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Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.coming soon $7.23
(No payment required now - pay when released)
FORTHCOMING
Related releases...
Pre-orders at Juno
This CD is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.
We'll keep you informed of your order at every stage, and let you know if the release date changes.
If the price of the item drops before it's released, you will pay the lower price, but if it increases, you'll only pay the price you see today.
If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.est. release 24 May 24 $7.30
(No payment required now - pay when released)
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Review: Justin Vernon's voice has always been the people's main attraction to Bon Iver, and the fact his pseudonym even exists is certainly no coincidence. As fragile and heartbroken as it is forthright and experienced, when you're wearing a shredded heart on sleeve and confessing to all your deepest insecurities using a pen name can help immensely. Album number four perhaps proves this more than any of its predecessors. While the three previous chapters have all made his thoughts, feelings, insecurities and fears clear, this one takes honesty to new heights. Combining the frail electronics that have gradually slipped their way into his back catalogue with the acoustics of his earliest, rocket-to-fame efforts, it's a culmination of all that's been in the truest sense. Perhaps even more intimate than the breathtakingly personal "For Emma, Forever Ago", "i,i" is a striking work to say the least.
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Whether Flying Dream 1 would have sounded like this had it been made through a standard studio process is a big question mark we're not in a position to answer. The group themselves are probably still pondering that one. What is clear is that it feels like a coherent, complete work, which is somewhat at odds with the reality of members contributing individual elements from different locations. Technicalities aside, this is a step away from the grandeur Elbow are often associated with, and distinctly void of gnarl, and it sounds excellent.
… Read moreWhether Flying Dream 1 would have sounded like this had it been made through a standard studio process is a big question mark we're not in a position to answer. The group themselves are probably still pondering that one. What is clear is that it feels like a coherent, complete work, which is somewhat at odds with the reality of members contributing individual elements from different locations. Technicalities aside, this is a step away from the grandeur Elbow are often associated with, and distinctly void of gnarl, and it sounds excellent.
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Review: The 21st Century has been quiet thus far for New Order, with only two full albums to date, and only an out-takes compilation in the last decade. Moreover, 'Music Complete' marks their first album to date without founding bassist Peter Hook, and the return of Gillian Gilbert to the ranks. Yet from this turbulence and inertia they've somehow managed to create a collection of songs that rank as their strongest set since 'Technique' in 1989. VIbrant, upbeat and colourful, yet driven by the same mix of electronic experimentation and effortless pop suss that characterised their '80s heyday, 'Music Complete' is the sound of a timeless and unique force newly revitalised.
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In many ways "The Big Exercise" is a more logical record, and it's just as musically accomplished. Calling on elements of post punk and epic wall-of-sound fare, while still managing to include folksy nuances (or even full tracks, such as opener "What's In Store"), it's the fact the band set these instrumentations to such bizarre themes that makes the whole thing so unexpected. But on this second album subject matters are more coherent and contextualised, from struggling with sleep paralysis to that eternal sense of longing. It's an enormously inventive work by an outfit that don't seem to care about boundaries or genre rules.
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Review: Variety is the spice of life, as they say, and Oh Wonder have clearly attempted to distill that idea into their latest long form. So hard to pin down, the work here straddles many genres, all of which are accessible in their own way. Yet it never fully commits; universal adoration is clearly the goal.
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