canadian label Poesie Angulaire kicks off its year with a new series of remixes featuring Delavelour (aka Francois Lebaron). Taken from his Paranoid Fantasies long player, this package fuses glitches, circuit-bent rhythms and nostalgic chords into something fresh. The Freespacemix blends melancholic synths with a garage bassline, while the one and only Isolee delivers a sharp, refined rework. Ohm Hourani rounds out the EP with a hypnotic minimal version, adding a deep, atmospheric touch to a fine array of new takes on the signature sound of Delavelour.
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