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Review: 'This Is Telex' marked the beginning of the label's massive reissue campaign earlier last year, a 14-track retrospective highlighting a number of the Belgian trio's best singles. Now comes 'Telex', a mammoth red 6xLP box set documenting yet more of the synthpop experimenters' best works - Wonderful World, Looney Tunes, Neurovision, etc. It also comes with a 16-page booklet, in case you weren't clued in enough. One can only hope you'll be titillated enough by the band's synthy charms, and deft combining of covers and originals.

Review: Ionnalee's 2018 debut album "Everyone Afraid To Be Forgotten" was superb, so hopes are high for the artist's similarly minded sequel. "Remember The Future" is a little bolder, shinier and more upbeat than its predecessor, though stylistically it still sounds like a 21st century update of Kate Bush's distinctive early '80s sound circa "The Dreaming" and "Hounds of Love". It's a dreamy, ethereal and otherworldly take on electronic pop that's always alluring and often memorable. The album's plentiful highlights include "Some Body", the superb Zola Jesus collaboration "Matters" - a deep, bubbly and intoxicating affair - and "Mysteries Of Love", an echoing, Royksopp-produced cover of a song from David Lynch and Angelo Badalamenti's "Blue Velvet" movie soundtrack.

Review: "NINE INCH NAILS' GROUNDBREAKING DEBUT ALBUM
REMASTERED AND RE-RELEASED

Fans can now revisit the conception of Nine Inch Nails. Trent Reznor's Null Corporation has teamed with UMe/The Bicycle Music Company to release Pretty Hate Machine: 2010 Remaster on November 22, 2010. After completing the score for David Fincher's The Social Network, Reznor oversaw the digital remastering of Pretty Hate Machine from the newly unearthed original tapes with engineer Tom Baker (whose NIN credits include The Downward Spiral, Broken, The Fragile, With Teeth and Ghosts). This remastered version includes an eleventh track, a cover of Queen's ''Get Down Make Love,'' originally the B-side to the ''Sin'' single and produced by Al Jourgensen. Rob Sheridan, NIN's longtime art director, has also re-imagined the packaging of Pretty Hate Machine under Reznor's supervision.

As a young musician in Cleveland, Ohio, Reznor took a job at a local recording studio and employed unused studio time to develop his own material. The nascent album was later recorded with his favorite producers including Flood/Mark Ellis (U2, Depeche Mode, PJ Harvey), John Fryer (Cocteau Twins, This Mortal Coil), Adrian Sherwood (Ministry, Cabaret Voltaire) and Keith LeBlanc (Tackhead). The result was the first Nine Inch Nails album, 1989's Pretty Hate Machine. All songs were written, arranged, programmed and performed by Reznor. The album featured the breakthrough singles ''Sin,'' ''Down In It'' and ''Head Like A Hole,'' and ultimately sold over 3 million copies, reaching Triple Platinum sales status. In the wake of the album's initial underground success, NIN soon developed a reputation as one of the best live acts in rock and joined the inaugural Lollapalooza tour in 1991. NIN have since sold more than 18 million albums, collected Grammy® Awards and headlined arenas, amphitheaters and festivals worldwide.

The Bicycle Music Company acquired the rights to Pretty Hate Machine from a division of Prudential Securities in the spring of 2010. It was Bicycle's intention from the onset to enable Reznor to regain some control of this lost piece of NIN's legacy, resulting in this artist approved 2010 reissue of one of music's most groundbreaking and influential albums.

Reznor is currently working on new music as a member of the group How To Destroy Angels, continuing his Nine Inch Nails efforts and composing for future film score projects.

TRACK LISTING:
1. Head Like A Hole
2. Terrible Lie
3. Down In It
4. Sanctified
5. Something I Can Never Have
6. Kinda I Want To
7. Sin
8. That's What I Get
9. The Only Time
10. Ringfinger
11. Get Down Make Love"

Review: One of many names in the pantheons of Tokyo's electronic music triumphs, despite their acclaim, reverence among boffins, and the sprinkling of high profile UK remixers that helped spread their output further (copies of reworkings by The Black Dog, Autechre and Global Communication fetch a fair song on the resale market) most will never have heard about Nav Katze. Their loss, and one we'd like to put right if possible.

Formed in 1984 as a trio - Naoko Iimura (guitar), Miwako Yamaguchi (vocals and bass), and Shino Furutachi (drums) - the band would put out two well received record on SWITCH before migrating to the far more prominent label Victor Music Industries for 1991's Kanki, at which point three became two with Furutachi stepping down. This package showcases not only why their original material was so sought after, with trance notes, IDM and ambient and pop meeting in beautiful soundscapes - but also what can happen when new parties get involved, with remixes from Aphex Twin, Sun Electric and Disjecta included.

Review: Founded in 1979, Severed Heads - originally Mr and Mrs No Smoking Sign - never liked to do things by numbers. Spanning industrial, synthwave, coldwave, post-punk, electronic dance, synth pop and more, while wildly varied they might also be considered auteurs. Simply put, you can usually guess, or know, that you're listening to Severed Heads long before you actually find out you're listening to Severed Heads. Noisy arrangements overflowing with ideas, while at times things may border on overwhelming, for the most part the genius comes in how finely balanced the tracks are. Bad Mood Guy, first released in 1987, was their seventh studio album, described by some at the time as "punishing pop with crunching rhythms", and reflects them at their finest. Moody, at times angry, alway forward thinking and hard to compare.