Back catalogue: Post Rock/Experimental

Review: Edvard Graham Lewis, the maverick musician and artist best known as bassist/singer with post-punk titans Wire, returns with an album that defies expectations and reveals new depths to his artistry. Lewis's distinctive baritone, both portentous and immediate, is the perfect foil for his enigmatic lyrics, carefully sculpted and pared back to their essence. The album is a captivating blend of experimental pop, where visceral rhythms collide with warm electronics and multiple melodic layers. Lewis's lyrics, delivered with a sardonic wit, are studded with unexpected hooks and barbs, revealing a songwriter who is both a master of language and a keen observer of human nature. The album's co-producer, Max Lorentz, brings a wealth of experience, having worked with acclaimed composer Magnus Lindberg and ABBA's Agnetha Faltskog. Lorentz's influence is evident in the album's rich sound, which blends electronic and acoustic elements, creating a sound that is both experimental and accessible. Lewis's solo work continues to push boundaries and challenge conventions, confirming his status as a true innovator in the world of music. A fine example of his enduring creativity and his commitment to exploring new sonic territories.