Review: Cultures Of Soul have absolutely hit the nail on the head by getting Benjamin Ball on their side, and it's shed a light on one of South Africa's best boogie artists from the 80s. This is the sort of gear that'll make just about any decent collector jump with excitement, not only because of the quality of the music, but also because of its sheer rarity. The wonderfully loose "I Just Keep Dancing" is form Ball's debut LP Paulina, and it really is the sort of tune that'll please just about any sensible crowd. Ball's own vocal flex has enough funk in it to outdo the James Browns out there, and coupled with those snappy drums and raw electro bass makes means that this is the rarest of gems. Soul Clap's remix makes for a nice addition, but it's clear that no man can test the vibes of Benjamin Ball. What a killer!
Review: Boston's Cultures Of Soul present some edits here of underrated Belizean artist Bredda "David" Obi whose musical style known as "Kungo Muzik" mixes key flavours from his home with reggae and calypso to rock and funk to formulate a modern tropical style. Years later, DJs and record collectors found his music in basements of record stores in Los Angeles and Brooklyn - some of which are featured here. Sol Power All-Stars will get you stoned into the groove with their acid-inflected rework of "Dancin'", L.A.'s DJ Duckcomb works the original's lo-slung dub influence on "Experience" while the ever reliable Justin Van Der Volgen similarly accentuates the reggae swagger of "Sunshine". A tribute to a legend!
Review: Most are familiar with Junior Byron's brilliant 1983 single "Dance to the Music", but few are well acquainted with the boogie/reggae fusionist's '85 jam "Trying to Hold On". Helpfully, Cultures of Soul has decided to reissue it for the first time, accompanying the original vocal version - a super-sweet, spaced-out synth-boogie workout complete with a thrillingly soulful and sun-kissed reggae vocal from the effervescent Byron - and stripped back "Version" (intergalactic boogie-dub of the highest order) with a fresh rework from Gerd Janson. The Running Back chief does a brilliant job in combining elements of both versions, adding more dub effects and emphasizing Byron's brilliant vocal in all the right places. It's a stunning rework of a little-known classic.
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