Review: In 1991, A Tribe Called Quest released The Low End Theory, a groundbreaking album that solidified their status as hip-hop legends. Building on the jazz-infused sound of their debut, the album featured sparse grooves and expertly chosen bass samples, with jazz bassist Ron Carter contributing to 'Verses from the Abstract.' DJ Ali Shaheed Muhammad's minimalistic approach allowed Q-Tip and Phife Dawg's lyrical prowess to shine, showcasing their clever wordplay, humor, and social commentary. Tracks like 'Butter' and 'The Infamous Date Rape' addressed misogyny, while 'Rap Promoter' and 'Show Business' critiqued the music industry. The album's production is consistently smooth, with standout tracks such as 'Check The Rhime' and 'Jazz (We've Got).' The posse cut 'Scenario,' featuring Leaders of the New School, is a legendary closer. The album's influence on hip-hop is undeniable, inspiring future artists like Kendrick Lamar and Outkast. The Low End Theory remains relevant and refreshing, a testament to Tribe's creativity and unflappable style. It's a masterful blend of thought-provoking lyrics and impeccable production, making it one of the greatest hip-hop albums of all time.
Review: The hip-hop legends' fourth album, released in 1996, marked a pivotal shift in their musical journey. The production, led by The Ummahia collective including Q-Tip and the late J Dillaiintroduced a more minimalist and darker tone compared to their earlier, jazz-infused works. Tracks like '1nce Again' and 'Stressed Out' exemplify this evolution, blending introspective lyrics with innovative beats. The reissue offers a renewed appreciation for the group's willingness to experiment and evolve, highlighting a significant chapter in their discography.
Review: A Tribe Called Quest's Anthology is a masterful compilation that distills the essence of their groundbreaking hip-hop career into one essential collection. Spanning from their early gems like 'Luck of Lucien' to the jazz-infused brilliance of 'The Low End Theory' and the infectious groove of 'Award Tour,' this album encapsulates the evolution and influence of the group over a decade. It's a perfect introduction for those new to their discography, capturing all the highest points of their journey. Tracks like 'Find a Way' from 'The Love Movement' and Q-Tip's solo debut 'Vivrant Thing' add depth and diversity, showcasing their enduring impact on hip-hop culture. Anthology not only celebrates their innovative sound but also highlights why A Tribe Called Quest remains a top listen for any hip-hop enthusiast.
Review: This two-disc compilation serves as both a tribute and a comprehensive dive into the legacy of one of hip-hop's most influential groups. A Tribe Called Quest were instrumental at the start of the 90s for helping the hip-hop genre move into more conscious lyrics that thanks to the members, took storytelling to a new level. Creating some of the most catchy tracks in hip-hop history, the group continue to grow in respect as one of the best acts in the genre of all time. With a mix of career-defining hits, rare B-sides and fresh remixes, this package is a rich exploration of their artistry. Tracks like 'Can I Kick It?', 'Electric Relaxation' and 'Scenario' stand as monuments to their enduring impact, racking up millions of streams and inspiring new generations of listeners. Previously unreleased gems 'Mr. Incognito' and 'The Night He Got Caught' feel right at home alongside anthems like 'Award Tour' and 'Bonita Applebum', highlighting the group's versatility and storytelling prowess. The inclusion of remixes, such as 'Lyrics To Go (Tumblin Dice Remix)' and 'Oh My God (Remix)', adds layers of freshness to timeless classics. The attention to detail in this collection is remarkable. Tracks like 'Jazz (We've Got)' and 'Check The Rhyme' sound revitalised, with crisp production showing their intricate melodies and sharp lyricism. From the playful narrative of 'I Left My Wallet in El Segundo' to the bold swagger of 'Buggin' Out,' every track contributes to the story of a group widely considered to be one rap's all time greats.
Review: In 2019, self-described "boy band" hip-hop collective Brockhampton released their most commercially viable album with Ginger, but that same year, creative mastermind and leader Kevin Abstract would begin laying the groundwork for his future solitary ventures. While Arizona Baby marked Abstract's third solo endeavour, it would be the first since his group's signing to Sony RCA, which naturally meant an increased budget, wider distribution and far more attention than any previously released output baring Ian Simpson's stage moniker. Primarily produced by Jack Antonoff (Taylor Swift, Lana Del Rey) and Brockhampton's Romil Hemnani, the project would initially be released piecemeal in three chapters, sonically moving from experimentalist hip-hop to increasingly hazy neo-psych r&b and avant-pop, before finally being re-released in its entirety. Unpacking the intensity of his newfound fame, the homophobia still rife within the hip-hop community, as well as delving into the controversial ousting of former bandmate and high school friend Ameer Vann; Arizona Baby covers a plethora of musical and personal ground in its half-hour runtime, while the retrospective lens of Brockhampton's abrupt demise in 2022 adds further depth and an air of interpersonal tragedy to the material's confessional nature.
Looking For The Perfect Beat (original 12" version) (7:04)
Renegades Of Funk (remix) (6:45)
Frantic Situation (Frantic mix) (3:49)
Who You Funkin' With? (Fetat Melle Mel) (6:21)
Go-Go Pop (feat Trouble Funk) (5:59)
They Made A Mistake (Performed By MC GLOBE & Pow Wow) (5:27)
Review: Afrika Bambatta & Soulsonic Force's Planet Rock is a legendary album in its own right and now Tommy Boy reissues it in limited edition style. Afrika Bambaataa was a pioneering rap force before most people had even heard the word. Raised in the South Bronx, he became a pioneering DJ, rapper and songwriter who put on large block parties that rocked his local neighbourhood. It was alongside Soulsonic Force in 1982 on this record that he cemented his place in the history books as one of the most revered and innovative artists of his time. The album has been a go-to for generations of artists ever since and remains a long-time favourite amongst breakdancers for its body-popping electro beats.
Review: On her newest album, Montreal rapper Naya Ali proves herself not entirely production-shy, delivering an LP’s onslaught of glossy and maximised pop rap, and of dam-busting proportions at that. Celebrated as a “deeply introspective record and wide-eyed embrace of the world” by the label Bonsound, the album’s title reflects what sounds to be the sheer voracious passion gone in, which bottles a prodigious explosion of cathartic energy expressed in electropunk and blowout rap, in a single 14-track statement. Based in Montreal, Canada, Ali lives on fecund soils for such wild collisions as this. Slitty 808-driven trap will dominate for three tunes straight, before dropping anchor on multilayered gospel sands (‘Life’), after which an ultra-slick, general about-face ensues: no track is the same after the midpoint. The best experiment is ‘Stunt Like An Immigrant’, taking the bopping tempo and feel of crunk and wringing it out to an alien, nasally pulp.
Somewhere To Be (feat Andy Cooper & Marietta Smith) (3:22)
Ever Been (3:36)
Review: Freak The Speaker marks a vibrant evolution in The Allergies' sound, showcasing their deep-rooted love for diverse musical styles. Producers Moneyshot and Rackabeat have upped the ante, delivering their biggest beats yet and enlisting an array of talented MCs and vocalists to bring their vision to life. Afrobeat star K.O.G. injects energy into the lively 'Koliko,' while Ohmega Watts delivers sharp, impactful verses on the hard-hitting 'No Flash.' UK rappers Dr Syntax and Skunkadelic trade dynamic bars over booming 808s on 'My Own Way,' and Dynamite MC shines on the soulful, infectious 'One Time.' Fans of The Allergies' signature funky, sample-heavy production won't be disappointed. Tracks like 'Let Me Hear You Say' channel vintage roller disco vibes, while 'Knock Me Off My Feet' is a 60s soul-inspired banger that's already garnered praise. Andy Cooper of Ugly Duckling brings his trademark flair to his features, complemented by the lively contributions of saxophonist James Morton and soulful singer Marietta Smith. Freak The Speaker is a celebration of music's global diversity, wrapped in The Allergies' unmistakable style.
Review: The mighty Dez Andres has hooked up with Parisian digger Victor Kiswell for a sublime new double album on Spot Lite that finds a perfect sweet spot between both men's sound. It stems from a party that explores Arabic grooves from Northern Africa and the Middle East and pairs that with low slung deep house beats and hip-hop inspired joints. It's woozy and warm, packed with killer melodies and hooky riffs and is right up there with some of Dez's best work. Highlights include the likes of 'Grand Meze In Gemmayze' with its dusty beats and 'Bounce The Casbah' with Middle Eastern guitars that ring out with great soul.
Review: Angry Blackmen's The Legend of ABM is a visceral exploration of life in contemporary America. Through their gritty and unapologetic lyricism, Quentin Branch and Brian Warren confront the harsh realities of their existence with raw honesty and introspection. Produced by Derek Allen, the album's chaotic and distorted soundscapes provide a fitting backdrop for their narrative, capturing the ambient stress of navigating a society rife with systemic injustices. The album's tracks delve into themes of depression, existentialism, self-reflection and survival, offering a poignant commentary on the struggles faced by Black men in today's world. Branch and Warren's lyrical delivery is blunt and uncompromising, detailing their personal demons and experiences with searing clarity. From grappling with mental health issues to confronting generational trauma, their storytelling is both captivating and harrowing. While the production style may draw comparisons to noise rap, The Legend of ABM maintains a sense of accessibility and immediacy that sets it apart. Branch and Warren's chemistry is palpable as they effortlessly weave through intricate rhyme schemes and rapid-fire verses, infusing each track with a competitive intensity and undeniable energy.
Review: This renowned hip-hop producer (and also half of Atmosphere) is a founding member of Rhymesayers Entertainment. His decades-spanning career includes work with MF DOOM, Brother Ali, Murs and more after he was raised in a military family with a deep love for records. Ant's eclectic influences shine in Collection of Sounds, a four-volume instrumental series that his instalment three here and has been carefully curated from his vast archive. It mixes up intimate, haunting tracks with expansive, venue-filling beats. Some compositions invite vocalists yet remain deeply personal and overall, rather than reinventing things, Ant reconfigures his past while staying true to his artistic roots.
Review: Ant's Collection of Sounds Vol. 1 offers a profound exploration of his vast musical expertise. As a cornerstone of Atmosphere and Rhymesayers Entertainment, Ant's latest project delves into his deep archive of unreleased material, presenting a sonic journey that's both intimate and expansive. The album masterfully balances moods, from the eerie closeness of 'Bar One' to the wide-open, atmospheric '4-Track Beyond Beat 1996.' Ant's ability to craft beats that invite exploration is evident throughout, with tracks practically begging for lyrical accompaniment. Yet, he resists the urge to overcomplicate, keeping the focus on the purity of the instrumentals. Collection of Sounds isn't just a showcase of technical skill; it's a reflection of Ant's artistic evolution, blending past influences with fresh ideas. The vinyl's packaging adds a tactile dimension to the experience, featuring a custom green record housed in a beautifully designed jacket with artwork by ZooDeville and Saber. This first volume has Ant's enduring creativity on full display with top notch hip-hop production.
Review: Legendary producer Ant, who you will most likely know for his work with Atmosphere, showcases his talent once more here with Collection of Sounds: Vol. 4. This release highlights his years of dedication to his craft and is a great mix of fresh ideas with his signature style. While previous volumes explored hip-hop, funk and reggae, Vol. 4 introduces rock-inspired elements such as wailing guitars, though it still maintains a firm foundation in hip-hop. Tracks like 'Hearing In Dark Colors' and 'Created With a Heavy Brush' display his mastery of diverse styles while 'Day After 2010' offers an unexpected vibe that helps confirm Ant's status in the scene.
Review: Mikahl Anthony's debut full-length, Muse, offers a profound auditory journey reflecting his expansive influence across the alt-soul and hip-hop realms. Renowned for collaborations with Mick Jenkins, Chance The Rapper, and others, and as a core member of THEMpeople, Anthony presents a richly layered narrative through this album. Muse integrates self-directed visuals with its deeply personal and introspective content. The project explores themes of self-growth and reflection, blending various voices and experiences with Anthony's own lyrical depth. The title, representing 'Ms. Using Sensual Energy' and 'Making Use of Seclusion Every Day', hints at the album's dual focus on intimate self-discovery and isolation as a creative force. Tracks like 'La Flare' and 'MollyAmory' showcase a mix of ethereal melodies and gritty textures, while the closing piece employs reverb-drenched saxophone to evoke emotional complexity. The music, crafted with a cinematic sensibility, engages listeners in a dynamic exploration of personal and communal stories, making Muse a compelling reflection of Anthony's artistic vision and growth.
Review: Omar Apollo's latest promises a deeply personal journey through the aftermath of a tumultuous love affair - the album's title, inspired by the Spanish phrase "lo que sera, sera," reflects Apollo's tongue-in-cheek acceptance of life's twists and turns. With executive production by Teo Halm, God Said No features collaborations with musician Mustafa and actor Pedro Pascal. Recorded at Abbey Road Studios in London and fine-tuned across studios in Los Angeles, New York and Miami, the album showcases Apollo's soulful vocals and introspective lyrics. The prelude single, 'Spite,' and the newly released 'Dispose of Me,' accompanied by a live performance video featuring a 14-piece ensemble, offer a glimpse into Apollo's emotionally charged storytelling. This album is shaping up to be a poignant and intimate exploration of heartbreak and resilience in the face of life's uncertainties.
Review: Freestyle Records reissues The Apples Kings a full decade and a half after its first release. This version has been fully remastered and re-cut for an even more dynamic sound to remind why the landmark album was so special. It was a first for the band who crafted it with specific collaborators in mind and worked with funk legend Fred Wesley and Israeli world music icon Shlomo Bar In fusing elements of The JB's funky foundations, soul, dub, and Middle Eastern influences, they cooked up a genre-defying mix filtered through The Apples' unique decks-horns-bass-drums lineup. These unmistakable, floor-shaking grooves are just as potent today as they were in 2010.
Review: "Danama" is a Bambara word meaning "trustworthy" that reflects the essence of Arat Kilo's fifth album, which was recorded in Spring 2024. The album embodies optimism, collective strength and cultural blending, while advocating confidence during these times which are so marred by wars, nationalism and environmental crises. Arat Kilo is France's leading Ethio-jazz ensemble and they take a fresh approach by experimenting with sound production by adding new instruments like synths, bass clarinet and Malian n'goni, alongside their signature grooves. These tunes are influenced by genres like Jersey club and 2-step and merge with Ethiopian jazz and global rhythms. Mamani Keita's poignant lyrics and social critique from Mike Ladd make this a resounding call for hope and unity.
Review: Between A Rock And A Hard Place, the 1994 debut from Newark's Artifacts, is a snapshot of East Coast hip-hop with its roots in graffiti culture. Comprising Tame One and El Da Sensei, the duo delivers a mix of underground hits and gritty street anthems. While the album boasts production from heavyweights like Buckwild, T-Ray, and Redman, it's a mixed bag of standout tracks and underwhelming moments. Tracks like 'Wrong Side of Da Tracks' shine, paying homage to graffiti over a mellow backdrop with a soothing horn loop, marking it as a 90s gem. The album captures the glory parts of the era, with tracks like 'Whayback' offering nostalgic reflections on their journey into hip-hop. The reissue on 180-gram gold vinyl is a worthy nod to its legacy for this cult classic.
Review: After receiving a Swedish GRAMMY nomination for her 2023 album Be Free and maintaining a busy tour schedule, trombonist, songwriter and producer Ebba decided to try and challenge jazz's rigid boundaries for her next project. The result is When You Know, a smoky, melancholic brew that swirls jazz, alternative r&b, indie, hip-hop and ambient sounds into something pleasingly fresh. Co-produced with Berlin-based producer Lucy Liebe, the album was recorded in a cabin outside her hometown during the harsh winter and reflects Ebba's direct, driven nature. It often moves into avant-garde territory but the vocal work on cuts like 'Did I Go?' mean it always makes and emotional impact, while lush beats on 'Open Your Eyes ' are perfect for summer and 'What I Want' is devastatingly intimate and honest.
Crewed Up (feat Stage One/St Paul Slim/Muja Messiah/YZ/Brother Ali/Toki Wright/Blueprint) (2:46)
What They Sittin' For? (1:41)
That's Not Beef, That's Pork (5:05)
The Old Style (feat cuts By DJ Plain Ole Bill) (2:54)
You Played Yourself (4:23)
Road To The Riches (feat cuts By DJ Plain Ole Bill) (4:44)
Review: Strictly Leakage by Atmosphere is a free internet download that serves as a gift to fans, showcasing the Minnesota duo's strengths in self-aware party-rocking and battle-rap aggression. The album, released as a complement to a series of EPs, features Slug's charismatic and confident delivery over Ant's sample-heavy production reminiscent of late 1980s and early 90s beats. Despite its party-centered themes, Strictly Leakage maintains a reflective and philosophical tone, with tracks like 'The Things That Hate Us' offering tongue-in-cheek commentary on indulgences and societal issues. Slug's storytelling prowess shines on tracks like 'Little Math You,' where he challenges perceptions of identity and authenticity in rap. Overall, Strictly Leakage is a testament to Atmosphere's versatility and creativity, making it a worthwhile reissue on vinyl for fans to get a hold of.
Review: Polish producer Latarnik and American vocalist Anthony Mills collide on this new album for Polish label Astigmatic to explore lo-fi hip-hop, soul, dub and experimental electronics. Mills's falsetto vocal brings great Neo-soul warmth to Crack Rock with emotionally charged tones soaring over the production which ranges from sugary and 80s-tinged disco and boogie on 'Crack' to deep, seductive and gooey on 'Passive Lover' which is a more romantic sound. Latarnik's work is often minimal yet immersive which creates space for Mills' voice to shine and is delivered in equal parts spoken word, chant and soulful croon. The hypnotic, slow-burning soundscapes that result are both intimate and confrontational, ready to make you dance but also often just to feel. Unapologetically raw and deeply human, this one lingers long after the final track ends.
Review: 'Off Days in London' is a collaborative EP by Detroit's Illa J and London-based Ash Walker. Their serendipitous meeting in London in 2023 during Illa J's break from touring led to the creation of four fresh tracks that blend hip-hop and jazz. Despite busy schedules, the two artists found time to bond over shared influences, like featuring Detroit legend Amp Fiddler on their albums, and turned their studio sessions into soulful, genre-blurring music. With Illa J effortlessly switching between singing and rapping, the EP showcases organic collaboration and leaves listeners eager for a full-length project from the pair.
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