Miss You Germany レコード& CD

Review: The enigmatic release from Nilton Castro offers a fantastic journey into Afro-Brazilian rhythms and expressive musical landscapes. Recorded possibly in the 70s and released in the early 90s, its origins remain shrouded in mystery, adding to its allure. Originally crafted to accompany contemporary dance classes, the album showcases Castro's percussion expertise, enhanced by moments of choir, flute, and keys/metallophone. The standout track, 'Ondes (Les Vagues),' has intrigued collectors for years with its harmonious crescendos and subtle percussion, creating an immersive sonic experience. Remastered and reissued with its original artwork, the album embodies unadulterated musical expression, reflecting Castro's artistic vision and timeless charm. Listening to this release is akin to embarking on a journey of blissful discovery, where each track unveils layers of intricate rhythms and ethereal beauty.

Review: Regarded as "one of reggae's quietest superstars", Jackie Mittoo aka. "The Keyboard King" carved a remarkable path in reggae music. A protege of Sly Stone, he began his career as part of Studio One's in-house recording band, and later went on to work with artists such as Bob Marley, UB40, Barry White, Peter Tosh and Oscar Peterson. This album was the result of a rare occasion of being on tour in Africa and establishing musical connections with musicians from Ghana; it was recorded in Accra and mixed in London. Predominantly instrumental, In Africa is essential to any dub-conscientious record collection, as it culminates the career of a reggae legend under new influences in West Africa, resulting in an unmistakably characteristic modern dub sound. Reissued on vinyl with remixes previously only availably on CD format.

Review: One online reviewer described Shakeena's sole album, 1987's 'Dance Music', as a 'lover's rock jewel'. We tend to agree. Now available again on wax for the first time since the 80s (when it was pressed and released by a tiny label and sunk without trace), the album offers an enticing mix of echo-laden drum machine beats, dub-wise reggae basslines, cheery 'FM' synth-sounds, soulful vocals and nods towards freestyle, boogie and '80s soul. Highlights are plentiful throughout, with our picks of a very strong bunch including the club-ready title track, the glossy 'Your Love' (where Shakeena raps as well as sings), the classical lovers rock of 'Reggae Music' and the sweet and tender 'We Are The Mothers of the World'.