Review: Finish dub techno powerhouse Joachim Spieth welcomes UK artist Rhubiqs to his well-regarded Affin label for a debut appearance that sinks you into a widescreen world of ambient lushness. His Aegis of Silence album takes cues from divergent sounds like post-rock and soft ambient as well as drone and even modern classical. It's an ever-shifting soundscape with smeared pads and nostalgia dreams, half-remembered thoughts and a sense of mood that ranges from escapist and blissed out to more ominous and paranoid.
Tower Of Meaning/Rabbit's Ear/Home Away From Home (11:53)
Happy Ending (4:12)
All-Boy All-Girl/Tiger Stripes/You Can't Hold Me Down (8:58)
Introductions (3:44)
Hiding Your Present From You/School Bell (8:13)
Too Early To Tell (7:36)
Changing Forest (13:20)
Sunlit Water (9:49)
Review: A posthumous release that furthers Arthur Russell's now legendary status. Recorded in Downtown New York City on December 20, 1985, it's an intimate, unedited solo live performance recorded at Phill Niblock's loft space known as Experimental Intermedia Foundation. The takes are very raw and unpolished that it makes you feel like one of the very few in attendance. 'That's the Very Reason' is a beautiful, tender experimental folk piece showing he needed very few materials in order to send listeners on a journey of transcendence. 'Too Early To Tell' is highly idiosyncratic and produces a sound not normally associated with cello. And 'Sunlit Water' has an oriental feel and provides beautiful resolve to a resplendent set.
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