Review: Peter Gabriel's i/o is an album that took shape over a fairly long period of time and it involves a wide and long list of cast members. It is packed with plenty of moments of vocal beauty and gravity, with Gabriel's iconic song writing abilities front and centre as he tackles a rich array of tough provoking subjects that confront us all. Moods range from hopefully and optimistic, to more gloomy and despondent with top contributions from Richard Russell, pianist Tom Cawley, trumpeters Josh Shpak and Paolo Fresu, cellist Linnea Olsson and keyboard player Don E.
Messing With The Kid (Popgala; Vliegermolen, Voorborg, March 10th 1973 - bonus)
Hands Off (Popgala; Vliegermolen, Voorborg, March 10th 1973 - bonus)
Review: In 1972, Irish blues guitarist Rory Gallagher was at the peak of his powers. On the back of two much-loved and critically acclaimed albums, Gallagher was named Melody Maker's Musician of the Year. Before scooping that gong, he toured Europe and, while in Switzerland, recorded a now legendary session for Radio Suisse. This CD showcases that session in full, complete with crowd noise and trademark effects aplenty, with Gallagher and his band's dazzling - if fuzzy and lo-fi, in keeping with the original recording - blues and blues-rock performances (Gallagher's squally and extended guitar solos are especially memorable) being joined by interview experts and introductions by the radio station's unnamed disc jockey.
Review: Spanning the years 1978-82, this seven-disc set captures the history of the band put together by Ian Gillan after he departed hard rock giants Deep Purple, the 94-strong tracklisting features remastered versions of all studio their albums alongside a rich selection of B-sides, outtakes and rarities. Key highlights include the debut album, sometimes known as The Japanese Album as it wasn't initially released in the UK, the more intense Mr Universe, the initally fan only Glory Road and the chart-climbing Future Shock Double Trouble is that most novel of formats, a half studio, half live double album, while Magic, captures the group's last creative burst before disbanding. Housed in 7" packaging with a detailed 32-page booklet, the collection also includes an insightful new interview with the often outspoken frontman.
Review: This collection plunges into Godley & Creme's eccentric post-10cc years, a whirlwind of boundary-pushing pop and inventive production. Tracks like 'An Englishman in New York' burst with surreal humour and layered arrangements, showcasing their knack for storytelling through off-kilter melodies. Meanwhile, 'Snack Attack' plays with genre, blending funk-laden grooves and absurdist charm. These songs aren't just quirky diversions-they're windows into the duo's fearless approach to dismantling pop conventions. Packed with vocal harmonies, synth experiments, and a sprinkle of the absurd, this box set is a reminder of how Godley & Creme rewrote the rules for art-pop.
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