Review: Even though it came on the venerated Blue Note label, Sonny Red's Out of the Blue record is somehow something of an overlooked treasure. Alto sax man Sonny Red only out this one record for the label and recorded it across two separate sessions with piano from Wynton Kelly as well as Sam Jones and Paul Chambers on bass, stickmen Roy Brooks and Jimmy Cobb. This reissue is part of the Tone Poet Series which presses up records on nice heavy wax in deluxe packaging after remastering form the original analogue master tapes so you can be sure it sounds superb.
Do You Know What It Means To Miss New Orleans? (5:03)
Manhattan (3:55)
My Heart In San Francisco (Holiday) (3:13)
That's New England (4:45)
Alabama (intro) (1:01)
Star Fell On Alabama (1:13)
Alabama (7:52)
Where Are You? (5:15)
Review: A wonderfully warm and heartrending new jazz opus from Joshua Redman - Where We Are adds to Blue Note's legacy as standing for "The Finest In Jazz". Over the past three decades, the saxophonist, composer, and bandleader has consistently demonstrated how to honor the music's verities while expanding its reach in contemporary settings. On where are we, Redman's first recording as a Blue Note artist, he delivers one of his most compelling albums to date, in a program featuring typically brilliant supporting partners and (in a first for Redman) built around a dynamic vocalist, Gabrielle Cavassa. With incisive attention to detail and impeccable recordings, this is not one to let pass by.
Review: Originally from Jamaica, Dizzy Reece went on to become a legendary jazz trumpeter from the mid-50s onwards, and Star Bright is surely one of his finest moments. Recorded for Blue Note in 1959, the album features Hank Mobley on tenor sax, Paul Chambers on bass, Art Taylor on drums and Wynton Kelly on piano, and if the hard bop sound is your thing, you really shouldn't be without this album in your life. From the loping opening of 'The Rake' to the sprightly 'Groovesville' and onwards, it's pure magic on the ears, freshly pressed up for an immaculate listening experience.
Review: A transatlantic jazz summit, capturing Jamaican trumpeter Dizzy Reece alongside American legends Donald Byrd and Art Taylor. Recorded in London in 1958, Blues In Trinity marks Reece's Blue Note debut, a vibrant blend of hard bop and soulful melodies and features a stellar lineup including Tubby Hayes on tenor sax, Terry Shannon on piano and Lloyd Thompson on bass. Reece's trumpet shines throughout, his expressive playing and melodic phrasing complemented by Byrd's equally impressive contributions. Highlights include the soulful title track, the dreamy 'I Had The Craziest Dream' and a captivating rendition of Monk's 'Round About Midnight'.
Review: Freddie Roach's 1963 session is a soul jazz classic that epitomises Blue Note's golden era. With a line-up featuring Blue Mitchell's crisp trumpet lines, Hank Mobley's smoky tenor sax, Eddie Wright's intricate guitar work, and Clarence Johnston's dynamic drumming, the music brims with groove and sophistication. Roach's Hammond B3 organ anchors the ensemble, balancing soulful warmth with technical brilliance. This deluxe reissue, part of the Tone Poet series, features meticulous production by Joe Harley. A timeless gem, now restored for audiophiles and jazz lovers alike.
Review: Sonny Rollins made his Blue Note debut in 1949 with Bud Powell, but returned as a leader in 1956 with Volume 1. This album showcases classic Rollins so has plenty of hard-swinging originals and a tender ballad that perfectly offer up his powerful sound and boundless improvisational skills. The quintet includes Donald Byrd, Wynton Kelly, Gene Ramey and Max Roach who all support Rollins in creating a dynamic blend of jazz. This record solidified Rollins' reputation as a leading figure in the genre, and that is still true to this day.
Review: Jazz great Sonny Rollins is in a romping mood on this album News's Time. This version for Blue Note's Classic Edition has been remastered in all analogue on heavyweight wax. The set list is a varied one that blitzes its way through Broadway show tunes, big pop songs, some special pieces by Miles Davis and Kenny Dorham, and Sonny's own much-loved 'Blues for Philly Joe.' It is an all time classic amongst many from Rollins and one of four he made for this label in the course of just one year.
Softly As In A Morning Sunrise (alternate take) (7:16)
What Is This Thing Called Love (13:31)
All The Things You Are (6:37)
Woody 'N You (8:39)
Four (8:40)
I'll Remember April (9:37)
Get Happy (8:44)
Get Happy (short version) (4:32)
Review: Sonny Rollins' Night At The Village Vanguard: The Complete Masters is a jazz treasure trove capturing the great man's legendary performances at the iconic New York venue. This comprehensive collection showcases him at the peak of his improvisational prowess and delivering electrifying saxophone solos backed by a stellar ensemble. From the pulsating rhythms of 'A Night In Tunisia' to the introspective melodies of 'I've Got You Under My Skin,' each track shows just how unique he was when it came to improvisation and jazz innovation. The remastered recordings offer pristine sound quality, allowing listeners to experience the vibrant energy of Rollins' live performances with unparalleled clarity.
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.