Review: With both his experimental yehyeh and dancefloor focused ninih labels, founder Pieter Janson prefers to space out releases. This quality over quantity approach has thus far paid dividends, with the slim catalogues of both labels simply bursting with quality. Remarkably, this outing from sometime Kalahari Oyster Cult contributor RDS is only the sixth ninih EP in total. Predictably, it's superb, with the Amsterdam-based producer flitting between moody and ghostly breaks ('Bfc01'), lightly bleep-inflienced tech-house purism ('Vnecktechtheme'), heavily psychedelic late night intoxication (the alien-sounding chords, immersive pads and hallucinatory electronics of 'Tpssty'), and deep, spaced-out, hip-hop tempo electro ('Bfc04'). By jove, Janson's done it again!
… Read more