Back catalogue: Reggae

Review: This 2xCD set celebrates Dennis Bovell's exceptional talent during the golden years of reggae, from 1977 to 1981, a time when he was also playing a pivotal role linking punk and post-punk to reggae via collaborating with Orange Juice and producing key records such as The Slits' debut Cut. Featuring a mix of major hits and rare tracks, this collection highlights his brilliance as a producer, arranger and pioneer of roots, dub and lovers rock. Not only was he one of the first to blend disco with reggae but he was also important for fusing the disco standard 12" and using for Lovers Rock artists. His use of the format to create dynamic dub edits is a standout element, cementing his legacy in reggae production. Disc 1 includes Errol Dunkley's title track, Marie Pierre's soulful gems and Janet Kay's classic 'Silly Games', which brought lovers rock to mainstream audiences. Tracks like Errol Campbell's 'African Queen', Angelique's 'Cry' and Africa Stone's 'Choose Me' capture the era's emotional depth and Bovell's masterful touch. Disc 2 delves into 12" extended mixes, showing Bovell's innovative fusion of reggae and disco. A lifetime of great music within just two discs.

Review: While born in Jamaica, like many of the Windrush Generation Robert Thompson AKA Dandy made his name in the UK, subsequently making some of the earliest - and most successful - British Ska records with the assistance of Australian entrepreneur and Crossbow Records founder Millie Small. This fine compilation, one of the first to showcase the work of a UK-based ska star, tells the story of Thompson's work in 1964 and '65, much of it alongside fellow vocalist Keith Foster as Sugar N Dandy. There's much to enjoy throughout, with highlights including the organ solo-sporting delight of 'Oh Dear', the fuzzy jazziness of 'I'm Not Crying Now', the Mod-friendly 'Blues Got a Hold On Me' and his superb ska cover of Hermans Hermits' hit 'I'm Into Something Good'.

Review: J Nile is the son of reggae legend Gregory Isaacs and his vocal work is almost as powerful as that of his great father. To prove it once more he presents his powerful new album Tired which manages another sound both fresh and new but also a descendant of roots greats who have gone before, not least his dad. The authentic tunes feature collaborations with some of reggae's finest musicians including Sly Dunbar, Vin Gordon, Michael "Megahbass" Fletcher and Alan Weekes, With deep roots and a modern production edge in things like the shiny synth work, Tired blends conscious lyrics and soulful rhythms that capture the spirit of classic reggae. There are plenty of sunny horns and swaggering low ends with substance, soul and timeless grooves never far away.

Review: This double-disc collection offers a fascinating glimpse into Lee Perry's evolution as a producer during a pivotal year in reggae music. 1970 saw Perry at the top of his game, fresh off the success of Return Of Django, and these recordings capture his adventurous spirit and groundbreaking studio techniques. The compilation features a wealth of instrumental works, showcasing the proto-dub experiments of his backing band, The Hippy Boys. With 14 tracks new to CD and many others unavailable since the 1990s, this release is a treasure trove for dedicated Upsetter fans. From the infectious grooves of 'Yakety Yak' to the dubwise explorations of 'Bush Tea' and the soulful sounds of 'Let It Be', this collection is a must-have for any reggae enthusiast.

Review: On its latest deep dive into the Jamaican reggae archives, the Doctor Bird label has returned to the early years of one of the style's most iconic producers, Lee 'Scratch' Perry. The music showcased on this two-disc set was initially released on Perry's own Upsetter imprint in 1969-70 and contains a mix of vocal numbers, instrumental 'versions' and alternate takes from the archive. There's naturally tons of highlights amongst the 50-plus tracks on show, including the organ-rich ska flex of The Upsetters' 'Night Doctor', the soulful rocksteady sweetness of 'Kiddy-O' by the Silvertones, the slow-dance excellence of Busty Brown's 'I Can't See Myself Cry About You', the low-slung shuffle of The Upsetters' 'Bab Thool' and the bona fide anthem that is 'Django Shoots Again' by Val Bennett and the Upsetters.

Review: It is still rather cold here at Juno HQ, but the days are starting to feel little longer and brighter, which means we're ever more open to Balearic reveries. Few are better than this one from Studio, the Swedish duo of Dan Lissvik and Rasmus Hagg who created a sound bridging indie, electronic and psychedelic music. Their 2006 debut blended Balearic romanticism with Krautrock, disco, dub, afrobeat and pop lyricism influenced by new wave and has been hard to find in physical and even streaming formats over the years. Inspired by DJ Screw, J Dilla and European live DJ sets, Studio embraced an "anything-goes" ethos, unbound by musical borders, and the results have stood the test of time.

Review: Back in 2019, Soul Jazz marked Record Store Day by releasing a rather tidy seven-inch box set of classic Studio One reggae jams, the simply titled Showcase 45. Six years on, they've decided to reissue the collection on CD in expanded, 18-track form (the original edition featured 10 tracks stretched across five 45s). It provides a perfect introduction to the Studio One universe, showcasing cuts from such masters of reggae, rocksteady and ska as Freddie McGregor ('Beat Down Babylon'), Bob Marley and the Wailers (the original version of the later re-recorded 'One Love'), Jackie Mitoo (the rhythm & blues-tinged, Hammond organ-rich 'Mixing'), the Heptones (the horn-heavy shuffle of 'How Can I Leave You'), Horace Andy (the cheerful-sounding 'Miami Blue') and the Skatalites (bona-fide dancefloor gem 'Sudden Destruction').

Review: Doctor Bird's latest deep dive into Jamaica's seemingly bottomless reggae archives takes us back to the turn-of-the-1970s and the short-lived - but undeniably successful - story of singer-turned-producer George Philips AKA Phil Pratt's Sunshot Records imprint. It's the first ever retrospective of the label's output, in part because few copies of the showcased records ever made it out of Jamaica. Reflective of the period when rocksteady was fading and roots reggae was beginning to emerge, the cuts on disc one - fronted by such legendary singers as Ken Boothe, John Holt and Horace Andy -comprise the best of the singles released by the label between 1969 and 1972. Disc two contains more singles, B-sides and rarities, alongside all ten tracks from Pat Kelly's Breezing album.

Review: .This essential album from Doctor Bird highlights the great Phil Pratt's remarkable work during a pivotal era in Jamaican music. Feel Good All Over: The Sunshot Singles 1972-1973 digs into his work during that golden time and turns out both many well-known hits and some rarer gems, a total of 30 of which appear on CD for the first time. This collection captures the energy of a time when Pratt, alongside a new wave of equally bold and ambitious producers, pushed against the established norms of the island's music scene and brought in new influences. The result is a treasure trove of some of the finest and most influential reggae recordings from the pre-roots period including deep-cut gems like Delroy Wilson's aching 'Heart Made Of Stone', the romantic harmonies of The Soul Syndicate and swagger of 'Phil Pratt Thing'.