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Cat: GENTLE 22CD. Rel: 13 Nov 20
Modern Classical
Silent Night
Good King Wenceslas
Silver Bells
Rest Ye Merry Gentlemen
Last Christmas
The Banister Bough (feat Feist)
Jingle Bells
All I Want For Christmas Is You
In The Bleak Midwinter (feat Jarvis Cocker)
Snow Is Falling In Manhattan (feat Jarvis Cocker & Feist)
O Tannenbaum
Maria Durch Ein Dornwald Ging
O Come, All Ye Faithful
We Three Kings
Auld Lang Mynor
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Review: Parallel Universe is a label into its second release here, following up a terrific debut with contributions from some of the scene's most ascendant names. On its second missive, they've tapped Antwerp's Nathan Boost who contributes the trippy, boompty, minimal house groove of 'Cloning Sequence', while Irishman Dylan Forbes serves up a throwback to early '90s rave on the breakbeat-infused euphoria of 'Ephemeral Ecstasy'. Elsewhere, Luke Mazzeri aka ModEx takes you to a higher state of consciousness on the early techno sound of 'Standardised Retro Augmentation' and finally E00's 'Birdwatching' is a mish-mash of tropes from classic house, IDM and trance.
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Played by: Fradinho
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Old Banger EP (hand-numbered hand-stamped 12" + MP3 download code in screen-printed sleeve limited to 300 copies)
Cat: BROMBERT 002. Rel: 17 May 22
Techno
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Review: For the second release on New York City's Peace Anthem Records, Annie Garlid
Aka UCC Harlo - a viola player and singer from Connecticut, living in Berlin - joins NY Graffiti for what the label so eloquently described itself as 'Ketamine-paced grooves, baroque miniatures, hazy-humid sonics, and dub inflections'. On the A side, you've got UCC Harlo serving up the minimal atmospherics of 'Let's See' awash in shimmering FM synth aesthetics, followed over on the flip by the evocative breaks of 'UN' by NY Graffiti, not to mention each of them delivering a remix of the other's track.
… Read moreAka UCC Harlo - a viola player and singer from Connecticut, living in Berlin - joins NY Graffiti for what the label so eloquently described itself as 'Ketamine-paced grooves, baroque miniatures, hazy-humid sonics, and dub inflections'. On the A side, you've got UCC Harlo serving up the minimal atmospherics of 'Let's See' awash in shimmering FM synth aesthetics, followed over on the flip by the evocative breaks of 'UN' by NY Graffiti, not to mention each of them delivering a remix of the other's track.
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Review: The Tetine trio started writing and composing together in the lockdowns of 2020 - no doubt observing all the arcane rules about hands, face and space as they did so. They have an intuitive style that now translates to this record which was written for cello, voice, piano, organ and electronics and was born as "a respiratory, meditative, and improvisatory piece of DIY tropical-mutant-punk "chamber music". They have succeeded in their mission to subvert here with plenty of subtle background sounds bleeding in from the nearby street as themes such as hearing loss, menopause, pollution and respiration all come up.
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Review: First cropping up in 2012, the mammoth A-Sides series from the titanic Swedish techno label Drumcode charges ahead into its 11th installment (can you believe it?) while also managing to split said installment alone across seven slices of vinyl. This is the fourth record of seven in part eleven. Only gigantic-room techno could justify this waxen audacity; the music is braggadocious to boot, with contributions from Nicolas Taboada, BEC, Avision and Cosmic Boys. The tracks here are as dreamy as they are goosebump-inducing, easily seguing between massive transitions and drops to cathartic reesebound trances.
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Review: Having made his name with top tunes on Perlon and TWM, Spacetravel now casts himself adrift on a solo adventure with new label L'Amico Fritz. The first EP sets out a solid sonic vision with three tracks of raw and warped electronic sounds. There are undulating and rubbery acid lines on the deep and paddy techno opener "90 BASS888' then 'Tbilisi' layers up icy and supersized hi-hat ringlets over muffled synth rumbles next to distant church bells. It's a nice spaced out sound before 'Simmons Copy' pairs deft and futuristic synth designs with a glitchy beat for 5 am fantasies.
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Don't Know Why
Seven Years
Cold Cold Heart
Feelin' The Same Way
Come Away With Me
Shoot The Moon
Turn Me On
Lonestar
I've Got To See You Again
Painter Song
One Flight Down
Nightingale
The Long Day Is Over
The Nearness Of You
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Chicago (Record Store Day RSD 2021) (B-STOCK) (limited hand-numbered 7")
Cat: EX7RSD 40 (B-STOCK). Rel: 21 Jun 21
Funk
Review: ***B-STOCK: Record has very light surface marks, but otherwise in excellent working condition***
Iconic jazz funk hero Roy Ayers has been sampled as much as anyone out there and few tunes have been in the spotlight as much as his 'Chicago.' For the first ever time here it gets its own 7" pressing. It's a track that oozes cool late night funk - the cute Rhodes, the spoken word samples and funky bass riffs all manage to be warm and seductive but also hint at a little menace. Things get more sentimental on 'DC City' (offered up here as a special extended 7" mix) with the breezy vocals and ad libs, the cosmic synth work and textbook Roy Ayers funk all being as inviting as you like.
… Read moreIconic jazz funk hero Roy Ayers has been sampled as much as anyone out there and few tunes have been in the spotlight as much as his 'Chicago.' For the first ever time here it gets its own 7" pressing. It's a track that oozes cool late night funk - the cute Rhodes, the spoken word samples and funky bass riffs all manage to be warm and seductive but also hint at a little menace. Things get more sentimental on 'DC City' (offered up here as a special extended 7" mix) with the breezy vocals and ad libs, the cosmic synth work and textbook Roy Ayers funk all being as inviting as you like.
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Born Under Punches (The Heat Goes On)
Crosseyed & Painless
The Great Curve
Once In A Lifetime
Houses In Motion
Seen & Not Seen
Listening Wind
The Overload
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Cat: PCPT 28LP (B-STOCK). Rel: 01 Jan 90
Funk
Street Dance
Free Form
Take A Ride
Wicheta Lineman
Baby I'm A Want You
Let's Do It Again
Goin' To See My Baby
Give Me One More Chance
Green Green Grass Of Home
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Review: ***B-STOCK: Creasing to corner of outer sleeve with split spine but otherwise in excellent condition***
After a run of rock-solid releases on his own GETTRAUM imprint, Romain Raynaud AKA Traumer has decided to mix things up via a first outing on German imprint Subtil. The headline attraction is undoubtedly A-side "Temple", an attractive, ear-catching chunk of retro-futurist tech-house powered forwards by deep, undulating sub-bass, sparkling choral synth-sounds and fizzing, deep space melodies. Over on side B, "Spheria" is an altogether chunkier, deeper and darker tech-house box jam, while closing cut "Fortuna" cloaks a typically rolling, glitch-sporting beat in heavenly chords and the kind of rush-inducing operatic vocal samples that were such a feature of turn-of-the-90s classics such as Orbitak's "Belfast" and the Beloved's "The Sun Rising".
… Read moreAfter a run of rock-solid releases on his own GETTRAUM imprint, Romain Raynaud AKA Traumer has decided to mix things up via a first outing on German imprint Subtil. The headline attraction is undoubtedly A-side "Temple", an attractive, ear-catching chunk of retro-futurist tech-house powered forwards by deep, undulating sub-bass, sparkling choral synth-sounds and fizzing, deep space melodies. Over on side B, "Spheria" is an altogether chunkier, deeper and darker tech-house box jam, while closing cut "Fortuna" cloaks a typically rolling, glitch-sporting beat in heavenly chords and the kind of rush-inducing operatic vocal samples that were such a feature of turn-of-the-90s classics such as Orbitak's "Belfast" and the Beloved's "The Sun Rising".
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The Mark (interlude)
Bad Kingdom
Versions
Let In The Light
Gita
Clouded (interlude)
Damage Done
This Time
Review: ***B-STOCK: Creasing to corner of outer sleeve with split/tear on spine, but otherwise in perfect working order***
Given the hype that surrounded the release of the first Moderat set back in 2009, we can surely expect more of the same for this second outing from Apparat and Modeselektor. Those familiar with the first album's woozy blend of IDM, Thom Yorke indebted vocal dreaminess, porchlight techno and post-dubstep rhythms will immediately feel right at home. Online reviews have focused largely on II's atmospheric warmth, and the way in which the Berlin-based trio seems to have refined their sound. Both are valid critiques; certainly, there's a maturity and musical complexity to the album that betters much of their previous works. It's not much of a dancefloor set, but that's entirely the point; this is locked-in headphone listening for the wide-eyed generation.
… Read moreGiven the hype that surrounded the release of the first Moderat set back in 2009, we can surely expect more of the same for this second outing from Apparat and Modeselektor. Those familiar with the first album's woozy blend of IDM, Thom Yorke indebted vocal dreaminess, porchlight techno and post-dubstep rhythms will immediately feel right at home. Online reviews have focused largely on II's atmospheric warmth, and the way in which the Berlin-based trio seems to have refined their sound. Both are valid critiques; certainly, there's a maturity and musical complexity to the album that betters much of their previous works. It's not much of a dancefloor set, but that's entirely the point; this is locked-in headphone listening for the wide-eyed generation.
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Born To Die: The Paradise Edition (B-STOCK) (LP in sleeve with space to insert your copy of the Born To Die LP (not included with this edition))
Cat: 371812 2 (B-STOCK). Rel: 06 Mar 13
Pop
Ride (The Paradise Edition)
American
Cola
Body Electric
Blue Velvet
Gods & Monsters
Yaya
Bel Air
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VARIOUS
Pure Moods: A New World Of Emotions (unmixed 2xCD)
Cat: 536597 5. Rel: 16 Nov 15
Balearic/Downtempo
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Annie MAC / VARIOUS
Annie Mac Presents 2015 (mixed 2xCD)
Cat: CDV 3142. Rel: 02 Oct 15
Funky/Club House
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Cat: CDV 3128. Rel: 22 May 14
International
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