Back catalogue: Techno (すべて)

Review: Jordan GCZ, who you may remember as half of JuJu & Jordash, brings a jazz sensibility to his take on techno. It's crafted on an array of outboard gear and dusty of synths, which lends it such a lovely, lived-in quality. His melodies are always meaningful, too, whether futuristic or nostalgic. There is a hint of the latter to the opener which has a whimsical charm over dusty house beats. 'Timbit Acid' is a wonkier workout with warped 303s, 'Beaver Tail' showcases masterful synth patterns and glisten pads that soften the speedy beats and 'All Dressed' is a nice twist on early Detroit techno with more freeform leads.

Review: Italian producer J.P Energy resurfaces with a reissue of two rare late-90s works-deep, percussive hybrids from a fertile moment in underground Italian club culture. Originally released in 1997, 'Prima Dell'Alba' and 'Forbidden Planet' blur the lines between early trance and stripped-back techno, brimming with cinematic tension and pulsing groove. 'Prima Dell'Alba' is the more mysterious of the pair: tribal rhythms, eerie pads and a gradual rise in intensity evoke a kind of sunrise ritual for the dancefloor. The original mix of 'Forbidden Planet' delivers a leaner, more mechanical energy-icy and forceful but with a meditative undertow. A 2025 revisited mix by J.P Energy himself kicks things off on the A-side, reimagining the track with updated production and added spatial depth, without losing the spirit of the original. As part of the Sound Migration series, this reissue pays tribute to a singular voice in Italian electronic music-subtle, rhythmic, and visionary.

Review: Montreal's Jump Source makes it six with four tracks engineered for maximum impact on the dancefloor. Side A features 'Bleach' and 'Condenser,' which are all about building and sustaining tension through bold, cyclical progressions. 'Condenser' was co-produced with Sabola and leans heavily on the Roland SH-05, which anchors the track with analogue grit. The mood shifts of the flip with vocal-driven cuts from Martyn Bootyspoon and Frankie Teardrop adding a hint of introspective flair to the club ready grooves. 'On' takes a confrontational edge, while 'Get It Done' rides a cooler groove.

Review: Passing Currents aims to stand out from the predictable by offering a deeply human touch in its music. This five-tracker backs that up by melding academic expertise with dancefloor intuition and the A-side features txted by Phil Moffa remixed by Yamaha DSP coder okpk after they met during doctoral studies, they flip technical mastery into bass-driven energy while Atrevido' fuses California warmth with analogue electro, Josh Dahlberg's rediscovered 2009 electro gem, 'Ass On The Floor', still bangs and Detroit's Kevin Reynolds delivers hypnotic grooves before Hazmat Live pushes boundaries with a sound rooted in soulful, experimental innovation.