Strut レコード& CD

Review: A Dancefloor in Ndola, curated by East African DJ Kampire for Strut Records' 25th anniversary, is a great example at the broad sounds of classic East and Southern African music. With 13 tracks that span genres like Congolese rumba, South African bubblegum, and Zambian kalindula, the compilation pays homage to the rich musical heritage of the region. Kampire's personal connection to the music, shaped by her upbringing in Ndola, Zambia, adds depth to the compilation. Through her own edit of 'Ririmi Rotsombela' and personal liner notes, she traces her links to the music, creating a nostalgic experience for listeners. The compilation not only celebrates well-known artists but also shines a spotlight on women in African music from the 80s, including legends like Pembey Sheiro, Feza Shamamba, and Princesse Mansia M'bila. It's a testament to the diversity and richness of African music history. With its blend of classic tracks and Kampire's personal touch, A Dancefloor in Ndola is more than just a compilation; it's a cultural journey that highlights the beauty and significance of African musical traditions.

Review: Always keen to break new ground, Strut's latest compilation comes not from a well-known European or American crate-digger, but rather Kenyan-born, Uganda-based DJ Kampire. A Dancefloor in Ndola sees her look back to her time growing up in Zambia and specifically the music she heard and loved during these formative years. It's a great idea, executed brilliantly, with Kampire showcasing an enticing and highly entertaining mix of East and South African music from the 70s and 80s, including Congolese rumba and soukous, bubblegum, and kalindula, a guitar-led style native to Zambia. It's a joyous an eye-opening collection all told and notable for - aside from the high quality throughout - Kampire's decision to showcase a high number of tracks from legendary and little-known female artists. A genuinely essential collection all told.

Review: Strut continues to explore the vast archives of Disque Debs, a long-running, Guadalupe-based label that, over the course of half a century, released a wealth of music from the Caribbean. In the process, Henri Debs imprint helped launch the careers of countless French-speaking artists while not only showcasing stylistic movements such as zouk, bouyon and merengue, but also bold, colourful and tropical takes on existing Caribbean, Amercian and European sounds. Highlights include - but are in no way limited to - the slowly unfurling, synth-heavy shuffle of Sadi Lancreot's club-ready 'Dou Se Vou Ki Siwo' and the horn-heavy tropical disco brilliance of Dominuque Parol's 'Come On Baby'.