Back catalogue: All genres

Review: For its 30th release, Persephonic Sirens has this arresting new album from Codex Empire across four sides of vinyl. It explores a brave new techno world where dystopian nightmares collide with club-ready grooves and textural synth work defines each track. 'With Fire I Carve' is a blistering sound with nervy, edgy synth tension, 'Alsatia The Lower' is a hard techno monster with screwy synths and flat-footed drums and 'Transient Phantom' is a tunnelling sound with stark sound designs and an atmosphere that is pregnant with darkness and unease.

Review: Given that she released her first solo material way back in 2008, it's taken Factory Floor and Carter Tutti Void member Nik Colk Void a fair old while to get round to recording a debut album. So, has it been worth the wait? Bucked Up Space is certainly alluring, with the modular synthesizer enthusiast charging between mind-mangling analogue techno ('Interruption is Good'), trippy electronic soundscapes ('Big Breather'), buzzing, industrial-strength heaviness (the formidably fuzzy 'Demna'), post-electro wooziness ('Romke'), Radiophonic Workshop style weirdness (the 1960s Doctor Who freakiness of 'Absence Pile Island'), acid-flecked bounciness ('Flat Time') and druggy, slow-motion workouts ('Oversized').

Review: Here is Confidence Man debut for Fabric's acclaimed Fabric Presents mix series, flaunting the lesser-heard DJing chops of this contemporary pop-dance duo. "Have confidence, man" is the central motto of the collaborative pair made up of Janet Planet and Sugar Bones, who first came up in Brisbane, Australia band found rapid acclaim for their easily assimilable blend of electro pop, dance and indie. Their debut mix for Fabric flexes an adroit ear for the vim-affirming ends of life, scouring the hidden depths of their well-threshed record crate of 90s rave and trance, with tunes by the likes of Joe Goddard, Jex Opolis, Wallace and Sweely all implying an innate, strutting, blue-steel-over-the-shoulder confidence, innate to all yet realised by few.

Review: The fully mixed version of Confidence Man's debut Fabric mix record is here on CD. In contrast to the selectors' LP version - also sold by us - this full version is a seamless, singular slab of optical laser-read musical licence, espousing the central vibe-theme of Confidence Man's message: have confidence. Well, except for want of a receiving ear, we find ourselves tentatively able to confide in Confidence Man's Fabric mix ("better than therapy" joke happily dodged) as a substitution in the meantime; for it too shows us that real, authentic, and boundless confidence can, believably, indeed, be found in bouncy dance exclusives available on CD only. Among these are Patrick Prins' kitsch chipmunk banger 'Fiesta Conga' and Cygnus X's steezy-cheesy trance stutterer 'Positron'03'. With both many a throwback and a present promo in tow, Confidence Man dice up and dole out a small slice of their huge stash of their patented auricular confidence dust.

Review: In musical terms, Bill Converse is as iconic as the basketball sneaker with which he shares his name. He's a techno favourite and veteran of the Midwest scene who has come up under the likes of Claude Young and Traxx but very much fomented his own sound. Here the American ace returns to Dark Entries with a new seven-track exploration of raw, analogue-driven techno. His sound blends the acid grit of Relief Records, the hypnotic pulses of early IDM and Detroit's energy all with an unpredictability that mirrors that of his live sets. He makes fine use of classic hardware like the Roland TB-303 and modern modular synthesis to cook up off-kilter rhythms and abrupt shifts that keep you on edge. Another vital and visceral offering from this legend.

Review: Courtesy's second studio album is another no-holds-barred deep dive into the heart of a minimal and tech house dance floor. Eschewing the usual ambient intro in favour of getting right down to business, things kick off with the surging comic-tech of 'I'm Happy I Am Not Susan Sontag', then the slamming drums of 'My Dazed Friend (feat Klo)' come with zoned out and alluring vocal musings. 'Let There Be LOVE! (feat Lyanne)' is another fast but smooth tech cruise with emotive vocal textures and 'Does Every Track Have To Be A Journey?' is a punchy tool which suggests not.

Review: Dance music stars don't come much bigger or more iconic than Carl Cox. The big man with the big smile and famous gap in his teeth has been at the cutting edge for decades. He plays all across the spectrum with high energy and a really infectious style. Now the legend returns with his first album in over a decade and it comes on BMG. It was written over the last two years at his home studio in Melbourne and takes his sound to a whole new level. It is also being played live by Carl on the road right now.

Review: Renowned producer, remixer, DJ and record label owner Carl Craig is one of the few artists who can truly claim to have shaped the sound of
modern electronic music. Making music since the tender age of 17, Craig has created everything from ambient soundscapes to jazz
during the past 20 years, but it's his work in dance music that is at his core. 'Sessions' is a long overdue album that brings together a personal
selection of Carl's incredible back catalogue, from his early work under the aliases Paperclip People and 69 to worldwide hits like 'Throw'
(recently covered live by LCD Soundsystem) and groundbreaking tracks like 'Bug in the Bassbin'. Alongside the classics, the two discs also showcase why Craig is still such a powerful force in music today with a diverse range of remixes for the likes of XPress 2, Theo Parrish and many others. For his rework for Junior Boys'. 'Like A Child' he was just nominated for a Grammy.
The selection also includes previously unreleased tracks, alternative versions of his own productions, as well as some exclusive unreleased
remixes. 'Sessions' reminds us of how exciting and unique Carl Craig's productions and remixes are and why he remains at the top of his game,
a retrospective of one of the world’s most influential and groundbreaking figures in electronic music.

Review: Craven Faults follows up a trio of sold-out EPs starting in 2020 with a second full-length album. It is another record that moves the artist's story onwards with fantastic analogue electronic sounds that take us across the north of Britain, all viewed through 100 years of popular music. Standers again finds him honing his craft across meticulous tracks that paint vivid pictures of everything from Norse influences to piano drones. It is bleak but beautiful experimental music with a storytelling narrative and absorbing undercurrent.