Back catalogue: Modern Classical

Review: Brian Eno, legendary master of ambient music and Beatie Wolfe, the LA-based conceptual artist known for her innovative blend of the physical and digital, unite for a collaborative sonic exploration. Throughout 2024, the two artists recorded material that bridges the boundary between deeply personal emotions and universal experiences, creating an evocative soundscape. The work pulses with the distinctive energy of Eno's ambient prowess, while Wolfe's haunting vocals add a layer of intimacy. On tracks like 'Milky Sleep' and 'Hopelessly At Ease', the listener is swept into a dreamlike state where time feels suspended. These moments of calm are balanced by the more urgent, yet still deeply meditative, 'Suddenly', which sways between serenity and tension. The delicate interplay between light and shadow becomes even more palpable on 'A Ceiling and Lifeboat', where the quiet sense of stillness gives way to a profound sense of rebirth. There's a sense of movement throughout the releaseiparticularly on 'Breath March', where rhythm and texture converge with palpable energy. Eno's atmospheric layers create space for Wolfe's voice to become a thread, guiding the listener through these reflective, almost sacred-feeling sonic spaces, where every note invites introspection and feeling.

Review: Brian Eno, a towering figure in ambient music and a master of sonic landscapes, has shaped the contours of modern music through his production collaborations with iconic artists like David Bowie, Talking Heads and U2. His latest work with Beatie Wolfe, a conceptual artist from Los Angeles, encapsulates a career of endless reinvention. Recorded in London, the collaboration weaves together the worlds of alternative vocals and ambient soundscapes. 'Big Empty Country' serves as a vivid contrast between light and darkiits day and night versions embodying the very essence of Eno's immersive, evolving sound. Much like his work as part of Roxy Music and beyond, this release is both forward-thinking and introspective, grounded in a shared commitment to environmentalism and artistic exploration. It's a meditation on space, sound and feelingian unbroken thread in Eno's enduring legacy of artistic expression.

Review: Katia and Marielle Labeque's latest album, Cocteau Trilogy, celebrates operatic works by Glass inspired by Jean Cocteau's films. This highly anticipated release completes Glass's operatic triptych with transcriptions from Orphee, La Belle et la Bete, and Les Enfants Terribles, arranged specifically for the Labeque sisters by Michael Riesman. The album continues the sisters' long-standing tradition of transcending musical boundaries, blending power and subtlety with remarkable precision. From the opening notes of the Orpheus Suite, the Labeques captivate with their dynamic control and signature flair. Their interpretation of Glass's complex harmonies and rhythmic structures is both intense and nuanced, offering a fresh perspective on the composer's work. The sisters' ability to transition seamlessly between forceful, vibrant passages and moments of delicate restraint brings a new emotional depth to these compositions. Cocteau Trilogy is a compelling tribute to Glass, showcasing the Labeque sisters at their best. It's a multifaceted album that not only honors the legacy of the composer but also cements the Labeques' status as masters of their craft, making it a standout release of 2024.

Review: Director Max Kestner's documentary film portrait Copenhagen Dreams is a tribute to the Danish capital. That also happened to be the place acclaimed composer Johann Johannsson was living at the time he was asked to score the movie. As always he does so with real aplomb and devastating emotionality. This now classic soundtrack features celestial keyboard sounds, emotive string quartets, clarinet, subtle electronic and plenty of melodic magic that both swells and breaks the heart. Academy Award winner Hildur Gudnadottir plays on the soundtrack with various other of Johann's favourite Icelandic talents.

Review: This exclusive Record Store Day Limited Edition of Ennio Morricone's score to The Blue-eyed Bandit has been restored and remastered from the original tapes, preserved in the historical CAM Sugar archives. It is the first time the soundtrack has been released on vinyl since its original release in 1982, and quite possibly the only chance to listen to the genius of Morricone engaging with the world of jazz. He was famously suspicious of jazz improvisation, yet let his musicians be free in this setting, allowing them to add their solos to the original structure. The band featured his friend and collaborator Enrico Pieranunzi on piano, drummer Roberto Gatto and double bassist Riccardo Del Fra.

Review: Max Richter's album, In A Landscape, is his ninth studio effort, and has been recorded at his Studio Richter Mahr in Oxfordshireia space designed with his wife, artist Yulia Mahr. This album marks a significant chapter in Richter's illustrious career. Described by Richter as a exploration of "reconciling polarities," weaves together electronic textures with acoustic instrumentation, bridging the human with the natural world and addressing life's profound questions alongside its simple pleasures. Richter elaborates that the album continues the thematic exploration begun with his 2004 work, The Blue Notebooks, but viewed through the lens of contemporary life. The lead track, 'Movement, Before All Flowers,' exemplifies this blend of depth and delicacy, offering a look into Richter's contemplation on existence and the passage of time. In A Landscape is not just a musical journey but a reflective self-portrait. It shows a composer ever in dialogue with the world around him.

Review: Max Richter's ninth solo album, In A Landscape, is his first recorded at his tranquil new studio in rural Oxfordshire, Studio Richter Mahr, which is a minimalist, eco-conscious retreat he shares with his wife. The album explores "reconciling polarities" and blends electronic and acoustic elements with the human experience and elements from the natural world. Comprising 19 exquisitely well-crafted and coherent tracks, this record serves as a reflective counterweight to the urgency of previous projects and focuses on Richter's immediate surroundings and a range of influences from Bach to Keats. In capturing moments of introspection using a simple palette of string quintet, piano, organ, and analogue synths, Richter impresses once again here.

Review: Cam Sugar and Decca present Jeymes Samuel's Spaghetti Western Collection, a curated set of rare Italian Western soundtrack gems from 1963 to 1972. British artist and director Jeymes Samuel, confoundingly known as The Bullitts, handpicked the 20 tracks, made the cover art, and topped it all off with two self-produced new singles; though his career spans Jay-Z and Baz Luhrmann collabs through to songwriting for Doja Cat and Jay Electronica, this collection hints at a deeper intel, marking out a hidden job lot of Italian Western scores, with their standoffish, twangy surf-rock guitars, and abstract, picture-ready surf rock psalmoi. With an exclusive booklet with interviews and archival material, it's the first of its kind, and an essential for film buffs and soundtrack collectors.