Back catalogue: Rock

Review: Neil Young's return to this 1977-recorded "lost" collection of songs feels like a snapshot of an artist in transition, navigating between the raw edges of his 70s output and the more polished direction he would take in the years to come. Recorded between Florida's Triad Studios and Malibu's Indigo, the tracks resonate with a kind of unforced authenticity that's increasingly rare in modern music. You'll know some of these tunes - the majority did turn up in other LP tracklistings eventually - but re-pieced together it's clear there's a quiet confidence here, as if Young, unburdened by the pressures of commercial expectation, was simply allowing the music to flow out. Opening with the delicate 'Sail Away,' Young sets a tone that's both intimate and expansive, a rare combination that permeates the entire set. 'Lost In Space' follows, its understated melancholy giving way to moments of real tenderness, as though Young was channeling something deeply personal without ever letting it feel too heavy. The rolling 'Captain Kennedy' showcases his gift for storytelling, while 'Goin' Back' and 'Human Highway' bring with them echoes of past greatness, weaving themes of reflection and longing with his signature mix of folk and country. By the time 'Pocahontas' rolls around, it's clear that the collection, though rough around the edges, forms a cohesive whole, a snapshot of Young's restless creativity and unflinching approach to songwriting.

Review: Neil Young fans rejoice, for his fabled 'lost' album of the late 70s is finally seeing the official release that has been denied for so long. Chrome Dreams was originally compiled as an acetate to be considered for release in 1977, but it never made it to press and only existed as a widespread bootleg. A fair wedge of the songs made their way onto other Neil Young and Crazy Horse releases in other versions, but there's something special about hearing the likes of 'Hold Back The Tears' in this context, recorded as a solo acoustic affair with a rawness which lets Young's craft shine through in all its glory.

Review: Neil Young's Freedom marks a triumphant return at the end of what was a turbulent 80s for the Canadian-American legend, re-establishing him as a force in rock music. The album blends gritty hard rock with country influences, harking back to his classic 70s sound, while also laying the groundwork for the grunge movement. With standout tracks like 'Rockin' in the Free World', the socially charged 'Crime in the City', and the sonic adventure of 'Eldorado', Young proves his songwriting and guitar prowess remain intact. Balancing aggressive, distorted guitars with heartfelt ballads like 'Hangin' on a Limb' and 'Wrecking Ball', the album showcases Young's versatility. Its diverse soundiranging from raw rock to introspective folkicreates a cohesive, compelling experience. The blend of intelligent lyrics, dynamic drumming, and distinct lead guitar playing solidify Freedom as one of his most potent efforts. It revitalised Young's career as the grunge music was forming and its influence would echo throughout the next decade.

Review: Neil Young's On the Beach, his fifth studio album, marked a pivotal moment in his career. Originally released in 1974, the album featured a wide array of collaborators, including Crazy Horse members Billy Talbot and Ralph Molina, as well as iconic musicians like Levon Helm, Rick Danko, and David Crosby. Recorded at both his Broken Arrow Ranch in Northern California and Sunset Sound in Hollywood, On the Beach captured a transitional period for Young, as he ventured into new sonic territories while reflecting the evolving counterculture of the 1970s. The album features standout tracks like 'See The Sky About To Rain' and 'Ambulance Blues', songs that poignantly capture the shifting cultural landscape. Known for its introspective tone and bold experimentation, On the Beach signaled new creative directions for Young, expanding his musical palette in unexpected ways. Now, a 50th-anniversary edition of the album will be released via Reprise Records. This limited edition will be pressed on clear vinyl, featuring updated artwork to commemorate the milestone. Decades later, On the Beach remains a defining work in Young's catalogue, resonating with its depth and timeless relevance.

Review: Neil Young's Archives Vol. III Takes is a 16-song sampler that offers a deeper listen into his creative journey from 1976 to 1987. Released as part of the expansive Archives Vol. III box set, this collection is great for die-hard fans but also for those who want to get more familiar with this period of his career, with a balance of unreleased gems, live performances and alternate takes that illuminate one of Young's more prolific eras. Opening with the acoustic beauty 'Hey Babe,' recorded during a session with Nicolette Larson and Linda Ronstadt, the album showcases Neil's knack for crafting harmonies. The live version of 'Drive Back' with Crazy Horse from their 1976 London show injects electric energy into the mix, while 'Razor Love' presents an earlier digital version of the track later polished for Silver & Gold. Another standout is the unreleased 'Bright Sunny Day,' reminiscent of the rugged feel of Ragged Glory, recorded years before that album saw the light. In essence, Archives Vol. III Takes is a curated journey through Neil Young's vault, offering a rich experience for those eager to explore his lesser-known works.

Review: Neil Young's Weld is a raw, electrifying live album showcasing his signature collaboration with Crazy Horse. Recorded during the 1991 tour, the triple vinyl set features sixteen tracks filled with gritty intensity. Opening with 'Hey Hey, My My (Into the Black)', a rock anthem, the album shifts into fierce renditions of songs like 'Blowin' in the Wind' and 'Love to Burn'. Performances of classics such as 'Cortez the Killer' and 'Powderfinger', with extended jams adding fresh layers to the originals. The thunderous 'Like a Hurricane' stretches over 13 minutes, bringing the full force of the band's energy. Weld highlights the enduring chemistry between Young and Crazy Horse, whose synergy elevates the powerful, guitar-heavy sound. While it may lack acoustic diversity, its relentless rock-and-roll edge is a great glimpse of Young's grunge-influenced rock side.

Review: With Neil Young's late 60s and early to mid-70s music being so well beloved, fans are ecstatic about this release. Dume is a 16-song album (2 LPs) by Neil Young with Crazy Horse from 1975, recorded during the Zuma recording sessions. It includes tracks and outtakes from Zuma. Thus, think of it like the most complete package or extended version on Zuma. This period (just three years after Harvest) of Neil's music is some of his most productive and beloved writing in his 50+ year career. These extra tracks add not only just more music to enjoy but a unique look into the sessions as they were. The two albums are housed a beautifully packaged gatefold as well.

Review: Neil Young and Crazy Horse's 'Fu##in' Up' is a raw and electrifying rock anthem that showcases the band's signature gritty sound and Neil Young's impassioned vocals. Released in 1990 as part of the album 'Ragged Glory,' this track is a powerhouse of distortion-drenched guitars and driving rhythms that now lends its name to a live recording from a club in Toronto in 2023. With its catchy hooks and rebellious spirit, Fu##in' Up encapsulates the essence of Young's defiant songwriting style and Crazy Horse's unbridled energy and is a blistering sonic journey that leaves a lasting impression.