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Sonic Reducer
Sonic Reducer (translucent red vinyl 7" + insert)
Cat: CLO 6174. Rel: 14 Nov 24
Sonic Reducer (feat Cheetah Chrome) (3:06)
Aloha From Hell (2:59)
 in stock $20.21
So Many Ways (reissue)
Cat: MENT 032. Rel: 16 Dec 20
So Many Ways (3:59)
J'attends Les Marines (3:55)
So Many Ways (Cherrystones Electric So Far I edit) (5:20)
So Many Ways (Cherrystones Slow Many Ways rework) (6:36)
Review: This marks a first ever reissue of this cult-status punk-funk, no wave electro post-punk fusion 45 from 1979. It's by post-Wayne County Electric Chairs and has been produced by David Cunningam and now expanded to 12". The first tune 'So Many Ways' has Val Haller on lead vocals and sounded at the time very different from anything else the band had done. A hypnotic, sure charged groove that still sounds years ahead of its time. 'J'attends Les Marines' is a rework of 'Waiting For The Marines' from the Things Your Mother album but with some added dub and experimental flourishes. Two versions of 'So Many Ways' then close out this fine curio.
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 in stock $23.81
Phantom On The Horizon
Phantom On The Horizon (limited "grass" green vinyl 12")
Cat: EQV 16711. Rel: 06 Feb 25
Chapter I: Introverting Dimensions (10:50)
Chapter II: A Strange Conversation (4:43)
Chapter III: Nostalgic Mannerisms (7:50)
Chapter IV: Enter The Black Demon (5:38)
Chapter V: The Walls Bled Lust (8:00)
Review: Originally released in 2008, Phantom On The Horizon is the grandiose, progressive rock worshipping high concept EP from Washington based math-rock indebted post-hardcore heroes The Fall Of Troy. Initially abandoned following the leak of early versions in 2004 on what has since been dubbed The Ghostship Demos EP, the band would finally get over this setback and bang out the entire project in secret over October of 2008 before dropping it the very next month. Renowned for its epic, lengthy pieces segmented into chapters like all good prog concept records, the work stands as solely unique from the majority of the trio's remaining output, bridged in the gap year between 2007's instantaneous Manipulator and the more melodic alt rock of 2009's In The Unlikely Event. Utilising an array of guest musicians adding elements of keyboards, violin, cello and glockenspiel for that extra proggy flair, while featuring guest vocal appearances from the likes of Fear Before's Dave Marion as well as both Ryann Donnelly and Jonah Bergman of Schoolyard Heroes, the mini-epic 5 tracks clock in at a 37-minute runtime detailing story of a Spanish galleon meeting with a ghost ship from another dimension. A true outlier gem conjuring a Venn Diagram intersection between early noughties sassy post-hardcore and timeless 70s indebted prog absurdity.
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 in stock $41.25
Split
Split (red vinyl 12" + insert)
Cat: EQV 53111. Rel: 19 Feb 25
Hot Water Music - "Fazer" (3:13)
Quicksand - "Free Radio Gainesville" (2:34)
Quicksand - "Supercollider" (2:48)
Hot Water Music - "Undertow" (2:43)
Review: A 12" split meeting of the minds between two equally iconic alt rock punk-lifers, this EP brings together Gainesville, Florida's Hot Water Music and New York City's Quicksand (brainchild of Gorilla Biscuits hardcore hero and Rival Schools emo-grunge auteur Walter Schreifels), covering each other's classic tracks with renditions of 'Fazer' from the Quicksand 1993 debut LP Slip and 'Free Radio Gainesville' off of Hot Water Music's 1999 third full-length No Division. Filling out the tracklist are the unreleased 'Supercollider' which marks the first new cut of Quicksand material since 2021's Distant Populations, and the b-side 'Undertow', originally recorded during sessions from Hot Water Music's latest 2024 LP Vows. With simple cover art featuring Hot Water Music's Chuck Ragan on one side, and Quicksand's Alan Cage on the other, it perfectly summarises this playful, mutual celebration of one another's work, some new, some old, all great.
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 in stock $29.07
Past Our Means (reissue)
Past Our Means (reissue) (limited milky clear vinyl 12" + insert)
Cat: REV 0541. Rel: 30 Dec 24
Holding On (2:01)
Past Our Means (2:23)
In Defense (2:56)
Embrace (2:22)
Self-Made Man (1:19)
Taken Away (2:55)
Banned In DC (2:02)
Review: This six-track mini-album delivers Southern Californian punk at its best - fast, furious and packed with anthemic sing-along tracks. The new pressing comes on translucent white vinyl and includes an additional bonus track: a high-energy cover of Bad Brains' iconic 'Banned in D.C.,' originally released on a split 7? with Good Riddance. Combining raw energy with infectious melodies, this release captures the spirit of the punk scene with a fresh twist so whether you're a long-time fan or a new set of ears, this updated version offers a perfect opportunity to dive into the band's powerful and relentless intensity.
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 in stock $27.13
Vancouver
Vancouver (translucent cloudy blue vinyl 12")
Cat: LD 2VAN. Rel: 07 Nov 24
Future Wars (5:32)
A World Of Welcome & Of Warning (2:03)
See You In Vancover (2:02)
To Withstand The Force Of Storms (4:42)
He Is Here, He Is Not Afraid
The Surgeon & The Scientist
Fairmount
Review: Grand Rapids, Michigan post-hardcore collective La Dispute have become legends within the scene due to their popularising of the resurgent 90s screamo sound along with peers in Touche Amore and Pianos Become The Teeth. Known for their subtle fusion of post-rock malaise and crescendo building with the frenetic chaos of emotive hardcore, all unified under the hypnotic spoken-word/caustic shrieks of frontman and highly poetic lyricist Jordan Dreyer, 2006 saw the release of their much-lauded debut EP 'Vancouver', two years prior to their first album Somewhere At The Bottom Of The River Between Vega & Altair. Clocking in at over a half-hour whilst comprising of eight tracks, many fans often consider the work more of a mini-LP and with that, this 12" cloudy blue reissue will stand spine-to-spine with any of their subsequent full-lengths, both figuratively and literally.

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 in stock $30.46
Resentment Is Always Seismic: A Final Throw Of Throes
Cat: 194399 52281. Rel: 11 Feb 22
Narcissus (3:10)
Resentment Always Simmers (4:14)
By Proxy (2:23)
People Pie (4:23)
Man Bites Dogged (4:24)
Slaver Through A Repeat Performance (3:49)
Don't Need It (1:05)
Resentment Is Always Seismic (Dark Sky Burial Dirge) (6:01)
Review: RECOMMENDED
17 albums in and it feels like Napalm Death are only just hitting their stride. Well, they've been hitting their stride for roughly 17 albums, but while many bands - especially those at the more frenetic and uncompromising end of things - tend to start, err, compromising after four or five long forms, the Birmingham grindcore masters still sound fresh. Albeit fresh but covered in sweat and rage.

Following on from 2020's Throes of Joy in the Jaws of Defeatism, Resentment is a mini-LP that picks up where its predecessor left off. Among the highlights is a fantastic cover of 1980s industrial electronic outfit Slab!, but really it's nigh-on-impossible to pick specifics here - buckle up, turn it up, and let the ferocity wash over you. Suffice to say, keeping this level of intensity without winding up sounding like you're screaming into the abyss isn't easy, and Napalm Death's career should be considered a masterclass.
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Played by: Wes Baggaley
 in stock $24.92
Half Album
Half Album (1-sided 12" + insert + MP3 download code)
Cat: FATLP 169. Rel: 22 Jul 24
Fake-A-Wish Foundation
I'm A Rat
The Queen Is Dead
The Humblest Man In The World
The Last Drag
 in stock $23.24
Nowhere Generation II
Cat: LVR 2848. Rel: 06 Apr 23
The Answer (3:54)
Last Man Standing (4:28)
This Time It's Personal (4:02)
Pain Mgmt (3:41)
Holding Patterns (3:30)
Review: Following on from last year's excellent statement of intent, 'Nowhere Generation', Chicago natives and melodic hardcore heroes Rise Against return with the companion, sister EP, 'Nowhere Generation II'. Composed of 5 new cuts originally written/recorded during the album process, the band opted to split the 16 full songs into separate volumes, in order to give listeners an opportunity to fully digest the overarching themes of alienation and everlasting political corruption that have become ceaselessly commonplace. Anthemic, ferocious, emotive and cathartic in equal measure, this follow-up continues the momentous energy of its predecessor while putting a definitive full stop on the 'Nowhere Generation' era. Lead single, 'Last Man Standing', is also one of the most vital contributions to their own expansive canon the group have dropped in well over a decade.
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 in stock $22.97
Tendrils
Tendrils (limited 1-sided 12" + insert)
Cat: NHH 01V1. Rel: 06 May 25
Tendrils (4:01)
Three Faces Past (2:36)
Corkscrew Spine (3:56)
Review: 2022 saw the unlikely return of late 90s New York screamo/"skramz" pioneers Saetia, who have seen a massive surge in popularity in the decades since their initial disbandment, due to being credited as a major influence by numerous affluent modern post-hardcore acts such as La Dispute and Touche Amore. Noted for their expansion of the chaotic "emoviolence" sound by imbuing their cataclysmic compositions with heightened melodrama, spoken-word vocals and poetic lyricism pulling from Greek tragedies, both their self-titled EP and sole full-length have been held aloft as quintessential blueprints for the genre in the decades since their original tenure. Following a hectic reunion schedule which has finally brought the group to new foreign shores across the UK and Europe, the three tracks that make up the Tendrils EP serve as their first new material in 26 years, marking the follow up to 1999's Eronel EP.
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 in stock $28.24
The Carnaby St EP
The Carnaby St EP (limited red vinyl 7")
Cat: CLOS 5447. Rel: 20 Jun 24
Paint It Black (3:05)
For Your Love (2:19)
Taxman (2:33)
Review: With a title paying homage to London's cultural epicentre for the hippie and mod movements that would serve as precursors to the punk rock revolution, The Carnaby St. EP offers up a seasoned cross-Atlantic meeting of sonic minds between two seminal punk acts on either side of the sea. With legendary UK Subs frontman Charlie Harper and long-time bassist Alvin Gibbs linking up with Dead Boys guitarist Cheetah Chrome for a balls-to the-wall blowout celebration of some of the most quintessential cuts from the British Invasion that initially put them on their life-long trajectories, here the mutual veterans tear through faithful yet feral renditions of The Rolling Stones' 'Paint It Black', The Yardbirds' 'For Your Love', and our personal favourite; 'Taxman' by The Beatles. 3 covers, 7 inches and decades' worth of punk rock legacy.
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 in stock $22.43
アルバム
The Original 4 Skins
The Original 4 Skins (gatefold red vinyl LP)
Cat: AHOYLP 420. Rel: 14 Nov 24
Wonderful World (1:18)
Chaos (1:59)
ACAB (Oi! The album Out-take) (1:36)
Clockwork Skinhead (2:19)
Evil (1:45)
I Don't Wanna Die (3:05)
Yesterday's Heroes (2:10)
ACAB (1:25)
Clockwork Skinhead (Oi! EP Out-take) (2:21)
1984 (2:11)
Sorry (3:09)
One Law For Them (2:46)
Brave New World (3:14)
Evil (Carry On Oi! version) (1:39)
Wonderful World (radio version) (1:24)
Jealousy (radio version) (1:38)
One Law For Them (radio version) (2:52)
Evil (radio version) (1:36)
Yesterday's Heroes (radio version) (2:17)
Review: Just like Ronseal does exactly what it says on the tin, The Original 4 Skins serves up a compilation of every known studio recording from the original line up of homegrown oi! punk legends The 4 Skins. Boasting a whopping 19 tracks including an alternative version of 'A.C.A.B.' originally intended to be included on the Oi! The Album compilation, as well contributions to other quintessential Oi! collections Strength Thru Oi! and Carry On Oi!, this gatefold pressing is limited to 1000 copies and arrives complete with lyrics, press clippings from the era plus previously unpublished photos of the band. An essential grab for any Doc Marten sporting skinhead with more Fred Perrys in their closet than your mother has handbags.
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 in stock $26.30
Behind Bars (Mr Precision remix 2019)
Behind Bars (Mr Precision remix 2019) (translucent red vinyl LP + insert)
Cat: HR 25961RED. Rel: 14 Jun 24
Pent Up (3:19)
Explanation (1:41)
Outright Lies (2:45)
Had My Chance (2:54)
Smart Enough To Run (3:00)
Holding Back (1:33)
My Little World (3:20)
Blink (2:44)
I've Won (1:35)
Something I Don't Know (2:09)
Family Resemblance (2:38)
I Hate Myself (2:02)
I Don't Wanna Hear It (1:10)
Review: Formed in Chicago in 1993, 88 Fingers Louie are/were (depending on what their current hiatus status is) a melodic hardcore outfit best known for being the early project of guitarist Dan Wleklinski and bassist Joe Principe, who would later depart to form Rise Against (with Principe continuing to remain a prominent member). Following a slew of early 7" singles, 1995 saw the arrival of the band's debut full-length Behind Bars, landing courtesy of Hopeless Records, who continue to care for their classic back catalogue with an astute attention to detail (unlike many other label owners who seemingly continue to hoard and ignore the bevvy of out-of-print titles they could easily repress with a bit of gumption). Remastered in 2019 by Mr. Precision himself (the producer alias of Wleklinski who has since returned to his original group for reunion shows), this latest pressing boasts these updated masters which highlight the band's often overlooked compositional intricacies while evading the common pitfall of removing too much of the initial primitive dank that endeared so many a listener almost three decades prior.
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! low stock $34.32
Back On The Streets (remastered)
Back On The Streets (remastered) (blue vinyl LP + insert)
Cat: HR 25971BLUE. Rel: 29 Jul 24
Tomorrow Starts Today (1:54)
Selfish Means (2:28)
State (2:11)
Summer Photos (3:05)
Two-Faced Bastard (2:26)
Another Love Song (2:05)
Joyboy (2:53)
Newspaper (1:33)
Drunk & Ugly (1:44)
Worst Man Won (1:50)
Punk Rock Rulebook (2:23)
Elmer's (1:25)
Well Done (2:43)
100 Proof (2:28)
FVK (1:05)
Admission (3:12)
Review: While depending on the season, the band's activity status can be active or in the midst of another self-imposed hiatus, Chicago melodic hardcore mob 88 Fingers Louie continue to still be held in majorly high esteem for their seminal contributions to the cause. While originally formed in 1993, the band have been retrospectively discovered by later generations of fans due to the inclusion of guitarist Dan Wleklinski and bassist Joe Principe (both of whom would later form Rise Against). 1998 would see the arrival of their much anticipated follow up to 1995's debut full-length Behind Bars, in the form of scene classic Back On The Streets. Remastered and reissued by original label-home Hopeless, who have ballooned in popularity due to the rise of the hardcore and punk movements in recent decades, this sophomore LP delivers the band's frenetic, complex yet melodious approach to hardcore, while carefully restoring but never defanging the original master tapes.
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 in stock $34.88
Death In Soho
Cat: SECLP 324. Rel: 30 Jan 25
Gimmie The World (2:21)
The System (3:02)
Innocent (4:00)
Last Breath (3:13)
99 Days (2:32)
Rock 'n' Roll World (2:25)
Get Off The Phone (3:03)
Horror Story (2:09)
Stealing Beauty (2:11)
What Do You Know (2:17)
Deep Peace (2:33)
Too Much Money (2:38)
Life Of Crime (2:18)
The Avenue (3:12)
Bomb You (2:05)
Review: Originally formed in 1976 and often described as "one of the longest-lived groups of the punk era", London's own 999 are punk rock royalty who have the type of loyal fanbase that were either there to see their classic debut single 'I'm Alive' land them a deal with United Artists around the same time as their peers in Buzzcocks, or astute historians who've studied all of their past accomplishments (and unfair inconsideration) in retrospect. Whichever side of the number you land on, both generational fanbases often intersect at the release of the criminally underrated Death In Soho. Originally released in 2007, almost a full decade on from 1997's Takeover, while it'd be another 13 years until the 2020 follow up Bish! Bash! Bosh!, this latter day output showcases the seasoned veterans playing for themselves and for keeps, combining aged bitterness with classic punk rock sensibilities but with an admittedly warmer sense of production value. Don't let the age-old attitude that legacy punk bands don't deliver late-stage LPs worth of value fool you, Death In Soho is one of 999's best. Yes, we said it.

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 in stock $23.53
Emergency At The Old Waldorf 1979
Emergency At The Old Waldorf 1979 (limited translucent ruby red vinyl LP (indie exclusive))
Cat: LIB 5209. Rel: 07 Nov 24
Hit Me (3:09)
Me & My Desire (3:40)
Let's Face It (3:17)
Feelin' Alright With The Crew (4:23)
Lie, Lie, Lie (3:02)
Inside Out (3:01)
Titanic (3:07)
Rael Rean (3:12)
Homicide (4:25)
Emergency (6:10)
Boiler (3:30)
Review: Described as "one of the longest-lived groups of the punk era", London's own 999 originally formed in 1976, quickly developing a cult following through incessant gigging before landing a recording deal with United Artists around the same time as Buzzcocks off the strength of their debut single 'I'm Alive'. Fast forward through two seminal punk classics with their 1977 self-titled debut LP followed in 1978 with the phenomenal Separates, and we land at the iconic Old Waldorf (long shutdown and now a comedy club) for this recently unearthed live album. Emergency At The Old Waldorf 1979 offers a fly on the wall earful of the legendary punk act at the height of their prowess, tearing through some of their best known bangers including 'Hit Me', 'Homicide', and of course, 'Emergency', while this translucent ruby red vinyl edition comes complete with never before seen tour photos as well as liner notes penned by frontman Nick Cash.
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 in stock $26.56
Yes I Don't Know
Cat: FATLP 178. Rel: 27 Feb 25
Damage Tool (4:15)
Numbers (2:35)
Dazed (5:40)
Weird Shapes (4:32)
Neurotic (5:38)
Fish I (1:39)
Yes, I Don't Know (4:29)
Good Vibes (4:29)
Salmon (3:46)
Exhale (3:35)
Das Kapital (4:14)
Fish II (3:40)
Review: Raw post-punk trio Abdomen trade in the heavier end of the genre unafraid to douse distortion and fuzz onto everything and create music so exciting it would be hard not to want to throw yourself into a circle put for, 'Damage Tool' is a breathtaking way to get things started and 'Numbers' makes Fontaines DC sound like Boyzone. They are capable of slowing down - 'Dazed' has been slowed into a hypnotic Spacemen 3-esque psych/shoegaze jam. The band are relative newcomers and not widely known... yet. But this is going to be one of those albums you'll be kicking yourself for not having a first pressing of. Abdomen is only going to get bigger and it will give the Tapetown studio in Aarhus, Denmark - where they recorded this - more bragging rights for being among the coolest alternative music spaces in Europe.
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 in stock $26.56
Black Sails In The Sunset (25th Anniversary Edition)
Cat: 725897 3. Rel: 18 Jul 24
Strength Through Wounding (1:31)
Porphyria (2:06)
Exsanguination (2:49)
Malleus Maleficarum (3:57)
Narrative Of Soul Against Soul (2:26)
Clove Smoke Catharsis (4:31)
The Prayer Position (2:01)
No Poetic Device (3:44)
Weathered Tome (2:10)
The Last Kiss (4:00)
At A Glance (4:13)
God Called In Sick Today (3:12)
Midnight Sun (3:03)
Lower It (2:15)
Who Knew? (2:16)
Weight Of Words (2:33)
Review: Originally released in 1999 and now celebrating its 25th anniversary, Black Sails In The Sunset was the fourth full-length from California hardcore-turned-horror punk heroes AFI, and is often cited as the pivotal project that signalled their sonic, career and identity shift for the decades ahead. Their first album with guitarist Jade Puget, the material marked a notable distancing from the frenetic energy of 1997's Shut Your Mouth & Open Your Eyes, and began their long love affair with gothic romanticism, Lovecraftian lyricism and a newfound horror aesthetic. Perceived by the band and fans alike for being the work that would form the basis of their future sound, while also exuding the first glimpses of vocalist Davey Havok's prowess as a melodious songwriter, there's no more important project in the AFI canon, especially when following onto the career heights of the All Hallow's EP and The Art Of Drowning LP, which likely wouldn't have materialised if not for the creative fearlessness of Black Sails.
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 in stock $34.60
Very Proud Of Ya
Very Proud Of Ya (LP + insert)
Cat: NIT 051. Rel: 01 Jan 90
He Who Laughs Last (1:45)
File 13 (1:44)
Wake-Up Call (1:38)
Cult Status (1:50)
Perfect Fit (1:55)
Advances In Modern Technology (1:38)
Theory Of Revolution (1:31)
This Secret Ninja (2:18)
Soap-Box Derby (2:20)
Aspirin Free (2:43)
Fishbowl (1:45)
Charles Atlas (1:50)
Crop Tub (1:50)
Consult My Lover (1:50)
Take The Test (1:50)
Two Of A Kind (1:50)
Shatty Fatmas (1:50)
Yurf Rendenmein (1:50)
Cruise Control (1:50)
Modern Epic (1:50)
Who Said You Could Touch Me (bonus track) (1:50)
Rolling Balls (bonus track) (1:50)
Love Is A Many-Splendored Thing (bonus track) (1:25)
 in stock $26.75
First Warning: The United Blood Era Recordings New York City 1983
First Warning: The United Blood Era Recordings New York City 1983 (hand-numbered blue splattered vinyl LP limited to 250 copies)
Cat: RRS 110S. Rel: 28 Mar 25
No One Rules (0:37)
Final War (0:43)
Last Warning (0:43)
Traitor (0:43)
Friend Or Foe (0:43)
United Blood (0:43)
Fight (0:43)
Discriminate Me (0:43)
In Control (0:43)
Crucial Changes (0:43)
Smell The Bacon/What's With You (0:43)
In Control (0:43)
Last Warning (0:43)
Fuck All Authority (0:43)
Fight (0:43)
Final War (0:43)
Discriminate Me (0:43)
United Blood (0:43)
No Rights (No One Rules) (0:43)
Friend Or Foe (0:43)
We Should Care (0:43)
Crucial Changes (0:43)
Traitor (0:43)
United Blood (0:43)
Discriminate Me (0:43)
We Should Care (0:34)
Smell The Bacon/What's With You (0:39)
In Control (1:01)
Last Warning (1:01)
Fuck All Authority (1:01)
Fight (1:01)
Get Out/Final War (1:01)
Discriminate Me (1:01)
United Blood (1:01)
Society Suckers (1:01)
No Rights (No One Rules) (1:01)
Friend Or Foe (0:54)
We Should Care (0:23)
Blind Justice (0:44)
Crucial Changes (0:26)
Traitor (0:25)
Skins Go Marching In/We Can Do Anything (1:31)
It's My Life (1:02)
United Blood (1:42)
Time Will Come (1:37)
Review: Formed in 1982, New York City hardcore pioneers Agnostic Front left a defining impact on the burgeoning scene with their unmatched ferocity and sonic abrasion as well as their intimidating attitude and skinhead aesthetic, which would lead to them incorrectly being perceived by some as racists or neo-Nazis. Coming up in the rundown streets of Lower East Side Manhattan, surrounded by urban decay in an area battling severe poverty, drugs, and violence, they channelled their anger into a new breed of punk that would serve as both a rallying cry for the less fortunate as well as an urgent, abrasive form of catharsis. This blistering compilation contains recordings dating back to the very beginning of their career, featuring demos of tracks that would eventually appear on their 1983 debut United Blood 7", while also offering other recordings from this period originally left unissued at the time; some of these would later be included on the 1995 Raw & Unleased CD, though several of these cuts have never been made available on wax until now. The band would later be featured as part of Showtime's The Godfathers of Hardcore documentary from 2017, while frontman Roger Miret's autobiography provides a deeply insightful yet frightening firsthand account of an already clearly tumultuous yet integral time in punk history.
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 in stock $24.92
Rave Immortal
Cat: MOSH 692LP. Rel: 23 Jan 25
Straight To Heart (2:52)
Come On Outside (2:58)
Crashing Parties (2:48)
My Drummer's Girlfriend (2:37)
Hunt You Down (2:50)
Upstairs Neighbour (3:32)
Come Fight Me For It (3:39)
Run Rabbit (3:03)
Catch Me If You Can (3:41)
Rave Immortal (3:10)
Review: Ones to watch in 2025, according to BBC Introducing, double-MOBO Award nominated sisters Nyrobi and Chaya, AKA ALT BLK ERA claim to be "redefining music" with their fusion of rock, house, drum & bass, rap and pop. They're certainly making enough noise to start a mini revolution, with the months preceding Rave Immortal seeing them blow up at events like Glastonbury, Download, and the Reading-Leeds weekenders. Sonically there's not much more to add - this is a rabid, in-your-face, high tempo amalgamation of sound that calls to mind the likes of NERVO, Pendulum, Enter Shikari, and to a lesser extent Prodigy. All convention-defying names, the fact ALT BLK ERA are also big advocates of disability rights and inclusivity within the music industry also paints them, sadly, as necessary outsiders.
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 in stock $33.21
Comfort To Me
Comfort To Me (gatefold LP)
Cat: RT 0250LP. Rel: 10 Sep 21
Guided By Angels (3:02)
Freaks To The Front (1:43)
Choices (2:22)
Security (3:48)
Hertz (2:37)
No More Tears (2:50)
Maggot (3:24)
Capital (2:47)
Don't Fence Me In (2:43)
Knifey (3:24)
Don't Need A Cunt (Like You To Love Me) (1:33)
Laughing (1:47)
Snakes (3:00)
Review: You don't get to call your band Amyl & The Sniffers if the music is anything short of corrosive, in the best possible way. Launching at a serious pace from the off, this is punk at its modern best - a juggernaut of sweat, swearing and uncompromising songwriting that's only rival for your attention comes in the form of riffs and gritty chord instrumentation.

But the Melbourne, Australia band's second LP is far from a simple rehash of the first, which we could have also described in similar terms to those you just read above. This time round things feel more thoughtful, perhaps even patient in certain moments. Of course they still wear 'weirdos' on their sleeves, tongues often firmly placed in cheeks. But there's a depth here to the songwriting, a retro and introspective feeling that reveals far more than the debut album let us hear.
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 in stock $24.92
Cartoon Darkness
Cartoon Darkness (LP + poster)
Cat: RT 0510LP. Rel: 24 Oct 24
Jerkin' (2:07)
Chewing Gum (3:18)
Tiny Bikini (2:11)
Big Dreams (3:04)
It's Mine (1:39)
Motorbike Song (2:24)
Doing In Me Head (2:59)
Pigs (2:21)
Bailing On Me (2:31)
U Should Not Be Doing That (3:19)
Do It Do It (2:25)
Going Somewhere (2:44)
Me & The Girls (2:10)
Review: In a time where the gruff-throated anti-Tory messaging of Idles, the reflective post-drugged out swagger of Viagra Boys and the pub-feed championing of The Chats remind us that punk can still be a vital voice of the people, both big and small, Amyl & The Sniffers have all but quietly been amassing the type of hype and buzz to go toe-to-toe with the lot. Capitalising on the momentum of 2021's exceptional Comfort To Me with last year's 7" "fuck you" to old, gatekeeping curmudgeons on 'U Should Not Be Doing That', the band return to producer Nick Launay (Nick Cave & The Bad Seeds, Yeah Yeah Yeahs) for their severely anticipated third LP Cartton Darkness. Recorded at the Foo Fighters' 606 Studios in Los Angeles, the one and only real-life Amyl (Ms. Amy Taylor) succinctly describes the message as - "driving headfirst into the unknown, into this looming sketch of the future that feels terrible but doesn't even exist yet. A childlike darkness. I don't want to meet the devil half-way and mourn what we have right now. The future is cartoon, the prescription is dark, but it's novelty. It's just a joke. It's fun."
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 in stock $24.92
I Can't Stand It
I Can't Stand It (LP + insert)
Cat: FKR 119LP. Rel: 05 Sep 24
Ocean Motion Mildew Mind (1:32)
Yes Sir Ree (1:24)
I Can't Stand It (1:57)
Country Time (1:37)
If I Were A Poet (1:21)
Torero Piece (7:45)
Peachy Keen-O (13:44)
Review: Kentucky born musical absurdist and voice actor Beth Andersen weaved her way in and out of mainstream circles throughout the entirety of her career, with some of her biggest claims to fame being the use of her 'Dance Dance Dance' single on the Scarface soundtrack as well as her voice acting credits which include appearances in The Swan Princess, Babes In Toyland, and Tarzan. Unbeknownst to many, however, was her artistic double life where she was simultaneously known as a creative academic and scholar whilst dabbling in the niche underground art-punk scenes of the 70s, where with the help of (at the time) future Sonic Youth/Dinosaur Jr producer Wharton Tiers as well as member of the new wave band Theoretical Girls, she was able to carve out one bemusing piece of wax that perplexed familiars on all sides of her spectrums with its self-described fusion of a myriad of unlikely anti-genres such as "yoga punk", "ramble rap", "combustion pop" and "form room funk"... all of which were officially neatly bracketed under the curious Text-Sound movement where Beth garnered utmost respect as a key practitioner. Long out of print, never thought to find its way to wax again, these percussive, rhythmic avant-punk poems and spoken word ditties are even more bizarre in practice than theory.
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 in stock $20.14
Disenchanted
Disenchanted (limited yellow swirl vinyl LP)
Cat: STMP 185-1. Rel: 21 May 24
Apocalypse She (3:29)
Bulldozer (3:17)
Love's Heavy Burden (3:23)
Saviour (3:00)
Dirty Girl (3:49)
Doomed Again (2:50)
Disenchanted (3:06)
Crusade (2:21)
Sat What You Want (2:57)
Overthinking (3:06)
Owe U Shit (2:13)
Freeloading (3:08)
Magnolia (2:57)
Review: Hailing from Toronto, Canada, The Anti-Queens are an all-woman riot grrrl pop-punk mob brimming and buzzing with influences from the likes of The Distillers and The Blackhearts, yet with the feral grunge bite of L7. Returning a half-decade on from their 2019 self-titled debut full-length, Disenchanted doubles down like a confident sophomore follow up should, maximising the buzzsaw riffs, snarling vocals and severely pissed off earworm hooks while furthering their sonic mashup of all things fuzzy, grungy, poppy and punky (no, the last three probably aren't real worlds but they are in The Anti-Queens dictionary).
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 in stock $27.68
Daybreaker
Daybreaker (limited picture disc LP)
Cat: ARIE 10426741. Rel: 24 Mar 25
The Bitter End (2:53)
Alpha Omega (3:52)
These Colours Don't Run (4:02)
Daybreak (3:33)
Truth, Be Told (4:32)
Even If You Win, You're Still A Rat (3:12)
Outsider Heart (3:28)
Behind The Throne (4:07)
Devil's Island (4:09)
Feather Of Lead (2:50)
Unbeliever (4:41)
Review: Originally released in 2012, Daybreaker would serve as the fifth full-length from Brighton progressive metalcore heavyweights Architects, following an identity crisis after 2011's more streamlined post-hardcore effort The Here & Now. While in the decade since, the band have gone on to become one of Britain's most successful heavy music exports, finally managing to balance their heftier proclivities with mainstream appeal, the material here strikes a curious retrospective balance between their mathcore origins, the increasingly vast melodious experimentations, as well as their first forays into embracing elements of nuanced electronica. Conceptually marking their arrival to politically driven messaging, with the now even more timely and oppressively hefty 'These Colours Don't Run' tackling US political division while 'Devil's Island' lambasts the London riots of 2011, the album is also noted for its guest features including Drew York of Stray From The Path on 'Outsider Heart', and Oli Sykes of Bring Me The Horizon on the standout 'Even If You Win, You're Still A Rat'.
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 in stock $32.94
The Curse (20th Anniversary Edition)
Cat: CRF 1596211. Rel: 06 Sep 24
Blood Children (An Introduction) (1:30)
Bleeding Mascara (2:00)
Right Side Of The Bed (3:43)
This Flesh A Tomb (3:51)
You Eclipsed By Me (3:37)
The Crimson (4:00)
The Remembrance Ballad (4:28)
An Interlude (1:57)
Corseting (2:13)
Demonology & Heartache (3:34)
My Sanity On The Funeral Pyre (1:44)
Nevada's Grace (1:53)
Five Vicodin Chased With A Shot Of Charity (8:06)
You Give Love A Bad Name (bonus track) (3:29)
Review: Following on from 2002's debut full-length Suicide Notes & Butterfly Kisses, California metalcore heavyweights Atreyu would capitalise on all of their ensuing momentum with 2004's career-high sophomore effort The Curse, which celebrates its 20th anniversary with this long overdue reissue. Boasting two of their biggest singes to date, 'Right Side of the Bed', and 'The Crimson'; both would go on to receive heavy rotation on MTV2 and Fuse, garnering the band a vast new legion of devout followers, most of whom have remained Atreyu faithful to this day. Praised for both their venomous delivery and evident ability to craft arena-sized hooks, the band and specifically this record were instrumental in the mainstream crossover popularity of more melodic, emo-tinged metalcore and post-hardcore throughout the early noughties, while as of 2020 The Curse has been certified Gold in the US with 500,000 copies sold.
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 in stock $30.18
Bad Brains (remastered)
Bad Brains (remastered) (transparent red vinyl LP (indie exclusive))
Cat: COGIC 21791PMI. Rel: 26 May 22
Sailin' On (1:47)
Don't Need It (1:14)
Attitude (1:19)
The Regulator (1:07)
Banned In DC (2:09)
Jah Calling (2:34)
Supertouch/Shitfit (2:33)
Leaving Babylon (4:09)
Fearless Vampire Killers (1:08)
I (2:06)
Big Take Over (2:58)
Pay To Cum (1:24)
Right Brigade (2:25)
I Luv I Jah (6:24)
Intro (0:15)
 in stock $33.21
I Against I (Punk Note Editon) (remastered)
Cat: ORG 2187B1. Rel: 18 Jul 24
Intro (0:58)
I Against I (2:48)
House Of Suffering (2:23)
Re-Ignition (4:11)
Secret 77 (3:56)
Let Me Help (2:16)
She’s Calling You (3:39)
Sacred Love (3:34)
Hired Gun (3:44)
Return To Heaven (3:16)
Review: Originally distributed through SST Records in 1986, I Against I served as the seminal third full-length from Washington D.C. hardcore punk legends Bad Brains and is still the band's highest selling album to date. Noted for branching far beyond the already expanded parameters of reggae-infused punk, and embracing elements of soul, funk and alternative metal, the album was a shock at the time to the devout fans who were spoiled by the refinement of their sound on Rock For Light, yet in the decades since, the LP has been cited as an integral influence by members of Cro-Mags, Sepultura, The Dillinger Escape Plan and Rage Against The Machine to name a small handful, while artists such as Machine Head, Jeff Buckley and Lamb Of God have even covered the iconic title-track. Newly remastered with updated artwork, this Punk Note edition is a vital collection piece for both newcomers and fanboys who've already spun their OG copy to death.
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 in stock $31.56
I Against I (remastered)
Cat: ORG 21871. Rel: 19 Jul 24
Intro (0:54)
I Against I (2:47)
House Of Suffering (2:27)
Re-Ignition (4:09)
Secret 77 (4:01)
Let Me Help (2:14)
She’s Calling You (3:41)
Sacred Love (3:34)
Hired Gun (3:43)
Return To Heaven (3:13)
Review: The highest selling album from reggae-tinged hardcore punk pioneers Bad Brains arrived courtesy of SST Records in 1986, and marked the band's further decimation of genre parameters. Following on from the major success of their refined sophomore endeavour Rock For Light, which cherry-picked some of their preceding self-titled debut LP's strongest cuts to re-record under the tutelage of The Cars' late, great Ric Ocasek, by the time it came to enter the studio to lay down what would grow into the iconic I Against I, the band had begun to embrace more outsider influences from the realms of soul, r&b and even funk metal; all genres that would inform the sonic makeup of their third full-length. With the title-track covered from everyone from Jeff Buckley to Lamb Of God to Denzel Curry, the utter sonic fearlessness exuded throughout scoffed in the face of hardcore purists who lambasted the effort upon release, while its insidious influence can still be heard today from Rage Against The Machine all the way up to hardcore's modern day flag flyers Turnstile.
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 in stock $32.66
I Against I (remastered)
I Against I (remastered) (limited "plutonium" green marbled vinyl LP)
Cat: ORG 2187A1. Rel: 19 Jul 24
Intro (0:54)
I Against I (2:47)
House Of Suffering (2:27)
Re-Ignition (4:09)
Secret 77 (4:01)
Let Me Help (2:14)
She’s Calling You (3:41)
Sacred Love (3:34)
Hired Gun (3:43)
Return To Heaven (3:13)
Review: Following the major success of 1983's seminal sophomore effort Rock For Light, in which reggae-hardcore heroes Bad Brains would work studiously under The Cars' Ric Ocasek, and even re-record some of their self-titled debut LP's strongest cuts such as 'Sailin' On' and 'Banned In D.C.'; the hard left turn of their now acclaimed third full-length I Against I initially shocked many a hardcore purists upon its initial 1986 release. Arriving courtesy of SST Records, the album showcased an even further disregard for genre or scene parameters than the band had exuded up to that point, absorbing elements of funk, soul, r&b and, most notably, alternative metal, with the material falling somewhere in line with the likes of Living Colour, yet a far scuzzier version. While early reception was somewhat maligned and controversial, with the band even back-peddling on 1989's Quickness, there's no denying the sprawling influence the record has had in the decades since, with covers of the title-track coming from Jeff Buckley to Denzel Curry, while its sonic presence can be heard all the way up to modern hardcore stalwarts such as Turnstile. Not to mention the iconic lore behind the vocals to 'Sacred Love' being recorded by H.R. over the phone from prison while serving time on a marijuana distribution charge. How can you get any more hardcore punk reggae than that?
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 in stock $31.56
Still Nervous (remastered)
Still Nervous (remastered) (limited red & black splattered vinyl LP)
Cat: LGV 301. Rel: 15 May 25
Don't Stop (1:40)
Antidote (1:51)
USA (1:39)
You've Got The Nerve (2:24)
Plastic Rebel (2:21)
Sorry (2:53)
Television (3:43)
Jimmy The Punk (1:49)
Alright (2:32)
You Should Know By Now (3:25)
Too Lazy To Love (2:02)
The Kids Will Never Have Their Say (3:39)
Review: Described as "the bastard child of a Ramones/Strokes one night stand", London's Bad Nerves take the early 60s rock n' roll power pop that birthed the later punk scenes and bend them into an ouroboros of tail-eating, hook-laden punk rock swagger. Following on from their 2020 self-titled debut full-length, their aptly titled sophomore effort ("that was never meant to exist") Still Nervous arrived in 2024 armed to the teeth with fuzzier riffs, bigger hooks, more breakneck pace and an endorsement from Green Day's Billie Joe Armstrong. Boasting cuts such as the mega anthem 'You've Got The Nerve', this is as to-the-point, unpretentious and garage-punk as it gets.
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 in stock $26.30
One More Time Part 2 (Complete Deluxe Edition)
One More Time Part 2 (Complete Deluxe Edition) (gatefold 'blue balls' blue & white marbled vinyl 2xLP + insert)
Cat: 198028 50901. Rel: 31 Jan 25
Anthem (part 3) (3:30)
Dance With Me (3:07)
Fell In Love (2:16)
Terrified (2:44)
One More Time (3:27)
More Than You Know (3:36)
Turn This Off! (0:24)
When We Were Young (2:35)
Edging (2:29)
You Don’t Know What You’ve Got (3:19)
Blink Wave (3:07)
Bad News (2:20)
Hurt (interlude) (1:21)
Turpentine (3:06)
Fuck Face (0:28)
Other Side (2:10)
Cut Me Off (2:08)
See You (3:21)
Childhood (4:18)
No Fun (3:03)
All In My Head (2:43)
Can't Go Back (2:46)
Every Other Weekend (2:44)
Everyone Everywhere (2:59)
If You Never Left (2:52)
One Night Stand (3:35)
Take Me In (3:39)
Review: Following on from last year's triumphant return to pop-punk glory that was Blink-182's ninth overall full-length One More Time (yet seventh with original vocalist/guitarist Tom DeLonge and first since 2011's Neighbourhoods), the band return to remind fans that the extensive good will they've been awarded by their devout followers on this comeback is very much reciprocated. Too early to drop another full-length, yet clearly rejuvenated to the point that new material keeps rearing its head during their continuing global tour, the trio opt to meet themselves in the middle with One More Time Part 2, which is essentially a mega deluxe version complete with ten bonus tracks, adding an additional half hour of new material (a new album in pop-punk terms). Boasting refined anthems such as 'No Fun' and 'All In My Head', while making room for darker synth-laden moments such as 'Can't Go Back' and even more Box Car Racer indebted buzzsaw post-hardcore in the form of 'Everyone Everywhere', this definitive collection offers far more than a forgettable batch of cutting room floor B-sides, and provides a comforting notion that this (one more) time around, Blink are back for themselves and the creative reward as much as for the fans and the payday.
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 in stock $35.16
Suburban Vermin 1996-98
Cat: HZR 228. Rel: 28 Aug 24
Pushed Around (1:47)
Bad Attitude (2:11)
Backdoor To Hell (1:17)
Waiting For You (2:41)
Feel My Love (1:23)
Baby You're So Repulsive (1:31)
Everybody Needs Somebody (1:23)
Born In A Grave (2:07)
Bad Attitude '98 (2:08)
Radio Suicide (live At Fireside Bowl) (1:48)
I Juvenile (live At Fireside Bowl) (1:36)
Pushed Around (demo) (1:55)
Rebel (demo) (1:35)
Get To You (1:38)
Review: In the midst of the 90s math-rock/shoegazing scenes marrying themselves to the progressive Midwest emo movement that had stemmed from hardcore and grunge, one short-lived act too pissed off to play ball was The Brides. Referred to in the underground circles as "Chicago's Best Band of the 1990s", their approach was simplistic and singular: jagged edged, lo-fi cutthroat punk rock too fuzzy to be called garage yet refusing to recognise the hardcore aggression of latter days. Suburban Vermin 1996-98 catalogues the entirety of the band's brief discography, including their eight previously unreleased 1997 legendary demo tracks, blistering 7" cuts as well as previously unheard alternates and live demo takes. Nasty, arrogant - and better than every band you listen to - The Brides were the last stop off the cliff of ballsy punk n' roll, and this studious compilation is sure to wet the beak of any fans of the likes of Crime, Viletones, Pagans, Weirdos, or Heartbreakers.
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 in stock $27.96
Post Human: Nex Gen
Post Human: Nex Gen (2xLP + insert)
Cat: 198028 495318. Rel: 27 Sep 24
[ost] Dreamseeker (2:01)
Youtopia (2:13)
Kool-Aid (3:45)
Top 10 Statues That Cried Blood (3:44)
Limousine (feat Aurora) (4:22)
DarkSide (2:42)
A Bullet W/ My Name On (feat Underoath) (2:48)
[ost] (Spi)ritual (3:19)
N/A (3:23)
Lost (3:26)
Strangers (3:14)
RIP (Duskcore remix) (3:03)
Amen (feat Lil Uzi Vert & Daryl Palumbo Of Glassjaw) (3:27)
[ost] Puss-e (3:24)
Die4u (2:51)
Dig It (6:34)
Review: Bring Me The Horizon were once known as Nottingham's emo-fringed MySpace deathcore scene kids, but the near two decades since have seen them balloon into the latest gateway mainstream metal outfit, taking the reins from the likes of 30 Seconds To Mars and Linkin Park before them. Returning with the highly anticipated sequel to their 2020 nu-metal-centric 'Post Human: Survival Horror' EP, their seventh album (and first proper full-length since 2018's Amo) Post Human: Nex Gen does its utmost to level up on every front just like a true sequel should. Condensing practically every sonic well the group have previously toe-dipped into one noxious bucket of hallucinogenic fluidity, the material here might make numerous nods to their metalcore and post-hardcore beginnings, but that's only to calm the trip with familiarity before being utterly doused in swathes of everything from pop-punk to trap, hyperpop, nightcore and even Anime music. Best described as "ADHD maximalism", the band and project make no qualms over its self-professed over-stuffed, chaotic, messy, obnoxious, overwhelming nature, though it's nearly impossible not to be impressed by the effortless fusions on display at every sonic turn. Their final work with longtime keyboardist/programmer/producer Jordan Fish, while offering a bevvy of dichotomous features from the likes of Aurora, Lil Uzi Vert, Underoath and Daryl Palumbo of Glassjaw and Head Automatica, the Post Human saga continues to rage through the mainstream and underground metal and punk circles like a coked-up unicorn, simply too farcical to be fucked with. Where the trip takes us on Part 3 is, for now, anyone's absurd guess.
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 in stock $49.55
The Poison (20th Anniversary Edition)
The Poison (20th Anniversary Edition) (limited gatefold 180 gram translucent red vinyl LP)
Cat: 198028 04361. Rel: 04 Dec 24
Intro (feat Apocalyptica) (2:23)
Her Voice Resides (4:19)
4 Words (To Choke Upon) (3:43)
Tears Don't Fall (3:38)
Suffocating Under Words Of Sorrow (What Can I Do) (5:38)
Hit The Floor (3:30)
All These Things I Hate (Revolve Around Me) (3:40)
Hand Of Blood (3:23)
Room 409 (3:53)
The Poison (2:19)
10 Years Today (4:45)
Cries In Vain (3:54)
The End (6:17)
Review: Seven years after Bullet For My Valentine first formed under the name Jeff Killed John, they finally dropped a debut album. Gone were the Nirvana and Metallica covers that had defined the band's first incarnation, and in was a more melodic and poppier take on thrash and heavy metal. Going on to sell in excess of 1.6million copies between its initial release in 2005 and 2018, it remains BFMV's most commercially successful outing, earning them gold certification by the US RIAA and UK BPI, and platinum in the eyes of Germany's BVMI. If all this is news to you, perhaps we should start with some references. One for fans of Funeral For A Friend, Alexisonfire and more glossy emo-hued metal groups, it doesn't take long to realise why praise was heaped on The Poison, and the musicians, for their powerhouse riffs and unapologetically loud aesthetic.
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 in stock $29.88
Encore Du Pain (reissue)
Encore Du Pain (reissue) (orange vinyl LP)
Cat: MICR 006. Rel: 13 Mar 25
I Don't Know What To Do With My Life
Love You More
Autonomy
Orgasm Addict
Promises
When Love Turns Around
Ever Fallen In Love (With Someone You Shouldn't Have Fallen In Love With)
What Do I Get?
Oh Shit!
Fast Cars
Review: Following their reformation in 1989 after a near decade-long hiatus, Buzzcocks enjoyed a welcomed resurgence throughout the 90s, never illustrated better than on the French live album captured during their performance at L'Arapho Club in Paris on April 12th 1995. While only the initial 20-song set would be featured, in 1999 the band would release the (at-the-time fan club only) Encore Du Pain, offering up the 10 final tracks from their three encores at the very same show, featuring fan favourites such as 'I Don't Know What to Do With My Life,' 'Orgasm Addict' and 'Ever Fallen in Love?' The pair of releases would eventually be collated into the French et Encore Du Pain double live album, but this single LP restores the Encore Du Pain tracks to their singular nightcap greatness. It also clarifies that Buzzcocks weren't the type of cheap bastards to only deliver a ten-song performance to a paying, sold out crowd.
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 in stock $34.60
French (reissue)
French (reissue) (orange vinyl 2xLP)
Cat: MICR 007. Rel: 13 Mar 25
I Don't Mind (2:57)
Who'll Help Me To Forget (3:00)
Get On Our Own (2:19)
Unthinkable (2:44)
Strange Thing (3:43)
Energy (3:21)
Breakdown (2:15)
Innocent (3:23)
Roll It Over (4:14)
Why She's A Girl From The Chainstore (2:46)
Last To Know (2:50)
Running Free (3:18)
Libertine Angel (2:37)
Why Can't I Touch It (4:36)
Noise Annoys (2:19)
Isolation (3:55)
Boredom (3:10)
Do It (2:55)
Harmony In My Head (3:14)
I Believe (7:26)
Review: Following the Buzzcocks 1989 reformation, the band would make up for nearly a decade of inactivity with extensive touring as well as finally delivering a follow up to 1979's A Different Kind Of Tension 14 years after the fact with 1993's Trade Test Transmissions. The pinnacle of their initial resurgence era is no better illustrated than on their cult classic French live LP; recorded at Paris' L'Arapho Club on April 12, 1995, that sees the band offering up a hefty 20-track set packed to the brim with iconic fan favourites such as 'I Don't Mind' and 'Get On Your Own', whilst also making room for later bangers including 'Isolation' and 'Energy'. While the collection notably eschews the ten final songs from the evening's three subsequent encores, these would eventually be released separately as 1999's (originally fan club-only available) Encore Du Pain. Although the two have been previously combined to make up the French et Encore Du Pain double CD compilation, this singular LP is a reissue of the initial French setlist, while the beautiful people at Reissued Sounds have also repressed Encore Du Pain in tandem, making both sets available on wax for completionists.
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 in stock $48.45
Encore Du Pain (reissue)
Encore Du Pain (reissue) (numbered clear & splattered vinyl LP limited to 100 copies)
Cat: MICR 006AT. Rel: 13 Mar 25
I Don't Know What To Do With My Life
Love You More
Autonomy
Orgasm Addict
Promises
When Love Turns Around
Ever Fallen In Love (With Someone You Shouldn't Have Fallen In Love With)
What Do I Get?
Oh Shit!
Fast Cars
Review: When Buzzcocks returned in 1989 following almost a decade of inactivity, they made up for lost time with new material and plenty of touring, with their performance at L'Arapho Club in Paris on April 12th 1995 serving as one of the prime examples of the band at their slightly seasoned peak. Captured and immortalised as the French live album, this release only featured the first 20 songs of their initial set, while the remaining ten cuts from the three encores of the night would be released in 1999 as the originally fan club-only Encore Du Pain, with this set boasting old school fan favourites including 'I Don't Know What to Do With My Life,' 'Orgasm Addict' and 'Ever Fallen in Love?' While the pair would eventually be compiled as the French et Encore Du Pain double live album, this singular LP is all about the encores and clears up any doubts pertaining to Buzzcocks being the type of lazy cashgrabbers that would only churn a 10-song set of 3-minute cuts to a paying audience.
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 in stock $35.43
Encore Du Pain (reissue)
Encore Du Pain (reissue) (numbered yellow & red splattered vinyl LP limited to 100 copies)
Cat: MICR 006UK. Rel: 18 Mar 25
I Don't Know What To Do With My Life (3:46)
Love You More (1:46)
Autonomy (3:35)
Orgasm Addict (2:15)
Promises (2:03)
When Love Turns Around (2:35)
Ever Fallen In Love (With Someone You Shouldn't Have Fallen In Love With) (2:39)
What Do I Get? (2:41)
Oh Shit! (1:48)
Fast Cars (3:56)
Review: Following a near-decade of inactivity, Buzzcocks made their glorious return in 1989 majorly making up for lost time with new material and numerous tour dates, with their now iconic performance at L'Arapho Club in Paris on April 12th 1995 often regarded as a prime example of the group at their slightly seasoned peak. Immortalised on the live album known simply as French, this captured performance only featured the first 20 songs of that night's initial setlist, with the remaining ten cuts from their three encores later released in 1999 as the originally fan club-only Encore Du Pain, where old school fan favourites such as 'I Don't Know What to Do With My Life,' 'Orgasm Addict' and 'Ever Fallen in Love?' would appear. Though the pair would ultimately be compiled into the French et Encore Du Pain double live collection, this singular LP is all about the encores of that evening, clearing up any doubts about Buzzcocks delivering a lazy, cash-grabbing 10-song set of 3-minute cuts to an avid, paying fanbase. Think of this as more arriving late to a legendary set just in time to catch all of the most highly anticipated golden oldies of the night.
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 in stock $27.41
Psychic Jail Break
Psychic Jail Break (limited translucent magenta vinyl LP)
Cat: BSR 006V3. Rel: 08 Dec 22
Radiate (3:10)
The Hoof (2:59)
Lonely Bong (3:07)
Friday Night (2:54)
Hammering On (4:03)
Crocodiles (2:58)
Shadow Of Mercury (2:56)
Keep On Breathin (4:25)
Pressure Mind (3:23)
Rollin Threes (3:47)
Psychic Jail Break (3:05)
Review: Ever consistent Canadian hardcore punk crew, Cancer Bats, are seemingly set to return with their follow up to 2018's 'The Spark That Moves', which marks their first offering following the departure of founding guitarist Scott Middleton.

With the frenetic thrashings of latest single, 'Lonely Bong', the group haven't sounded this vitriolic or pissed off in the better part of a decade.

From the thunderous title-track alone, it's evident 'Psychic Jailbreak' marks a smouldering return to form with low end grooves and Southern snarl imbued within its hardcore bindings. Cancer Bats have always sounded their best when resembling Every Time I Die getting into a beer-soaked bar brawl with Down, and this could be the fight that leads to a hospital visit.
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 in stock $26.02
Cool World
Cool World (limited neon green vinyl LP (indie exclusive))
Cat: FR 164LPNG. Rel: 28 Nov 24
I Am Dog Now (3:41)
Shame (3:34)
Frownland (3:50)
Funny Man (3:35)
Camcorder (5:58)
Tape (4:07)
The New World (4:33)
Masc (4:01)
Milk Of Human Kindness (4:51)
No Way Out (3:28)
Review: With their 2022 debut LP God's Country, the herald of the true face and voice for modern middle-American malaise came in the form of noise-rock/sludge metal purveyors Chat Pile. Broadcasting from their muted home of Oklahoma City, their deformed sonic mutations pulled equally from The Jesus Lizard, Acid Bath and Korn, while vocalist Raygun Busch (that is his credited moniker) appalled and harrowed with his spoken-word nightmare poetics touching on everything from homelessness and the opioid crisis, to real-life recounts of botched robberies and first-person narratives from horror film characters such as the mother of Jason Voorhees from Friday the 13th. Expanding their scope both conceptually and compositionally, Cool World takes aim at the entire planet with classism, the horrors of war and genocide, the very real potential for abuse stemming from toxic masculinity, capitalist lies and the nihility of existence all as topics of discussion, while still making time for backwoods journeys into serial killer's isolated farm homes. Musically continuing to pummel with industrial abrasion and hypnotic groove, sonically the band have begun to embrace their sludge-core tendencies while channelling nuanced elements of alternative metal and goth rock, offering new painstaking modes of vulnerability to drive home their despair-laden character studies. Mark our words, there isn't one single other metal/punk/alternative album in 2024 that slaps this hard while instilling such a cold feeling of visceral dread and fear for our ever-despondent cool world.

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 in stock $34.32
Cool World
Cool World (limited 'highlighter' translucent yellow vinyl LP + insert)
Cat: FR 164V2. Rel: 17 Oct 24
I Am Dog Now (3:41)
Shame (3:34)
Frownland (3:50)
Funny Man (3:35)
Camcorder (5:58)
Tape (4:07)
The New World (4:33)
Masc (4:01)
Milk Of Human Kindness (4:51)
No Way Out (3:28)
Review: 2022 saw the unlikely glow up of the one of the most sonically unhinged and conceptually hideous newcomers of recent times - Chat Pile. Hailing from the muted middle-America of Oklahoma City, their debut LP God's Country found itself on many an out-of-place end of year list, with its harrowing concoction of sludge metal, noise-rock and spoken word diatribes based around everything from the opioid and housing crises to first-person recounts of revenge from Jason Voorhees's mother of Friday the 13th fame. In short, it was a caustic, horror-indebted debut about how utterly fucked the US is, and now with their platform and exposure majorly expanded, Chat Pile return to take the entire globe to task for its follies on the deformed, multi-headed behemoth bastard of a sophomore effort that is Cool World. Furthering their signature sludgecore down the mire of audible hubris, yet incorporating elements of swaggering grunge and sultry goth-rock, here the unassuming, deplorable four-piece make their indelible mark on the extreme music underground and make it abundantly clear that God's Country was only the beginning of their Babylonian death chants.
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Cool World
Cool World (LP + insert)
Cat: FR 164. Rel: 17 Oct 24
I Am Dog Now (3:39)
Shame (3:33)
Frownland (3:55)
Funny Man (3:29)
Camcorder (5:50)
Tape (4:05)
The New World (4:31)
Masc (4:05)
Milk Of Human Kindness (4:45)
No Way Out (3:29)
Review: With 2022's God's Country, Oklahoma City sludge metal/noise rock manglers Chat Pile took the underground music scene by the throat and dragged it through the twisted drug addled, decrepit, destitute annals of modern middle America. Returning two years on from their major glow up that saw them land on numerous end of year list that usually wouldn't touch their brand of hubris sonics with a ten foot pole, their sophomore endeavour Cool World trades the initial narrow view of the woes of their home country for the rotting globe at large, taking religion, politicians and narcissistic everyday people to task for their ignorance, malice and docile attitudes which are leading to a culmination of no more cool world for any of us. Expanding their sonic scope to draw on more melodious grunge and sultry goth-rock, while tapping outside production help this time around to make their heaving industrial-tinged noise-sludge bombast even more stomach churning, LP2 makes bad on all of Chat Pile's initial, unsettling promise, with a nauseating feeling that they'll be narrating our end times for as long as there are ears to listen.
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 in stock $34.32
Chime Oblivion
Chime Oblivion (limited green vinyl LP + insert)
Cat: DG 002X. Rel: 24 Apr 25
Neighborhood Dog (1:43)
Kiss Her Or Be Her (2:21)
The Fiend (1:37)
Heated Horses (2:43)
The Uninvited Guest (0:06)
And Again (3:41)
The Mythomaniac (2:10)
Smoke Ring (2:40)
I'm Not A Mirror (3:39)
Grass (1:58)
Cold Pulse (1:37)
The Catalogue (3:28)
Review: Primarily known for his sprawling LA-based psych/garage/punk/all of the above work as Osees aka Thee Oh Sees aka Oh Sees, John Dwyer links up with experienced percussionist Dave Barbarossa (Fine Young Cannibals, Adam & The Ants) for the retro bratty glam-punk experience of the year - Chime Oblivion. Their self-titled debut is packed full of squelchy synths, jagged minimalist guitar lines and high-pitched eccentric vocals, paying clear homage to classic acts such as The Slits and Bow Wow Wow. Chock full of bite-sized bangers including 'Neighbourhood Dog' and 'Kiss Her Or Be Her', both of which scoff at the notion of a three-minute track, this is retrofitted throwback dance-punk in the stylised era before it even had such a moniker.
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 in stock $33.21
Group Sex (40th Anniversary Deluxe Edition) (remastered)
Group Sex (40th Anniversary Deluxe Edition) (remastered) (limited coloured vinyl LP + 20-page booklet + sticker)
Cat: TRS 11. Rel: 28 May 21
Deny Everything (0:26)
I Just Want Some Skank (0:44)
Beverly Hills (1:31)
Operation (1:31)
Back Against The Wall (1:32)
Wasted (0:43)
Behind The Door (1:25)
World Up My Ass (1:16)
Paid Vacation (1:30)
Don't Care (2:06)
Live Fast Die Young (0:58)
What's Your Problem (1:02)
Group Sex (0:58)
Red Tape (1:48)
What's Your Problem? (bonus track - 1980 Band Rehearsal) (1:17)
Red Tape (bonus track) (0:32)
I Just Want Some Skank/Beverly Hills (bonus track) (2:11)
Live Fast Die Young (bonus track) (1:44)
Review: 
This deluxe, limited edition 40th anniversary reissue of Circle Jerks ?iconic 1980 classic Group Sex has been specially remastered for vinyl. It includes all the original tracks as well 1980 band rehearsal bonus tracks and a 20 page booklet packed with exclusive, never before seen photos, as well as interviews and anecdotes from fans like Fugazi's Ian MacKaye, Rancid's Lars Frederiksen and skateboarding legend Tony Hawk. The seminal hardcore-punk album is one of the genre's landmarks and it had a huge influence on countless acts to follow.
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Have A Drink On Me: Live At Academic Community Hall Kowloon 25th February 1982 FM Broadcast
Cat: JACK 065Y. Rel: 27 Feb 25
London Calling (2:34)
Washington Bullets (2:42)
Tommy Gun (3:29)
The Guns Of Brixton (3:11)
Train In Vain (3:45)
Know Your Rights (4:18)
The Magnificent Seven (5:09)
Ivan Meets GI Joe (3:50)
(White Man) In Hammersmith Palais (4:11)
Koka Kola (3:03)
Broadway (3:15)
I Fought The Law (2:25)
Career Opportunities (2:30)
Janie Jones (2:10)
Brand New Cadillac (2:15)
Somebody Got Murdered (1:41)
Police & Thieves (4:06)
Stay Free (4:54)
Armageddon Time (3:14)
Jimmy Jazz (3:28)
Complete Control (4:29)
English Civil War (5:46)
Police On My Back (2:56)
Garageland (2:56)
Clash City Rockers (3:28)
Spanish Bombs (3:54)
I'm So Bored With The USA (4:35)
London's Burning (1:10)
Bankrobber (4:00)
Review: After recording sessions for their legendary fifth LP Combat Rock would come to a close at the end of 1981, punk heroes The Clash embarked on a six-week jaunt across Japan, New Zealand, Australia, Thailand (where they shot the iconic cover for their forthcoming record) and Hong Kong. Hitting the city of Kowloon on 25th February only a few months out from record release, this was an era when Hong Kong was still a colony of the British Empire (the last existing dependency of any significance at this time) and enjoyed less government interference in personal freedom, yet there had never been an act as bold as The Clash over to visit. With a setlist that reads today more like a greatest hits including the signature opener 'London Calling' along with bangers galore from 'The Guns Of Brixton' to 'I Fought The Law', '(White Man) In Hammersmith Palais' and 'Jimmy Jazz', with the band even treating the crowd to an early earful of Combat Rock lead single 'Know Your Rights' more than two months before official release (a time when no one had smart phones to film and throw up on YouTube or include on Setlist.fm as "New Song"), this performance and tour would also be one of the final to feature drummer Topper Headon, who would be fired due to his heroin addiction just a few months down the line, marking the end of the original line-up.
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 in stock $31.28
Combat Rock
Combat Rock (limited 180 gram green vinyl LP + poster)
Cat: 194399 68951. Rel: 20 May 22
Know Your Rights
Car Jamming
Should I Stay Or Should I Go
Rock The Cashbah
Red Angel Dragnet
Straight To Hell
Overpowered By Funk
Atom Tan
Sean Flynn
Ghetto Defendant
Inoculated City
Death Is A Star
Review: Album number five from legendary British post-punk and New Wavers The Clash was first unveiled on 14th May 1982. 40 years on it finds itself the centre of attention once more, re-released both in this original version and an extended edition with bonus record The People's Hall. Sticking to this outing, fans will likely already know that the record as it was first intended remains the band's most successful of all time, outselling all that came before or after and charting higher than any other in the US and UK alike.

Respectively hitting number seven and number two in the charts of the day, and spending 23 weeks in the top 40 albums in Britain and a mammoth 61 weeks in the LP league tables Stateside, today it's a double-platinum testament to just how potent the combination of Joe Strummer, Mick Jones, Paul Simonon and Topper Headon was. The last record to feature that iteration of the outfit, tracks like 'Rock the Casbah' and 'Should I Stay Or Should I Go' remain utterly timeless.
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 in stock $28.78
Have A Drink On Me: Live At Academic Community Hall Kowloon 25th February 1982 FM Broadcast
London Calling (2:34)
Washington Bullets (2:42)
Tommy Gun (3:29)
The Guns Of Brixton (3:11)
Train In Vain (3:45)
Know Your Rights (4:18)
The Magnificent Seven (5:09)
Ivan Meets GI Joe (3:50)
(White Man) In Hammersmith Palais (4:11)
Koka Kola (3:03)
Broadway (3:15)
I Fought The Law (2:25)
Career Opportunities (2:30)
Janie Jones (2:10)
Brand New Cadillac (2:15)
Somebody Got Murdered (1:41)
Police & Thieves (4:06)
Stay Free (4:54)
Armageddon Time (3:14)
Jimmy Jazz (3:28)
Complete Control (4:29)
English Civil War (5:46)
Police On My Back (2:56)
Garageland (2:56)
Clash City Rockers (3:28)
Spanish Bombs (3:54)
I'm So Bored With The USA (4:35)
London's Burning (1:10)
Bankrobber (4:00)
Review: Following the end of recording sessions for what would become their iconic fifth full-length Combat Rock in December 1981, punk legends The Clash would embark on a six-week tour of Japan, Australia, New Zealand, Thailand (where they would shoot the cover for the upcoming album) and Hong Kong. Captured in Kowloon on the 25th February three months before record release, and during a time where the city enjoyed less stringent government oversight, there had still never been an act as rambunctious and declarative as The Clash to hold court. Delivering a set that now reads like a greatest hits from the obligatory opener of 'London Calling' to bangers such as 'Tommy Gun', 'The Guns Of Brixton', 'I Fought The Law' and 'Jimmy Jazz', while even unveiling Combat Rock lead single 'Know Your Rights' two months before studio release, the performance and subsequent tour is also noteworthy for being one of the last with the original line-up, as drummer Topper Headon would be fired due to his heroin addiction only a couple of months later.
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 in stock $25.46
Tokyo 1982
Tokyo 1982 (gatefold clear vinyl 2xLP)
Cat: EWR 075LPLTD. Rel: 28 Feb 25
London Calling (4:19)
Safe European Home (4:16)
(White Man) In Hammersmith Palais (4:19)
Brand New Cadillac (2:07)
Charlie Don't Surf (6:14)
Clampdown (4:49)
This Is Radio Clash (4:44)
Armagideon Time (5:00)
Jimmy Jazz (6:09)
Tommy Gun (4:05)
Fujiyama Mama (With Pearl Harbour) (2:03)
Police On My Back (3:06)
White Riot (2:13)
Review: Finishing up recording sessions for what would become their classic fifth full-length LP Combat Rock in December of 1981, The Clash began 1982 with a six-week jaunt across Australia, New Zealand, Hong Kong, Thailand (where they would shoot the iconic cover for their forthcoming album) and Japan, marking their first time hitting most of these countries. Taking the stage at the Nakano Sunplaza in Tokyo on the 1st February, Joe Strummer and co would rip through a setlist that reads today more like a greatest hits collection including the signature opener 'London Calling' along with an array of quintessential bangers such as '(White Man) In Hammersmith Palais', 'This Is Radio Clash', 'Tommy Gun' and 'Jimmy Jazz', while the band would be joined by bassist Paul Simonon's wife Pearl Harbor (aka Pearl E. Gates) of new wave outfit Pearl Harbor & The Explosions for a rendition of the Wanda Jackson popularised 'Fujiyama Mama'. This tour and subsequent performance is also noteworthy for being one of the last to feature drummer Topper Headon, who would be removed from the band shortly after due to his heroin addiction, ultimately bringing an end to the original line-up.
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 in stock $23.24
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