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Cat: VIS 444. Rel: 27 May 25
Deep House
Review: 20/20 Soundsystem were a four piece live band fronted by 20/20 Vision boss Ralph Lawson, leaving their stamp on events Sonar Barcelona, Glastonbury, Space Ibiza, EXIT, Love International, Creamfields Argentina, fabric London and Manchester WHP. They released two studio albums, the latter, 2008's Falling, lending its title track to a clutch of new mixes here courtesy of Random Factor and Fernando. The new versions bring a modern touch and fresh dancefloor-ready energy while never forgoing the spirit of the original. Random Factor's offering is a gritty and dubby electro version and Fernando offers a cosmic chugger with plenty of sci-fi sounds and wispy acid details. Sound.
… Read morePlayed by: Juno Recommends Deep House, DJ ROCCA
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Review: Portuguese legend and 30-year scene veteran A Paul is no stranger to Planet Rhythm - in fact he has already dropped an EP on the vital label this year. But now he's back with more on this Shadow Light six tracker. The opener is fast and dubby, stripped back and seductive for body and mind. 'Magnatizm' fizzes with more electricity and alien energy and 'Nocturnal' brings manic, anxiety-inducing loops. There is glitch and pent-up tension in 'Magnolia' while 'Dramatism' and 'Naperon' close out with more streamlined and tunnelling techno depths.
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Review: Bristol genre-blurrer A Sagittariun reemerges with 'The 23 Enigma', a three-track implied "conceptechno" EP, and his first new material since 2022's 'Strange Brew' on Rekids. Having already conquered Hypercolour, Running Back, Craigie Knowes and Secretsundaze, he's now spent close to fifteen years weaving strands of techno, ambient dub, breakbeat, and deeper electronics, lacing each with a heavy psychedelic dosage just shy of overdose. The latest hears 'Fountainhead' and 'Mind Games' offer a percussive jolt through rugged high-impact tools, set aside for dirtier floor works. The title track is the only one to trade the club's rough pulse for a subtler, high crown cognition, riding warped, muscular electronics till we reach an unbidden cavernous zone. A Sagittariun continues to operate outside the grid, where cosmic intent meets merciless studio power.
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RM 12030 (B-STOCK) (12")
Cat: RM 12030 (B-STOCK). Rel: 01 Jan 90
Breakbeat
B-STOCK: Sleeve slightly damaged, record slightly warped
Review: ***B-STOCK: Sleeve slightly damaged, record slightly warped***
A² was the electro, breaks and tech house duo Andy Panayi and Alec Stone, and this outing on R.A.N.D. Muzik Recordings is a four-track collection that comes years after the tragic passing of Panayi so serves as a poignant tribute from his close friends and family. Honouring Andy's legacy, the release captures the duo's innovative electronic spirit and is both a celebration of their work and a touching farewell. Musically 'Street Renegade' is a lithe breakbeat sound, 'Upton Park Breaks' is more dark and textured and 'Electro Boogie' is just that while 'Reckless' closes on a more spaced out and cosmic tip.
… Read moreA² was the electro, breaks and tech house duo Andy Panayi and Alec Stone, and this outing on R.A.N.D. Muzik Recordings is a four-track collection that comes years after the tragic passing of Panayi so serves as a poignant tribute from his close friends and family. Honouring Andy's legacy, the release captures the duo's innovative electronic spirit and is both a celebration of their work and a touching farewell. Musically 'Street Renegade' is a lithe breakbeat sound, 'Upton Park Breaks' is more dark and textured and 'Electro Boogie' is just that while 'Reckless' closes on a more spaced out and cosmic tip.
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Review: Amorphic and Tensal hook back in to the machine to dialyse their crafts once more, with 'Highland Frequencies' offering up four, machine-numbered atoning lambs to our mech overlords, following up the equally arrayed 'Distant Landscapes' EP (2024) on Blueprint. Now bringing their distinctive cataloguing system to the discographic vanitas Mord, four more 'AT' tracks make for an irresistibly well-layered, synthetically one-of-a-kind release. Only 'AT4' gets a subtitle, 'The Sleepwalker', where a sandman's slumbrous, lollygaggling beats somehow, at the same time, betray a subconscious, paradoxical restlessness.
… Read morePlayed by: Juno Recommends Techno
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Drone Logic (Harvey McKay re-edit) (limited 1-sided vinyl 12")
Cat: PH 142. Rel: 21 May 25
Minimal/Tech House
Review: This new 12" from Glaswegian producer Harvey McKay sees him reworking Daniel Avery's 'Drone Logic' into a driving, big-room missile i and it absolutely slaps. Upping the tempo and leaning into a more percussive framework, McKay doesn't just touch up the original's swirling psychedelia, he rebuilds it for peak-time pressure. The acid line is still there, twisted and stretched, but now it rides atop galloping drums, shimmering hi-hats and the kind of pneumatic swing that's become McKay's signature. It's a brand new release on Phantasy, pressed in a limited run of 500 and already a fixture in the sets of Avery, McKay and Erol Alkan. The sound is somewhere between soulful techno and heads-down warehouse hypnosis i powerful without being punishing. What's clever is how it stays true to the hazy mood of the source, but flips it into something entirely more immediate. As a one-sided 12" it's a bold statement, but one that's easy to understand: it only needs one track when it hits this hard. Built for high ceilings, smoke machines and stretched-out moments mid-set, this is an edit that earns its hype. A slow-burn classic reborn as a proper dancefloor weapon.
… Read morePlayed by: Juno Recommends Minimal Tech
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Review: Back by popular demand, this reissue from one of techno's true originators reminds us just how vital these tracks still sound. First released in 1992 and briefly reissued in 2000, these four cuts showcase a unique hybrid of Detroit precision and early European rave energy that continues to inspire. 'The Warning' leads the charge with classic machine-driven Detroit funk. Its rhythm is relentless yet controlled, mechanical yet human. The track feels like a transmission from a future imagined decades ago. 'Ghost' follows with a harder edge. It channels the energy of early Belgium rave with sharp chord stabs and that unmistakable Hoover-style synth. It hits fast and leaves a heavy impression. On Side-B, 'Ex-' is the most cinematic cut. Sci-fi textures, punchy drums and an off-world sense of atmosphere blend the sharpness of UK rave with Detroit's emotional weight. 'Dark Basse' is the banger of the EP with a stripped-back approach. Its minimal but moody framework makes it an instant attention grabber, offering something both haunting and dancefloor effective. These tracks remain timeless and prove once again that true underground techno never goes out of style.
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Review: Scruniversal's sub label Tunes Delivery invites Moscow scene veteran Leonid Lipelis to don his Beard In Dust moniker for their third instalment, one which dips into various different eras of dance history for inspiration. There's a distinctly late 80s feel to opening tune 'Music of the U', complete with sampled bell stabs and the kind of beats that wouldn't be out of place on an S'Express or early Coldcut house affair. 'The Armenian Break' and 'City of Love' look back even further, back to the female-fronted disco efforts of the 70s, the latter adding a touch of Balearic flourishes. 'Abstractish P' circles around some serene arpeggios, with rave whistles and, as it progresses, twisting guitar notes, lending it an individual air, while closer 'RoRyaRe' nods to ExCel-era 808 State with some nice bleepery before settling into more progressive headnodding territory and some distinctive synth play.
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Review: B2 Recordings is one of those labels that is deeply entrenched in proper house circles. Its latest comes from Begoa who keeps it nice and chill on 'I Won't Love You' (feat Mimi X FY). The drums are low-slung, the chords are breezy and warm. 'Bibi's Funk' then layers in some lively percussion that adds a nice texture to the swaggering, slo-mo grooves. 'Listen' picks up the pace with some electro-charged rhythms and corrugated bass funk and then 'Exiles' leaves you with another classy, spacious sound with persuasive claps and big splashy cymbals.
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Review: Nick Bike has been at it again, crafting high-grade club cuts that always make an impact. These two have already been well road-tested with great effect. 'Party People (Night & Day)' is the first and is a brilliant collision of some funky, soulful disco classics into one new and strident sound with irresistible claps and vocal hooks. On the flip is the scorching 'Every Night (Hold Me Tight)' which is just timeless and super smooth disco-funk with a persuasive charm. Two no-brainers here that will bring next-level fun to any set.
… Read morePlayed by: Ursula 1000, VRRS
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Review: Margate-based Braga Circuit showcases a refined signature style and knack for killer sampling with this standout debut on Air Miles. 'Fall' kicks off with amped-up chord stabs and brilliantly well-swung, rolling kicks that soon get those hips moving. 'Closer' oozes summer cool thanks to the balmy chords that soften the percussive, garage-flecked house drums. There is also plenty of Kerri Chandler soul in these here beats that makes them all the more essential. 'Filter Feed' layers up dusty perc and thudding kicks with sultry vocal whispers. It's steamy and irresistible and last but not least, Leod is another talent from the coastal town of Margate and remixes this one with a more direct and dubby style.
… Read morePlayed by: Juno Recommends Minimal Tech, Juno Records Staff Picks
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Review: Bruce is back for the second release from Poorly Knit and it's an experimental three-track for more out there dancefloors. 'Belly (Two Mississippi)' has hurried drum loops that flap and underlap beneath tortured pads, shrieking elephant trumpets and ghoulish vocals that really are unsettling. 'Burned Alive (More Gauze)' as you may guess from the title, is another freaky bit of rhythm and sound with distant alarms, mangled vocal fragments and a dub underbelly. 'Hot One (Chapped Lips version)' is a wispy and minimal soundscape full of paranoia and intrigue. Play loud, but only if you dare.
… Read more in stock $12.62
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Cat: CYN 082 (B-STOCK). Rel: 01 Jan 90
Minimal/Tech House
B-STOCK: Sleeve damaged but otherwise in excellent condition
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Minimal house legend Thomas Melchior and Montreal's Flabbergast duo bring their skills to remix Calcio Club's cool System Check EP. Melchior is one of our favs when it comes to silky, deep, minimal house and here delivers a remix that retains the original's groove while smoothly transitioning into lush synth vibes. Flabbergast's Guillaume Coutu Dumont and Vincent Lemieux have a sound just as distinctive and offer two remixes that push micro-house's limits. Their tracks feature mind-bending effects, Moog-style synth hooks and a burst of percussion that all lead the remixes to a new level of dance floor ecstasy.
… Read moreMinimal house legend Thomas Melchior and Montreal's Flabbergast duo bring their skills to remix Calcio Club's cool System Check EP. Melchior is one of our favs when it comes to silky, deep, minimal house and here delivers a remix that retains the original's groove while smoothly transitioning into lush synth vibes. Flabbergast's Guillaume Coutu Dumont and Vincent Lemieux have a sound just as distinctive and offer two remixes that push micro-house's limits. Their tracks feature mind-bending effects, Moog-style synth hooks and a burst of percussion that all lead the remixes to a new level of dance floor ecstasy.
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Review: Brazilian talent Rafael Cancian has grown in stature thanks to solid outings on the tasteful likes of Razor-N-Tape and Hot Pot Records. Now with that profile established, he heads out with a new label of his own in the form of About Disco. He inaugurates it with a quartet of edits that he has already been deploying to great effect on various dancefloors around the world. 'Sounds Chicago' does indeed with raw drums and great keys dancing over the beats. 'Ti Amo' has a more funky undercarriage and disco percussion, 'D'Afrique' again brings a funky bass riff to the fore with some psyched-out sounds for company and 'Opera' shuts down with some late-night and soul-drenched synths over intimate and stripped back house drums.
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Review: The Swiss producer and mastering engineer, now rooted in Lisbon, Chlar returns with an evocative slab of techno that feels both ancient and forward facing. With over a dozen EPs under their belt, this latest four-tracker solidifies his mastery of atmospheric, rhythm-heavy sound design. Side-A opens with 'Altitude', a primal and hedonistic tribal techno cut that recalls the spirit of Blueprint Records or early James Ruskin. It's a raw, driving rhythm that feels carved out of stone, a cavernous groove echoing through the walls of a rhythm cave. 'Serac' follows with a deep bassline and a futuristic, yet organic pulse that balances modern machine funk with a ceremonial, ritualistic undertone. There's a timeless quality to the way it moves. Side-B begins with 'Lamin', perhaps the EP's most cinematic piece. It's clean and spacious, yet cloaked in tension, like an alien landscape where mystery simmers beneath the surface. 'Phantom Grid' closes the record with a no-nonsense percussive workout, all warehouse minimalism and skeletal intensity, perfect for peak-hour darkness. It's atmospheric, confident and comes with a big dose of sonic storytelling. What more could you want from your techno?!
… Read morePlayed by: Juno Recommends Techno
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Review: Nutria Sounds is a new sub-label of Kai Alce's rightly revered deep house stable, NDATL Muzik, and it's back with 002 here with an EP by rising Toronto producer Marcelo Cruz, who delivers spiritually rich, dancefloor-ready grooves. 'Mi Espiritu (feat Jaidene Veda)' opens with haunting vocals layered over emotive percussion and bubbly drums, then 'Ceremonia' follows with Carlito Brigante's expressive piano dancing atop hypnotic rhythms that bring to mind sacred rituals. Closing track 'Deeper Dreams' dives into raw, underground territory with cuddly bass and stripped-back drums. It's a tasteful one from Nutria Sounds, which seems set to become a crucial new outlet for organic, soulful dance gems.
… Read morePlayed by: Dj Aakmael, Juno Recommends Deep House
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Review: Swiss label Acquit welcomes back D'Funk for more of their no-frills techno. It's seductive stuff from the off with the opener 'In Your Hood' layers up mind-melting synth sequences with sleek beats. "Let's Play' is a more bulky cut with slamming drums and subtle percussive details then 'My Next Turn' pairs things back to rubbery drum loops and dubby chords that sound all gooey and gloopy. 'Glitch My Funk' picks things up with more taught kick drums that compel you to dance as the delicate cosmic vibes permeate the groove. 'Killing Me Deeply' is a nice raw analogue deep house closer that kicks like a mule.
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Review: The impeccable Spanish label Non Series revises some D Leria material here with a quartet of brilliant remixes from different artists. Shoal is first to step up and remixes 'Kaleidoskop' into a deep, heavy mind melter with spangled leads taking you down the rabbit hole. 'Voodoo Magic' (Polygonia remix) has an eerie and post-human energy to it with rolling drums and slithering synths all getting you on edge. Anthony Linell remixes 'Apnea' with a superbly meditative take on atmospheric linear techno and last of all, D Leria steps up for a live mix of 'Goccia' that fizzes with static and describes an otherworldly landscape with great detail.
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Review: Italian producer D-Leria and Argentine artist Translate hop by the the AMTK+ series for its fifth volume, inning four sharp tunes flaunting respective precision and range. 'Filterbank' brings relentless low-end pressure and gritty, bunker breaching pounds, while 'Let It Be' veers into more unexpected territory, looping chopped vocals round a tight coil of laryngeal copper. Flip over for Translate's 'Notation, a wirier mesh of bleeps and spatial design, before the murkier, throbbing layers of 'Shifted Communication' flick us round the face with spring-loaded, space hopper bass design.
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Review: REPRESS ALERT!: In case you didn't know, Reliance is yet another label from man like Burnski, the UK powerhouse who is almost single-handedly spearheading a sound that fuses garage, house and tech into something irresistible for the club. He invites Job de Jong to step up for the label's second outing and 'Dub House' is a great opener with just the right amount of bounce, melody and heart. Kepler remixes it into a percussive stomper with siren stabs and dusty perc. 'Emergency' is a trippy melodic workout that bends space and time and 'Don't Wanna Stop, Dub Stop' chucks a killer vocal into the mix over sleazy drums and garage drums that are always going to get big reactions.
… Read more in stock $13.17
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Cat: KNTXT 007 (B-STOCK). Rel: 01 Jan 90
Techno
B-STOCK: Sleeve damaged but otherwise in excellent condition
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
On Rave On Time, her third EP of 2020, Charlotte De Witte giddily pays tribute to the throbbing, warehouse-ready techno sound of her home city of Ghent - and particularly the intense, mind-bending brand particularly associated with R&S Records in the early 1990s. De Witte sets the tone via the razor-sharp and insanely heavy title track, where ragged acid lines and spiky synth stabs leap above a stomping techno groove, before opting for drums, drums and more drums on the restless 'There's No One Left To Trust'. Acid techno is the order of the day on 'The World Inside' and 'Common Era', while triple-time closing cut 'Wahr Ist Sie Dann' is an odd, alien-sounding treat.
… Read moreOn Rave On Time, her third EP of 2020, Charlotte De Witte giddily pays tribute to the throbbing, warehouse-ready techno sound of her home city of Ghent - and particularly the intense, mind-bending brand particularly associated with R&S Records in the early 1990s. De Witte sets the tone via the razor-sharp and insanely heavy title track, where ragged acid lines and spiky synth stabs leap above a stomping techno groove, before opting for drums, drums and more drums on the restless 'There's No One Left To Trust'. Acid techno is the order of the day on 'The World Inside' and 'Common Era', while triple-time closing cut 'Wahr Ist Sie Dann' is an odd, alien-sounding treat.
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Review: Ron Hardy's legacy lives on though stories of his legendary DJ sets but also his seemingly endless catalogue of edits and reworks of the tunes he played in his heyday. Here we have another such exhibit in which he flips some classic disco. The original version of 'No Way Back' is riddled with picked guitar licks and dreamy keys while a funky low end moves on this disco-rock gem as brass bursts out for added oomph. Hardy ups the pace, twists it beyond this realm and adds big drum breaks that are Prue bit for dancers. It's a classic in its own right that gets regular plays by more bold and eclectic DJs.
… Read morePlayed by: Pete Haigh
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Review: Developer returns to his own label with another deep dive into the American's own production archives. What he finds is plenty of his signature groove-centric and mind-melting techno for connoisseurs only. 'Niburian 19' is anxious and urgent with its tightly looped synths and hurried drums. 'Niburian 22' is just as much in a hurry with restless synth motifs busying about the dubby drum loops. 'Niburian 10B' brings a psychedelic twist with synth scribbles bringing real panic to the low ends, and 'Niburian 11' then provides some comfort with a long-form tapestry that weaves melancholic pads with thudding rubbery kicks and a more forlorn, introspective mood.
… Read more in stock $14.02
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Review: Dark tech house's current Olympic torch-bearer, Inermu, present the seventh edition in their very own vari-prod vinyl series. A polysemous production outfit whose guises vary, this new one from Dexter James and Dominic Aquila presents a hard-nosed heater from the lockoff London crew. With most of their releases having been housed on black labels so far, this one is an exceptional whiteout, with lemni-skating delays and conga-happy tribal drives resounding across 'Tougher & Darker' and 'Music For Dark Rooms'. 'No Other' completes the record with a downtime B-side, with subtle pad swirls and taciturn talking drums working well as substitute basslines.
… Read morePlayed by: Juno Recommends Minimal Tech
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Cat: TRSN 027 (B-STOCK). Rel: 01 Jan 90
Techno
B-STOCK: Sleeve damaged but otherwise in excellent condition
Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Disguised returns to TRSN with an exhilarating EP that includes standout remixes by MYLE (aka Julian Muller) and Levzon. The Berlin-based duo TRSN is admired for their dynamic and hypnotic soundscapes and continues to captivate and find new creative ground here following the success of their debut album and a remarkable first set on Boiler Room earlier this year. Across this 12" you will hear their signature blend of energy and depth, great use of vocal hooks and fine grass of how to get a 'floor in a frenzy.
… Read moreDisguised returns to TRSN with an exhilarating EP that includes standout remixes by MYLE (aka Julian Muller) and Levzon. The Berlin-based duo TRSN is admired for their dynamic and hypnotic soundscapes and continues to captivate and find new creative ground here following the success of their debut album and a remarkable first set on Boiler Room earlier this year. Across this 12" you will hear their signature blend of energy and depth, great use of vocal hooks and fine grass of how to get a 'floor in a frenzy.
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Review: This latest Unxpozd release has taken a hot minute to arrive but it's been worth the wait, because once again DJ Aakmael shows off his deep house class. '6minutes' kicks off with the sort of whimsical late-night chords that soon get you dreaming as the loveably lazy grooves slouch on. 'Just A Track pt. 8' shows Aakmael's sample skills as he chops up the sounds with some nice jazzy keys. You won't find a groove more lush and smooth than the gently cosmic 'Track 123' while 'Autumn' is perfectly stripped back to chunky kicks, slowly ascending chords and a hint of Kerri Chandler soul with a gospel vocal hook.
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Review: Chicago has many legendary figures, but one who stands proud among many is DJ Deeon, a low-end legend and widely considered to be the true Godfather of ghetto house. He dropped this EP originally back in 2013, and it is one of many that soon became classic, which is why it gets this remix from Chiwax. 'Happy' perfectly summarises Deeon's sound - booming and heavyweight kick and drums, smart samples looped perfectly and big hooks. 'The Truth' speeds things up and brings that Ghetto sleaze, and 'R U Sure' is a more minimal sound that still bangs like a heavyweight. 'Gigabytes' is full of caustic synths and blending melodies that bring sheer chaos to the club.
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Cat: SOUNDS 013. Rel: 06 Jun 25
Techno
Review: First released in the golden year of 1996 under Joe Manumaleuna's longstanding formative alias DJ Hyperactive, this founding Chi-bleep bluff-caller on 12" took the world by paretic storm just as easily back then as it surely will do now. Communique Records, executive vicars of the Sounds sublabel, now do a stellar job of reissuing this crazy-making clobberer, having first remastered it from the original DATs. 'Muzik Make You Lose Control' and 'Drummer Boy' riff off Chicago's rich percussive history, while 'Circle Of Life' and 'Alteno' go wilder on the monophonic synthwork, to eerily maddening effect.
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Review: Keith Tucker aka DJ K-1 is back with more of his stripped-back electro magic, complete with trademark vocoder flair. His 'My Name Is DJ K-1' is a six-tracker EP that is reminiscent of his classic K-1 Agenda era on Direct Beat. The original mix here leans into Kraftwerk-style futurism while DMX Krew's remix adds a darker, sample-heavy twist full of Motor City-style techno and bass brilliance. The 'Beat Mix' is pure looped funk so is perfect for seamless blends while the 'Detroit Jit Mi' offers a full vocal rap with local flavor. The goodness keeps on coming with the 'SPOCK Mix' and its eerie, spacey strings, and the 'NAVI Mix' is a hypnotic bonus beat version soaked in synth puddles and absorbing rhythmic tension. Irresistible stuff.
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Review: He's the original (and maybe only self-proclaimed?) house gangster and he is back in 2025 and sounding as good as ever. Puerto Rico by way of Chicago's DJ Sneak makes beats as raw as the meat he likes to chuck on his BBQ grill and UK house legend Nail must be a fan cause it's his label he lands on now. This is a solid four-tracker that ticks all the boxes with its killer grooves and smart loops. 'All I Need In Life' is a playful opener, 'Das Gud!' gets more intense and trippy with its bleepy melodic refrains and 'Help Me Somebody' then sinks back into loose and dusty, disco-tinged drums with classic cowbell hits. 'What You Expecting From Me' is a sweaty and gritty warehouse banger to close with aplomb.
… Read morePlayed by: Juno Recommends Deep House
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Review: Take It Easy! We need more taglines like these in such trying and self-recriminatory times, where the stresses of a part-imagined urgency prevent us from decompressing in the way our social lives really should allow for. But is dance music, whose traditional motto is to "jack", compatible with such a mantra? DJLMP shatters these apparent antinomies of relaxation and danceability with three new edited heaters here, designed for triumphant joie de vives of the kind that do not poke, prod or demand too much from us. A later Diana Ross sample is put on heavy opening rotation on 'Diana's Loop', while similarly echoic verboffs are exchanged on 'Spring Touch', where dub delays haze the mix into something a little more convulsive. Space for wonky downtime is reserved on the B's 'Reggatronic', in a rare case of hip, lo-fi breathing room reserved for a dance record.
… Read morePlayed by: Fabietto Delgado (Ankle Release), The Owl
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Review: After a quiet return via Neroli, Domu comes full circle to 2000black with a final statement after 25 years of sonic highs, lows and plenty of reinvention. Haunted by the echoes of jungle's past, Domu steps away for good, he says, with this final outing, which leaves behind three deeply personal tracks. 'A Madness' brims with urgent, sample-heavy energy and signature keys. 'Not Him Again' is a jam with longtime collaborator Robert Marin that plays with tempo and hip-hop norms. 'Them Things' then seeks to capture an elusive feeling and closes an EP that is Domu at his most reflective and raw. The end of an era. Don't let it pass you by.
… Read morePlayed by: ISOUL8 (Volcov), DAN MELA (RUDAN/ADULTS ONLY+25)
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Review: REPRESS ALERT!: Canadian go-slow master Eddie C is back with more of his sumptuous and sensuous grooves on the magnificent Funkyjaws Music. This new 12" kicks off with the emotionally intense and gospel-laced vocal sounds of 'Jesus Calling' with a passionate pastor lighting up the airways. 'Show Me The Way' is a more paired down sound this time with a raw soul edge and nice dusty drums, then 'Superior Disco' brings some lavish string stabs and funky basslines to some killer instrumental grooves. 'Loud Minority' closes out with some lovely jazzy organ work over more low-slung and dusty disco beats.
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Played by: La Fleur, Local Zero, Rocco Universal, Dicky Trisco, Jaffa Surfa, Bad Passion Project, SOFTWAR, ZNTN, Corbi, Jeff Daniels, Humberto Matias, Jose Manuel, Superbreak, Solid State - Strobe Life Sheffield, Anthony Mansfield, Marcel Vogel, Mike W - Kolour LTD, Juno Recommends Disco, Luke Solomon, Demetrio Giannice (Enterbt Rec.), Steve Lee, Sleazy Beats Recordings, NICK V, 78 Edits, Jon Reynolds (LANDED Records), Sean Innit, Enterbt Rec., Justin Gg Green, Jónbjörn, Markus Schneider / Robot Scientists, Magnier (House of Disco), Rocco Raimundo, Samann (Traxx Underground), Dam Swindle, KS French, Tee Mango, SHMLSS, Nicky Soft Touch
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Review: Belgian DJ and producer FAiG has been making techno for decades under several different aliases for plenty of top labels. His latest on Planet Rhythm is another hefty slab of subversive sonics with 'South West' layering up streamlined drums and bass with rickety percussion that pans about the mix as distant synths flesh things out further without ever detracting from the rhythm. 'Logg' is more unhinged and urgent with manic synth loops and alarming sirens getting your hackles up as the drums bump on. 'Deep Within' is stylish 90s techno with funky claps skating over the pumping drums and silky bass. 'Taro' runs out with sub-aquatic and dubbed out loopy deepness. It's simple but done well and impossibly effective.
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Review: Fashion Flesh aka John Talaga debuts on ESP Institute with two mind-bending tracks crafted from homemade electronics, circuit-bent gear and tape manipulations. Side A's 'Atoms Revolt' explores the secret lives of machines while channelling chaotic energy into controlled sonic accidents, layered distortion and surreal textures. Side B's 'New Freedom' evokes a dystopian adventure into Detroit's decaying industrial sprawl while fusing Geiger-like pulses and eerie oscillations with fragmented voices into a dark rhythmic storm. Talaga's ability to extract soul from machines is remarkable here in what is a visceral and cerebral EP.
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Review: Fedo prides himself on exploring beyond the usual genre tropes you get in minimal and tech house worlds. Opener 'Sin Titulo' goes some way to proving that with its innovative take on club-ready tech and boiled-down minimal synths. 'Calisthenics & Coffee' is a trippy blend of smooth bass and undulating neon pads. Warped vocals also pepper the mix to keep the brain and body occupied. 'Film Noir' indeed brings a darker energy and 'My Weapon' shuts down with some razor shape precision.
… Read morePlayed by: Juno Recommends Minimal Tech
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Review: Rotterdam producer, vocalist and DJ, Skyes (Mike Everling) is one of Fokuz's favourite upstartists, this being his third contribution to the label after a brilliant opening Minos collab 'Looney Tunes', then followed by an equi-tastic toon jungle four-tracker from 2024, 'Never Say Never'. This time he's got a 'Jazz Hangover', with 'Holding Back' bringing crudely resampled bloops and vocal ohs, and 'Send Away' enlarging the junglist massive through filtered dub triggers and rousing brass. Don't sleep on the B-sides either, where the title track sobers us with a dose of breaks mechanisation following an implied overindulgence in jazz humanity.
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Review: The Two Houses is a musical project memorialising prominent members of New York's House of LaBeija and House of Xtravaganza, many of whom have passed away since their founding in 1977 and 1982 respectively. Initially the song was a personal tribute to Simone LaBeija, who tragically died in 2023 but it subsequently evolved into a broader ballroom memorial project when Grammy nominee Rush Davis from Xtravaganza became involved as vocalist and co-writer.
The track is a roll call, an homage and a dedication to the original founders of New York's ballroom community. Those lesser-known heroes who paved the way for the now fully exploited global phenomena we know today.
As Queer, and more specifically Trans human rights come under increasing attack, The Two Houses remembers, underscores and reveres those pioneering artists responsible for the birth of ballroom culture and more broadly, their place in the history of House Music itself.
… Read moreThe track is a roll call, an homage and a dedication to the original founders of New York's ballroom community. Those lesser-known heroes who paved the way for the now fully exploited global phenomena we know today.
As Queer, and more specifically Trans human rights come under increasing attack, The Two Houses remembers, underscores and reveres those pioneering artists responsible for the birth of ballroom culture and more broadly, their place in the history of House Music itself.
in stock $14.57
