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New releases last two weeks: Roots/Lovers Rock
Roots/Lovers Rock vinyl released in the last two weeks
1～46/46（ページ1/1）の商品
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Review: Spanish musician Bass Lee delivers a strong debut instrumental album with Roots across 10 tracks of deep roots rockers led by his signature melodica. The collection was produced alongside Roberto Sanchez at A-Lone Ark Muzik Studio and features standout tracks like the uplifting 'Enlightenment' and the meditative nyahbinghi-inspired 'East African Rift.' The album was developed during a studio session that also birthed albums by Clive Matthews and Lone Ark Riddim Force and completes a trilogy focused on timeless reggae foundations that are rich in analogue warmth and melodic finesse. All of this affirms Bass Lee's place in the new wave of roots reggae musicians pushing the genre forward.
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Review: Jamaican singer Dennis Brown's 1984 cut 'Right Fight' finally lands on 7", joined here by a dubwise version from the in-house We The People Band. Originally buried on the Love's Gotta Hold On Me LP and a now-scarce 12", it's one of those righteous, rootsy calls to arms that Brown delivered so effortlessly at his peak. His vocal glides over a tense but propulsive groove, bolstered by horns and a chugging rhythm section, while the lyrics advocate moral clarity in the face of pressure. Flip it and the band's instrumental version runs wild: militant and heavyweight, full of reverb-splashed snares, spectral brass and stripped-back pressure. Produced by The Mighty Two (Joe Gibbs and Errol Thompson), this pairing reflects a moment in mid-80s Jamaican production where the energy of roots still collided with dancefloor sensibility. Essential for selectors with a deeper box.
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Cat: CS 081. Rel: 09 Jun 25
Review: This rare gem from Bunny Lee's famously accomplished catalogue gets a welcome reissue and pairs a hard-to-find 1973 Cornell Campbell B-side, 'Heading For A Mountain', which was originally released on Duke UK, with a cosmic dub scorcher. The Cornell vocal is a soulful yet obscure cut that floats over a rootsy rhythm with a gloppy and wonderful bassline. On the flip, The Aggrovators 'Joe Frazer' is named in honour of the late great heavyweight legend of the 1970s. It's a great example of early synth experimentation in reggae with some filtered and shape-shifting leads reaching for the stars as the earth rhythms keep things rooted. A crucial slice of vintage roots and dub, full of mystery, groove and invention.
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Review: The Cimarons were pioneers of UK reggae and were formed by Jamaican teenagers in a London bus shelter in 1967. They broke barriers as the country's first home-grown reggae band and were beloved in towns like Huddersfield during the 1970s. Their journey from struggle to recognition has been celebrated in a documentary and this powerful new album, which features 11 fresh roots recordings with Spanish producer Roberto Sanchez and his A-Lone Ark crew. Highlights include the haunting 'Ship Took Us Away' and a rework of 'Morning Sun,' which they originally played on in 1970. The vinyl comes complete with lyrics and rare archival photos.
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Review: A true gem from the golden era, reggae royalty Johnny Clarke's 'Love Feeling All Over' is a standout rework of Diana Ross's seminal 'Love Hangover' and it gets a fresh spin with this alternate mix. Stripped down and rebuilt for sound system culture, it brings deeper bass, rawer textures and a heavier, more hypnotic vibe than ever before. Pressed on a weighty 7" on Clarke's own Naphthali label, this version is tailor-made for selectors and dancefloor devotees and has long been a certified 80s classic. This dubby take brings new life to a beloved anthem that backs up claims that Johnny Clarke remains a foundational voice in reggae.
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Review: A powerful roots anthem from the unmistakable voice of Daweh Congo here. 'Prophecy Reveal' is an invitation to get lost in his haunting tone and spiritual intensity, both of which were hallmarks of his role in the roots revival movement. Originally released in 2000, the 25-year-old classic blends conscious lyrics with a weighty digital rhythm to create a hypnotic, militant vibe. Daweh's mystical delivery brings urgency and depth to the message, while the B-side dives into rich 90s electronic dub territory by layering effects and echo for a deep sound rooted in spiritual and musical resistance.
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Review: More than than a decade of growth and exploration fed UK reggae and soul singer Hollie Cook's newest Mr Bongo release; an unmissable reggae-pop fusion taking form as 'Night Night', which also marks a homecoming and a fresh chapter for the singer and aritst. With General Roots as her backing band and Ben McKone handling production and dub duties at Crosstown Studios, the single pairs strident guitar licks and glowing keys with a system-scalding bassline. Hollie's sericin-soft delivery is matched by the fire of Horseman - this his first studio link-up with her since that debut - resulting in a track that pulses with affective lift. A dubbed-out B-side rounds out the 7", spacious, packed with entelechy and flair.
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Review: Danubian Dub hails from Vienna and step up to their own self-titled label with a deep, steppers-style cut that delivers conscious energy and militant grooves on one impactful 7". 'Move Dem' is driven by a thunderous bassline and echo-laden snares and has a nice ass-wobbling weight to it as it rolls up and down while I Nando's commanding voice delivers his own message. Though rooted in classic dub traditions, it has a fresh edge and sleek production aesthetic that very much places it nicely the here and now. The Smalltowndubz brings some more winky dubstep style bass weight to the flipside and both versions are sound system-ready anthems built for serious rotation.
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Review: Jamaican vocalist Earl Sixteen's 1980 recording finally lands on 7" vinyl, produced by Earl Morgan of The Heptones and recorded at Harry J Studios. The vocal cut rides a familiar steppers rhythm also heard on tracks by Lacksley Castell and Black Uhuru - crisp, driving, and minimal in arrangement. Sixteen's delivery is measured that sits just above the groove without crowding the mix. The B-side features a dub version mixed by Sylvan Morris. It's restrained, focusing on dropouts and echo placement rather than full reconstruction. Both sides maintain clarity and space, typical of the era's late roots sound. A concise, well-pressed archival issue that foregrounds the essentials: voice, rhythm, and atmosphere.
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Sleepwalking
Coming From The Back
The Real Bush Doctor
Tell Your Story
It Go So
Jah Is Love
Another Roadblock
Can't Stop Us
The Next Full Moon
My Very Good Friend
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Review: Hidden Sequence returns, this time to kick off a new label Magistrate, and hot on the heels of their quick-to-sell out 'Silent Roots' last year. This fresh EP seamlessly bridges classic 70s Jamaican dub with modern, bass-heavy and dubwise delights, starting with 'Isms & Schisms'. The horns are brilliantly inviting as are the low ends which have been well worked on a vast desk and come packed with echo and effects. 'Magistrates Dub' is an immediately infectious skank that shifts into a deep, dub-heavy exploration and unites past and present dub influences.
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Give Thanks For Life (12")
Cat: YMGR 12008. Rel: 04 Jun 25
Review: This heavyweight 12" delivers fresh French-produced roots reggae straight out of the unlikely region of Brittany in the North West. It unites the talents of producers William Spring and Arthur Dub Dealer with sought-after Jamaican vocalist Aza Lineage and results in 'Give Thanks For Life,' a spiritually charged anthem carried by Aza's commanding, conscious delivery over a deep, meditative rhythm. William Spring serves up his own riddim, and the B-side offers a delicious dub version from Dub Dealing that strips the rhythm back and recooks it with echo-drenched finesse. Benyah's 'Badman Horns' is tipped with some ska-adjacent brass to make for a meeting of modern roots energy with enduring messages of uplift.
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Sunshine Seas Dub (yellow vinyl 10" + MP3 download code)
Cat: RNR 117LP. Rel: 16 Jun 25
in stock $17.92
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Review: ONEGRAM, the cult Japanese reggae band formed in 2011, is back with a new album that takes in everything from their genre-defying journey so far. Though known for blending reggae with lovers rock, they also fold in conscious vibes and disco grooves to their sodden and here the Tokyo-based outfit delivers ten tracks that reflect their unfiltered present. It's their first original album in five years following 2021's cover-focused Random Access Music and highlights include the soulful hit 'After the May Rain,' the groovy 'Crazy For You' (which even got praised by Incognito members) and a dreamy take on Bread & Butter's 1974 classic 'Pink Shadow.'. It's an honest, heartfelt and unmistakably ONEGRAM sound.
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Cat: DOLP 02. Rel: 16 Jun 25
Review: The title of this new rarities retrospect-trove of King Tubby and Augustus Pablo's magnetic meeting of minds references the address of the former dubber's legendary studio, where each of these 13 never-heard-before collaborative renditions were mixed. The King Tubbys studio was instrumental in shaping the dub genre, and this release captures the essence of that era, with the closing notable 'Stop Them Jah' hearing vocals by roots icon Jacob Miller, closing out an otherwise near whole-numbered blitz of versions.
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Cat: DB2CD 163. Rel: 12 Jun 25
in stock $15.41
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Treat You Wrong (12")
Cat: SOCR 06. Rel: 05 Jun 25
Review: What time is it? It's Skankoclock. The label is small but already well-formed and this sixth outing offers up a fresh roots reggae gem from Rapha Pico, whose 'Treat You Wrong' delivers rich vocal vibes over a heavyweight riddim. It is then Far East's smooth melodica version that take sober and lulls you into more deepness that mixes classic energy with modern warmth. Guru Pope and Handyman round out the lineup with deep instrumental contributions that add more layers of rich musicality, all of which gets pressed in a vibrant full-colour skanking sleeve for superb toots with soul, melody, and pure sound system flavours.
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Review: This exciting new compilation is a richly layered celebration of reggae's instrumental foundations. The second chapter in the Roots Architects project, this dub album gathers over 50 of Jamaica's most revered session musicians to breathe new life into rhythms rooted in reggae's golden era. Produced by Swiss keyboardist Mathias Liengme and dubbed by Roberto Sanchez, the record is a journey into the sonic textures of Kingston's legendary studios during the late 70s. Each track pulses with the timeless craftsmanship of players like Lloyd Parks, Fil Callender and Earl "Chinna" Smith. The dub treatments are both spacious and inventive, recalling the spiritual haze and echo-drenched brilliance of King Tubby and Lee Scratch Perry at their peak. Sanchez handles the desk with deep respect and balances fidelity with creativity. From Dub 'Til Now is a historical tribute of reggae's enduring history.
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Review: The scale is staggering, but the result is as focused and spiritual as any great dub record should be. Helmed by Swiss producer and keyboardist Mathias Liengme, this set draws together dozens of Jamaican session players from the 70s to todayithink Sly Dunbar, Vin Gordon, Ernest Ranglinion nine instrumental dubs cut and sculpted by Roberto Sanchez. '1000 Light Years DUB' opens with spacey textures and a tightly coiled rhythm section, easing into the skanking horns of 'In The Shadow DUB'. 'Whitewater DUB' flows warm and steady, while 'Memories of Old DUB' evokes roots nostalgia without drifting into pastiche. 'Rose Hall's Birds DUB' stands out for its bright brass interplay; 'Squirrel Inna Barrel DUB' rides a darker groove, led by echo-laden percussion. 'Under The Cotton Tree DUB' softens the tempo with flute and keys, followed by the spacious bass work of '45 Charles Street DUB'. The closer, 'Everlasting Love DUB', arranged around Errol Kong's melody, feels like both a send-off and an embraceiglowing, open, eternal.
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Cat: GEE 1004. Rel: 12 Jun 25
Review: Curtis Mayfield's tender falsetto and political lyrical activations made him one of soul's most distinctive and influential figures of the 70s. Addressing civil rights, urban life, and Black identity with rare grace, it's little wonder that his catalogue has since proved a goldmine for reinterpretation, where 'Move On Up', 'The Makings of You' and 'People Get Ready' continue to inspire covers over generations. Here, howsoever the decision was made, do Soul Shepherds reshake a less-known Mayfield favourite in dub, 'Give Me Your Love', a dark-horse ode to good lovin', originally track 6 on the soul star's great soundtrack to the pimpin' 70s film Superfly. "It's true, you're such a gun / Make my lungs sigh" go the brusque lyrics, proving the sensuousness of Mayfield's broadly applicable approach to love.
… Read morePlayed by: Osmose
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Review: Sugar Minott's 1977 debut Live Loving is reissued here, a timeless piece from a pivotal figure in the shift from roots reggae to dancehall. Minott was one of the first artists to carve out a solo path on the legendary Studio One label, finding his groove as a solo artist after coming up singing harmony in the group African Brothers. This reissue shines a light on a record that's warm, honest, and full of feeling. Tracks like 'Vanity' and 'Jahovia' balance conscious themes with a loose, soulful delivery, while 'Give a Hand' and the title track show off Minott's flair for melody - always more heartfelt than flashy. Still sounds easy, sincere and full of life.
… Read more in stock $32.22
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1～46/46（ページ1/1）の商品
