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Back catalogue: Techno (すべて)
Juno's full catalogue of Techno (すべて)
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Review: Amazing next-gen cyborg dance music from sibling duo Mathame (Amedeo Giovanelli, Matteo Giovanelli) , a self-described "audio project" working in ultra-clean progressive house sounds. 'I Will Find You' sounds like a progressive anthem from an Arcadian alternate timeline; think what might happen if Tiesto performed a DJ set in the Halo universe, to a stadium full of Super Soldiers. Its front cover model - a cyborg girl with an augmented plate face mask - is indicative enough of the sound you might expect, but the brothers Mathame's music touches on more than just futurity, with tautly squeezed vocals and "ouch" synths adding to an already impressive uplifter.
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Review: Italian duo Mathame return with a new single, which they wrote to embody the essence of summer through its energetic melodies and uplifting vibe. It was created during their 2024 tours across Mexico and Asia and was refined through live performances in New York City and Ibiza. It has all the hallmarks of a summer anthem, frankly - the sentimental dance-pop vocals, the big synth waves, the happy melodies and the big, bold, accessible drums. It's well produced, bright and shiny and is easy to sing back when dropped on vast festival stages.
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Review: Alpha Tracks introduces the new label Airways as an open platform celebrating the full range of electronic music. Dedicated to exploration, it promises to offer a creative space where innovative sounds and new musical visions can flourish without genre restrictions. Launching this new imprint is Scandinavian trance artist and avant-garde talent Mikkel Rev who delivers an impressive debut that captures the label's unbound creative spirit. 'Ocean X' opens with turbocharged beats and euphoric pads, 'Submerger' has a darker heart and 'Anhedral unfolds in overdrive with glossy, psychedelic synth colours before the moody depths of 'Internal Unrest'.
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Review: The Model brings great form and function to this arresting new EP on long-running French label Partout. It kicks off with 'I Am Always On Your Mind' which has bright, glass melodies and snappy snares that very much get your attention while 'Crossover' is a more frazzled bit of synth-laden techno with sci-fi motifs and withering melodies. 'Six Days Of Heat' is a slower groove with another big focus on the melodies, this time they are rather eerie and unsettling. Last of all is 'Global' with its smeared pads and dusty drum work.
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Review: Molen's 'Future Is Gone' delivers four standout techno tracks, bringing a futuristic energy to the dancefloor. Side-1 kicks off with the title song, driven by a pulsating bassline and a powerful groove, enhanced by spacey sound effects that add an extra dimension. Next up is 'Medano', a journey into a sci-fi world with an exciting acid line and a rhythm that builds in intensity, making it a true trip. On Side-2, 'Suggestion' keeps the momentum going with a killer beat that makes it another solid addition to the release. Finally, 'Basic Instinct' brings an 80s-inspired groove, blending new beat and electro influences for something fresh and unique. This EP from Special Bounce packs plenty of variety, perfect for fans of innovative techno who are looking to get lost in a futuristic vibe.
… Read morePlayed by: Alexis Le-Tan, Juno Recommends Techno
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Tonight In Belfast (12")
Cat: LMS 1725155. Rel: 29 Nov 24
Review: Poet, librarian, Mancunian, father, husband, uncle, brother. Mike Garry is many things to many people, but tonight, Matthew, his voices guides our eyes upwards, inviting us to stargaze to one of Orbital's most emotionally resonant and timeless pieces of rave noise. Belfast Revisited would be one way to describe it, taking some of the classic and unmistakable elements of that anthem and turning it into something new. First and foremost freshness comes with the spoken word addition - a thoroughly positive, passionate and amorous declaration of unending love that could feel jarring depending on whether you always felt 'Belfast' was reflective and slightly melancholy, or not. Gone too are the breaks, replaced now by stadium-sized four-to-the-floor turning what was once the end of the night walking home at dawn into something that sounds way more 11PM at the concert.
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