Arnold Layne (Recorded live At The Barbican Centre, London At The Syd Barrett Tribute Concert) (3:47)
Review: Here's a Record Store Day 2020 special that all Pink Floyd fans will want to take a look at: an etched, single-sided seven-inch single featuring a previously unreleased version of Piper at the Gates of Dawn-era favourite 'Arnold Lane'. It was recorded at The Madcaps Last Laugh concert in 2007, a tribute to band co-founder Syd Barrett. It features three Floyd members - David Gilmour, Nick Mason and Rick Wright - alongside vocalist Jon Carin, whose singing is very similar to that of Barrett, and bassist Andy Bell. It's a fairly faithful rendition all told, and one with added weight given the travails of Barrett after he left Pink Floyd in the late 1960s.
Review: Project Gemini led by Paul Osborne presented its latest album Colours & Light recently and it again made an impact with its folk rock, psych soundtracks and cinematic funk sounds showing a more confident and layered sound compared to his debut. This is a limited 7" taken from the upcoming Deluxe Edition of the album with a distortion-laden, progressive rock remix by Jack Sharp of Wolf People/Large Plants, along with an unreleased original track from the album's recording sessions.
Review: Alan Parsons' The Time Machine stands as a remarkable achievement in his discography, set to be released on clear green 180-gram vinyl in a striking gatefold package with a four-page booklet. This album showcases Parsons at his creative zenith, featuring a blend of stellar tracks that highlight his evolving sound. The album flourishes with emotional ballads such as 'Ignorance Is Bliss' and the poignant 'The Very Last Time', enhanced by a standout female vocalist. The ethereal 'The Call of the Wild' and the intriguing mix of electronic and classical elements in 'Far Ago and Long Away' reflect Parsons' willingness to explore new musical landscapes. Featuring guest performances from renowned artists like Tony Hadley and Colin Blunstone, alongside contributions from Ian Bairnson and Stuart Elliott - who are no strangers to Parsons' work - it perfectly encapsulates his musical journey making it a valuable find for those who appreciate his legacy.
Review: On Air is the second solo release by Alan Parsons, following the split of The Alan Parsons Project. One of the creative forces behind this album was APP long-time guitarist Ian Bairnson; the concept of the album revolves around the history of airborne exploration. The theme of 'Too Close to the Sun' is escaping the labyrinth of the Minotaur; 'Brother Up in Heaven' is an emotionally driven song, about the unfortunate death of Ian Bairnson's cousin; 'One Day to Fly' is a song about Leonardo da Vinci's search to design a flying machine. A who's-who of lead vocalists are featured on the album, be they Christopher Cross, Eric Stewart, Neil Lockwood, Steve Overland or Graham Dye. Although On Air might be the most underrated Alan Parsons albums, many consider this as one of his best albums - it now comes back around as a limited edition reissue of 1500 individually numbered copies on translucent red coloured vinyl, housed in a gatefold sleeve and including an insert with lyrics and pictures.
Review: Brighton outfit Phoria have rightfully received plenty of critical acclaim over the course of their previous two albums - and it isn't likely to abate now they drop their third. River Oblivion builds on previous works in that it blends all the electronic intricacies of their debut with the newly added orchestral manoeuvres of their second. This fresh, supersonic journey takes us through the mind of writer Trewin Howard as it was during the many different highs and lows of those dark pandemic days. A real rollercoaster that will keep you coming back for more.
Review: For this outing, the mighty Dusty Donuts crew return to Queensbridge where they cross paths with a 'Lost Girl' which featured on a legendary mixtape by one of QB's finest. The bouncy, choppy Marc Hype & Jim Dunloop Late Night Remix is guaranteed to energise any crowd with its well-programmed beats. On the flipside, the vibe shifts from Queensbridge to Staten Island and brings a unique sound that woos in a different fashion. This heavy soul classic arrives in true Shaolin style with dark, choppy soul chords and classic hip-hop beats. Both of these tracks command attention with powerful drums while the synths connect with both mind and soul.
Review: Enduring prog rock favourites Pink Floyd played this typically mesmeric live performance at the Rainbow Theatre in London on February 20, 1972. It showcases a significant portion of the material that would later appear on their iconic album The Dark Side of the Moon, released a year later and still all these decades the high water mark for certain prog fans. The concert is a superb glimpse into the band's evolving sound, with intense, atmospheric performances and raw energy all present and correct as they work through classics like 'Money', with its snaking bassline, and 'US & Them', in their early versions. A historical snapshot of one of rock's most influential bands in their prime.
Review: In the pantheon of prog rock landmarks, none come bigger than The Dark Side Of The Moon. Pink Floyd's magnum opus struck the perfect balance between grandiose vision and universal appeal, carrying relatable themes alongside innovative production and providing the fuel for any psychedelically-minded listener to trip out on a precision crafted trip. As the album celebrates its 50th birthday, this stellar recording of a full live performance of Dark Side... from Wembley in 1974 is seeing its first pressing on vinyl. It's faithful to the album in Floyd's exacting way, but it's also a revelation to hear such a wide scope of sound recreated on stage, not least the likes of 'On The Run'. A fascinating insight into the legacy of a towering, seminal work in the history of modern music.
Review: The title is lifted from a line in the song from their 1969 studio album, More, which is an acoustic folk ballad titled 'Green Is The Colour': "Heavy is the bond between the hopeful and the damned." Live they slap on a more electric feel with Gilmour's inimitable soloing a strong part of it. The overarching loose, exploratory feel to this collection is a result of Pink Floyd's tendency to improvise and see where the music takes them. Clearly playing for themselves here but nevertheless compelling and awe-inspiring in what they do.
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