Back catalogue: Techno (すべて)

Review: The Distorsion camp offers up its first sampler as a way of teasing you with the sort of quality sounds and artists it has on its roster. First up is a three-way collab between Citybox, Hankook & Orebeat whose 'Dangerous Changes' is an intense breakbeat workout for the peak time. Orebeat & Alex Clubbers keep the energy levels high and inject early 00s video-game style synths, Orebeat & Citybox keep it dark and raw with 'Gangsta' and Orebeat & JottaFrank laced up their thrilling breaks with acid lines and sleazy vocals on "Noche De Paris.' This is potent stuff for strobe-lit floors.

Review: O! Kult was a post-punk and industrial band from Yugoslavia that was active in the 1980s. Like many of their peers at the time, they were censored by the communist party that was in charge but that didn't stop them from making music and gaining a cult following. Their cut 'Zvestoba' has been found in old Radio student archives and brought back to life here and then remixed by modern luminaries Silent Servant, Christian Kroupa (who is one half of Black Dot) and 198319831983. They add weighty tech, EBM and moody electro vibes to make for a strong package.

Review: GNC’s first release, Ritmo De Escape, brings Ivan Olson to the forefront with a five-track EP steeped in late 80s and early 90s nostalgia, capturing the spirit of the Belgian and German new beat and EBM scenes. Each track, produced with Bikatronika and a remix by DJ Noche, is crafted for high-intensity club sets that blend deep, gritty basslines with hypnotic leads. The EP’s standout moments bridge classic synthpop warmth with today’s electro-techno edge—great for turning up the energy mid-set or closing out a long night with just the right dose of throwback groove.

Review: FXHE maintain their monthly heat emission for 2012, with label boss Omar S displaying all aspects of his production prowess (as well as skill for a humorous track titles) across four productions - one of which features the button bashing assistance of one Patrik Sjeren. There's something icily brilliant about the restrained "Income Tax Refund Dance" melding a dark piano riff with snapping 808 kicks and rippling lo fi rhythms which only further justifies the title of Omar S's killer 2011 LP. It's complemented by the far rowdier box jam "The White Castle Song" which jackhammers a simple yet highly flammable key riff over low rent percussion for FXHE's most potent ode to the perfect warehouse moment since the all conquering "Here's Your Trance..." Given the lack of additional info, we presume the Patrik Sjeren that produces the B Side "Untitled" track is the same Patrik Sjeren that released in the mid 90s under a multiplicity of aliases, and his contribution is every bit as incendiary as the track preceding it, whilst "3c 273" sees Omar S slip into pensive utopian electro mode with aplomb.

Review: SIKU's various artists offerings always result in a nice and varied sound across two sides of vinyl and the sixth such drop is another one worth of attention for techno heads. Onoffon opens with 'Matter What' which rides on raw drums with slapping hits and stark synths, while Sebastian's 'Dreams Metaphors' has a ghoulish energy and dark, twisted synth menace. Rufo brings some cosmic wonder and bleeping melodic sequences to 'Mr Wonderful' and Brian Topham's 'Expressive Dimension' is a straight up tool with burrowing leads.

Review: Optic Nerve's - or Keith Tucker's if you prefer - Fragments EP is the last of the year from the Puzzlebox label and is a lush and futuristic techno offering that lands on limited white vinyl. 'Linear Motion' is powered by a sleek and propulsive deep techno bassline with solid stabs and majestic arp sequences. 'Echoes' is just as dreamy in its melody but then becomes a hefty techno stomper and 'Metallics' brings rich bell sounds, peak time drums and real class to any DJ set. 'Sequence in Time' is the closer with its hyper speed, icy melodies and twisted synths all making for a scintillating sound.

Review: Giammarco Orsini and Intheismah join forces on a release that melds hypnotic techno with progressive and electro-EBM influences. Shadowy textures and haunting rhythms lay the groundwork, while immersive melodies thread through each track, creating a deeply atmospheric listening experience. The fusion of genres feels deliberate and powerful, with a clear intent to captivate the dancefloor. This is a soundtrack for the season's darker moods, where subtle shifts in rhythm and texture keep the energy simmering while hinting at the after-hours spirit that defines the best of contemporary techno.

Review: Tne sixth drop on 3no comes trom Otis, who taps into the dark and deadly side or analogue
techno in keeping with previous entrants on the label like The Analogue Cops and Qasio. 'Out Of
Control' Is a creepy slice of acid techno with unsettling vocoder vocal touches ano a slammina
rhythm section, while 'Reactivation Process' ramps up the dystopian electro sonics to devastating
effect. 'D-Generation' turns up the heat with layer upon layer of darkside 303s, and 'Electro
Magnetic Resonance' juggles crunchy industrial percussion atop a pulsing groove that will keep
the floor in motion deep into the night

Review: Ovatow is but one outlet for Wilco Klen van Bennekom, the man running the Frustrated Funk family of labels from Rotterdam. It's not so often we get treated to a drop of fresh productions from someone normally releasing other people's music, so 10 years on from the last Ovatow outing, it's time to sit up and take notice of this new drop on Frustrated sub label Harbour City Sorrow. There's an echo chamber veneer hanging over this two-tracker which finds the worlds of electro and dub techno colliding with stunning results. If you value deep-diving electronics with expansive atmospheres, this record is for you.

Review: Ovatow is one of several aliases from the DJ, producer, graphic designer and Frustrated Funk label head also known as Klen. It is one he saves for dubbed out solo experiments and this EP first dropped back in 2007. It stands up now though as a tasteful Collins of electro, dub and techno. 'Flame' kicks off with wobbly synth hooks and ice-cold analogue beats. 'Visitation Dub III' then sinks down into a moody, grainy and lo-fi world of deepest dub and 'A Thought' flips the vibe again with a bright and busy electro workout. It pairs the coldness of machine hits with the liquid soul of some lush synth melodies. Classy stuff, for sure.

Review: This is the third full-length album by veteran Swedish producer Ola Obergman who has been producing since the turn of the millennium on respected imprints such as Skam, Borft and Futhur Electronix. A heavy collection of 808-based fusion in classic Pariter style, Mirror Counterpart is a cohesive effort featuring some truly impressive productions; from the early proto-house sound of the title track, to the Detroit influenced hi-tech soul cuts on the second disc - 'Indeterminacy' and 'Stellar Triangulation' respectively - going into 4/4 robot funk on the second disc with 'Alice Matter' and 'Uncertiny Principle' being the highlights. Superb.