Review: Mr Bongo take a trip back into the golden era of boogie with this choice reissue from the mighty Elite label. There were countless classics on there back in the day, but they were rarely pressed in mammoth quantities and so some have become highly prized items in the ever-ravenous second hand scene. Beverley Skeete laid down some killer singles in the early stretch of her career, and 'Warm' is one of them. Originally out in 1985 and sounding as funky as ever, it's a great opportunity to cop this jam, which comes backed with the lilting finery of 'If The Feeling Is Right', an evergreen downtempo soul jam originally put out in 1983.
Review: A vault of formerly unreleased Don Blackman material recently surfaced via the Chicago DJ/producer/digger Marc Davis, who in recent years struck up a relationship with the children of the mysterious New York pianist and songwriter. Now this wealth of jams finally gets released: 40 years' worth of unheard Blackman - cassettes, CDs, discs, reel-to-reels, paperwork, even VHS tapes - inevitably once more reignites the obsessive fan interest in his music, which sprang from its already-mystical cult status in the rare funk and soul-digging world.
Review: Mr Bongo has already reissued a swathe of classic albums and singles from legendary hip-hop duo EPMD, whose place in the pantheon of rap greats has long been assured. Here they continue to mine the duo's catalogue, delivering a new edition of the pair's 1987 debut single (which, it should be noted, has long been hard to find on "45"). 'It's My Thing' remains a classic hip-hop club cut, with flowing rhymes rising above a backing track rich in raw drum machine hits, aquatic p-funk bass and sampled snatches of a smooth, disco-era soul number. Flipside 'You're a Customer' is a more sparse and stripped back affair, with slightly faster-paced raps riding stuttering beats and a squelchy synth bassline.
Review: Although it was originally released at the height of hip-house mania (1988 to be exact), EPMD's 'I'm Housin' is not a rap-sporting house record. It is, though, a bona-fide club classic, with E Double E and PMD trading verses atop a rolling, dancefloor-friendly groove built from elements of Aretha Franklin's 1971 soul classic 'Rock Steady'. All these years on, it still sounds fresh - as this Mr Bongo reissue of the rare 1989 UK seven-inch version proves. In a word: essential.
Review: EPMD arrived as an almost unbelievably well-formed hip hop group in the 1980s. Right from the moment they dropped their 1989 debut - 'Strictly Business' - they soared, immediately backed it up with 'Unfinished Business' in 1989 then came more big hitters like 'The Big Payback.' But 'Strictly Business' remains one of the NYC duo's most significant and best-loved singles and it is pressed up here to its own 7" courtesy of hardcore fans Mr Bongo. It's a track with tons of samples, scratching, smooth bars and churning beats. Flip it over for an instrumental.
Review: A 7" is all about having a perfect nugget of music on the most compact of wax, and here Mr Bongo pick out two of the best cuts from one of the greatest crews to touch the mic. EPMD were on their finest form when they dropped Unfinished Business in 1989, doubling down on the runaway success of their debut Strictly Business, and here we get two of the album's hottest joints for your instant gratification. 'The Big Payback' piles the funk on heavy, keeping it moody in the low end for EPMD to do their thing over the top, while original opening track 'So Wat Cha Sayin' nestles on the B side with one of the wildest rub downs Erick and Parrish ever committed to record. Truly essential hip hop from the golden era.
Review: Mr Bongo's Eric B & Rakim reissue series continues via a fresh pressing of the hard-to-find U.S seven-inch single release of the NYC duo's second single, 1987 gem "I Ain't No Joke". Rakim's distinctive vocals naturally take centre stage on side A, albeit over a sparse-but-strong Eric B beat high on the kind of crunchy drums, headline-grabbing scratches and sampled horn motifs that marked out the duo's best collaborative work. As with the original American single, the B-side boasts "Eric B On The Cut", a quality cut-and-paste affair in the style of Grandmaster Flash's "On The Wheels Of Steel" that's little more than a highly impressive DJ routine.
Review: Given that Gang Starr recently reformed and jazz is now all the rage, it seems fitting that Mr Bongo has decided to reissue the rare 7" version of the group's 1990 masterpiece "Jazz Thing". It's a wholehearted tribute to the greats of jazz - and the role jazz records have in hip-hop's sample culture - that comes in two distinctively different mixes. On the A-side you'll find the "Video Mix", a bouncy and suitably jazzy DJ Premier production that layers Guru's fine rap flows above loose-limbed drums, smoky horn samples and his own super-tight scratches. Turn to side B for the "Movie Mix" - so-called because it was created for a Spike Lee flick - where Guru's vocal rides improvised horns and an entirely different beat crafted from Kool & The Gang samples.
Review: Wild Style may well be the most iconic hip-hop movie of all time, while its soundtrack - created by Blondie's Chris Stein with the assistance of Fab 5 Freddy and turntablist Charlie Chase - remains a touchstone in the development of the style. That soundtrack's focal point was 'Wild Style Theme', a full vocal excursion featuring on-point raps from Grabndmaster Caz of the Cold Crush Brothers. This seven-inch presents both vocal versions of the track: an A-side mix full of cuts, 8-bit videogame bleeps, Blondie style drums, gnarled guitar riffs and weighty bass, and a flipside rework that sits somewhere between early drum machine hip-hop and the more organic end of the style, with a few nods towards the kind of organ-sporting funk and rock classics that partly inspired the sound's creation.
Review: You might well have caught wind of Kenny Dope's exhaustive Wild Style Breakbeats box set which came out in 2014. It found the New York legend offering up six 7"s carrying iconic breaks used in seminal hip hop movie Wild Style. Well now you can cop something from that highly sought after box and enjoy it for yourself as the first disc gets its own individual release. On the A side we've got the low slung bass and dusty groove of 'Down By Law', and on the flip it's 'Subway Beat' with a sweet low funk groove. Both should evoke strong memories for anyone versed in the roots of hip hop culture, but regardless they're just kick ass beats you could have a lot fun juggling and blending into other people's music.
Review: Mr Bongo continue to shine a light on classic hip-hop with their excellent curated reissue series. They have two Main Source 45s in their sights and this is the second. When it first came out on Actual Records, it soon sold out and became a much sought after piece with copies going for high prices on the second hand market. And for good reason - the band really hinted at the greatness they would go on to achieve with an impeccable three minute rap single making a massive mark. 'Think' is a superb example of how to take well known samples and flip them into something fresh.
Review: Mr Bongo has been shining a light on the work of Main Source (aka Queens native Large Professor and Toronto's Sir Scratch and K-Cut) for a while now. Their latest reissue - after plenty of other 7"s last year- is Just Hangin' Out, which is an ode to the simple pleasures of relaxing with friends. The a-side is made from two huge samples (Vanessa Kendrick's '90% of Me is You' and Sister Nancy's 'Bam Bam' ) to make for a stone cold and swooning groove. On the flip, 'Live at the Barbecue' is often said to be one of the finest posse cuts of all time.
Review: A thousand miles away from the beating musical hearts of Rio and Sao Paulo in the late 70s, the Brazilian city of Belem gave rise to a little-known record label called Erla - Estudio Rauland. Though not prolific in its output, the label made up for it in quality and experimental offerings, with several records on the label now becoming sought-after pieces among collectors. One such release is the sublime four-track psych, MPB, and rock EP by singer-songwriter Jarbas Mariz. Though the EP 'Transas Do Futuro' was recorded in 1977, it gained inspiration from the psychedelic hippy idols of the previous decade ,and could easily have been a soundtrack to an acid trip scene in an obscure Brazilian movie. Lo-fi and quirky, there are moments of beauty and splendour but also hints of darkness. At points Jarbas will have you drifting through a folk flute daydream, the next moment a growling, psych-distorted guitar breaks and parts the calm. An ability to make those elements blend cohesively is where Jarbas' true brilliance shines through.
Review: First featured on Nas' peerless 1994 album "Illmatic" - a classic that really should be in your collection - "The World Is Yours" is a classic Pete Rock production that has never appeared on a seven-inch single before. Mr Bongo has decided to set the record straight, pairing the album version, which includes some of Nas' most potent lyrics, delivered in fine style as you'd expect, with an instrumental take that showcases Pete Rock's brilliant beat and tight, on-point scratches. It's a deliciously baggy beat all told, with sampled pianos and subtle jazz lifts combining cannily to create a suitably laidback, golden-era groove.
Review: Phat Kev might well be best known for his breakthrough mix album Brazilianbeats 'n Pieces, which dropped on Mr Bongo in 2007. He's a true-skool hip hop lifer, and he's been tasked with working on the Mr Bongo reissue of the Wild Style soundtrack. If you need schooling on Wild Style, one of the most significant markers of hip hop culture, then we suggest you do some urgent research right now. Meanwhile, Kev is in the mix, sampling the film and its soundtrack and creating a Lesson-style mix which rolls impossibly smooth from start to finish. Get the best from that mix on this sure shot 7", which has all the disco rap magic you might need to get a party loosened up.
Review: Most experts agree that Archie Shepp's 1972 album "Attica Blues" is one of the finest soul-jazz LPs ever made - a politically-charged affair that just gets better with every listen. This tidy seven-inch single from Mr Bongo offers up two of the album's standout moments. On the A-side you'll find the title track, a swirling, down-low mixture of belted-out female chorus vocals, surging orchestration, Blaxploitation style bottom end and an impassioned lead vocal from Henry Hull. Flipside cut "Quiet Dawn" sees Waheeda Massey take lead vocals over a more obviously jazz-centric backing track rich in wild sax solos from the effervescent Shepp. Like the A-side, it's simply essential.
Review: If you can't make it to the Kazakh steppe to watch the launch of the actual Soyuz spacecraft, the next best thing is to immerse yourself in this spacey, dreamy, blissed out psychedelic instrumental music with a 70s AOR touch and send your imagination on a voyage. Minsk collective Soyuz have some seriously strong musical chops and subsequently can bring in guest appearances from the sensational Biel Basile of the rising Brazilian group Sessa and Anthony Ferraro (Toro Y Moi, Astronauts, Etc.). They fit into the mixes beautifully, sounding like they've been part of the group their whole lives. It's a real gem of a release and a likely future collectible 7" from the Brighton-based independent label Mr Bongo.
Review: A-grade diggers, label, shop and reissuers Mr Bongo are back with another of their essential offerings, this time in the form of a 7" taken from Swedish artist Sven Wunder's debut album Do?u cicekleri on new label Piano Piano. The resulting record is a seamless fusion of bright colours and bleeding pigments, real instruments and synthetic sound that is as worldly as they come. "Magnolia" here is the intoxicating a-side with its freewheeling drums and big lead lines, while "Lotus" takes us into a more oriental sound, with gypsy funk and dark-soul stylings making it delightfully hard to pin down.
Review: Since its release in 1973, Ze Roberto's debut single "Lotus 72 D" has become something of an in-demand item amongst collectors of soul-fired Brazilian "MPB". So much so, in fact, that Mr Bongo has licensed it and served up this 7" reissue. In its original A-side form, the track is a carnival-ready slab of samba-soul brilliance rich in razor-sharp horn blasts, rich bass guitar, punchy hand-percussion and twinkling jazz piano solos. Roberto's confident vocals take centre stage, inviting us towards the dancefloor. Over on the flip you'll find a "Fast Version" of Roberto's tribute to 1972 Formula 1 champ Emerson Fittipaldi. This has a slightly more dancefloor-centric tempo, an effect achieved when it was accidentally pitched up for inclusion on a 2001 compilation.
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