ダンスミュージック検索結果

Notes: Updated Pro version of the iLoud Micro Monitor offers even better sound from a compact package. Available here as a stereo pair, bundled with an ARC room correction mic for optimising performance in your studio space.

Supplier's Notes:
Unparalleled sound quality wherever you want

The original iLoud Micro Monitor revolutionized the way professionals and audio enthusiasts experience sound in an ultra-portable and compact form factor. It became renowned for its exceptional sound quality and portability, making it a popular choice as an audio reference monitor for both pro-studios, home-recording artists, and mobile setups. Now the iLoud Micro Monitor PRO takes the incredible qualities of the classic Micro Monitor to a new level blending together studio-quality reference audio and a compact form factor, along with a new built-in state-of-the-art speaker correction technology, to deliver unparalleled sound quality wherever you want.

Precise and balanced audio reproduction across the whole frequency spectrum

The Micro Monitor PRO features a bi-amped design with a 3" paper woofer and a 0.75" textile dome tweeter, delivering precise and balanced audio reproduction across the frequency spectrum. This enables you to experience crystal-clear highs, rich midrange, and tight, defined bass that rival larger studio monitors.

Thanks to the new built-in state-of-the-art speaker correction technology, the Micro Monitor PRO provides accurate audio reproduction and a balanced and precise soundstage, regardless of the ambience, ensuring high-quality sound wherever you are.
With XLR and RCA line inputs, the Micro Monitor PRO seamlessly integrates into professional audio environments and consumer systems alike, making it suitable for on-the-go setups as well.

Quick and easy setup and room correction

The flip foot design allows for quick and easy setup of the speaker position to achieve the perfect sweet spot, whether you're in a studio, home office, or on the go. It provides optimal positioning and angling for your listening experience.

The internal power supply eliminates the need for external adapters, streamlining your setup.

With its compact size and lightweight design, the iLoud Micro Monitor Pro is the perfect companion for any environment, delivering unparalleled sound quality wherever you want it.

A full-blown studio at home or on-the-go

The iLoud Micro Monitor PRO comes with various free bonus contents.

Registering your iLoud Micro Monitor PRO unlocks powerful software tools, as well as exclusive discounts on other IK products.

Type: 2-Way bi-amped, digitally controlled compact studio monitor
LF driver: 3" composite cellulose fiber, custom-made mid-woofer
HF driver: 1" low-distortion silk-dome tweeter
Acoustic design: DSP-tuned bass reflex
Number of amps per speaker: 2
Amplifier type: High-efficiency Class-D
Total power: 50 W RMS
LF power: 30 W RMS
HF power: 20 W RMS
Crossover type: Digital, Linear Phase
Crossover frequency: 2.5 kHz
Frequency response: 50 Hz to 20 kHz i 2dB, 42 Hz to 22 kHz @ -10dB
Phase response: System remains coherent within +/- 30- from 500 Hz to 20 kHz
Sensitivity: -10 dBu signal generates 90 dB SPL @ 1 m
Continuous max SPL: 94 dB
Peak SPL: 107.3 dB
Peak SPL: 109.3 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position

Fully automatic built-in digital calibration, and compatible with X-Monitor control software

LF extension switch: Sets -3 dB point of the frequency response at 50 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -3 dB at 250 Hz and +4 dB at 1.2 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Compatible with X-MONITOR macOS and Windows control software
Total Latency (TOF): 3.00 ms
Totally DSP controlled
1 x XLR balanced input, 1 x RCA unbalanced input, 1 x USB type-C, C8 power socket
Flip foot for quick and comfortable desktop setup
Internal PSU - 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 1 A max
MIC input for ARC from XLR connector

Dimensions

Size: 208 mm/8.18" x 105 mm/4.13" x 153 mm/6.02"
Weight: 1.37 kg/3.02 lb (each

Notes: The M1 MKII is a stereo, all-in-one modulation pedal featuring six studio-grade programs based on fan-favourite modulation tones: Chorus, Phaser, Tremolo, Vibrato, Rotary, and Filter. A sound explorer's delight, the M1 features a dedicated lo-fi knob allowing you to mix various lo-fi parameters to every program. From the swirling, lush sounds of the 80's to more subtle applications that give your tone a distinct flair, this is a hallmark for all kinds of modulation fans, offering limitless creative potential.


Program Controls
Each program can be fully customized to your taste and playing style with the left encoder knob for features like effect type, BPM, wave shape, and more. Refer to the manual for program-specific features.

Programs
Chorus - From subtle chorus to vibrant and lush tri-chorus that will instantly teleport you to the 80s. Type I is a traditional chorus great for tight smooth chorus tones. Type II finds its roots in the classic tri-chorus effect running three chorus units in parallel for a lush multi-dimensional chorus. Type III transforms into a sweeping, vintage-style flanger, a welcome addition for modulation fans.

Phaser - Classic 70s phaser sounds we all know and love, with added features that you wouldn't expect. Similar to the Lillian, Type I is a 2-stage Phaser that produces a single notch to the classic mild phaser. Type II is a 4-stage model producing 2 notches for a stronger effect. Type III is a phaser modelled after the unique tuning and LFO shape found in a Uni-Vibe.

Tremolo - This program emulates a tremolo with three algorithms containing all the bells, whistles, and stereo spread options. Type I is excellent for traditional sounds similar to optical and bias tremolos that raise and lower the entire frequency range - similar to the Monument in standard mode. Type II is a warm and cozy harmonic tremolo - similar to the Monument in harmonic mode. This unique sound is formed by raising and lowering your high and low frequencies opposite each other. Type III offers several predefined patterns for rhythmic sequenced pulsing tremolo.

Vibrato - Make good parts great with detuned, warbly, and vintage sounds that harken back to the 60s. Type I "Traditional" focuses on standard vibrato sounds. Old record players inspire Type II "Vinyl" with classic RPMs on the rate knob and some noise character you'd find in your dad's old dusty Foreigner LPs. The rate knob can select 33rpm, 45rpm, and 78rpm speeds in this mode. Type III "Tape" is our take on the wow and flutter pitch characters found in old tape players. Warm and charming with a hint of nostalgia.

Rotary - Because you can't fit a Leslie speaker on your pedalboard, Type I aims for that traditional watery sound of a well-oiled Leslie speaker. Type II only spins the horn but still plays the sound out of the drum. Type III only spins the drum but still plays sound from the horn. Further fine-tune the drum sounds by experimenting with mic distance in the program controls.

Filter - Add tone-shaping movement to your signal with different modulated filters. Type I is a lowpass filter good for modulated darker tones. Type II is a highpass filter used to creatively modulate your low frequencies. Type III is a bandpass filter forming a sliding "window" of frequencies.

Resonance, envelope speed, and release can all be adjusted on Filter mode, the result being dynamic sweeping sounds and an expressive touch, commonly heard in blues or funk. This program can be easily run as an Envelope Follower type filter.

Lo-Fi Controls:
The M1 Features 6 Lo-Fi-type global controls to make your High-Fidelity modulation machine sound...not so High-Fidelity. Using the Right encoder knob, take your signal back in time and degrade it to sound like tech of yesteryear then use the Lo-Fi knob to adjust in the overall mix.

Env: Envelope allows you to dynamically open the tone based on how hard you play.
Drive: Drive offers a crunchy analogue-style drive to be added to your signal simulating the warm sound of overdriven analogue circuitry.
Space: Space allows you to add some reverb to your modulation chain. Turn to minimum to disengage and turn up to increase mix and decay.
Age: Age engages a complex set of filters used to simulate the limited bandwidth of vintage audio players and recording equipment. From modern, full-frequency at minimum to subtle low-fidelity tones in lower positions and old, thin AM radio sounds in higher positions.
Noise: Noise adds lo-fi analogue inspired noise to your signal.
Warble: Warble manipulates the main LFO wave shape causing it to deform making interesting and less predictable modulation.

Presets
The M1 can save up to 128 onboard presets, which can be held in a preset bank made accessible by tapping down on the bottom left and bottom middle knobs simultaneously. Presets 0-9 are divided into Banks A, B, and C. Select a bank while in the preset menu. Bank A will cycle through presets 0-2, Bank B will cycle through presets 3-5, and Bank C will cycle through presets 6-9. Presets 10-128 can be accessed through manual selection or MIDI.

Notes: The Sloer Stereo Ambient Reverb builds on our popular Slo lineup but adds two additional reverb algorithms, stereo width control, two additional modulation wave shapes, and the ability to control the sample rate. Now you can create immersive, lush, modulated, sleepy, and ambient soundscapes with more width and depth than ever before.

Save your favourite dreamscapes with three onboard presets by simultaneously pressing and holding down on the bypass and sustain switches. Scroll through them by simultaneously pressing and releasing bypass and sustain.

The five-way rotary dial allows five different reverb modes - the three you know and love from the Slo: Dark (Lower Octave), Rise (Ambient Swell), and Dream (Latching Pad); and the addition of two new modes: Rain (Delay Tap Diffusion) and Light (High Octave Shimmer). Secondary functions on the dial change between five different wave shapes for modulation on the reverb trail.

Combine deep modulation, long washy trails, and an immersive stereo field to experience Sloer.

5 reverb modes:

DARK - Add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb.

RISE - This is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times.

DREAM - Lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add vibrato over the pad. Press sustain again and the pad will decrescendo according to where the decay knob is set. X knob sets the depth of vibrato applied to the reverb trail.

RAIN - Tappy and trippy, this program creates a unique effect with lower levels of diffusion allowing the reverb delay taps to audible create an echo-like effect within your reverb. Use the Xcontrol to set the amount of diffusion of the delay taps.

LIGHT - Bright and smooth reverb with an octave-up shimmer. Create a range of ethereal sounds with the X slider, keep it low for a smooth pad-like reverb or push it higher for a bright shimmer effect.

5 wave shapes

The Sloer also features five different wave shapes accessible by holding down bypass while switching the algorithm dial.

Sine - Smooth and even pitch up and down modulation.
Warp - Asymmetric pitch up modulation similar to a warped record.
Sink - Asymmetric pitch down modulation for sinking detune similar to a Bigsby.
Square - Symmetric pitch up and down modulation for stepped modulation.
Random - Uses sample and hold that picks new random values.

Momentary functions

Bypass: When the switch is in the off position, press and hold to temporarily activate the effect to add a moment of reverb texture. Releasing the switch turns the effect off, and fades it out.

Sustain: When pressed, the decay switch ramps up the reverb trail to maximum creating a long dreamy reverb trail, and then ramps back down to the decay knob setting when released. In the "Dream" algorithm, the sustain switch is latching. Press it once to capture and sustain the current reverb decay for extremely long pad-like sounds. Press it again to let the reverb trail taper off, based on the position of the decay knob.

Trails mode

The Sloer can run in trails or no trails mode. In trails mode, when you turn the pedal off, the reverb decay dies off naturally. In no trails mode, the decay is abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

Preset spillover

When scrolling through presets, there is only preset spillover if the next preset is the same algorithm as the one preceding it. For example, if your red and green presets are both in Dream mode, switching from red to green will not cut your reverb trails.

Specs

The Sloer comes in a Lollipop Blue finish with light blue and off white ink featuring original artwork by Christi Du Toit OR a matte black finish with cream ink.
The die-cast enclosure's exact size is 4.79" x 3.62" x 2.25" including knobs.
Power requirements are 9VDC (100mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.
Power supply not included.

Notes: The VSYSTEM-3 is a complete synth in a case of exactly the size of the Korg Volca synths. t contains the following AE modules:

DRUMKIT (lofi digital drum module):

DRUMKIT 010 consists of 11 8-bit drum sound samples; 6 of them can be triggered in parallel in any combination by the trigger inputs. With a BANK selector knob, different combinations of the 11 samples can be selected. The PITCH knob affects the pitch of all instruments together, and with the REVERSE button the sounds are played backwards - quite a nice effect to be added here and there.
Don't expect high quality from this module - it's by design a nasty, lo-fi drum sound source, but definitely with its own character. Works great together with the analog KICK module.

KICK (analog kick drum):

It has three knobs: PITCH for the overall pitch of the sound; with DECAY the length of the sound can be set and with DRIVE a nice distortion can be added to the sound.
With the pitch decay switch the pitch follows the amplitude, giving a bit different character.
And a trigger button is available to check the sound without an external trigger signal.

SAMPLYR (sample player with micro-SD card, various loop modes, almost unlimited sample length):

The samples are simple 8-bit mono WAV files. Features of the module are:
CV control for pitch with 1V/octave
Gate input
NO (practical) LENGTH LIMIT for the sample playback, because the module plays the samples directly from the memory card
Sample is displayed on the included OLED display
For each sample, following playback parameters can be edited: Sample start/end, loop start/end, loop crossfade, transpose/tune, all this settings are visible in the display and are saved per sample
Different loop modes can be selected: Oneshot, Reverse, Loop forward/reverse/alternating, loop hold (loop remains playing when gate goes to off)
Editing of the different parameters is accomplished with an endless encoder and a small menu
CV control for playback start, loop start, loop length, reverting playback, sample selection
Six buttons can be used for quick switching between six samples of the current folder
Additionally to the audio output, the SAMPLYR provides trigger outputs for loop start point, loop end point, playback end; by this, certain other operations can be triggered at these specific points, e.g. synchronizing to the loop points.
...and all this in a 1-unit AE module!

The sample files are organized as simple folders on the micro SD card named "A"..."Z" and per folder files named "0....wav, 1....wav, ..."

Included with the module is a micro-SD card with some demo samples; and each buyer will receive an update for the factory samples, made by the sound designer "empty vessel" exclusively for the SAMPLYR module (provided as download later in 2024).

The SAMPLYR module is of course not a hi-fi, high quality sampler module due to its 8-bit design. It has the flavour of the early samplers like EMU II, Fairlight CMI IIx, Ensoniq Mirage... The typical, recommended sample rate is 16000 Hz. these samples can be pitched up by approx. 1 1/2 octaves max.

Beyond the 8-bit resolution, the samples can be also encoded as uLaw and aLaw; in this case, the resolution is true 10 bits. For converting your existing samples, the open-source audio editor "Audacity" is great for the conversion and editing process.

Note: The SAMPLYR module is a sample player only; it doesn't offer recording of audio.

MIXER 4-4 (4-channel mixer):

This module consists of:
An audio mixer with 4 inputs and their level knobs
Additional 4 separate inputs that are mixed at full level (especially for mixing CV signals) and a separate output

HEARTBEAT (precise clock source, with BPM setting, and tempo-tapping):

HEARTBEAT is a master clock source for AE modular, with some additional features. The module offers:
Precise BPM setting with an encoder in the range of 30-300 BPM in steps of 0.1 BPM
A graphical display for the tempo and additional info and menu
A big tap button for setting the tempo by tapping it
An illuminated start/stop button
Six independent clock outputs; each of them can be configured by a menu to a time signature between 1/1 to 1/32th plus dotted and triplets.
Inputs for clock, reset and two CV and trigger inputs that can be assigned to different functions
The clock source can be either internal or an external clock (at 1/96th rate which corresponds to MIDI real time

TRIQ164 (4-channel, 16-step trigger sequencer, with repeat/ratched per step):

Four track buttons select the track to be edited; with 16 buttons each step of the track can be activated an is then displayed by an LED.

Stereo Headphone amplifier, 2 IN/OUT sockets via a stereo minijack

It is delivered completely with power wall adapter and patchwires; everything needed to get the modular system started!

This is a REAL modular synth system; all modules can be rearranged and swapped as you like.

Notes: Powerful GX-100 tone tools in a compact guitar/bass processor with a color touch display, multi-function footswitches, and a built-in expression pedal.

Players everywhere love the GX-100 for its streamlined design, free-flowing interface, and high-quality tones. Armed with the core GX-100 engine, the compact GX-10 brings you the same inspiring experience in an even more portable footprint.

You get loads of AIRD amps and effects for covering every style, plus speedy sound building with the intuitive colour touch display and panel knobs. Adding in multi-mode footswitches, an integrated expression pedal, and USB audio connectivity, the GX-10 seamlessly transitions from nightly stage performing to desktop recording, song creation, and daily practice sessions.

Compact amp/effects processor for guitar and bass

The same sound engine and colour touch display as the GX-100 in a portable, travel-ready design
Exceptional audio quality with 24-bit AD and 32-bit DA conversion, 32-bit floating-point processing, and 48 kHz sampling rate
Authentic tube amplifier tone and touch response with AIRD technology
32 amplifier types and 170 BOSS effects
Ultra-flexible amp/effect routing up to 15 assignable blocks
Wide selection of onboard speaker types and support for loading WAV speaker IRs
Streamlined modern design with a rugged metal chassis
Three footswitches with flexible control modes
Onboard expression pedal with toe switch
Connect up to two footswitches or an expression pedal for expanded control
Send/return loop for external pedals
Record and play tracks in music production software on a computer or mobile device* via a USB-C
Edit sounds from your computer with BOSS Tone Studio for macOS and Windows
Download and share Livesets at BOSS Tone Exchange (compatible with GX-100 Livesets)
Optional Bluetooth Audio MIDI Dual Adaptor allows you to edit sounds and stream audio from an iOS or
Android mobile device
*Compatibility with all third-party devices and software is not guaranteed.

Weights & measures
Product
300 (W) x 183 (D) x 74 (H) mm
11-13/16 (W) x 7-3/16 (D) x 2-15/16 (H) inches
2.2kg (4lb 14oz)

In the box
AC adaptor (PSB-1U + AC Cord Set)
Owner's manual
Leaflet "USING THE UNIT SAFELY"

2.2kg (4lb 14oz)

IN THE BOX
AC adaptor (PSB-1U + AC Cord Set)
Owner's manual
Leaflet "USING THE UNIT SAFELY"

Notes: The [ACS1] is an amplifier and speaker cab simulator delivering the sound and feel of world-class amplifiers, complimentary speaker cabinet IRs created by Tone Factor and York Audio, and controllable room size. With the ACS1, players have expansive options to deliver their tone on stage, in the studio, or practicing at home. Simple controls, stereo in and out, onboard presets, and MIDI support make the ACS1 an essential tool in a guitarist's arsenal. Players can also load in their own IRs and update firmware.

The ACS1 contains six amplifier models based on fan-favourite amps, each with its place in music history, and twelve cab IRs (Impulse Responses) designed by world-class designers to give you the best tonal representation possible. The stock IRs for the Fullerton, London, and Dartford amp models were custom engineered by David Hislop and Kenyon Reed at Tone Factor, while the stock IRs for the Red, Citrus, and Tread amp models were designed by Justin York at York Audio.

Amplifiers

The ACS1 can mix and match stereo amp and cab combinations. Want to run an AC30-style amp on the left and an Orange-style amp on the right? Or perhaps a 5150 flavoured amp in both channels but with two different cabs for a wider stereo sound? When running the ACS1 in stereo, one amp can be used through both channels, or these combinations can be run independently left and right if you choose, leading to powerful, unique amp tones. Simply press down on the Middle encoder to choose individual settings for L, R, or L+R combined. Amps can be mixed and matched with no phase/polarity issues as well.

Onboard models include:

Three Vintage Amp Models

Fullerton - Inspired by the classically bright and clear Fenderr Deluxe Reverb. Crisp clean tones with loads of headroom that players have come to love over the years.
London - Inspired by a 1962 Marshallr Bluesbreaker with a harmonically rich, valve-driven breakup. Articulate and sensitive response.
Dartford - Inspired by the legendary jangly high-end tones from a 1960s Voxr AC30 with all the bite and chime from the British Invasion.

Three High Gain Amp Models

Red: Inspired by the distinctively raw and punchy Peaveyr 5150, producing heavy, aggressive modern metal and hard rock sounds. Powerful and saturated with a tight low end, strong midrange, and a bright, cutting high end.
Citrus: Inspired by the warm, rich, and harmonically complex Oranger Rockerverb. Classic British gain with a creamy midrange and punchy lows. Maintains clarity and definition across its entire tonal spectrum, even at high-gain settings.
Tread: Inspired by the world-famous Mesa Boogier Dual Rectifier with massive amounts of in-your-face gain. Versatile enough to be favoured by guitarists in genres from hard rock, punk, metal, and more, Tread offers up plenty of saturation that's heavy and ready to cut through the mix.

Cabinet IRs

The ACS1 includes six IRs custom-engineered by David Hislop and Kenyon Reed at Tone Factor and six by Justin York of York Audio. Each IR has been created with vintage and modern amps to deliver the best tonal representation possible.

Additional ACS1 Settings/Features:

Primary Controls

Volume, gain, and room make up the top three knobs. Volume and gain work together, as gain is increased and made louder, volume can be turned down to compensate.

Room The ACS1 has three different types of reverb effects:

Room - Simulates the size of the room that your amp and cabinet are in. At zero, it would resemble tracking your amp in an isolated environment with no reverb. At max would emulate a natural-sounding, large studio environment.

Hall - Simulates the acoustics of a large, live sound space.

Spring - Simulates spring reverb tanks found in tube amps.

Increase the room size or amount of reverb by adjusting the Room knob. The further clockwise you go, the bigger the room. Decay control can be adjusted for room in the Global Sound menu.

Bass/Mid/Treble EQ

Bass, mid, and treble control are adjustable on the home screen with the use of the encoder knobs. The left knob controls bass, the middle is mids, and the right is treble. This simple EQ control has clear visual feedback and can be used to adjust levels on the L, R, and L+R channels.

Noise Gate

A noise gate can be applied and adjusted within the navigation menu, which can be especially helpful when playing with the high-gain amp models.

Amp EQ

Presence and resonance controls are available within Amp EQ Settings in the menu, giving you even more control of your amp tone.

(Access the settings for noise gate, Amp EQ, and more by clicking the bottom left and middle encoder knobs simultaneously).

Bypass IRs or Amps

Cab IRs as well as amp models can both be bypassed with the ACS1, making it more flexible for ampless rigs that still have physical cabs, and vice versa.

Notes: Sound:
Vintage Keyboard Sound Engine with six incredibly detailed vintage keyboard types.

Each keyboard type matches a carefully chosen Drive and Tremolo setting to provide an incredibly musical pairing.

The six keyboard types are:

- RdI, early '70s tine electric piano

- RdII, late '70s tine electric piano

- Wr, late '60s reed electric piano

- Clv, 70s struck string Clavinet

- Toy, toy piano

- CP, Yamaha CP80 electric grand piano

128-note polyphony ensures dropout-free performance.

Five stomp box-style effects with direct control@
The effect types are:

- Drive (adds harmonics and distortion)

- Tremolo (Auto-Pan for Rd) or VCM Wah with adjustable depth and rate

- Chorus with adjustable depth and speed

- VCM Phaser with adjustable depth and speed

- Digital or Analog-Type Delay with adjustable time and depth

- Reverb with adjustable depth

Control:
- Based on the FS action found on the flagship Motif XF, HQ (High Quality) Mini Keys provide premium feel and response for fast, accurate and natural playing

- Sustain pedal input allows the sustain function for all electric piano sounds

Mobility & Connectivity:
- Speakers

2W 3cm stereo speaker system lets you play any place, any time.

Specially designed bass reflex port technology enhances bass response for full, rich sound.

- USB

USB "TO HOST" allows MIDI connectivity to your USB-equipped computer or iOS device.

- Audio output

Dual 1/4"unbalanced line outputs provide connection to mixers, audio interfaces, DI boxes and more.

- Audio input

A 3.5mm aux line input lets you connect and hear mobile devices, tablets and more through the instrument.

Battery Operation:
- Battery powered - uses six "AA" batteries with five hours of life

Create your Soundmondo. Inspire and be inspired:
Soundmondo is a free sound sharing community that lets you discover, create and share reface Voices and Set Lists using Google Chrome any place, any time you're online.

Powered by Web MIDI, Soundmondo is simple to use - just connect reface to Chrome and you're ready to create or start browsing.

Notes: Control Eurorack using your breath with this unique module from ADDAC. A melodica pipe connected to the front panel allows you to generate two independent CV signals from breath inputs. Funky.

Supplier's Notes:
This module expands ADDAC's line of expressive controls, it follows the heritage of wind/breath controllers with one major difference, the pipe has no air escape creating pressure inside the tube controlled by the user's mouth. For a seasoned woodwind or brass musicians this working principle may sound unorthodox, however this way pressure can be controlled for longer without the need to breath in or learning circular breathing techniques. It's relatively easy to control the pressure in your mouth while still breathing through the nose.

The module is provided with a standard melodica pipe which connects to an air filter (providing a receptacle for condensation to form and isolate the sensor) and lastly connects to the module frontpanel.

The signal captured by the sensor is then sent to two independent sections with exactly the same functions as seen in the signal flow diagram below.

As an example the two sections can be used with different settings to independently control the VCA and VCF of any standard analogue voice patch.

Pipe

ADDAC are using a standard Melodica pipe into an air filter that will keep condensation away from the sensor. The air filter is then connected to the frontpanel sensor input using a silicone tube.

Sensor calibration

[RESPONSE] is the main control to calibrate the pressure curve, the knob goes from exponential to logarithmic with linear at 12 o'clock. Exponential will be more reactive to high pressures, logarithmic to lower pressures.

Hold function

This feature allows to hold the current voltage value with the hold is engaged (button led on), the state can be changed either by the push button in a latching manner (push to change state) or via the gate input in a momentary manner (hold on while gate is on)

Extra Pipe

Extra Pipes are available separately.

Tech Specs:
10HP
4.5cm deep
70mA +12V
40mA -12V

Notes: Simple but effective stuff from Vermona. Four transformer-isolated channels take a Eurorack-level signal each and output it at +6 dBu line level via XLR connections.

Supplier's notes:
Quad Output Module

The inputs accept audio signals with a maximum level of +/-10V. These are output via balanced and galvanically isolated XLR outputs. The output level is +6 dBu when using standard Eurorack modules.

The TRANSfourMER circuitry allows all signals in the modular system to be output without distortion - no more annoying gain staging between Eurorack and audio interface / mixing console.

Power consumption: 20mA at +12 V and 20mA at -12 V

Depth: 43 mm

12 HP

Notes: Legendary Vermona drum synthesis circuits get reimagined for Eurorack. The Bass/Drum reworks the kick and 'drum' circuits from the DRM-1 for extra modular flexibility, maintaining the powerful analogue sound.

Supplier's Notes:
With BASS|DRUM, Vermona have transferred the sonic foundation of the DRM1's KICK and DRUM instrument channels to the Eurorack format. They reworked the existing circuitry in key areas to optimize it for the modular context. The result is an Eurorack sound generator that clearly reveals its origins and at the same time surpasses them many times over.

The modulation possibilities of BASS|DRUM offer enormous flexibility. Many parameters like the pitch of the oscillator, the decay time and the integrated wave shaper can be controlled by external voltages. For example, you can create rhythmically alternating long and short or low and high kicks or tonal variations by modulating the waveform.

Use the DYNAMIC input to control the amount of force your trigger source applies to the internal circuitry of BASS|DRUM. This not only changes the volume, but also many different nuances of the sound.

Bass or drum? BASS|DRUM can do both, without compromise. If you need drum sounds that follow the tuning of your music, you'll find what you're looking for here. At the same time, the module serves as a full-featured audio oscillator that can be used to create bass lines or melodies.

From deep, powerful bass drums, toms and tom-toms to high-frequency pings and percussive chirps - no problem with BASS|DRUM! In combination with other modulation sources, this spectrum can be extended infinitely. The module is also an excellent oscillator for anything other than classic analog drum sounds.

Notes: Deeper. Louder. More accurate.

iLoud MTM MKII offers sonic perfection and volume levels previously unavailable in this class of reference monitors. Maintaining its iconic form, MTM MKII sports more efficient drivers and twice the processing power under the hood to turn any space into the ideal mixing and mastering setup.

Enjoy clear, neutral sound with the deep, controlled low end you'd expect from a speaker twice the size and linear phase response that rivals speakers twice the price. Its MTM design and precise time alignment make hours of fatigue-free listening possible while minimizing acoustic interactions, which is ideal for desktop use.

With advanced ARC auto-calibration, MTM MKII guarantees improved acoustic performance in any space in seconds. Connected to a computer, award-winning X-MONITOR software adds deep customization and breathtaking emulations of 20+ top studio monitors and other playback systems to A/B your mixes instantly for the perfect translation.

MTM MKII is like having an entire suite of precision-tuned monitoring tools.

Ultra-nearfield monitors for critical mixing

iLoud MTM MKII features a pair of 3.5" high-performance woofers and one 1" high-definition, back-chamber loaded tweeter with improved speaker drivers for superior volume and low end, plus improved clarity and articulation in the midrange. The Midrange-Tweeter-Midrange symmetrical design (D'Appolito configuration) provides ultra-precise, defined, point-source sound that can't be achieved by traditional 2-way systems at close distances, meaning you'll mix better and with less ear fatigue.

Designed to work faster in more situations

In addition to improved speaker drivers, iLoud MTM MKII maintains tight vertical dispersion, minimizing the acoustic impact of desktop placement and ceiling and floor reflections to ensure the most accurate possible sound. MTM MKII offers a wider horizontal dispersion, creating a broader sweet spot for easier mixing than other MTM designs while maintaining the smoothest in-room response. Better power efficiency and extended max SPL mean iLoud MTM MKII also offers superior performance as an FOH mixing monitor, immersive speaker or other volume-dependent tasks.

Next-generation ARC room correction

iLoud MTM MKII adds a deeper, more comprehensive ARC auto-calibration derived from IK's flagship iLoud Precision series. Connected via USB to a Mac/PC with X-MONITOR, this 4-space measurement offers an unmatched definition and reliable translation in virtually any environment, so your mixes will always sound their best. A rapid, single-point measurement option can be done anywhere without a computer. Connect an ARC MEMS microphone (sold separately) to each speaker's mic input, and you'll be up and running in moments.

X-MONITOR integration

Also inherited from IK's flagship iLoud Precisions, iLoud MTM MKII now offers full X-MONITOR integration. This exclusive, award-winning software gives you complete control over every speaker element beyond the rear controls. Also, it allows for precise delay compensation between units for improved stereo imaging.

A single solution to A/B mixes

In addition, X-MONITOR allows you to switch between virtual monitoring voices, emulating the frequency and phase response of other top studio monitors and reference systems. With 4 buttons to quickly recall various voices, X-MONITOR with MTM MKII becomes an entire reference monitoring system in one elegant solution.

Stereo to immersive sound anywhere

IK Multimedia packed all this technological sophistication into a compact format that takes up 30% - 50% less space than comparable designs and weighs just 5 pounds. With tilting desktop mounts included, it's the ideal desktop solution for home, project or mobile recording. There's also an included isolation pad for horizontal placement wherever needed.

Bottom mic stand mounts securely position iLoud MTM MKII behind a console for studio or FOH use or even on boom arms to create immersive setups anywhere quickly with no tools required. A custom mounting bracket is also available to easily install MTM MKII as overheads or wall speakers in any studio.

The ideal immersive audio solution

All these amazing features, plus a selectable 80 Hz low-frequency cutoff, also make iLoud MTM MKII the ideal monitor for today's immersive studios.

Specs

iLoud MTM MKII Specifications
Type: 2-Way/3-speakers bi-amped, digitally controlled studio monitor
LF drivers: 2 x 3.5" composite cellulose fiber, custom-made mid-woofers
HF drivers: 1" low distortion, back chambered silk dome tweeter
Acoustic design: DSP tuned bass reflex
Number of amps per speaker: 2
Amplifiers type: High efficiency Class-D
Total power: 100 W RMS
LF power: 70 W RMS
HF power: 30 W RMS
Crossover type: Digital, linear phase
Crossover frequency: 2.8 kHz
Frequency response: 48 Hz to 28 kHz +/- 2 dB, 36 Hz to 32 kHz @ -10 dB
Phase response: System remains coherent within +/- 15- from 200 Hz to 20 kHz
Sensitivity at +4 dBu: -6 dBu signal generates a 94 dB SPL @ 1 m
Sensitivity at -10 dBV: -17 dBu signal generates a 94 dB SPL @ 1 m
Continuous, long term SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 97 dB
Peak SPL free field, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 110.5 dB
Peak SPL, half space, 1 m distance, one speaker, ANSI-2034 Weigthed Pink Noise: 112.5 dB
Placement setup: Manual switches for LF Extension, LF trim, HF trim, Desk position
LF extension switch: Sets -3 dB point of the frequency response at 40, 50, 60 or 80 Hz (LFE)
LF switch: Low shelf, +2 dB or -3 dB from 100 Hz down
HF switch: High shelf, +2 dB or -3 dB from 8 kHz up
Desk switch: -4 dB at 160 Hz and +1 dB at 1.8 kHz
Calibration: Fully automatic and built-in digital calibration
Full DSP control
Total Latency (TOF): 2.44 ms
Connectors: 1x combo XLR-1/4" TRS balanced input; 1/8" TS ARC microphone input, 1 x USB type-B, AC POWER socket
Power requirement: 90 to 240 V AC, auto-ranging, 50 or 60 Hz, 120 W max power consumption

Dimensions

Size: 264 mm/10.39" x 160 mm/6.3" x 130 mm/5.12"
Weight (per speaker): 2, 5 kg/5.5 lbs (speaker + foot)

Package includes

1 x iLoud MTM MKII monitor
Power cord
Tilting stand
Horizontal support feet
Locking key
USB-B to USB-A 2.5 m/8.2 ft. cable

Notes: The Qi Etherealizer (pronounced "chee ethereal-izer"), a collaborative creation with Yvette Young, is a multi-effects pedal that combines Chorus, Delay, Granular effects, and, of course, Reverb, into a creative playground for atmospheric exploration.

Known for her innovative and explorative fingerstyle playing technique, love of guitar pedals, and leadership of the math rock band Covet, the Qi reflects her approach to creating lush, evolving soundscapes. Named after the vital life energy that flows through all living things, the Qi is designed to deliver rich textures, expansive atmospheres, and dynamic layers. By blending Yvette's artistic vision with cutting-edge design, the Qi opens the door to immersive, otherworldly sounds.

The Qi allows you to mix and match the chorus, delay, and grain and run in series or parallel to create your own inspiring universe of possibility in a stereo field. With the ability to save presets and bypass the chorus, delay, and grain controls, you can quickly and instantly change settings by simultaneously pressing the Bypass and Freeze stomp switches. Go from a traditional chorus with a little bit of delay, or go all in and let the Qi take over with unexplainable washes of glitchy and lush ambiance. Whatever your style is, the Qi will give it a new life.

The Qi is the first creation to emerge from Walrus' groundbreaking proprietary digital processing platform, MDSP. Designed in-house by their talented engineering team, MDSP sets a new benchmark for high-fidelity audio and innovative design, delivering decades of inspiration to creators seeking practical yet forward-thinking gear.

At the core of MDSP is the powerful ARM-based Cortex M7 processor, renowned as the highest-performing processor in its class. With a proven history in high-level electronics, the Cortex M7 has been meticulously tailored for advanced audio algorithm processing in the MDSP platform. This unique system integrates a microcontroller and a DSP into a single compact unit, enabling a smaller, modular design that can seamlessly adapt to a wide range of pedal formats.

This modular and "mini" approach empowers Walrus Audio to push the boundaries of audio processing. The enhanced capabilities of Walrus's MDSP allow for the development and execution of more sophisticated algorithms than ever before, delivering unparalleled creative possibilities for musicians and audio professionals alike.

The MDSP platform also boasts a superior audio codec, supporting faster sample rates, increased bit depth, greater headroom, and an exceptional signal-to-noise ratio. These enhancements ensure outstanding audio performance, setting a new standard in digital signal processing for the music industry.

The introduction of MDSP reflects Walrus Audio's commitment to providing creators with cutting-edge tools that inspire innovation and creativity.

Global Controls


Space Knob: Space adds a delightfully charming reverb to your affected signal. Use this knob to modify the mix and decay of the reverb. Go from smaller room sounds to a huge, diffused ambient reverb at maximum settings. It's lush and complimentary, and adding it in with the other effects will put you squarely in dreamscape territory.


Tone Knob: The Tone parameter controls the cutoff of a synth-style resonant low pass filter, allowing you to shape the tone of the effect output.


Series and Parallel: In series, effects will feed into each other in the order of Chorus > Delay > Grain > Output.


In parallel, all of the effect outputs on Chorus, Delay, and Grain are summed together and do not feed into each other. The top row of knobs will act as level controls, and the user can control the level of each effect.


The Mix/Dry parameter controls the mix of wet and dry signal in series mode and dry level in parallel mode.

Grain Controls


The featured Grain effect features two 'flavours' of operation:


Grain Cloud: This mode triggers small samples (grains) randomly from your playing, which gives you unpredictable, yet charming glitchy texture for your sound. The X knob controls the length of time between grains, so you can go from dense clusters to sparse accents.


Phrase Sample: This mode triggers grains rhythmically from your playing. Initial peaks in your playing are detected and grains are played back starting at these peaks, creating a rhythmic and intentional effect. The X knob controls the tempo at which the samples will be played back. Turning the X knob to the minimum position will sync the Phrase Sample time to the Delay time so that repeated grains are in time with the Delay repeats.


The Grain effect also features 5 playback modes that dictate different ways the grain samples are projected.


x1: Normal
x2: Double-speed and +1 octave
x.5: Half-speed and -1 octave
REV: Reverse playback
RNDM: Randomized combination of the previous four modes.


Delay Controls

The delay effect is a full, clean digital delay that offers repeats for up to two seconds. Use the time knob to control the time between delays as well as the feedback knob to control the amount of delays. The TAP/OSC switch on the bottom right of the pedal can also be used to control the delay effect via tap tempo, or when held down will ramp up the feedback and cause the delay to oscillate.

Subdivisions

Delay trails can be projected in three subdivision modes:

Quarter Note
Dotted Eighth Note
Eighth Note

Chorus Controls

The Chorus effect offers two modes:
Tri Chorus: A multi-dimensional chorus favourite. Lush, complex, modulated sounds combining three voices for a full, vibrant sound.

Stereo Chorus: This mode is a classic chorus effect but with the modulation of the chorus being offset 180 degrees to the right channel to achieve the stereo width effect.


Other Features

Three on-board presets (red, green, blue) plus a live mode (white).
TRS MIDI 1/8" in and thru ports for MIDI control.
USB-C port included for future firmware updates.
Momentary Grain Freeze
Momentary Grain + Max Reverb Freeze

Notes: *** App Update- August 2024 ***

Yamaha Music is proud to announce the release of SEQTRAK App v1.0.2, a significant upgrade now available on Web and App stores worldwide. This update marks a substantial improvement in the app's functionality, speed, and overall user experience.

Transformative Enhancements in v1.0.2:

1. Revolutionized Data Syncing: Users will experience dramatically faster load times thanks to intelligent cached data usage, making workflow smoother and more efficient than ever before.
2. Advanced Sorting Capabilities: The newly implemented Packs list sorting feature empowers users with enhanced organization tools, streamlining project management and creative processes.
3. Mac User Experience Boost: Mac users will enjoy improved accessibility with the addition of [ctrl + click] functionality for context menus, aligning with platform-specific user expectations.

Critical Issues Resolved:

This update doesn't just add features; it also significantly improves stability and reliability:

- Eliminated Visualizer scene loading issues, ensuring seamless visual performances
- Perfected Visualizer Reflection parameter value retention for consistent visual outputs
- Resolved UI display inconsistencies related to parameter-lock deletion, enhancing user interface reliability
- Optimized Sampler track Destination value changes for precise audio routing
- Rectified parameter-locked effects saving for Synth tracks, preserving complex sound designs

The culmination of these improvements results in a noticeably more robust, responsive, and user-friendly SEQTRAK App. Whether you're a professional musician, a live performer, or an enthusiastic hobbyist, v1.0.2 offers a substantially improved platform for your creative endeavours.

Users can immediately access this groundbreaking update through their respective App stores or via the Web platform.


Yamaha's all-in-one portable production tool offers an exciting new take on music making. Synth and sampler engines combine with a built-in sequencer, allowing you to create tracks from scratch.

Supplier's Notes:
Unlock your creativity anywhere

Introducing SEQTRAK, the ultimate music creation station that empowers you to capture, create and connect with fans - from anywhere you happen to be.

Capture

Capture ideas as quickly as they come.

All-in-one system

Drums. Synths. Sound design. Sequencing. All included. With an array of features, all loaded in a compact, lightweight design, SEQTRAK allows you to start producing right away - no matter where you are. It's got everything you need. And more.

Lightning-fast workflow

SEQTRAK makes capturing ideas simple with a clear 3-part user interface and real-time, hands-on controls. You'll produce your music without menu-diving or waiting for boot times. Seize moments of inspiration and unleash your creativity in no time at all.

Extensive sounds

SEQTRAK extensive library contains over 2,000 presets. You'll find a vast collection of professionally crafted sounds - from rich pianos, to shimmering synths and thundering drums. More will be available with updates to the SEQTRAK app.

Onboard sampling

Capture your own unique sound samples effortlessly. SEQTRAK's sampler offers seven sound slots and a variety of effects, allowing you to shape and transform your samples with ease. Say a phrase, tap a spoon, or record your favourite pet - then customize to create polished Tracks - all in high-quality 44.1 kHz/16-bit format.

Make music on the go

With its compact size, lightweight design, built-in speaker and microphone, as well as a rechargeable battery, you can take SEQTRAK anywhere - from the studio, to the stage, to the sofa. No need to worry about power outlets or tangled cables. Create, perform, and share your music - anytime, anywhere.

Create

Turn your ideas into original music.

Sound engines + effects

Double your creative potential with two versatile sound engines. AWM2 (Advanced Wave Memory 2) boasts an impressive 128-note polyphony and specializes in authentic sounds like pianos, strings, and guitars, while the four-operator FM engine produces stunning synth pads, leads, FM electric pianos, and more. Additionally, SEQTRAK includes powerful effects for a polished sound.

Sequencer

SEQTRAK's advanced Sequencer allows for intuitive and seamless composition, arrangement, and playback of musical Tracks. With its user-friendly interface, you can easily navigate and control various parameters, such as tempo, swing, and track settings.

Sound editing

Inside the included SEQTRAK app you'll find an intuitive graphic user interface that lets you quickly dive into each Track and shape your sounds with precision. Editing includes a comprehensive set of functions, including envelopes, filters, and effect manipulation, enabling you to refine your compositions with meticulous detail.

Connect

Share your music. Connect with your fans.

Performance

Take centre stage with the SEQTRAK's powerful performance features. Create arrangements on-the-fly by combining Tracks and Patterns, remixing beats, and muting/unmuting Tracks in real-time. Add polish and sparkle to your music using global effects - then control these sounds live while you perform.

Visualizer

The SEQTRAK app has a Visualizer mode that transforms your music into a captivating visual experience. With this free performance and production feature, you'll bring your music to life with stunning visuals that sync perfectly with your songs. Customize and tweak Patterns, motion effects and more, however you see fit. There's even an Augmented Reality (AR) mode that allows you to integrate 3D virtual objects into real-world live videos.

Connectivity

- Bluetooth MIDI: Connect wirelessly to the SEQTRAK App & Visualizer, enhancing convenience and mobility.

- Wi-Fi: Transfer WAV samples wirelessly, eliminating the need for cables.

- MIDI In/Out: Connect to other hardware synths, MIDI controllers, or a computer; expanding your sound options and enabling integration with external devices.

- USB-C: Establish a single cable connection for MIDI and stereo audio to a computer simplifying setup and streamlining workflow.

- AUX In: Connect to drum machines, synths, and other external sources, expanding and diversifying your sound.

*Wireless functions may not be available depending on your area. Check with your Yamaha dealer. Windows PC cannot use wireless functions.

Specs
Tone Generator: AWM2, FM: 4 operators
Maximum Polyphony: AWM2: 128, FM: 8
Wave: Preset: 800 MB (when converted to 16-bit linear format), User: 500 MB
Effects: Reverb × 12 types, Delay × 9 types, Master Effect × 85 types, Single Effect × 85 types, Master EQ 5 bands, LP-HP filters for each track

Tracks

Track Types: DRUM, SYNTH, DX, SAMPLER
Number of Tracks: 11

Sounds

Number of Sounds: Preset Sound: 2032 Preset Sampler Sound: 392 *Can be added from the SEQTRAK app
Connectivity


USB: USB Type-C (power, MIDI to host, MIDI to device, audio)
Headphones: [PHONES] (stereo mini jack)
A/D INPUT: [AUDIO IN] (stereo mini jack)
MIDI: [MIDI] IN/OUT *Only included cable can be used.

Functions
USB audio interface: [Sampling Frequency = 44.1 kHz (quantization bit depth: 24-bit)] Input: 2 channels (stereo 1 channel), Output: 2 channels (stereo 1 channel)
Bluetooth: MIDI transmission/reception (wireless capability varies by country)
Wi-Fi: Data transmission/reception with dedicated app (wireless capability varies by country) The highest SAR value: 1.11 W/kg

Sound System

Speakers: 2.3 cm, 1 W
Microphone: Internal MEMS microphone

Power Supply

Power Source: Rechargeable lithium-ion battery (2,100 mAh, 7.6 Wh) USB Power Delivery (PD) (Output voltage: 4.8 V to 5.2 V, Output current: 1.5 A or greater)
Power Consumption: 6 W
Battery life for continuous use: 3-4 hours
Battery charge time: 3-5 hours

Size/Weight

Dimensions

Width: 343 mm (13-1/2")
Height: 38 mm (1-1/2")
Depth: 97 mm (3-13/16")
Weight: 0.5 kg (1 lb 2 oz)

Packing Box

Width: 420 mm (16-9/16")
Height: 90 mm (3-9/16")
Depth: 165 mm (6-1/2")

Included accessories: USB-C to USB-C cable, dedicated MIDI Converter Cable, Quick Operation Guide, Safety Guide
Dedicated Software: SEQTRAK app
Sequencer Block - Maximum Steps: 128

Notes: *** Update- August 2024 ***

Yamaha Music is proud to announce the release of SEQTRAK App v1.0.2, a significant upgrade now available on Web and App stores worldwide. This update marks a substantial improvement in the app's functionality, speed, and overall user experience.

Transformative Enhancements in v1.0.2:

1. Revolutionized Data Syncing: Users will experience dramatically faster load times thanks to intelligent cached data usage, making workflow smoother and more efficient than ever before.
2. Advanced Sorting Capabilities: The newly implemented Packs list sorting feature empowers users with enhanced organization tools, streamlining project management and creative processes.
3. Mac User Experience Boost: Mac users will enjoy improved accessibility with the addition of [ctrl + click] functionality for context menus, aligning with platform-specific user expectations.

Critical Issues Resolved:

This update doesn't just add features; it also significantly improves stability and reliability:

- Eliminated Visualizer scene loading issues, ensuring seamless visual performances
- Perfected Visualizer Reflection parameter value retention for consistent visual outputs
- Resolved UI display inconsistencies related to parameter-lock deletion, enhancing user interface reliability
- Optimized Sampler track Destination value changes for precise audio routing
- Rectified parameter-locked effects saving for Synth tracks, preserving complex sound designs

The culmination of these improvements results in a noticeably more robust, responsive, and user-friendly SEQTRAK App. Whether you're a professional musician, a live performer, or an enthusiastic hobbyist, v1.0.2 offers a substantially improved platform for your creative endeavours.

Users can immediately access this groundbreaking update through their respective App stores or via the Web platform.


Unlock your creativity anywhere

Introducing SEQTRAK, the ultimate music creation station that empowers you to capture, create and connect with fans - from anywhere you happen to be.

Capture

Capture ideas as quickly as they come.

All-in-one system

Drums. Synths. Sound design. Sequencing. All included. With an array of features, all loaded in a compact, lightweight design, SEQTRAK allows you to start producing right away - no matter where you are. It's got everything you need. And more.

Lightning-fast workflow

SEQTRAK makes capturing ideas simple with a clear 3-part user interface and real-time, hands-on controls. You'll produce your music without menu-diving or waiting for boot times. Seize moments of inspiration and unleash your creativity in no time at all.

Extensive sounds

SEQTRAK extensive library contains over 2,000 presets. You'll find a vast collection of professionally crafted sounds - from rich pianos, to shimmering synths and thundering drums. More will be available with updates to the SEQTRAK app.

Onboard sampling

Capture your own unique sound samples effortlessly. SEQTRAK's sampler offers seven sound slots and a variety of effects, allowing you to shape and transform your samples with ease. Say a phrase, tap a spoon, or record your favourite pet - then customize to create polished Tracks - all in high-quality 44.1 kHz/16-bit format.

Make music on the go

With its compact size, lightweight design, built-in speaker and microphone, as well as a rechargeable battery, you can take SEQTRAK anywhere - from the studio, to the stage, to the sofa. No need to worry about power outlets or tangled cables. Create, perform, and share your music - anytime, anywhere.

Create

Turn your ideas into original music.

Sound engines + effects

Double your creative potential with two versatile sound engines. AWM2 (Advanced Wave Memory 2) boasts an impressive 128-note polyphony and specializes in authentic sounds like pianos, strings, and guitars, while the four-operator FM engine produces stunning synth pads, leads, FM electric pianos, and more. Additionally, SEQTRAK includes powerful effects for a polished sound.

Sequencer

SEQTRAK's advanced Sequencer allows for intuitive and seamless composition, arrangement, and playback of musical Tracks. With its user-friendly interface, you can easily navigate and control various parameters, such as tempo, swing, and track settings.

Sound editing

Inside the included SEQTRAK app you'll find an intuitive graphic user interface that lets you quickly dive into each Track and shape your sounds with precision. Editing includes a comprehensive set of functions, including envelopes, filters, and effect manipulation, enabling you to refine your compositions with meticulous detail.

Connect

Share your music. Connect with your fans.

Performance

Take centre stage with the SEQTRAK's powerful performance features. Create arrangements on-the-fly by combining Tracks and Patterns, remixing beats, and muting/unmuting Tracks in real-time. Add polish and sparkle to your music using global effects - then control these sounds live while you perform.

Visualizer

The SEQTRAK app has a Visualizer mode that transforms your music into a captivating visual experience. With this free performance and production feature, you'll bring your music to life with stunning visuals that sync perfectly with your songs. Customize and tweak Patterns, motion effects and more, however you see fit. There's even an Augmented Reality (AR) mode that allows you to integrate 3D virtual objects into real-world live videos.

Connectivity

- Bluetooth MIDI: Connect wirelessly to the SEQTRAK App & Visualizer, enhancing convenience and mobility.

- Wi-Fi: Transfer WAV samples wirelessly, eliminating the need for cables.

- MIDI In/Out: Connect to other hardware synths, MIDI controllers, or a computer; expanding your sound options and enabling integration with external devices.

- USB-C: Establish a single cable connection for MIDI and stereo audio to a computer simplifying setup and streamlining workflow.

- AUX In: Connect to drum machines, synths, and other external sources, expanding and diversifying your sound.

*Wireless functions may not be available depending on your area. Check with your Yamaha dealer. Windows PC cannot use wireless functions.

Specs
Tone Generator: AWM2, FM: 4 operators
Maximum Polyphony: AWM2: 128, FM: 8
Wave: Preset: 800 MB (when converted to 16-bit linear format), User: 500 MB
Effects: Reverb × 12 types, Delay × 9 types, Master Effect × 85 types, Single Effect × 85 types, Master EQ 5 bands, LP-HP filters for each track

Tracks

Track Types: DRUM, SYNTH, DX, SAMPLER
Number of Tracks: 11

Sounds

Number of Sounds: Preset Sound: 2032 Preset Sampler Sound: 392 *Can be added from the SEQTRAK app
Connectivity


USB: USB Type-C (power, MIDI to host, MIDI to device, audio)
Headphones: [PHONES] (stereo mini jack)
A/D INPUT: [AUDIO IN] (stereo mini jack)
MIDI: [MIDI] IN/OUT *Only included cable can be used.

Functions
USB audio interface: [Sampling Frequency = 44.1 kHz (quantization bit depth: 24-bit)] Input: 2 channels (stereo 1 channel), Output: 2 channels (stereo 1 channel)
Bluetooth: MIDI transmission/reception (wireless capability varies by country)
Wi-Fi: Data transmission/reception with dedicated app (wireless capability varies by country) The highest SAR value: 1.11 W/kg

Sound System

Speakers: 2.3 cm, 1 W
Microphone: Internal MEMS microphone

Power Supply

Power Source: Rechargeable lithium-ion battery (2,100 mAh, 7.6 Wh) USB Power Delivery (PD) (Output voltage: 4.8 V to 5.2 V, Output current: 1.5 A or greater)
Power Consumption: 6 W
Battery life for continuous use: 3-4 hours
Battery charge time: 3-5 hours

Size/Weight

Dimensions

Width: 343 mm (13-1/2")
Height: 38 mm (1-1/2")
Depth: 97 mm (3-13/16")
Weight: 0.5 kg (1 lb 2 oz)

Packing Box

Width: 420 mm (16-9/16")
Height: 90 mm (3-9/16")
Depth: 165 mm (6-1/2")

Included accessories: USB-C to USB-C cable, dedicated MIDI Converter Cable, Quick Operation Guide, Safety Guide
Dedicated Software: SEQTRAK app
Sequencer Block - Maximum Steps: 128

Notes: Unearth the Walrus Audio Silt Harmonic Fuzz, a collaborative creation with tube expert Jim Hagerman.

Wielding an internal pre-amp tube, the Silt is a two-in-one fuzz that creates massively rich fuzz tones perfect for chords and rhythmic parts or with the press of a switch, adds uniquely harmonic overtones to the signal before hitting the tube. Crafted specifically for those seeking a harmonically rich fuzz experience, the Silt boasts an analogue circuit with the distinctive warmth of a 12AU7 tube as its drive section, letting you explore a unique and wild sonic landscape.

Main Features:

1. 12AU7 Tube Drive

The Silt's 12AU7 tube section drives the warm, bone-rattling fuzz. We unearthed this sonic fossil to encase your sound in an amber warmth, while still providing the grit, growl, and harmonically complex textures that only a tube-driven fuzz can provide.

2. Harmonic Mode

Harmonic Mode acts as a frequency doubler before the drive section of the pedal. This produces crispy, octave-like sounds, lending a unique edge to your lead tones. Try this with your guitar tone knob rolled off.

3. Contour Control for Precision Tone Sculpting

Refine your fuzz tones with the precision of the Contour control to achieve a wide spectrum of timbres.

Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage, like uncovering layers of sonic strata. Especially helpful when switching between different styles of pickups. Whether you're chasing searing leads or wooley rhythm, the Silt adapts to your style with roaring precision.

4. Designed for Operation at 9v-12v for Plenty of Gain

Supercharge your fuzz experience by operating the Silt anywhere between 9v and 12v. Running the pedal at 12v will give you an extra gain boost, letting you push the primal boundaries of fuzz to deliver the searing tones you've been searching for.

5. True Bypass Circuit

Maintain the integrity of your original tone with the relay bypass circuit. When disengaged, the Silt ensures your signal remains pure, allowing your guitar's natural voice to shine through undisturbed.

Controls:

Volume: Control the output volume level of the pedal.
Tone: Sculpt your output tone with a lowpass/highpass tilt tone control.
Gain: Control the input gain into the fuzz circuit, from subtle, distortion-like crunch to full-throttle fuzz.
Contour: Toggle between highpass, flat, and lowpass curves in the pre-tube EQ stage.
Bypass Switch: Enable or disable the effect with the relay bypass switch, preserving your original signal when the Silt is not in use.
Harmonic Switch: Activate or deactivate the frequency doubler circuit before the clipping stages, infusing your sounds with octave-like textures for a unique sonic edge.

Notes: Another really interesting physics-based module from ADDAC, the Swell models ripples in a body of water, translating the height of imaginary buoys into control voltage signals to create an organic, fluid modulation source.

Supplier's Notes:
Following ADDAC's ADDC503 Marble Physics here is a new simulation of a physical system. This time, imagine a small area in the middle of the ocean, in this area we place 4 equally spaced buoys anchored to the bottom in such a system that we can control the spacing between the buoys. Imagine we can control the elements and agitate the waters at will which in turn will make the buoys move up and down as the water surface moves.

Finally imagine the buoys would wirelessly transmit their absolute height directly to your module outputs where they would be mapped to a voltage signal.

ADDAC use a Gerstner Wave as the motor behind the two-dimensional wave generation. In fluid dynamics a Gerstner Wave is described as "a progressive wave of permanent form on the surface of an incompressible fluid of infinite depth". Gerstner waves are often used in computer graphics to simulate any type of water surface, if you've seen any animation film or computer game with water surfaces in it most probably it features a Gerstner wave generating it.

Tech Specs:

10HP
4.5cm deep

70mA +12V
40mA -12V

Notes: The D1 MKII is a feature-packed, high-fidelity all-in-one delay pedal with six algorithms for players to choose from: Digital, Mod, Vintage, Dual, Reverse, and Grain. The D1 can create inspirational delay trails ranging from dreamlike and bizarre, to rhythmic and clear, to warm and analogue sounding.

Program Controls:
Each program can be fully customized to your taste and playing style with the left encoder knob, which controls six parameters on all programs of the D1: Depth, Rate, Shape, Age, Tone, and Spread.

The Right encoder knob adjusts BPM, Swell, and Tap Division. BPM can also be set via the tap tempo switch or MIDI. Some programs will have additional options. See the manual for details.

Programs:
Digital - The Digital delay program offers a clean and crystal-clear delay that is perfect for rhythmic guitar parts where ultra-defined echoes are desired.

Mod - The Mod delay program has unique modulation LFOs applied to random repeats and run at multiple rates to create unpredictable pitch modulation. This results in unique sounding repeats perfect for warping minds and scattering trains of thought.

Vintage - The Vintage program allows for analogue tape delay-inspired tones to be achieved with complex filtering applied to the repeats. Use the tone knob at low settings for darker filtering and at higher settings to roll off the low end.

Dual - The Dual program employs two delays, one in each channel and both with different repeat subdivisions. The user has complete control over these subdivisions for both the L and the R channel, and can also choose to run their channel feedback in parallel, ping pong, or series. This effect can leave some jaw dropping trails, especially in stereo.

Reverse - The Reverse program reads the delay memory backward creating a unique delay repeat character known as a reverse delay. Select whether your repeats stay always reversed, or follow an analogue reverse feedback system where the repeats flip flop.

Grain - The Grain program can be as smooth, choppy, glitchy, or flowy as you want it to be, and for users who may want to try their hand at experimenting a little, this will be the perfect program for them to explore. The grain trails can be adjusted to short staccato sounding glitches, or opened up for full immersion. It's a whole new world, but the player is still firmly in control.

Presets:
The D1 can save up to 128 onboard presets, which can be held in a preset bank made accessible by tapping down on the bottom left and bottom middle knobs simultaneously. Presets 0-9 are divided into Banks A, B, and C. Select a bank while in the preset menu. Bank A will cycle through presets 0-2, Bank B will cycle through presets 3-5, and Bank C will cycle through presets 6-9. Presets 10-128 can be accessed through manual selection or MIDI.

Notes: The R1 MKII is an extremely powerful and versatile multi-function reverb that can go from intimate, small-room type subtle reverbs to huge, experimental euphoria. With six distinct programs based on fan-favourite reverb sounds that have been built from the ground up, players of all styles and genres will be able to find eternal inspiration with the R1.

Program Controls

Each program can be fully customized to your taste and playing style with the left encoder knob for features like modulation rate, ducking, and more. Refer to the manual for program specific features.

The R1 MKII includes a unique Ducking/Swelling control that modifies the reverb's behavior. Higher settings increase the swelling effect, making it more prominent, while lower settings enhance the ducking effect, helping to maintain a clear and focused mix.

The Right encoder knob adjusts parameters like reverb EQ and room size. See the manual for details.

Programs:
Spring: The Spring program emulates an excited spring reverb commonly found in tube amps with loads of transducing drip. Easily go from subtle to full-on surf rock. Experiment with the decay knob to get more than average amounts of reverb not found in traditional amp spring reverb tanks.
Hall: The Hall program provides the acoustics of large live sound spaces like concert halls to arenas. Longer decays result in a massive wash of ambiance.
Plate: The Plate program emulates a smooth analogue plate reverb with nice even diffusion for the classic plate sound that you know and love.
BFR: BFR is a no holds barred, big, f____, reverb. This is more than a giant arena reverb. It's a hall-esque reverb with rich and lush decay in a vast cavern filled with choirs of angels.
Refract: The RFRCT program allows for lovely, charming, and glitch-like textures hovering over a controllable amount of diffusion. The Rate controls on RFRCT set how often new grains trigger, while Depth controls the amount of modulation applied to the grains. The Time control sets the delay time of the grains, and the size control sets the size of the grains being pulled from the buffer. The diffuse control allows you to take the grains from super dry and stuttery to washed out in a reverb mix.
Air: The Air program offers a larger diffused reverb with a shimmer, as well as a distinct clarity to its decay. Adjust the shimmer control to really lean into that high-octave sound that ambient style artists have come to love over the decades. Explore slow-building complimentary sounds that don't get in the way of your playing.

Presets
The R1 can save up to 128 onboard presets, which can be held in a preset bank made accessible by tapping down on the bottom left and bottom middle knobs simultaneously. Presets 0-9 are divided into Banks A, B, and C. Select a bank while in the preset menu. Bank A will cycle through presets 0-2, Bank B will cycle through presets 3-5, and Bank C will cycle through presets 6-9. Presets 10-128 can be accessed through manual selection or MIDI.

Notes: A modern modulation classic, the MD-500 offers a huge range of effects from chorus to phasers and beyond, many of them based on iconic Boss and Roland effects from the past. Great value for such versatility.

Supplier's notes:
Monster Mod Machine

Powered by advanced BOSS technology, the ultra-versatile MD-500 delivers nearly any type of modulation effect a musician could want, and then some. Included are 28 different algorithms with intensive programming parameters, offering a nearly limitless sound palette to create with. And with class-defying 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate throughout, you'll enjoy pristine sound quality that extends beyond the capabilities of the very best studio hardware.

Effects in the MD-500 include many new Prime types developed with cutting-edge BOSS tech, plus authentic sonic recreations of vintage classics like the CE-1 Chorus Ensemble, Roland Dimension D, '70s script phaser, '80s tri-chorus, and numerous others. With the ability to use two patches at once with A/B Simul mode, the MD-500 can likely cover all your mod needs with one convenient pedal. And by inserting drive pedals in the MD-500's flexible external loop, it's easy to place mod effects before, after, or around the loop as needed for the very best sound.

Twelve Modes and 28 Mod Effect Types

The MD-500 includes 12 modes with 28 different mod effect algorithms, and every one of them has been newly developed specifically for this pedal. All the go-to standards are here: chorus, vibrato, flanger, phaser, tremolo, rotary, classic vibe, and ring mod. Auto wah and touch wah effects are on hand too, plus BOSS originals like Slicer and Overtone. Slicer fans will welcome the ability to program custom patterns, an additional feature to the original SL-20 Slicer pedal. And with the MD-500's spot-on recreation of Roland's Dimension D from the 1980s, you can add amazing width and depth with one of the most revered studio rack effects of all time.

Prime Tone

For the MD-500, standard effects like chorus, flanger, phaser, and others have been refreshed with BOSS's advanced new Prime algorithms. Using ultra-fast, high-powered DSP and the latest technology, BOSS engineers have reimagined these essential effects for enhanced expression, extended range, and maximum transparency. With an array of adjustable parameters per type, you have a massive range of sound-shaping potential at your fingers. Some effects even have all-new parameters never seen in BOSS effects before, such as the "Bell" and "Sweetness" settings included in the Prime Chorus algorithm.

Extraordinary Sound

The MD-500 features 32-bit/96 kHz AD/DA, exceeding all industry standards for pedal-based effects. All internal processing is 32-bit floating point and runs at a 96 kHz sampling rate as well, delivering pristine sonic quality that goes beyond the highest-level digital processors used in top pro studios. And with selectable true-bypass or buffered-bypass operation, you can choose the best setting to suit the needs of any pedalboard setup.

Advanced Interface, Intuitive Operation

The MD-500 is equipped with a large LCD that clearly shows the patch name and other vital performance information. It also makes it easy to view and adjust the unit's deep editing parameters and advanced control features. With the grab-and-go panel knobs, you have top-level access to essential adjustments like depth and effect level, plus two parameter controls that change dynamically with the selected effect type. And via USB, you can connect with the free MD-500 Editor/Librarian on your computer for remote editing, patch backup, and more.

A/B Simul Mode and Insert Loop Function

A/B Simul mode further extends the MD-500's versatility by letting you run two patches at once. A selectable series or parallel connection enables all sorts of tone-shaping possibilities, and you can even send each effect to its own separate output if you like. The MD-500 also features an external loop that lets you insert gain and drive pedals and set the ideal effect order on a per-patch basis. For example, you can place a phaser or classic vibe before a drive pedal in one patch, and a chorus or flanger after the drive in the next. And when you're in A/B Simul mode, it's even possible to position the loop between two different mod effects.

Specifications
Sampling Frequency: 96 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes- CHORUS, FLANGER, PHASER, CLASSIC VIBE, VIBRATO, TREMOLO, DIMENSION, RING MOD, ROTARY, FILTER, SLICER, OVERTONE
Memory: 198 (99 banks x 2 [A] [B]), 297 (99 banks x 3 [A] [B] [C])
Nominal Input Level: INPUT A/MONO, B: -10 dBu
Maximum Input Level: INPUT A/MONO, B: +8 dBu
Input Impedance: INPUT A/MONO, B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, B: +8 dBu
Output Impedance: OUTPUT A/MONO, B: 2 k ohms
Recommended Load Impedance: OUTPUT A/MONO, B: 20 k ohms or greater
Bypass: Buffered bypass or True bypass (with relays)

Controls:
A switch, B switch, TAP/CTL switch
DOWN button, UP button, EXIT button, EDIT button
MODE knob, RATE/VALUE knob, DEPTH knob, E.LEVEL knob, PARAM 1 knob, PARAM 2 knob

Display: Graphic LCD (128 x 64 dots, backlit LCD)

Connectors:
INPUT (A/MONO, B) jacks, OUTPUT (A/MONO, B) jacks: 1/4-inch phone type
CTL 1,2/EXP jack: 1/4-inch TRS phone type
USB COMPUTER port: USB type B
MIDI (IN, OUT) connectors
DC IN jack

Power Supply: Alkaline battery (AA, LR6) x 4, AC adaptor (sold separately)
Current Draw: 225 mA
Expected battery life under continuous use: Alkaline: Approx. 4.5 hours
* These figures will vary depending on the actual conditions of use.

Accessories:
Owner's manual
Leaflet "USING THE UNIT SAFELY"
Alkaline battery (AA, LR6) x 4

Options (sold separately)
AC adaptor: PSA-S series
Footswitch: FS-5U, FS-5L
Dual Footswitch: FS-6, FS-7
Expression Pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size and Weight
Width: 170 mm / 6-3/4 inches
Depth: 138 mm / 5-7/16 inches
Height: 62 mm / 2-1/2 inches
Weight (including battery): 1.0 kg / 2 lbs 4 oz

* 0 dBu = 0.775 Vrms

Notes: The VSYSTEM-1 is a complete synth in a case of exactly the size of the Korg Volca synths. It contains the following AE modules:

2OSC/d (dual oscillator)
The 2OSC/d module contains two 1V/octave hybrid oscillators.
Each of them has:
one frequency knob plus a range switch +2 octaves
CV input (1V / octave)
PWM input
SYNC input
Sawtooth / Square / Sub-octave output

The pulse width knob controls either the pulse width of the first oscillator (with the second one having a fixed pulse width), or via a switch the second oscillator is also controlled by the pulse width knob. Both oscillators can be pulse width-modulated independently by their PWM inputs.
The module is designed as a hybrid digital/analogue module; the oscillator frequencies are determined digitally and are therefore quite stable and have a good tracking; the output waveform itself is created analogue. It's a new idea/concept that I have implemented here; the design causes the waveform to gets a bit gritty at higher frequencies (but not "digital noise") - it's the character of this thing!

WASP FILTER
This filter module is a variant of the Wasp filter, a quite strange circuit used first in the EDP Wasp synth end of the seventies, which abuses digital chips in an analogue way leading to the characteristic sound of this filter type. In this module, vactrols are used for controlling the filter frequency.

MODULATORS (containing LFO, envelope, random voltage, VCA)
MODULATORS is a multifunctional module offering different kinds of modulation sources in a 1U module. It is designed especially with very small AE systems in mind.
You get:
An AD envelope generator
an LFO with adjustable rate, square wave and triangle/sawtooth output, pulse width knob and CV control
a random CV source working in different modes (stepped, smoothed, quantized) and a VCA

4ATTMIX
A versatile mixer / quadattenuator.
4ATTMIX offers four input channels which can be level controlled / attenuated by the corresponding knobs. The attenuated signals are sent to four outputs.
Additionally, each channel can be sent to an internal mixer by the switches beside the knobs. The mix signal is then sent to the mix output.
An additional switch selects the general operation mode for the mixer, for DC/CV signals or for audio signals.

SEQ8 (8-step sequencer)
The SEQ8 is an 8-step sequencer for controlling oscillator pitch and triggering envelopes.
Compared to "classic" analogue sequencers it works a bit different: Instead of setting the CV for each step independently (which means in fact "tuning" each step which can be a bit tedious), the SEQ8 has 4 knobs for presetting different CV's (= notes); each of the 8 step knobs selects one of these CVs, plus 0V (=base note) plus Pause (no trigger output). So some CVs have to be fine-tuned once; with the step knobs you can focus entirely on the sequence itself and you can even modify it on the fly, still remaining in tune.
Additionally, to the selected CV presets, the "raw" value of the step knobs is also accessible at an extra output.

DELAY
This module is a standard mono delay with the usual parameters
delay time
feedback
dry/wet mix.
It sounds not as clean and polished as a usual digital delay, but has quite a character on its own. High feedback settings allow endless and distorting loops.
(For the techies: It is based on the well-known PT2399 chip.)

Stereo Headphone amplifier, 2 IN/OUT sockets via a stereo minijack

It is delivered completely with power wall adapter and patchwires; everything needed to get the modular system started!

This is a REAL modular synth system; all modules can be rearranged and swapped as you like!

Notes: End-of-chain stereo effects are on tap with this compact and powerful module, built around a large central control knob for quick hands-on tweaking of effects like DJ-style filtering, reverb, and loops.

Supplier's Notes:
The Best Eurorack Performance FX Module

Meta is the all-in-one solution for creating smooth transitions, exciting drops, and other creative live performance effects.

Meta controls are easy to understand and use. Its feature-rich compact size saves you space and time setting up various modules or expensive effects hardware.

This is the perfect performance effect module for you.

Designed for Performance by Performers

OXI Meta is designed to be easily operated with one hand, and the effects algorithm is built to work specifically for transitions between tracks, building up a drop, intros, or outros with effects like a DJ filter, risers, loopers, and more.

The Solution for Transitions in Eurorack

OXI Meta is an end-of-chain effects processor with a highly performative interface in only 6 HP. Blend your songs and build tension like a professional without all the expensive, bulky gear.

Effect Scenes Breakdown

Meta FX Scenes were crafted and tested to deliver premium level FX- with simplicity, but also allowing to tweak enough to fit your taste and technical needs.

Space

Send your mix into the outer realms with this reverb effect.

Choose from two types of reverbs, a classic long tail reverb with tone and filter control or an experimental reverb from shimmery to deep/black-hole textures.

Riser

One of the most effective ways to create tension for drops and transitions. The OXI Meta riser features two modes both with a high-pass filter & reverb. Mode 1 adds noise and mode 2 adds a Shepard tone-style effect.

DJ filter

A DJ style filter is must have for any live performer. OXI Meta provides you with a high-pass and low-pass filter for the ultimate in transitions.

Loop

Loop small sections of audio in forward or reverse order to create head-nodding breaks and rhythms.

Delay

A high-pass or low-pass clockable delay algorithm with a splash of reverb wash to help glue this classic effect into the mix.

Gater-roller

A unique dual gater effect for exciting audio. Turn the knob right for a gater with division control and built-in high-pass filter, or go left with a snare roll build up with reverb and built-in high-pass filter.

Technical specifications

Width: 6 Hp
Depth: 22 mm
Audio: 24bit, 48KHz

Power consumption:

+12 V: 110 mA
-12 V: 20 mA
+5 V: 0 mA

Notes: Create and Perform in the Moment

Introducing the ME-90B, a free-flowing ME processor filled with pro performance tools for bassists. Extend your creative range with 61 effects optimized for bass. Shape your core tone with 10 bass preamps crafted with our latest AIRD technology. Connect to stage amps, house PA systems, and computers. And with the hands-on interface, expression pedal, and direct-access footswitches, you can create and perform in the moment with nothing to slow you down.

For optimal performance, stay up to date with the current ME-90B system software.

Effortless Creative Control

The ME-90B delivers everything a performing bassist needs, accessed via the classic BOSS ME interface for fast stompbox-style operation. Each effect category features independent parameter knobs, allowing you to tweak tones instantly. Manual mode provides on/off footswitch control of each category, while Memory mode lets you call up 36 custom multi-effect setups. Every footswitch has a different LED colour for easy identification, and it's possible to set all LEDs to light in a fixed colour for each mode if desired.

Premium BOSS Effects

The ME-90B comes stocked with premium selections from the BOSS bass effects library, organized into six logical sections that can be used simultaneously. Apply essential tone shapers like compressors, pitch effects, and filters. Explore more aggressive textures with drive and synth effects. Expand your sound with modulation, delays, and reverbs. And dive into a variety of dedicated effects for the onboard expression pedal. There's also a Blend knob to mix in some direct bass sound for clarity, plus a send/return loop to patch in your favourite stompbox effects.

Solid Bass Tone

A strong fundamental sound is the foundation of any great bass rig. The ME-90B's Preamp/EQ section features ten inspiring preamp types backed by advanced AIRD technology, complete with gain and EQ controls for rapid sound adjustment. Express your individual voice with BOSS originals like Natural and Drive Bass. Or call up authentic models of classic bass amplifiers from vintage to modern. There's also an Acoustic type optimized for acoustic-electric and upright bass pickups, plus an EQ-only option for clean DI tones.

Perform, Practice, and Record

With its versatile connectivity and compact, battery-powered design, the ME-90B is ready for every playing scenario. The 1/4-inch outputs support mono or stereo operation, with quick optimization for stage amps or line-level devices via a rear-panel switch. There's also an XLR jack with a ground lift for sending a balanced DI signal to a house PA. The ME-90B's preamps and effects provide studio-quality sound for direct USB recording in music production software. And with the headphones jack, you can quietly hone your chops while jamming with backing tracks from a computer over USB.

Edit, Customize, and Expand

BOSS Tone Studio for Windows and macOS extends your creative range with the ability to edit tones and change out some preamp and effect types with alternate selections. You can also organize memories for different gigs and supplement the onboard speaker IRs with three from your own library. When you're ready for fresh inspiration, log onto BOSS Tone Exchange to swap Livesets with the worldwide ME-90B community. And with the optional Bluetooth Audio MIDI Dual Adaptor, you can stream music from a mobile device and wirelessly shape tones using the BTS editor app for iOS and Android.

Specifications

Sampling Frequency: 48 kHz
AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converters.
DA Conversion: 32 bits
Processing: 32-bit floating point
Effects: 93 Types
Memories: 36 (User) + 36 (Preset)
Phrase Loop: 38 sec. (MONO)
Internal Tuning Detection Accuracy: +/-0.1 cent

Nominal Input Level:
INPUT: -10 dBu
RETURN: -10 dBu

Maximum Input Level:
INPUT: +7 dBu
RETURN: + 7dBu

Input Impedance:
INPUT: 1 M ohm
RETURN: 1 M ohm

Nominal Output Level:
OUTPUT L/MONO R: -10 dBu
PHONES: -10 dBu
SEND: -10 dBu
BALANCED OUTPUT: -10 dBu

Output Impedance:
OUTPUT L/MONO, R: 1 k ohm
PHONES: 44 ohms
SEND: 1 k ohm
BALANCED OUTPUT: 600 ohms

Recommended Load Impedance:
OUTPUT L/MONO, R: 10 k ohms or greater
PHONES: 44 ohms or greater
SEND: 10 k ohms or greater
BALANCED OUTPUT: 600 ohms or greater

Controls: BANK /AMP/EQ switch, BANK /MOD switch, CTL/BLEND switch, MEMORY/MANUAL switch, 1/COMP switch, 2/FILTER switch, 3/DRV/SYN switch, 4/DLY/REV switch, PEDAL FX switch, GND LIFT switch, AMP/LINE switch, POWER switch, EXIT button, WRITE button, CTL button, EDIT button, PREAMP TYPE knob, BASS knob, MIDDLE knob, TREBLE knob, GAIN knob, LEVEL knob, MOD TYPE knob, TYPE knob, RATE/TIME knob, DEPTH/DUTY/FB knob, E.LEV/RESO knob, BLEND knob, COMP/FX1 TYPE knob, SUSTAIN/LOW/-1OCT knob, ATTACK/HIGH/-2OCT knob, LEVEL/DIRECT knob, FILTER/FX2 TYPE knob, SENS/RATE/KEY knob, TONE/DEPTH/HRM knob, PEAK/LEVEL/RESO knob, DRIVE/SYNTH TYPE knob, DRIVE knob, TONE knob, LEVEL knob, DLY/REV TYPE knob, TIME knob, FEEDBACK/TONE knob, E.LEVEL knob, OUTPUT LEVEL knob, PEDAL FX TYPE knob

PEDAL FX pedal

Display: 7 segments, 2 characters (LED)
Tuning guides (LED)

Connectors
INPUT jack, OUTPUT (L/MONO, R) jacks, SEND jack, RETURN jack: 1/4-inch phone type
BALANCED OUTPUT jack: XLR type
PHONES jack: Stereo miniature phone type
USB COMPUTER port: USB Type-C(R)
Bluetooth ADAPTOR connector: Dedicated connector
DC IN jack

Power Supply: Alkaline battery (AA, LR6) x 4 or AC adaptor
Current Draw: 195 mA
Expected battery life under continuous useAlkaline battery: Approximately 6 hours * This can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.

Accessories: STARTUP GUIDE, Alkaline battery (AA, LR6) x 4, Leaflet "USING THE UNIT SAFELY"
Options (sold separately): AC adaptor: PSA-S series, Bluetooth(R) Audio MIDI Dual Adaptor: BT-DUAL, Carry Bag: CB-ME80,CB-BU10

Size & weight

Width: 443 mm / 17-1/2 inches
Depth: 220 mm / 8-11/16 inches
Height: 67 mm / 2-11/16 inches
Maximum Height: 93 mm / 3-11/16 inches
Weight(including battery): 2.9 kg / 6 lb 7 oz*

0 dBu = 0.775 Vrms

Notes: This premium LI version of Mooer's fantastic GE1000 pedal features a built-in lithium ion battery and benefits from a snazzy 'Walking Star' paint job. Same great sound as the standard version.

Supplier's Notes:
MOOER has consistently pleased the guitar pedal market with its GE multi-effect range, and its latest addition, the GE1000LI, is set to be no exception. The GE1000LI, built with a futuristic and sleek "Walking Star" design, builds upon past GE products, offering an even larger range of guitar processing effects, preamps, amp simulators, and features than previous entries.

Installed with a Lithium-ion battery, the GE1000LI enables guitarists to use the pedal even when mains power is unavailable. When combined with the pedal's synchronizable Groove Station drum machine, digital tuner, AI-driven equalizer, and looper, GE1000LI users are empowered to craft fully loaded compositions without needing backing tracks, bandmates, or expensive gear.

The GE1000LI comes preloaded with an impressive bank of guitar effects and amp simulations, but this is augmented further through MNRS GE Cloud support. MOOER's MNRS files consist of IR samples from real amplifiers, facilitating authentic feeling tones that can be downloaded, uploaded, and shared via MOOER's 'GE Cloud' app for free. The GE1000LI also supports third-party IR files of up to 2048 sample points, enabling further expansion of the pedal's portfolio of amp simulators.

Further adding to the GE1000LI's impressive amplification and tone features, the GE1000LI includes a cutting-edge AI-driven automatic equalizer, a first for MOOER. This automatically adjusts a 5-band EQ based on the user's playing and music style choice, providing further possibilities for creativity whilst still providing the flexibility of a manual-controlled EQ interface.

MOOER hasn't only focused on tone and pitch with the GE1000LI exclusively, which is illustrated perfectly by the integrated Groove Station rhythmic toolkit, consisting of a style-specific drum machine and a looper. These features have been designed to work both independently and in tempo synchronization, making them adaptable for all types of jam. The looper even includes automated record and count-in functions, activating the loop recording when an input signal is detected, providing a unique hands-free looping experience.

MOOER has always excelled at providing innovative UI experiences, and the GE1000LI is set to continue this trend. The pedal features a 5-inch high-quality coloured touch screen designed for intuitive multi-effect workflows while keeping some fan favourites from previous GE pedals. These include the signature MOOER multi-purpose control dials, buttons, and a quick-access expression pedal.

Additional flexibility can be found within the pedal's cutting-edge control systems, including programmable MIDI ports, bundled preset management software, and compatibility with the MOOER mobile app.

This level of flexibility is matched by the pedal's audio routing solutions, which feature Bluetooth playback, USB audio interfacing, serial and parallel TRS stereo FX LOOP compatibility, and industry-standard input and output ports.

Notes: Proper futuristic amp modelling and effects courtesy of Mooer's next-level GE1000, featuring AI-driven auto-EQ and a five-inch touchscreen. Hook up to the GE Cloud app to edit and share sounds.

Supplier's Notes:
MOOER has consistently pleased the guitar pedal market with its GE multi-effect range, and its latest addition, the GE1000, is set to be no exception. The GE1000, built with a futuristic and sleek "Walking Star" design, builds upon past GE products, offering an even larger range of guitar processing effects, preamps, amp simulators, and features than previous entries.

The GE1000 comes preloaded with an impressive bank of guitar effects and amp simulations, but this is augmented further through MNRS GE Cloud support. MOOER's MNRS files consist of IR samples from real amplifiers, facilitating authentic feeling tones that can be downloaded, uploaded, and shared via MOOER's 'GE Cloud' app for free. The GE1000 also supports third-party IR files of up to 2048 sample points, enabling further expansion of the pedal's portfolio of amp simulators.

Further adding to the GE1000's impressive amplification and tone features, the GE1000 includes a cutting-edge AI-driven automatic equalizer, a first for MOOER. This automatically adjusts a 5-band EQ based on the user's playing and music style choice, providing further possibilities for creativity whilst still providing the flexibility of a manual-controlled EQ interface.

MOOER hasn't only focused on tone and pitch with the GE1000 exclusively, which is illustrated perfectly by the integrated Groove Station rhythmic toolkit, consisting of a style-specific drum machine and a looper. These features have been designed to work both independently and in tempo synchronization, making them adaptable for all types of jam. The looper even includes automated record and count-in functions, activating the loop recording when an input signal is detected, providing a unique hands-free looping experience.

MOOER has always excelled at providing innovative UI experiences, and the GE1000 is set to continue this trend. The pedal features a 5-inch high-quality coloured touch screen designed for intuitive multi-effect workflows while keeping some fan favourites from previous GE pedals. These include the signature MOOER multi-purpose control dials, buttons, and a quick-access expression pedal.

Additional flexibility can be found within the pedal's cutting-edge control systems, including programmable MIDI ports, bundled preset management software, and compatibility with the MOOER mobile app.

This level of flexibility is matched by the pedal's audio routing solutions, which feature Bluetooth playback, USB audio interfacing, serial and parallel TRS stereo FX LOOP compatibility, and industry-standard input and output ports.

Notes: Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.

The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.

The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.

Mackie VLZ mixers are truly built like a tank. From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap around chassis and features like grime resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.
VLZ4's new black powder coat finish, cockpit inspired controls and high contrast knobs not only optimise your mixer's usability in low light scenarios, it also means your mixer looks as good as it performs.

Mackie's VLZ4 line is extremely comprehensive, offering mixers of every channel count, every price point, for every application. From the ultra compact 402VLZ4 for desktop applications to the tour friendly 3204VLZ4, you can be sure there is a VLZ4 mixer with the right feature set for your needs

Notes: Incredible sound quality, multitrack recording, and professional built-in effects make Onyx Premium Analog Mixers with USB the ultimate compact, affordable solution for live audio, home recording, and content creation.

If there's one thing Mackie engineers can do in their sleep, it's design a mixer that sounds great, is easy to use, and is packed with flexible features. Sounds pretty good right? So if you mix live sound, record in your home studio, or live stream, this is the heart of your audio.

Onyx Series mixers feature bright, easy to read buttons that shine bright in the darkest places so you will always know whats going on with your mix. On top of that, the full-color display of Studio Command makes it easy to adjust effects and SD card recording/playback.

To create the Perkins EQ, Cal Perkins started with the Wien Bridge circuit topology - a very musical design inspired by the hallowed "British" desks of the 60s and 70s. This design essentially trades boost/cut capability for a wider, highly musical Q filter. After a mind-numbing amount of math, Cal was able to specify capacitor and resistor values that would give the EQ an extra 6dB of control (i15 dB) without excessively narrowing the "Q" or bandwidth of the filters.

Line inputs: 6
Mic inputs: 2
Aux sends: 1
USB I/O: 8x4

Notes: A creative approach to video synthesis courtesy of Critter & Guitari, the Eyesy generates real-time visuals to accompany a musical sound source. Deeper programming options allow you to control the graphics, trigger changes via MIDI or even code your own patterns.

Supplier's Notes:
Welcome to the world of the EYESY - Critter & Guitari's video synthesizer! The EYESY reacts to your music to create endlessly mesmerizing visuals. Simply plug it in and start creating. But don't be fooled by the simplicity of the EYESY, there are many features and goodies hidden inside. Whether you are creating live visuals, working on a music video, or want to program your own graphics, the EYESY will become an indispensable tool.

Modes

The EYESY comes with numerous pattern generators called modes.

Navigate the modes using buttons, and then tweak their visual appearance using five knobs. The modes respond to audio input in various ways; from smooth undulating patterns to rapid fire animations. The controls allow you to effect various elements of the patterns and colours. There is also a setting that allows the graphics to pile up in vibrant collages.

Save and Load

Store your current settings and screen grabs.

When you happen upon a setting that you like, press the scene save button to save it. This scene can now be recalled at a future time.

You can press the screen grab button to take a picture of the current frame, providing a quick way to generate interesting still images from your moving videos. Access all of your screen grabs from the browser-based interface.

MIDI Input

The EYESY's USB-MIDI & TRS-MIDI inputs offer a wide range of controllability.

Incoming MIDI Notes and Clock can change a mode's behaviour. The knobs can automated by sending MIDI controller messages from a sequencer or your favourite performance software. Program Change messages may also be sent to select your saved scenes.

Customise

Curate your EYESY for you.

You can add and remove the pattern generating modes to make the device as simple or complex as you like. The saved scenes are stored in a single file that can be saved and edited. All of the resources are managed through a simple-to-use web browser-based interface.

Coding

If you really want to go deep, you can also program your own modes for the EYESY.

Edit and create your own modes! The modes are all open source and based on an open platform. You can make changes to the modes and create new modes using the browser-based editor. Modes are written in the Python programming language.

Included items:

Power Supply:
Input: 100-240VAC @ 50/60Hz. Output: 9VDC, 1.3A, Center-positive polarity.
USB-WiFi Adapter (Ralink 5370 Chipset, 2.4GHz)

Included storage:
A microSD card holds the operating system and modes. There is ~4GB for available for mode storage.

Notes: In 2025, MOOER has announced that it will be set to release its latest multi-effects pedal, the GS1000 Intelligent Amp Profiling Processor, an augmented intelligent amp profiling processor. Built on MOOER's advanced third-generation digital platform, the GS1000 introduces groundbreaking MNRS 2.0 technology, allowing guitarists around the world to emulate their favorite gear with immense precision -specifically, for distortion pedals, preamps, amplifier heads, and cabinets.

With this innovation, guitarists can fully capture the essence of their favorite guitar gear without owning the physical hardware, enabling them to carry their favorite tones wherever they go. Users are even able to use third-party IRs for cabinets of their choice, further enhancing the flexibility of this feature.

It's unforgettable how much MOOER's multi-effects pedals have impressed audiences so far, primarily thanks to their robust tone libraries. However, even still, the GS1000 continues to build upon this with storage for up to 120 sampling profiles, along with continued integration with the MOOER Cloud app. Essentially, this cloud integration facilitates infinite upload and download possibilities, giving users access to a global community of shared tones, widely expanding the number of accessible tones. More still, the GS1000's previously mentioned third-party IR cabinet simulations support up to 2048 sample points, guaranteeing studio-grade tonal accuracy across the board.

Even more impressive for the price is how the GS1000 inherits the dual-chain effects architecture that made previous MOOER gear so versatile, making it suitable for highly complex usage scenarios. With over 350 factory effects models and a Sub-Patch preset grouping mode, the GS1000 makes it far simpler for users to make seamless transitions between tones, all while maintaining effect tails to guarantee seamless transitions. Additionally, the reintroduction of the innovative AI-driven EQ Master builds upon MOOER devices' previous capabilities, using intelligent adjustments in real-time to match the musical style of players to tones, while still allowing manual tweaks for precise control.

Impressively, the GS1000 also comes packed with a Groove Station module, consisting of a combination of drum machine and looper features - including 56 high-quality drum kits! It offers a 480-second phrase looper with infinite overdubs, automated detection, and synchronization capabilities, resulting in an intuitive platform for solo jamming, composition, and live loop-based performance. Overall, the Groove Station acts as an all-in-one suite for creating full arrangements, without having to depend on additional backing tracks or bandmates.

Visually and functionally, the GS1000 really stands out thanks to its sleek visual design and enhanced user experience. For example, it features a convenient 5-inch high-resolution touch screen, which is also paired with ambient lighting to add a visually stunning element to the pedal. As a result, the GS1000 is not only designed for convenient touch-based control but also as a standout centerpiece in any guitar rig.

In addition to this touchscreen control system, the GS1000 also provides expanded connectivity options, improving upon the already impressive flexibility of past pedals. Most notably, it supports connectivity with the MOOER F4 wireless footswitch, as well as the ability to control presets via external MIDI devices.

As is expected from MOOER these days, the GS1000 also excels when it comes to routing opportunities, going above and beyond the typical stereo 14" inputs and outputs that would be expected from other brands. Yes, it still includes such staples, but it also includes an XLR microphone input, alongside balanced TRS outputs for long-distance signal clarity. The configurable serial/parallel stereo effects loop enables seamless integration of external effects, and the addition of Bluetooth audio input and MIDI compatibility broadens its wide range of use cases for live and practice-based applications.

Furthermore, the pedal also serves as a professional audio solution thanks to its low-latency 2-in/2-out ASIO USB sound card. Supporting up to 192kHz sampling rates, the GS1000 makes recording and live streaming effortless, as it can easily be used with software DAWs, MOOER's editing software, as well as the USB-based MIDI control.

The GS1000 will be available in two versions - the standard white edition, which is powered by mains power, and the GS1000 Li version, which introduces a 7.4V 4750mAh lithium battery, chargeable through its power port. With this upgrade, users can enjoy up to six hours of continuous power-free playtime, making it ideal for practicing, busking, and generally performing on the go.

Overall, for fans of MOOER's previous amp simulation offerings, the GS1000 represents a natural evolution, building on everything that made its predecessors great while introducing cutting-edge features and expanded capabilities. Most importantly, MOOER has promised to continuously update its MOOER 4.0 tonal algorithms on the MOOER Cloud in line with the release, keeping things fresh for the company's dedicated user base.

Notes: ***B-STOCK: Box opened, product in perfect working order***


In 2025, MOOER has announced that it will be set to release its latest multi-effects pedal, the GS1000 Intelligent Amp Profiling Processor, an augmented intelligent amp profiling processor. Built on MOOER's advanced third-generation digital platform, the GS1000 introduces groundbreaking MNRS 2.0 technology, allowing guitarists around the world to emulate their favorite gear with immense precision -specifically, for distortion pedals, preamps, amplifier heads, and cabinets.

With this innovation, guitarists can fully capture the essence of their favorite guitar gear without owning the physical hardware, enabling them to carry their favorite tones wherever they go. Users are even able to use third-party IRs for cabinets of their choice, further enhancing the flexibility of this feature.

It's unforgettable how much MOOER's multi-effects pedals have impressed audiences so far, primarily thanks to their robust tone libraries. However, even still, the GS1000 continues to build upon this with storage for up to 120 sampling profiles, along with continued integration with the MOOER Cloud app. Essentially, this cloud integration facilitates infinite upload and download possibilities, giving users access to a global community of shared tones, widely expanding the number of accessible tones. More still, the GS1000's previously mentioned third-party IR cabinet simulations support up to 2048 sample points, guaranteeing studio-grade tonal accuracy across the board.

Even more impressive for the price is how the GS1000 inherits the dual-chain effects architecture that made previous MOOER gear so versatile, making it suitable for highly complex usage scenarios. With over 350 factory effects models and a Sub-Patch preset grouping mode, the GS1000 makes it far simpler for users to make seamless transitions between tones, all while maintaining effect tails to guarantee seamless transitions. Additionally, the reintroduction of the innovative AI-driven EQ Master builds upon MOOER devices' previous capabilities, using intelligent adjustments in real-time to match the musical style of players to tones, while still allowing manual tweaks for precise control.

Impressively, the GS1000 also comes packed with a Groove Station module, consisting of a combination of drum machine and looper features - including 56 high-quality drum kits! It offers a 480-second phrase looper with infinite overdubs, automated detection, and synchronization capabilities, resulting in an intuitive platform for solo jamming, composition, and live loop-based performance. Overall, the Groove Station acts as an all-in-one suite for creating full arrangements, without having to depend on additional backing tracks or bandmates.

Visually and functionally, the GS1000 really stands out thanks to its sleek visual design and enhanced user experience. For example, it features a convenient 5-inch high-resolution touch screen, which is also paired with ambient lighting to add a visually stunning element to the pedal. As a result, the GS1000 is not only designed for convenient touch-based control but also as a standout centerpiece in any guitar rig.

In addition to this touchscreen control system, the GS1000 also provides expanded connectivity options, improving upon the already impressive flexibility of past pedals. Most notably, it supports connectivity with the MOOER F4 wireless footswitch, as well as the ability to control presets via external MIDI devices.

As is expected from MOOER these days, the GS1000 also excels when it comes to routing opportunities, going above and beyond the typical stereo 14" inputs and outputs that would be expected from other brands. Yes, it still includes such staples, but it also includes an XLR microphone input, alongside balanced TRS outputs for long-distance signal clarity. The configurable serial/parallel stereo effects loop enables seamless integration of external effects, and the addition of Bluetooth audio input and MIDI compatibility broadens its wide range of use cases for live and practice-based applications.

Furthermore, the pedal also serves as a professional audio solution thanks to its low-latency 2-in/2-out ASIO USB sound card. Supporting up to 192kHz sampling rates, the GS1000 makes recording and live streaming effortless, as it can easily be used with software DAWs, MOOER's editing software, as well as the USB-based MIDI control.

The GS1000 will be available in two versions - the standard white edition, which is powered by mains power, and the GS1000 Li version, which introduces a 7.4V 4750mAh lithium battery, chargeable through its power port. With this upgrade, users can enjoy up to six hours of continuous power-free playtime, making it ideal for practicing, busking, and generally performing on the go.

Overall, for fans of MOOER's previous amp simulation offerings, the GS1000 represents a natural evolution, building on everything that made its predecessors great while introducing cutting-edge features and expanded capabilities. Most importantly, MOOER has promised to continuously update its MOOER 4.0 tonal algorithms on the MOOER Cloud in line with the release, keeping things fresh for the company's dedicated user base.

Review: Dive back into the exhilarating world of Indiana Jones with this absolutely bumper box set featuring all five soundtracks from the legendary franchise released by Walt Disney. This unique collection brings together John Williams' iconic compositions which add up to global musical journey full of adventure and emotion. Each track captures the essence of the beloved characters and thrilling escapades that have defined the series that is so well loved and as well as no fewer than ten slabs of vinyl, five posters and a collectible map are also included.

Notes: Black Fountain Stereo Characterful Delay Building on the inimitable Black Fountain, a pedal that put OBNE on the map and for many a favourite always-on device, Black Fountain Stereo is much more than just turning things from mono into stereo. It truly expands Old Blood Noise Endeavors' highly regarded 'oil-can delay' pedal right into a multi-tool.

With a wider control set that's complete with added sonic options, a lower noise floor, dual delay lines that play together in a multitude of ways, presets, MIDI and expression control over everything, Black Fountain Stereo combines a sonic powerhouse of creative delay tones and into a pedalboard friendly package.

Black Fountain Stereo emulates the sound of a spinning oil-can delay. This is a warm, modulated and a little gritty type of tone that's perfect for chorusing, doubling, slap back and long rhythmic delays alike. You choose the amount and rate of modulation, the tone and grit of the core voice, the two delay times and their feedback. Plus, to top it off the mono/stereo voicing of it all can be set exactly as you like and everything can be saved into presets, for easy recall.

The Rate and Depth controls sets the amount of modulation and speed, Tone shapes the warmth of the repeats, while Grit sets the amount of drive in the repeats. To help maintain the clarity of your tone or for more special effects, you can set the mix of volume of either the Dry and/or Wet levels. Space defines the mono delay mode or stereo width and adds diffusion past the noon position.

Separate controls are available for setting the Left and Right Delay Time as well as being able to choose between six subdivisions for each side when holding the Tap footswitch. That little Tap switch (surprise) helps you set the delay repeats in time with your tempo, while holding it down will give for infinite feedback. Optionally, it can also be used as a preset switcher.

Product Height (cm): 6.9
Product Width (cm): 10.8
Product Depth (cm): 12.6
Product Weight (kg): 0.454

Box Height (cm): 7.06
Box Width (cm): 11.43
Box Depth: 12.7cm
Boxed Weight (kg): 0.596kg

Notes: When the original Compressor was released back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Now, based on users' valuable feedback, everything great about the original Compressor has been taken and made even better.

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, Empress have now added a 'tilt' tone eq control, and a selectable sidechain high pass filter built into the Compressor's detection circuit.

Specifications:
Input Impedance 1M
Output Impedance 2.2k
Frequency Response (-3dB) 20Hz - 20kHz
Distortion less than 0.1%
Noise -101dB
Power Input Voltage 9 - 18 V DC (Negative tip)
Power Input Connector 2.1mm barrel connector (Negative tip)
Power Consumption ~ 100mA
Enclosure Material Die Cast Aluminum
Input connector 1/4" Jack
Output connector 1/4" Jack
Height (Enclosure only) 1.5"
Height (including controls) 2.5"
Length 4.8"
Width 2.6"
Weight 1lbs

Notes: Spanning the gamut of known delay possibilities and beyond, the Echosystem could be the ultimate delay-crafting tool. Faithful emulations of classics like digital, tape and analog delays are numerous, as well as Empress' own take on each of these delay styles. Moving beyond the traditional, the vast amount of sonic ground the Echosystem can cover becomes apparent. Check out the ambient modes when you're feeling chilled out, or perhaps a visit to the multi tap modes for a taste of inspiration.

The Dual Engine functionality allows any 2 of these delays to be used together, routed in either parallel, series, or left/right configurations.

In addition to delays, there's the super-useful reverb combos, which will elevate any guitar part. Oh, and don't forget Whisky mode, best accompanied by a dram of whatever you've got!

The pedal has 12 algorithm types, all with multiple variations. For example, there are 4 different tape delays on tap.

Emulations of classic tape and analog units are available, as well as our take on these types of delay.

All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus.

Global tap tempo as well as local tempo with lots of subdivisions are available on all modes, in addition to being able to set the delay time directly with the knob.

Features a signal to noise ratio of >104dB and maintains an analog dry path.

2 delays can be used at the same time, each with its own full set of controls and routed in serial, parallel or left/right.

Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy.

Bank style or scrolling style preset modes.

It can be configured to run with true bypass or buffered bypass if you want to hear trails.

Cabinet Simulator - 3 variations to choose from, perfect for recording, practicing or for gigs without an amp.

Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops.

48kHz sampling, with 24 bit conversion and 32 bit internal processing.

Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!)

The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI - all using a standard 1/4" jack!

The Advanced configuration menu lets you configure how your delay works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control Port(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more!

The enclosure measures approximately 5.7" by 3.75" by 1.75", which is delightfully small when considering all the features packed into this unit.

Notes: Beautiful combo of vintage tech and modern features from Benidub's boutique analogue phaser unit. Six-stage stereo processing with real-time switching to 12-stage mono mode. Excellent playability with large controls.

Supplier's Notes:
Old school mojo with a modern twist on versatility and sound quality
PHASE is an analogue optical phaser, featuring 12-stage in mono and 6-stage when used in stereo. You can switch between the two modes with the "Mode Select" control any time. We made it completely clickless, allowing you to flawlessly switch mode during your set! This unique control provides even more playability and a wide range of phaser tones.

100% analogue audio path for subtle-to-extreme true phasing colours and tones

Unlike many other phasers in the market, designed after guitar-frequencies needs, Benidub's PHASE has been built with a "studio" oriented design in mind, making it the best phaser for either producers and musician. From studio-standard headroom to balanced connections, everything is designed to improve sound quality while granting a smooth and precise excursion along a wide frequency spectrum.

Features

100% Analogue
As any other BENIDUB device, Phase is precisely built with high quality components for a complex and organic sound. The optical-based design not only ensures the best signal/noise ratio for a phaser circuit but also provides the iconic old-school timbre we all love.

Versatile Routing
PHASE can be used as a 12-stage mono or a 6-stage stereo phaser. We designed it as a playable feature, allowing you to switch between the two modes with the Mode Select, clickless control. Not just a "setting", but a tool to build new phasing effect possibilities.

Performance Oriented Design In A Sturdy Case
While designing PHASE we kept our easy-to-use, performance oriented philosophy. PHASE comes in a tank-built enclosures with every control you'll ever need on board, making it an extremely playful stompbox.

Specifications
1. Input L:

1/4" Balanced or Unbalanced jack. The "main" mono input of the unit.

2. Bypass:

Turns off the out of phase signal, thereby stopping the phaser effect.

3.LFO Depth:

Sets the amount of modulation.

4.Input:

In INSERT mode, you got the usual 50/50 dry signal. In AUX mode, you got the full wet signal.

5. Mode Select:

On MONO you get 12 stages. On STEREO you get 6-stages per channel. The stereo mode can be used with a mono input to generate a mono-to-stereo output.


6. Power Input:

12VDC, 500mA, center positive, 2.1mm*5.5mm barrel connector.

7.LFO Mode:

In LINEAR mode, all the 12 (6+6) stages will receive the same modulation. In MIRRORED mode, the first batch of stages modulation will be inverted.

8. LFO Rate:

Sets the modulation speed.

9. Centre frequency:

Sets the frequency that the phaser will revolve around. The Centre Frequency determines where the middle of the comb-filter will be on the spectrum.

10. Feedback:

The feedback knob controls the amount of phase-shifted signal that gets fed back to the phase-shifting circuit.

Notes: *** Synthesizer comes with a free copy of The Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack ***

Waldorf are back in the game. With the Blofeld. this synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with Wave in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.

Notes: The all-rounder has 8 push-encoders without detents, 9 faders and 8 buttons, all switchable to 8 controller groups that allow to control a total amount of 264 control parameters. A 4-digit-display and 8 leds show the current values of all controls.

Various kinds of MIDI commands like program change, pitchbend, aftertouch and control change in relative and absolute mode with different acceleration amounts are possible. All these properties are fully programmable on the devices very fast and easy for each control separately.

The encoders can work as high resolution 14bit controllers too (control change or pitchbend) which makes them suitable for sensitive parameters like resonating filter cutoffs or similar things.

Use the internal 18 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

The little box is also a great extension for your Ableton Live setup.

There you can control all the continues parameters like track volumes, rack macros, send amounts, track pannings and switchable patameters like clip launch/stop, mute, solo, rec arm, monitor and track select. A special control surface script for Ableton Live 8/9 with all necessary mappings is enclosed in the package. With that script you can also use two UC4 devices to control up to 16 tracks simultaneously.

Check out this amazing power box and you will get a reliable mate...

Notes: Nicely thought out four-voice sample playback module from Parisian innovators Squarp. Load up a microSD card with samples (up to 2600 kits), then trigger and process. Neat.

** Firmware update- February 2024 ***

Thanks to a major rework of the OS, this upgrade includes an overall better sound quality and an improved latency.

Moreover, the effects Freeze and Bitcrusher have been redesigned, and the parameters Start and Sample Length are now exponential to facilitate the fine-editing of your samples.

Supplier's Notes:

Rample waves system

Eurorack 4-voice sample player & audio processor

Versatile sample machine

From percussive drum-machine kits to synth samples, breakbeats to sound FX, backing tracks to hour-long audio music, Rample can play up to 4 .wav files on independent audio outputs :

These samples are stored inside the provided SD card, and organized as kits, from A00 to Z99... allowing up to 2600 banks of 4 voices, with on-the-fly loading! The SD card is preloaded with tons of samples, and we made it very easy to import your own kits.

Thanks to the DC coupled audio outputs, it's also possible to play CV waveforms.

Effects rack

Each voice has its own "rack" of effects, and all audio effects can be enabled at the same time, allowing you to manipulate your samples in real time, from a gentle lowpass to massive destruction!

pitch - a great sounding pitch engine, based on a 6-pole interpolator, which ranges from -1 octave to +1 octave.

bits - two different bitcrushing algorithms, based on sample rate and resolution reduction. It produces distortion and warms the audio signal.

filter - a low resonance filter, DJ-style, cutting off the high frequencies or the low frequencies.

freeze - sample and loop a fraction of the played waveform, creating a glitching effect.

levels - decrease the gain or drive the signal.

It's also possible to edit 'advanced parameters' like the start point, sample length, attack/decay and run mode, and create mute groups without breaking a sweat.

Finally, thanks to the 4 CV inputs, any of the effects (or advanced parameters) can be assigned to create amazing modulations!

Multi-layer sampling

One of the key feature is the ability to "multi-sample" your kits, multiplying Rample's potential. Each voice supports up to 12 samples, can be played randomly or in a controlled fashion. It's a great way to add complexity and variations, to create organic/acoustic sounding drums, or simply to increase the number of samples per kit (up to 48).

As an example, Squarp are providing a multi-layered drum kit, with 12 different recordings of a kick, 12 different recordings of a snare, etc. Sequencing them randomly leads to a more natural drum playing.

Another kind of multi-layered acoustic drum kit is also provided, where each drum is recorded with 12 levels of velocity. Controlling the layer to be played leads to intricate, convoluted drums programming.

Of course, it's very easy to create your own multi-layered kit, and you can use this method to perform multiple synth chords, sound glitches, voices, breakbeats, ...

CV/Gate and Midi interface

Rample is designed to be the perfect rhythmic companion of your eurorack system thanks to its Gate (trig samples) and CV (modulate samples) connectivity.

You can also use it as a standalone midi machine, without using the CV/Gate connectivity: the midi in port allows you to trig & control all samples parameters + effects values at the same time. Each Rample comes with a 'stereo jack to midi DIN' and 'stereo jack to jack' adapters, easing the chaining of multiple modules in order to create an 8-voice, 12-voice, 16-voice (or more) midi drum machine!

SD card preloaded with 200+ kits from artists and sound designers, covering a large range of audio samples

Notes: Really impressive sequencing module with a few clever tricks up its sleeve. Eight tracks of CV/gate with built-in effects (quantise, swing, arpeggiator, etc) for processing MIDI or CV inputs. Real-time recording, step sequencing, looping and much more.

Supplier notes:
Hermod brings together a powerful step sequencer, a CV looper, a real-time effect processor, LFO generators and a complete bi-directional MIDI-USB-CV input/output interface.

Record a performance at any time thanks to the CV inputs, the USB HOST, the USB DEVICE and the MIDI input. Create and edit your tracks with the STEP mode and its piano roll and automation view. Generate crazy patterns with the randomization tool.

Hermod is polymetric, it means that each track can have a different length, from 1 step to 64 steps. Moreover, you can zoom in to increase the resolution of the step sequencer (up to 512 steps).

Polymorphic tracks:

Thanks to Hermod architecture, a track can be a simple mono CV/GATE voice, but can be easily configured as a polyphonic track (up to 8 voices), a CV/GATE + velocity + aftertouch track, a modulation + clock track... in order to perfectly fit your Eurorack system!

Sequences and Projects:

The 8 tracks are grouped into one of Hermod's 8 sequences. Every sequence is totally independent and contains a new set of tracks to be played with, for a total of 64 tracks in a single project.

Dynamic effects:

All the fun in Hermod resides in its effect system, allowing you to transform input signals, whether it's MIDI or CV. You can stack on each track up to 8 real-time effects: Quantize, Swing, Arpeggiator, Ratchet, Random, Euclid, Glide, Harmonizer, Delay, Chance, Scale, LFO... Experiment with the effects position and parameters to generate eccentric melodies!

MIDI-USB-CV interface:

Full connectivity: control Hermod with plug-and-play midi USB devices, midi keyboards, computers or other Eurorack CV systems.

Hermod is also a great midi hub, allowing you to sequence midi synthesizers/drum machines and computer's virtual instruments. Of course, Hermod can be perfectly paired with Pyramid or other hardware and software sequencer, in order to benefit from its CV/GATE outputs.

With Hermod's rock-solid clock, this module becomes a great synchronization tool for all your setup! Thanks to its powerful CPU, even when synced/slaved, Hermod allows an ultra-low latency to make the perfect link between the digital world and the analog world.

The package includes:

- Hermod "Modular Brain" Black Edition
- 1GB micro SD card + SD adapter
- Power ribbon cable
- User guide (English)

Notes: This diabolical fuzz pedal takes your tone on a nightmarish journey through crushing distortion and eerie synth tones.ACreated with the visual design by renowned artist Rob Jones, Knife Drop's visceral appearance perfectly matches its aggressive sound. Whether you're creating monstrous growls or supernatural melodies, Knife Drop is designed to haunt your sound.A

Notes: Proudly billed as the first fully programmable drum machine in a pedal format, the Step is designed to accompany other instruments. Four-track, 16-step sequencer with 300 Beat presets and 500 kits.

Supplier's Notes:
Step Modern Drum Machine

Step is the first fully programmable drum machine in pedal format. It's an instrument, a co-writer, an accompaniment at a live performance, or a bandmate in an empty studio. Designed with the flexibility to instantly start a unique song but with deep customization options to quickly create fresh beats. Step is for everyone - everyone that isn't afraid to experiment, take chances, try something new, and create original music.

4 Customizable Drum Tracks

Step is a 4 track drum machine with a complete interface. Easily control all parameters for each of the 16 steps on the face of the pedal, no computer editor needed.

Mix & Match

How about an electronic snare with a jazzy kick? With Step, with a twist of a knob, you can create your sound pack by combining sounds from different Kits.

Instant Drum Beat Generator

Tap in the tempo, turn the Beat and Kit knobs to find your groove and play! There are 300 rhythms and 500 kits - it gives tons of combinations.

Modern Sound

With over 2000 samples, from the sounds of classic analogue machines to acoustic drums, anyone can find the sound they want. And, if you're going to create your kits, you can easily do it, too.

Per-Step Control
Customize over 15 parameters for each track's drum sound on a per-step basis. Switch up hi-hat velocity, add reverb to a final crash or throw in a 10% chance for a drum roll.

A Thousand Songs

Create and play complete 16-part songs, easily put together by quick-copying patterns, selecting new beats or making your own. Then make a playlist and go live!

Stomp-In FX

Use the FX stomp-switch to punch in customized effects from delays, reverbs, loopers, rearrangers and more. Every pattern in your song can have a different stomp-in effect.

Expansive Connectivity

Step has all the connectivity you need, stereo input and output, MIDI in and out, expression pedal input, and micro SD card storage with USB-C connectivity.

Nerdy on Demand

Need polymetric or polyrhythmic beats? Or maybe some generative drums? Step offers per-track swing, speed and length, step probability, randomized note playback, and more. You don't have to get nerdy with Step, but you can!

Instant Inspiration

From musicians wanting to quickly play along with a drum kit to deep divers looking to create more than traditional drum beats, Step is for everyone. Either create songs instantly by selecting from 500 preset rhythms and 200 drum kits or use the interface to create completely customized beats anywhere. Loop 16 steps and jam or combine patterns into a 16 pattern song.
A Complete Instrument

Step is a fully customizable drum machine, with features designed to make original drum tracks you want to play along with. All Step's parameters can be controlled directly on the pedal with a straightforward, intuitive user interface. Create complex and evolving patterns using probability, a dynamic drummer by switching up the velocity on eat hit, a sloppy drummer with the humanize, chance and micro-move features, or a perfect robotic machine.

Performance Ready

As a live companion Step can't be beat. With the ability to stomp-in effects and change songs or patterns via the dedicated stomp-switches, Step is a one stomp solution for all your performance needs.

Smash the FX stomp-switch and create interesting transitions or emphasize a solo. Freely assign over 50 effects in 8 different categories to the FX stompswitch, from repeaters and rearrangers to delays and reverbs.

For even more live control, assign the expression pedal to parameters including tempo or volume.

In Sync

Step is the perfect bandmate, keeping everything in sync. Use Step's MIDI input and output to stay in time with your delay, start playback at the same time as a looper, and more.

Keep your devices in sync too. Step's sequences are also compatible with Play and Play+. Create and exchange patterns between grooveboxes and the pedal, in both directions.

Tech specs

Ins & Outs

Stereo/Mono In: jack 6.3 mm
L-Out/MONO: jack 6.3 mm
R-Out: jack 6.3 mm
Expression Pedal
MIDI In: mini-jack 3.5 mm
MIDI Out: mini-jack 3.5 mm
USB-C
Power: 9-18 V DC / min. 500 mA (power adapter not included)

Physical Dimensions

Height: 2.24 inches (5.7 cm) - with knobs
Width: 7.09 inches (18.0 cm)
Depth: 4.72 inches (12.0 cm)
Weight: 2.05 pounds (0.930 kg)

Notes: Really versatile little MIDI controller designed to add hands-on control to software and even hardware. 16 push-button rotary encoders plus function buttons and OLED display.

Supplier's notes:
This all-rounder has 16 gridless push-encoders, 7 function buttons and a large OLED-display. Encoders are switchable to 16 groups that allow controlling a total of 256 control parameters per setup. The display shows the current values of all controls or editable encoder/group/setup names. Various kinds of MIDI commands are possible, like program change, pitch bend, aftertouch, NRPN, and control change in relative and absolute mode with different acceleration amounts. All these properties are easily and efficiently programmable on the device, allowing personalized customisation for each separate control.

The encoders can work as high resolution 14bit controllers too (NRPN, control change or pitch bend). This makes them suitable for sensitive parameters like resonating filter cutoffs, etc.

Use the internal 16 setups to save your individual settings. Backup and restore of all settings by SysEx dumps are possible too.

The factory settings are perfect to control music and video software products out of the box. Thus, any additional device programming isn't necessary for many applications.

The little box is also a great extension for your Ableton Live setup. There you can control all the continuous parameters like track volumes, rack macros, send amounts, and track pannings. A special control surface script for Ableton Live, including all necessary mappings, is enclosed in the package.

Working with this amazing power box will prove to you that it is a trustworthy, reliable, and invaluable asset to your productions.

Notes: When workspace is at a premium, don't compromise on quality. With the 8020D, Genelec's renowned accuracy and reliability will fit your project and your space.

The Genelec 8020D is small in dimensions, but big in ambition. The 8020D, introduced in 2017, even delivers 4 dB higher SPL and has a lower energy consumption than earlier models of 8020. Designed to suit the broadest possible range of listening environments, 8020D thrives when space is at a premium, and draws on the innovation of the 8000 Series for an unrivalled near-field experience.

Trust in the colour-free, accurate reproduction of the Minimum Diffraction Enclosure (MDE), while relying on the precise on- and off-axis frequency reproduction of the Directivity Control Waveguide (DCW). And when you're finished, Genelec Intelligent Signal Sensing (ISS) circuitry detects when your system is no longer in use, placing it into an environmentally friendly, power-saving standby mode. From post-production studios to OB vans and DAW-based rooms, the 8020D is your near-field solution of choice.

Notes: Polyend's analogue processing debut is the versatile Press pedal, a stereo compressor with sidechain filtering, tilt EQ and wet/dry mix control for parallel compression effects. A very solid all-rounder.

Supplier's Notes:
Press is a fully analogue stereo compressor that combines features usually exclusive to professional studio equipment with modern VST controls. It offers the tight, natural response of classic analogue rack units while incorporating unique controls and features not found in other pedals.

Press is an advanced compressor that works anywhere in the signal chain, from finalizing and limiting to adding control after gain staging or taming wild modulation and time-based effects. Dial in the exact amount of desired compression with Ratio and Threshold controls. Dedicated attack and release knobs can create aggressive punch or subtly tame peaks. Roll off the mix knob for New York-style compression to blend the dry and compressed signal, and add some colour with the tilt control to shift the wet signal's EQ balance across the low/high-frequency range.

Press offers unique stereo sidechain control that cannot be found in another analogue compressor pedal. The high and low pass filters work on either the Stereo input or the external stereo sidechain thru. This allows for precise control of the sound triggering the sidechain by stopping problem frequencies from triggering the gain reduction circuit. Use the LPF to filter out the high end of a bass guitar or the HPF to remove the boom from a kick drum to sculpt your sound in ways that were not possible in analogue pedals before. Even with all these features the press is a knob-per-function compressor designed to be simple to set up and operate.

Notes: ***B-STOCK: Without original box and no accessories but product in perfect working order***


Inspired by retro tracker software, Polyend's innovative hardware sequencer offers an alternative to conventional grooveboxes and DAWs. Fully standalone with built-in sampler and synths.

Supplier's Notes:

The Polyend Tracker is a unique take on a retro form factor, aimed at artists who break patterns on a daily basis. Don't let the classic look fool you, Tracker is equipped with powerful modern functionality, FX, and the forward thinking creative tricks that Polyend brings to all of their highly regarded instruments.

The Polyend Tracker is an innovative, inspiring and immediate tool for music-making. It functions as a sampler, a synthesizer, a powerful sequencer, and a MIDI controller.

A retro form factor updated with forward looking functionality and designed as an easy to use compact standalone workstation. Made for the creatives who break patterns on a daily basis. Designed to help artists forge unique avenues of sonic construction. Introducing the first hardware tracker in the music world.

Large screen, ergonomic keyboard, and a big knob for fast and easy navigation.
It's standalone and portable - everything you need to produce an album wherever you are.
Sampler, Wavetable or Granular Synthesizer and FM Radio for limitless inspiration.
Powerful Step Sequencer and Song Arranger for finishing your piece in a flash.
Performance mode lets you creatively break, mangle, and augment your patterns when playing live.
Bidirectional MIDI to play with other software and hardware.

The Polyend Tracker incorporates the quintessential characteristics of a classic tracker. The vertical timeline, the powerful sequencer and the mechanical keyboard combined with a newly designed input interface enables you to make and perform your music in a new and intuitive way. After a quick glance and a few minutes with the Polyend Tracker interface, you'll soon realize the array of tools that are at your fingertips.

Polyend Tracker is slick, light and portable. It's also easy on the energy consumption so you can use it with any USB power source. Its sturdy and compact form factor makes it a great companion for music creation wherever and whenever you feel like it. No matter if you're in your studio, on the run, or at the gig.

Polyend Tracker is equipped with a variety of powerful sound design tools. Use your existing sample library, record new ones with line or mic inputs, or use the built-in FM radio. Record samples, play them, slice them, mash them, or even make a synth out of them using Wavetable and Granular synthesis with its all necessary parts (filters, ADSRs, etc.)

Polyend Tracker works great with other instruments too. Thanks to the bilateral MIDI implementation, you can use it to sequence and control external gear or it can be used as a sound module controlled by any external MIDI software or hardware devices.

In the box
Polyend Tracker
USB-A power adapter
USB-C cable (2 m)
3.5 mm to 2x 6.3 mm adapter
Minijack to MIDI DIN adapter
16GB MicroSD Card
MicroSD to USB-A Adapter
Manual

Notes: A clever combo of kick drum synthesis, sidechain compression and digital reverb, Kickain allows you to generate rhythm tracks and work on your stereo mix simultaneously. Clever approach to mixdowns in Eurorack.

Supplier's Notes:
Introducing Kickain. The perfect pairing of a 909 inspired kick drum and side chain compressor. Designed to work in tandem as a single easy to control module, Kickain will revolutionise your side chain workflow, making it a breeze to tame the very heartbeat of your music, intelligently managing low frequency artefacts and removing any clashing frequencies or overlapping transients. The end result will leave you speechless, producing a cleaner, tighter mastering standard mix featuring the most powerful kick drum on the planet.

Spectral Compression

As well as the regular side chain effect of ducking the volume around the kick drum, Kickain also features two spectral compressor modes that intelligently eq the incoming mix to fit around the triggered drum sound, adjusting it continuously 1000s of times a second. The effect has to be heard to be believed, optimising the loudness of your kick without any intrusive 'pumping' on the overall mix. Tracks sound tighter and richer in the bottom end, whilst the kick is always punching through.

Tune to the Room

As with all Knobula products our focus is on performance, so we've given you the essential controls you need to design a kick that fits your tune, your room or your sound system without diving into menus or clicking encoders. The controls allow you to quickly create kicks for a whole host of genres and tempos as well as protect your ears and speakers. And if that's not enough there is a Send/Return option for further processing.

Reverb

Featuring 24bit stereo digital reverb, linked to the decay envelope, you can add subtle room effects or big 10 second bass drops at the twist of a single knob.

Dimensions:
12 HP
32 mm deep

Current Draw
80 mA +12V
80 mA -12V
0 mA 5V

Notes: Huge power in a compact package with this upgraded 10-inch design from Alto's TrueSonic 4 range. Bluetooth connectivity and DSP give added control via the Alto app.

Supplier's Notes:
2000-watt 10-inch 2-way powered loudspeaker with Bluetooth, DSP & app control

TrueSonic TS4 from Alto Professional

Louder. Clearer. Smarter.

Where TS3 exceeded expectations, TS4 redefines them completely.

Building on the legacy of the best-selling TrueSonic speakers, the TS4 Series delivers increased power, clearer sound, and advanced Bluetooth functions including streaming, speaker linking, and App control.

Compact, lightweight, and designed for reliability, the new TS4 Series makes it simple to get great live sound at every event.

True Sonic Power

Whether you need a powerful vocal PA or club-shaking bass performance for a DJ set, TS4 speakers deliver loud, clear, room-filling sound for any application. With a 10-inch woofer, and a 1.4-inch compression driver, TS410 delivers 2000W of class-leading power and clarity in equal measure.

Free Alto App for remote configuration and control

Available free for both Android and iOS, the Alto App gives hands-on remote control over Bluetooth levels, Speaker Use Modes, Custom EQ and Sub Size selection. Further, True Wireless Stereo linking can be configured remotely via the app to save time during setup.

Built-In 3-channel mixer

Every TS4 features an integrated 3-channel mixer, with two Mic/Line input channels and a dedicated Bluetooth channel. The Mic/Line channels feature XLR/TRS combo jacks and can be used with microphones, instruments, and line-level signals without the need for additional hardware or adjustment. Just plug straight into the rear panel and you're up and running.

Simple Bluetooth Streaming & Speaker Linking

The ideal high-powered streaming solution, TS4's built-in Bluetooth connectivity makes it easy to pair your laptop, phone or tablet and get the music pumping in no time at all. With the True Wireless Stereo function you can stream Bluetooth audio to two TS4 speakers in perfect stereo without the need for any cables.

DSP Modes for the best sound in every application

TS4's three preset "Speaker Use" modes let you optimize the speaker for any application, so you'll get great sound every time at the touch of a button. For even more control over your sound, you can configure a Custom EQ within the Alto App and remote adjust the settings from any listening point in the venue. You can even save your favourite Custom EQ setting direct to the TS4 for easy recall whenever you need it.


Versatile and Reliable

From the high-quality drivers to the fanless class D amplifiers, every aspect of the TS4 Series has been designed for superb reliability, whether used for mobile gigs and performances or fixed installation.

Each speaker features a lightweight, sleek, black box design that can be used as the application demands - freestanding, as a wedge monitor, pole-mounted or suspended via the integrated suspension points.

Level up your live sound. Choose Alto Professional's TS4 Series.

Applications

Solo performers
Musicians and Bands
Mobile DJs
Gymnasiums, fitness centers, and dance studios
Houses of worship
Theatres
Bars, restaurants, clubs
Special events, presentations, and wedding

Specifications

Output Power: 2000W
Drivers Low-Frequency: 10.0" driver, 2.0" (50 mm) high-temperature voice coil. 1 x 650 W RMS @ 2 ?.
High Frequency: 1.0" exit ceramic driver with 1.4" (35 mm) coil. 1 x 350 W @ 4 ?.
Crossover Frequency: 2 kHz
Maximum SPL: 130 dB (peak), 127 dB (continuous) (dB-SPL @ 1 m)
Frequency Response: 57 Hz - 20 kHz (+/-3 dB)
Frequency Range: 48 Hz - 20 kHz (-10 dB)
Horn Coverage: 90- horizontal x 60- vertical (nominal)
Connectors: (2) XLR+1/4" (6.35 mm) TRS combo inputs (Balanced) (1) XLR output (Link) (1) IEC power cable input
Input Impedance Line: 10 K? balanced, 20 K? unbalanced, Mic: 1.2K
Line Gain/Volume Control Range: -? to 0 dB, +4 dBu nominal, +10 dBu for max output
Mic/Inst. Gain/Volume Control Range: -? to +50 dB
USB Charging Port: 5V 2.1A
Controls: Power switch, (2) gain control knobs (1 per input), (2) Mic/Line switches, Bluetooth volume control encoder, Pairing button, Stereo Link button, Sub Size button, Speaker Use button
Indicators: (1) Input Channel Signal/Limit/Clip LED (Green = Ch1/2 Signal) (Yellow = Ch1/2 Limiter) (Red = Ch1/2 Output Clipped), (1) Bluetooth LED (Blue), (1) Link LED (Orange), (4) DSP Presets LED (Green), (3) HPF LED (Green)
Power Connection: IEC
Voltage: 100-120V, 50/60Hz; 220-240V, 50-60Hz
Consumption: 900W
Fuse: 100-120V T10AL AC250V; 220-240V T5AL AC250V
Protection: Electronic clip, thermal, and transducer overdrive protection
Enclosure: Injected Moulded Enclosure and Perforated Metal Grill
Mounting/Installation: Standard 36 mm pole socket, flown application with integral M10 suspension points, or in a wedge monitor position
Operating Temperature: -10-C to 45-C (14-F to 113-F)
Dimensions (height x width x depth): 21.1" x 12.6" x 12.5" / 536 x 320 x 317 mm
Weight: 26.0 lbs. / 11.8 kg

Notes: TrueSonic TS4 from Alto Professional

Louder. Clearer. Smarter.

Where TS3 exceeded expectations, TS4 redefines them completely.

Building on the legacy of the best-selling TrueSonic speakers, the TS4 Series delivers increased power, clearer sound, and advanced Bluetooth functions including streaming, speaker linking, and App control.

Compact, lightweight, and designed for reliability, the new TS4 Series makes it simple to get great live sound at every event.

True Sonic Power

Whether you need a powerful vocal PA or club-shaking bass performance for a DJ set, TS4 speakers deliver loud, clear, room-filling sound for any application.

With a 12-inch woofer, and a 1.4-inch compression driver, TS412 delivers 2500W of class-leading power and clarity in equal measure.

Free Alto App for remote configuration and control

Available free for both Android and iOS, the Alto App gives hands-on remote control over Bluetooth levels, Speaker Use Modes, Custom EQ and Sub Size selection. Further, True Wireless Stereo linking can be configured remotely via the app to save time during setup.

Built-In 3-channel mixer

Every TS4 features an integrated 3-channel mixer, with two Mic/Line input channels and a dedicated Bluetooth channel. The Mic/Line channels feature XLR/TRS combo jacks and can be used with microphones, instruments, and line-level signals without the need for additional hardware or adjustment. Just plug straight into the rear panel and you're up and running.

Simple Bluetooth Streaming & Speaker Linking

The ideal high-powered streaming solution, TS4's built-in Bluetooth connectivity makes it easy to pair your laptop, phone or tablet and get the music pumping in no time at all.

With the True Wireless Stereo function you can stream Bluetooth audio to two TS4 speakers in perfect stereo without the need for any cables.

DSP Modes for the best sound in every application

TS4's three preset "Speaker Use" modes let you optimize the speaker for any application, so you'll get great sound every time at the touch of a button. For even more control over your sound, you can configure a Custom EQ within the Alto App and remote adjust the settings from any listening point in the venue. You can even save your favourite Custom EQ setting direct to the TS4 for easy recall whenever you need it.

Versatile and Reliable

From the high-quality drivers to the fanless class D amplifiers, every aspect of the TS4 Series has been designed for superb reliability, whether used for mobile gigs and performances or fixed installation.

Each speaker features a lightweight, sleek, black box design that can be used as the application demands - freestanding, as a wedge monitor, pole-mounted or suspended via the integrated suspension points
Level up your live sound. Choose Alto Professional's TS4 Series.

Applications

Solo performers
Musicians and Bands
Mobile DJs
Gymnasiums, fitness centers, and dance studios
Houses of worship
Theatres
Bars, restaurants, clubs
Special events, presentations, and weddings

Technical Specifications:

Output Power: 2500W
Drivers Low-Frequency: 12.0" driver, 2.5" (63 mm) high-temperature voice coil. 1 x 800 W RMS @ 2 O
High-Frequency: 1.0" exit ceramic driver with 1.4" (35 mm) coil. 1 x 450 W @ 4 O
Crossover Frequency: 2 kHz
Frequency Response: 53 Hz - 20 kHz (+/-3 dB)
Frequency range: 44 Hz - 20 kHz (-10 dB)

Horn Coverage: 90- horizontal x 60- vertical (nominal)
Connectors: (2) XLR+1/4" (6.35 mm) TRS combo inputs (Balanced), (1) XLR output (Link), (1) IEC power cable input
Input Impedance Line: 10 KO balanced, 20 KO unbalanced, Mic: 1.2K
Line Gain/Volume Control Range: -8 to 0 dB, +4 dBu nominal, +10 dBu for max output
Mic/Inst. Gain/VolumeControl Range: -8 to +50 dB
USB Charging Port: 5V 2.1A
Controls: Power switch, (2) gain control knobs (1 per input), (2) Mic/Line switches, Bluetooth volume control encoder, Pairing button, Stereo Link button, Sub Size
button, Speaker Use button
Indicators: (1) Input Channel Signal/Limit/Clip LED (Green = Ch1/2 Signal) (Yellow = Ch1/2
Limiter) (Red = Ch1/2 Output Clipped), (1) Bluetooth LED (Blue), (1) Link LED (Orange), (4) DSP Presets LED (Green), (3) HPF LED (Green)

Voltage: 100-120V, 50/60Hz; 220-240V, 50-60Hz
Consumption: 1100W
Fuse: 100-120V T15AL AC250V; 220-240V T6.3AL AC250V
Protection: Electronic clip, thermal, and transducer overdrive protection
Enclosure: Injected Moulded Enclosure and Perforated Metal Grille
Mounting/Installation: Standard 36 mm pole socket, flown application with integral M10 suspension points, or in a wedge monitor position
Operating Temperature: -10-C to 45-C (14-F to 113-F)
Dimensions (height x width x depth): 23.9" x 13.9" x 13.8" / 606.5 x 353.5 x 350.5 mm
Weight: 33 lbs. / 15 kg

Notes: A whole lot of module for the money. Eight-track trigger sequencing with built-in drum synth, sample player and MIDI. Amazing value for studio use or live performance.

Supplier's Notes:
Trigger sequencer with audio and midi

TUKRA is an 8 track eurorack trigger sequencer with drum synth, sample player and midi.

This module can be an 'all in one' solution for drums, but also has great integration capabilities with other gear (eurorack modules, drum boxes, DAWs, midi devices and midi surface controllers).

There are no submenus, all functions and views are accessible all the time.

Brief overview:
- Up to 64 steps per pattern, 64 patterns, 64 parts and 16 songs per project. 64 projects in the microSD card.
- Play mode, clock divider, length & choke settings independent per track & pattern.
- Step value (can be used for modulation, to define the midi velocity, midi note & drum synth pitch or sample selection).

Ins & outs:
- 8 trigger/gate, clock & reset outputs. Clock & reset inputs.
- 4 CV inputs with offset potentiometers (so they're manual controls when no CV is plugged in).
- Audio L & R out (6 additional ones with the expander for independent track output).
- Front panel midi TRS in & out, and USB host for midi controllers.

Midi and audio:
- Midi note and channel configurable per track & song, midi note and velocity can be set by the step value.
- Drum synth, noise with envelope and 'one shot' sample player (factory and user banks) per track.
- Flexible sample selection (each track can play up to 128 samples).
- Mixer with volume, balance, reverb, bit crusher, filter cutoff, resonance and type (smoothly crossfades LP - BP - HP).

Modulation:
- CV & assignable midi CC plus 8 internal LFOs, 3 stepped random sources and step value.
- Modulation matrix for almost all parameters.

Rhythm variation:
- Probability for step, gate and roll.
- Euclidean Rhythm Generator.
- 'Ramifications' generative tool.
- Live view with solo, mute, fill, roll, invert pattern, reverse play direction and rotate.

Time:
- High precision clock source and low latency.
- External sync (via trigger, midi TRS or USB).
- Triplets and swing (aka 'shuffle'), triplet and swing can be generated from a straight clock input or midi clock.
- Micro grid edit, each step has 6 micro steps (24 ppq).
- Half and double tempo functions.

Notes: The Avalanche Run is a dreamy stereosonic exploratory multi-tool that includes up to 2 seconds of delay time, reverse delay, tap tempo with subdivision control, switchable true bypass or buffered bypass with 5 different tail lengths (including a sound-on-sound style lo-fi looping mode) and an assignable expression control that maps the expression jack to a control of your choice, including the toggle! The delay section allows tweaking from tape emulation to bucket brigade styles with a twist of the wide-range Tone control. The cavernous, plate-style reverb has just a touch of modulation similar to the one found in our precious Dispatch Master only more lush with an adjustable Decay. Otherworldly reverse delay and dynamic swelling reverb settings are accessible through a 3-way toggle switch. And that's just the beginning...

1. Time: This controls the delay time and goes from 0ms to just under 2000ms.

2. Repeats: Controls the regeneration of the delay, from zero repeats to near infinite.

3. Tone: Controls the tone for the delay line only. Roll off highs to the left, roll off lows to the right and get a flat response in the middle.

4. Mix: The is the volume control for the delay line. This blends in the wet with dry until 1 o'clock, 1 o'clock to 3 o'clock boosts the wet signal over the dry and 3 o'clock up brings down dry until it is fully wet when all the way up.

5. Expression Jack Assign Switch: Use this switch to map the expression jack to one of the assigned controls.

Decay: Controls the reverb decay length

R Mix: Controls the reverb mix

Time: This takes over for the delay time control and is DRASTICALLY different than the interface control. Using the expression pedal to control the time will give you all kinds of wild effects that can not be achieved by turning the knob.

Repeats: Controls the delay repeats

D Mix: Controls the delay mix

Toggle: This takes over for the toggle switch and will cross fade from forward delay in heel down position to reverse delay in toe down position.

6. Ratio Selector Switch: Selects delay subdivisions when time is set by the "Tap" switch.

1/1: Quarter Note

3/4: Dotted 8th

2/3: Quarter Note Triplet

1/2: 8th Note

1/3: 8th Note Triplet

1/4: 16th Note

7. Decay: Controls the decay length of the reverb, short decay counterclockwise, long cavernous decay clockwise.

8. Toggle Switch (Mode Selector)

Normal: This is the standard delay and reverb mode

Reverse: This is reverse delay mode with standard reverb

Swell: This is the volume swell mode

9. Mix: This is the volume control for the reverb. Blends in the wet with dry until 1 O'clock, 1 O'clock to 3 O'clock boosts the wet signal over the dry and 3 O'clock up brings down dry until it is fully wet when all the way up.

The expression jack is located on the west side of the pedal. It is a TRS jack with the tip acting as the wiper.

Using a Moog expression pedal, with the output adjustment knob all the way up, is recommended. Any other expression pedal is not guaranteed to work with the Avalanche Run.

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

For best results, please use the included 9v center-negative 1-amp DC power supply.

Dimensions: 4.65 x 4.15 x 2.25 in. (118 x 105 x 57 mm) with knobs
Current Draw: 410 mA
Input Impedance: 1 MO
Output Impedance: 100 O

Notes: Pyramids is a Stereo Flanging Device with five presets, eight flanger modes, tap tempo, tap subdivision, a multifunction Modify control, positive and negative Feedback, and a variable Mix control, which is something you don't see on a flanger every day.

Built upon the same proprietary DSP architecture as the Avalanche Run™, Pyramids delivers convincing jet-engine roar, authentic through-zero tape-style warble, infinite barber pole sweeps, flexible I/O routing, and the ability to re-trigger the LFO cycle via footswitch opens up a fourth dimension of rhythmic possibilities that's sure to tickle your third ear.

Controls:
1. Manual: Controls the delay time of the modulated signal. Manual can also be controlled via expression pedal.

2. Rate: Controls the speed of the LFO as well as the rise time in Trigger Up mode and fall time in Trigger Down mode. The Rate control has three ranges of operation: Slow, Normal and Fast. These modes are selected by the Rate & Tap toggle switch.

3. Width: Controls the frequency range of the LFO sweep. You might also think of it as a depth control for the LFO.

4. Mix: This is the volume control for the modulated signal. The modulated signal gets louder when you turn it clockwise and quieter when you turn it counterclockwise.

5. Activate Footswitch: The activate switch features our Flexi-Switch technology! This relay-based true-bypass switch allows for momentary or latching operation.

6. Feedback: Regeneration control for the modulated signal.

7. Rate & Tap Toggle Switch: Normal (center position) is 1:1. The tempo you tap in is the tempo Pyramids will spit out. When set to Slow (left position), the tempo you tap is divided for a slower sweep. When set to Fast (right position), the tempo you tap is multiplied and delivers a faster sweep.

8. Modify: The behavior of this control depends upon which mode you're using:

Classic: Tone control for the modulated signal. Clockwise cuts the low end and allows the high frequencies to pass through. Counterclockwise cuts the high end and allows bass frequencies to pass through.

Through-Zero: Delay time for the unmodulated dry signal. This controls where in the LFO cycle the through-zero point occurs, which is where you'll hear the most drastic cancellation.

Barber Pole Up: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Barber Pole Down: Tone control for the modulated signal. Clockwise from center is a high pass filter. Counterclockwise from center is a low pass filter.

Trigger Up: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Trigger Down: Sensitivity control for the sweep. This controls how quickly the re-triggering reacts to your pick attack.

Step: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

Random: Adjusts the glide between steps. Low Modify settings produce sharp, stair-stepped transitions between steps. Higher Modify settings introduce a smoother glissando effect.

9. Tap / Trigger Footswitch: In Classic, Through-Zero, Barber Pole Up, Barber Pole Down, Step, and Random modes, this footswitch is a tap tempo control. In Trigger Up and Trigger Down modes, this footswitch triggers the effect whenever it is pressed.

10. Presets Rotary Switch: Selects between Live mode and one of five presets. Pyramids comes with our favorites programmed in, but you're allowed to re-write them if you want. We don't mind.

11. Mode Rotary Switch: Selects between Pyramids' eight flanger modes

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

For best results, please use the included 9v center-negative 1-amp DC power supply.

To use with multiple output transformer-balanced isolated pedal-specific power supplies, Pyramids' may be powered from two outlets combined using a current-doubling cable. DO NOT USE A VOLTAGE-DOUBLING CABLE BECAUSE THAT WILL SEND 18V TO PYRAMIDS AND FRY IT LIKE AN OVEREASY EGG AT A GREAZY SPOON DINER.

Dimensions: 4.65 x 4.15 x 2.25 in. (118 x 105 x 57 mm) with knobs
Current Draw: 460 mA
Input Impedance: 1 MO
Output Impedance: 100 O