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Review: Italy's finest sound-purveyors Slow Motion proffer a fantastic new release from CEO Fabrizio Mammarella in collaboration with Rodion, collaboratively recorded at the Marche Synth Museum (Museo Del Synth Marchigiano). A fully functional recording space, the museum houses several private collections of Italian electronic musical instruments, gathered over the many years since their creation; whether the artists actually got to use any of these classic machines remains to be uttered, but we can't deny that they were inspired. Both artists do thorough justice to their Marche region roots here, laying down eight slices of industrial dungeon-electro, mind-melting acid rollouts and spoken-n'-spelled ritual dances.

Review: Every new Carl Finlow record release brings an enthusiastic interest to those who follow him. Carl's robotic electro prowess is on full display on the A-side in 'Heed'. Fans of early 80s electro, Kraftwerk and the future of the genre, swear by this guy. 'Overlord' is a deeper groove that reminds of his otherworldly Silicon Scally moniker. 'Expansion' is just down right dirty. Nuff said! Dangerous stuff from one of the most consistent producers in futuristic electro.

Review: Jinje is a solo project from Lee Malcolm, a founding member of the Leeds-based experimental band Vessels. His music in solo mode is just as singer and hard to categorise as with his band and here on Mesh he veers between electronic, synthetic and organic sound worlds with driving breakbeats topped with gorgeous string sounds, hype-real synths and a shimmering sense of sonic futurism that is awash with melody. These are hugely detailed tracks but the overall picture is never confused as his arrangements ebb and flow with great clarity and make both a physical and emotional impact.